16c. spelling variant or attempted classical correction of Middle English rime "measure, meter, rhythm," also "agreement in end-sounds of words or metrical lines, rhyme; a rhyming poem" (12c.), from Old French rime "verse," from Latin rhythmus "movement in time," from Greek rhythmos "measured flow or movement, rhythm; proportion, symmetry; arrangement, order; form, shape, wise, manner; soul, disposition," related to rhein "to flow" (from PIE root *sreu- "to flow"). Compare rhyme.
The word rhyme has no connection with the word rhythm, nor is rhyme necessary to accentual verse. Nevertheless, rhyme was usually present. On the other hand, in classical Greek metrical poetry, rhymes, if not accidental, were never an essential element of metrical verse structure. [Henry Osborn Taylor, "The Classical Heritage of the Middle Ages," 1911]
The spelling fluctuated 16c.-17c., rithme and ri'me also being used. From 1550s as "metrical movement, movement in time characterized by equality of measures and alteration of stress and relaxation." By 1776 as "regular succession of beats or accents in music."
The rhythm method in reference to birth control is attested from 1936. Rhythm and blues, U.S. music style, is from 1949 (first in Billboard magazine).
c. 1600, "pertaining to rhythm in art," from French rhythmique or directly from Latin rhythmicus, from Greek rhythmikos, from rhythmos "measured flow or movement, rhythm; proportion, symmetry" (see rhythm). By 1630s of language, verse, music, etc., "marked by regularly recurring accents or beats," especially if strong or smooth. Related: Rhythmical (1560s); rhythmically.
also eurhythmic, "harmonious," 1831, from Greek eurythmia "rhythmical order," from eurythmos "rhythmical, well-proportioned," from eu "well, good" (see eu-) + rhythmos "measured flow or movement, rhythm; proportion, symmetry" (see rhythm). Related: Eurythmics (also eurhythmics), "system of rhythmical body movement to music, used as therapy or to teach musical understanding," developed by Swiss music educator Émile Jaques-Dalcroze; eurythmy.
Proto-Indo-European root meaning "to flow."
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit sravati "flows," srotah "stream;" Avestan thraotah- "stream, river," Old Persian rauta "river;" Greek rhein "to flow," rheos "a flowing, stream," rhythmos "rhythm," rhytos "fluid, liquid;" Old Irish sruaim, Irish sruth "stream, river;" Welsh ffrwd "stream;" Old Norse straumr, Old English stream; Lettish strauma "stream, river;" Lithuanian sravėti "to trickle, ooze;" Old Church Slavonic struja "river," o-strovu "island," literally "that which is surrounded by a river;" Polish strumień "brook."
a modern spelling variant or replacement of Middle English rime, rimen, from Old French rimer, from rime "verse" (see rhyme (n.)). The Middle English word is attested from late 12c. as "poetic measure, meter," from c. 1300 as "agreement in terminal sounds of words or metrical lines; a rhyming song or ballad."
The spelling shifted from mid-17c. by influence of rhythm and Latin rhythmus, from the same Greek source, and the intermediate form rhime is frequent for a while (Dryden and Steele have rhime; Pope and Scott rhyme). Related: Rhymed; rhyming; rhymer (Middle English rimer, early 15c., from rime, also from Anglo-French rimour, Old French rimeur).
The poetaster's rhyming dictionary is attested from 1775 (in John Walker's introduction to his "Dictionary of the English Language, Answering at once the Purposes of Rhyming, Spelling, and Pronouncing. On a Plan Not Hitherto Attempted"). The phrase rhyming slang for the Cockney disguised speech in which a word is replaced by a phrase which rhymes with it is attested from 1859 (the thing itself described by 1851). Especially if the rhyming word is then omitted, which seals the reference from the uninitiated: Richard, in rhyming slang "a girl" (a couple of likely Richards), short for Richard the Third, chosen to rhyme with bird "girl."
1921; see jazz (n.); popularized 1922 in writings of F. Scott Fitzgerald; usually regarded as the years between the end of World War I (1918) and the Stock Market crash of 1929.
We are living in a jazz age of super-accentuated rhythm in all things; in a rhythm that (to "jazz" a word) is super-normal, a rhythm which is the back-flare from the rhythm of a super war. ["Jacobs' Band Monthly," Jan. 1921]