Words related to art
It forms all or part of: adorn; alarm; aristarchy; aristo-; aristocracy; arm (n.1) "upper limb of the body;" arm (n.2) "weapon;" armada; armadillo; armament; armature; armilla; armistice; armoire; armor; armory; army; art (n.) "skill as a result of learning or practice;" arthralgia; arthritis; arthro-; arthropod; arthroscopy; article; articulate; artifact; artifice; artisan; artist; coordination; disarm; gendarme; harmony; inert; inertia; inordinate; ordain; order; ordinal; ordinance; ordinary; ordinate; ordnance; ornament; ornate; primordial; subordinate; suborn.
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit irmah "arm," rtih "manner, mode;" Armenian arnam "make," armukn "elbow;" Greek arti "just," artios "complete, suitable," artizein "to prepare," arthron "a joint;" Latin ars (stem art-) "art, skill, craft," armus "shoulder," artus "joint," arma "weapons;" Old Prussian irmo "arm;" German art "manner, mode."
Old English beon, beom, bion "be, exist, come to be, become, happen," from Proto-Germanic *biju- "I am, I will be." This "b-root" is from PIE root *bheue- "to be, exist, grow," and in addition to the words in English it yielded German present first and second person singular (bin, bist, from Old High German bim "I am," bist "thou art"), Latin perfective tenses of esse (fui "I was," etc.), Old Church Slavonic byti "be," Greek phu- "become," Old Irish bi'u "I am," Lithuanian būti "to be," Russian byt' "to be," etc.
The modern verb to be in its entirety represents the merger of two once-distinct verbs, the "b-root" represented by be and the am/was verb, which was itself a conglomerate. Roger Lass ("Old English") describes the verb as "a collection of semantically related paradigm fragments," while Weekley calls it "an accidental conglomeration from the different Old English dial[ect]s." It is the most irregular verb in Modern English and the most common. Collective in all Germanic languages, it has eight different forms in Modern English:
BE (infinitive, subjunctive, imperative); AM (present 1st person singular); ARE (present 2nd person singular and all plural); IS (present 3rd person singular); WAS (past 1st and 3rd persons singular); WERE (past 2nd person singular, all plural; subjunctive); BEING (progressive & present participle; gerund); BEEN (perfect participle).
The paradigm in Old English was: eom, beo (present 1st person singular); eart, bist (present 2nd person singular); is, bið (present 3rd person singular); sind, sindon, beoð (present plural in all persons); wæs (past 1st and 3rd person singular); wære (past 2nd person singular); wæron (past plural in all persons); wære (singular subjunctive preterit); wæren (plural subjunctive preterit).
The "b-root" had no past tense in Old English, but often served as future tense of am/was. In 13c. it took the place of the infinitive, participle and imperative forms of am/was. Later its plural forms (we beth, ye ben, they be) became standard in Middle English and it made inroads into the singular (I be, thou beest, he beth), but forms of are claimed this turf in the 1500s and replaced be in the plural. For the origin and evolution of the am/was branches of this tangle, see am and was.
That but this blow Might be the be all, and the end all. ["Macbeth" I.vii.5]
In 17c. it began to replace be, ben as first person plural present indicative in standard English. The only non-dialectal survival of be in this sense is the powers that be. But in southwest England, we be (in Devonshire us be) remains non-standard idiom as a contradictory positive ("You people aren't speaking correct English." "Oh, yes we be!"), and we be has reappeared in African-American vernacular.
1530s, "workmanship, the making of something by craft or skill," from French artifice "skill, cunning" (14c.), from Latin artificium "a profession, trade, employment, craft; a making by art; a work of art," from artifex (genitive artificis) "craftsman, artist, master of an art" (music, acting, sculpting, etc.), from stem of ars "art" (see art (n.)) + facere "to make, do" (from PIE root *dhe- "to set, put"). Meaning "crafty device, trick" is from 1650s.
late 14c., "not natural or spontaneous," from Old French artificial, from Latin artificialis "of or belonging to art," from artificium "a work of art; skill; theory, system," from artifex (genitive artificis) "craftsman, artist, master of an art" (music, acting, sculpting, etc.), from stem of ars "art" (see art (n.)) + -fex "maker," from facere "to do, make" (from PIE root *dhe- "to set, put").
Earliest use in English is in the phrase artificial day "part of the day from sunrise to sunset" (as opposed to the natural day of 24 hours). Meaning "made by man, contrived by human skill and labor" is from early 15c. The word was applied from 16c. to anything made in imitation of, or as a substitute for, what is natural, whether real (light, tears) or not (teeth, flowers). Meaning "fictitious, assumed, not genuine" is from 1640s; that of "full of affectation, insincere" is from 1590s. Artificial insemination dates from 1894. Artificial intelligence "the science and engineering of making intelligent machines" was coined in 1956.