by 1912 in reference to the inertial force that acts on objects that are in motion relative to a rotating reference frame, from the name of French scientist Gaspard Gustave de Coriolis (1792-1843) who described it c. 1835.
also Aeolean, c. 1600, "of the wind," from Latin Æolus "god of the winds," from Greek Aiolos "lord of the winds," literally "the Rapid," or "the Changeable," from aiolos "quickly moving," also "changeful, shifting, varied" (an adjective used of wasps, serpents, flickering stars, clouds, sounds).
The Aeolian harp (the phrase is attested from 1791) was made of tuned strings set in a frame; passing breezes caused them to sound harmoniously. Another name for it was anemochord (1832). The ancient district of Aiolis in Asia Minor was said to have been named for the wind god, hence Aeolian also refers to one branch of the ancient Greek people.
former New Amsterdam (city), New Netherlands (colony), renamed after British acquisition in 1664 in honor of the Duke of York and Albany (1633-1701), the future James II, who had an interest in the territory. See York. Related: New Yorker. Latinized Noveboracensian "of or pertaining to New York" (1890) contains the Medieval Latin name of York, England, Eboracum. New York minute "very short time" attested by 1976.
Some of Mr. [Horace] Gregory's poems have merely appeared in The New Yorker; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it—they are the trademark not simply of a magazine but of a class. [Randall Jarrell, "Town Mouse, Country Mouse," The Nation, Sept. 20, 1941]