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Entries linking to turnkey
turn (v.)late Old English turnian "to rotate, revolve," in part also from Old French torner "to turn away or around; draw aside, cause to turn; change, transform; turn on a lathe" (Modern French tourner), both from Latin tornare "to polish, round off, fashion, turn on a lathe," from tornus "lathe," from Greek tornos "lathe, tool for drawing circles," from PIE root *tere- (1) "to rub, turn." Transitive sense in English is from c. 1300. Related: Turned; turning.
Use in expression to turn (something) into (something else) probably retains the classical sense of "to shape on a lathe." To turn up "arrive, make an appearance" is recorded from 1755. Turn about "by turns, alternately" is recorded from 1640s. To turn (something) loose "set free" is recorded from 1590s. Turn down (v.) "reject" first recorded 1891, American English. Turn in "go to bed" is attested from 1690s, originally nautical. To turn the stomach "nauseate" is recorded from 1620s. To turn up one's nose as an expression of contempt is attested from 1779.
Turning point is attested by 1640s in a figurative sense "point at which a decisive change takes place;" literal sense "point on which a thing turns; point at which motion in one direction ceases and that in another or contrary direction begins" is from 1660s.
Use in expression to turn (something) into (something else) probably retains the classical sense of "to shape on a lathe." To turn up "arrive, make an appearance" is recorded from 1755. Turn about "by turns, alternately" is recorded from 1640s. To turn (something) loose "set free" is recorded from 1590s. Turn down (v.) "reject" first recorded 1891, American English. Turn in "go to bed" is attested from 1690s, originally nautical. To turn the stomach "nauseate" is recorded from 1620s. To turn up one's nose as an expression of contempt is attested from 1779.
Turning point is attested by 1640s in a figurative sense "point at which a decisive change takes place;" literal sense "point on which a thing turns; point at which motion in one direction ceases and that in another or contrary direction begins" is from 1660s.
key (n.1)"instrument for opening locks," Middle English keie, from Old English cæg "metal piece that works a lock, key" literal and figurative ("solution, explanation, one who or that which opens the way or explains"), a word of unknown origin, abnormal evolution, and no sure cognates other than Old Frisian kei.
Perhaps it is related to Middle Low German keie "lance, spear" on notion of "tool to cleave with," from Proto-Germanic *ki- "to cleave, split" (cognates: German Keil "wedge," Gothic us-kijans "come forth," said of seed sprouts, keinan "to germinate"). But Liberman writes, "The original meaning of *kaig-jo- was presumably '*pin with a twisted end.' Words with the root *kai- followed by a consonant meaning 'crooked, bent; twisted' are common only in the North Germanic languages." Compare also Sanskrit kuncika- "key," from kunc- "make crooked."
Modern pronunciation is a northern variant predominating from c. 1700; earlier and in Middle English it often was pronounced "kay." Meaning "that which holds together other parts" is from 1520s. Meaning "explanation of a solution" (to a set problem, code, etc.) is from c.1600.
The musical sense originally was "tone, note" (mid-15c.). In music theory, the sense developed 17c. to "sum of the melodic and harmonic relationships in the tones of a scale," also "melodic and harmonic relationships centering on a given tone." Probably this is based on a translation of Latin clavis "key," used by Guido for "lowest tone of a scale," or French clef (see clef; also see keynote). Sense of "mechanism on a musical instrument operated by the player's fingers" is from c. 1500, probably also suggested by uses of clavis. OED says this use "appears to be confined to Eng[lish]." First of organs and pianos, by 1765 of wind instruments; transferred to telegraphy by 1837 and later to typewriters (1876).
Perhaps it is related to Middle Low German keie "lance, spear" on notion of "tool to cleave with," from Proto-Germanic *ki- "to cleave, split" (cognates: German Keil "wedge," Gothic us-kijans "come forth," said of seed sprouts, keinan "to germinate"). But Liberman writes, "The original meaning of *kaig-jo- was presumably '*pin with a twisted end.' Words with the root *kai- followed by a consonant meaning 'crooked, bent; twisted' are common only in the North Germanic languages." Compare also Sanskrit kuncika- "key," from kunc- "make crooked."
Modern pronunciation is a northern variant predominating from c. 1700; earlier and in Middle English it often was pronounced "kay." Meaning "that which holds together other parts" is from 1520s. Meaning "explanation of a solution" (to a set problem, code, etc.) is from c.1600.
The musical sense originally was "tone, note" (mid-15c.). In music theory, the sense developed 17c. to "sum of the melodic and harmonic relationships in the tones of a scale," also "melodic and harmonic relationships centering on a given tone." Probably this is based on a translation of Latin clavis "key," used by Guido for "lowest tone of a scale," or French clef (see clef; also see keynote). Sense of "mechanism on a musical instrument operated by the player's fingers" is from c. 1500, probably also suggested by uses of clavis. OED says this use "appears to be confined to Eng[lish]." First of organs and pianos, by 1765 of wind instruments; transferred to telegraphy by 1837 and later to typewriters (1876).
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