typeface (n.)

late 15c., "symbol, emblem," from Latin typus "figure, image, form, kind," from Greek typos "a blow, dent, impression, mark, effect of a blow; figure in relief, image, statue; anything wrought of metal or stone; general form, character; outline, sketch," from root of typtein "to strike, beat," from PIE *tup-, variant of root *(s)teu- (1) "to push, stick, knock, beat" (see steep (adj.)).

Extended 1713 to printing blocks of metal or wood with letters or characters carved on their faces, usually in relief, adapted for use in letterpress printing. The meaning "general form or character of some kind, class" is attested in English by 1843, though the corresponding words had that sense in Latin and Greek. To be (someone's) type "be the sort of person that person is attracted to" is recorded from 1934.

c. 1300, "the human face, a face; facial appearance or expression; likeness, image," from Old French face "face, countenance, look, appearance" (12c.), from Vulgar Latin *facia (source also of Italian faccia), from Latin facies "appearance, form, figure," and secondarily "visage, countenance," which probably is literally "form imposed on something" and related to facere "to make" (from PIE root *dhe- "to set, put").

Replaced Old English andwlita "face, countenance" (from root of wlitan "to see, look") and ansyn, ansien, the usual word (from the root of seon "see"). Words for "face" in Indo-European commonly are based on the notion of "appearance, look," and are mostly derivatives from verbs for "to see, look" (as with the Old English words, Greek prosopon, literally "toward-look," Lithuanian veidas, from root *weid- "to see," etc.). But in some cases, as here, the word for "face" means "form, shape." In French, the use of face for "front of the head" was given up 17c. and replaced by visage (older vis), from Latin visus "sight."

From late 14c. as "outward appearance (as contrasted to some other reality);" also from late 14c. as "forward part or front of anything;" also "surface (of the earth or sea), extent (of a city)." Typographical sense of "part of the type which forms the letter" is from 1680s.

Whan she cometh hoom, she raumpeth in my face And crieth 'false coward.' [Chaucer, "Monk's Tale"]

Face to face is from mid-14c. Face time is attested from 1990. To lose face "lose prestige" (1835), is from Chinese tu lien; hence also save face (1898; see save). To show (one's) face "make or put in an appearance" is from mid-14c. (shewen the face). To make a face "change the appearance of the face in disgust, mockery, etc." is from 1560s. Two faces under one hood as a figure of duplicity is attested from mid-15c.

Two fases in a hode is neuer to tryst. ["Awake lordes," 1460]

"complete set of characters of a particular face and size of printing type," 1680s (also fount); earlier "a casting" (1570s); from French fonte "a casting," noun use of fem. past participle of fondre "to melt," from Latin fundere (past participle fusus) "to melt, cast, pour out" (from nasalized form of PIE root *gheu- "to pour"). So called because all the letters in a given set were cast at the same time.