Entries linking to ottava rima
c. 1300, utaves (plural, via Anglo-French from popular Old French form oitieve, otaves), reformed in early 15c., from Medieval Latin octava, from Latin octava dies "eighth day," fem. of octavus "eighth," from octo (see eight).
Originally "period of eight days after a festival," also "eighth day after a festival" (counting both days, by inclusive reckoning; thus if the festival was on a Sunday, the octaves would be the following Sunday).
Verse sense of "stanza of eight lines" is from 1580s; musical sense of "note eight diatonic degrees above (or below) a given note" is by 1650s, from Latin octava (pars) "eighth part." Formerly English eighth was used in this sense (mid-15c.)
"agreement in terminal sounds of words or metrical lines," a 16c. attempt to restore a classical spelling to Middle English ryme, rime (c. 1200) "measure, meter, rhythm," later "rhymed verse" (mid-13c.), from Old French rime (fem.), which is related to Old Provençal rim (masc.), earlier *ritme, from Latin rithmus, from Greek rhythmos "measured flow or movement, rhythm; proportion, symmetry; arrangement, order; form, shape, wise, manner; soul, disposition," related to rhein "to flow" (from PIE root *sreu- "to flow").
The persistence of rime, the older form of the word, perhaps is due to popular association with Old English rim "number" (from PIE root *re- "to reason, count"). The intermediate form rhime was frequent until late 18c.
In Medieval Latin, rithmus was used for accentual, as opposed to quantitative, verse, and accentual verse usually was rhymed, hence the sense shift. In prosody, specifically the quality of agreement in end-sounds such that the last stressed vowel, and any sounds after it, are the same, and preceding sounds differ.
Verse was invented as an aid to memory. Later it was preserved to increase pleasure by the spectacle of difficulty overcome. That it should still survive in dramatic art is a vestige of barbarism. [Stendhal "de l'Amour," 1822]
The sense of "a piece of poetry in which consonance of end-sounds is observed" is from 1610s. From 1650s as "word that rhymes with another." The phrase rhyme or reason "good sense" (chiefly used in the negative) is from late 15c. (see reason (n.)). Rhyme scheme "ordered pattern of end-rhymes in metrical composition" is attested from 1931. Rhyme royal (1841) is a stanza of seven 10-syllable lines rhymed a-b-a-b-b-c-c.
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updated on October 12, 2019