"the southern United States," 1859, of obscure origin, first attested in the song of that name, which was popularized, if not written, by Ohio-born U.S. minstrel musician and songwriter Dan Emmett (1815-1904); perhaps a reference to the Mason-Dixon Line, but there are other well-publicized theories dating to the Civil War. Popularized nationwide in minstrel shows. Dixieland style of jazz developed in New Orleans c. 1910, so called by 1919 (in the name of a band).
It is interesting to remember that the song which is essentially Southern — "Dixie" — and that which is essentially Northern — "Yankee Doodle" — never really had any serious words to them. [The Bookman, June 1910]
masc. proper name, most famously in classical history king of Macedon, father of Alexander the Great (compare philippic); the from Latin Philippus, from Greek Philippos "fond of horses," from philos "beloved, loving" (see philo-) + hippos "horse" (from PIE root *ekwo- "horse"). Skelton made it the name applied to a common sparrow (perhaps from resemblance to the bird's call). In 16c., Philip and Cheyney was a way to say "any two common men."
You remember the story of the poor woman who importuned King Philip of Macedon to grant her justice, which Philip refused : the woman exclaimed, "I appeal" : the king, astonished, asked to whom she appealed : the woman replied, "From Philip drunk to Philip sober." [Emerson, "New England Reformers," 1844]
in ancient Roman mythology, one of the three chief divinities (with Jupiter and Juno), a virgin goddess of arts, crafts, and sciences; wisdom, sense, and reflection (later identified with Greek Athene), late 14c., Mynerfe, minerve, from Latin Minerva, from Old Latin Menerva, from Proto-Italic *menes-wo- "intelligent, understanding," from PIE root *men- (1) "to think, remember," with derivatives referring to qualities of mind or states of thought (see mind (n.)). Compare Sanskrit Manasvini, name of the mother of the Moon, manasvin "full of mind or sense." Related: Minerval.
Minerva Press, a printing-press formerly in Leadenhall Street, London; also a class of ultra-sentimental novels, remarkable for their intricate plots, published from about 1790 to 1810 at this press, and other productions of similar character. [Century Dictionary]
conspicuous constellation containing seven bright starts in a distinctive pattern, late 14c., orioun, ultimately from Greek Oriōn, Oariōn, name of a giant hunter in Greek mythology, loved by Aurora, slain by Artemis, a name of unknown origin, though some speculate on Akkadian Uru-anna "the Light of Heaven."
Another Greek name for the constellation was Kandaon, a title of Ares, god of war, and the star pattern is represented in many cultures as a giant (such as Old Irish Caomai "the Armed King," Old Norse Orwandil, Old Saxon Ebuðrung). A Mesopotamian text from 1700 B.C.E. calls it The True Shepherd of Anu. The Orionid meteors, which appear to radiate from the constellation, are so called by 1876.
I this day discovered a new particular of my own ignorance of things which I ought to have known these thirty years — One clear morning about a fortnight since I remarked from my bed-chamber window a certain group of stars forming a Constellation which I had not before observed and of which I knew not the name — I marked down their positions on a slip of paper with a view to remember them hereafter and to ascertain what they were — This day on looking into the Abridgment of La Lande's Astronomy, one of the first figures that struck my eye in the plates was that identical Constellation — It was Orion — That I should have lived nearly fifty years without knowing him, shews too clearly what sort of observer I have been. [John Quincy Adams, diary entry for Nov. 18, 1813, St. Petersburg, Russia]
eleventh Roman letter, from Greek kappa, from Phoenician kaph or a similar Semitic source, said to mean literally "hollow of the hand" and to be so called for its shape.
Little used in classical Latin, which at an early age conformed most of its words (the exceptions had ritual importance) to a spelling using -c- (a character derived from Greek gamma). In Late Latin, pronunciation of -c- shifted (in the direction of "s"). Greek names brought into Latin also were regularized with a -c- spelling, and then underwent the Late Latin sound-shift; hence the modern pronunciation of Cyrus, Circe. To keep their pronunciation clear, the many Greek words (often Church words) that entered Latin after this shift tended to take Latin -k- for Greek kappa.
K- thus became a supplementary letter to -c- in Medieval Latin, used with Greek and foreign words. But most of the languages descended from Latin had little need of it, having evolved other solutions to the sound shifts.
K- also was scarce in Old English. After the Norman conquest, new scribal habits restricted -c- and expanded the use of -k-, which began to be common in English spelling from 13c. This probably was done because the sound value of -c- was evolving in French and the other letter was available to clearly mark the "k" sound for scribes working in English. For more, see C.
In words transliterated from Arabic, Hebrew, Turkish, Japanese, Hawaiian, etc., it represents several different sounds lumped. In modern use some of them are now with kh-; in older borrowings they often followed traditional English spelling and were written with a C- (Corea, Caaba, etc.).
As a symbol for potassium, it represents Latin kalium "potash." In CMYK as a color system for commercial printing it means "black" but seems to stand for key in a specialized printing sense. Slang meaning "one thousand dollars" is 1970s, from kilo-. K as a measure of capacity (especially in computer memory) meaning "one thousand" also is an abbreviation of kilo-.
As an indication of "strikeout" in baseball score-keeping it dates from 1874 and is said to represent the last letter of struck. The invention of the scorecard symbols is attributed to English-born U.S. newspaperman Henry Chadwick (1824-1908) principally of the old New York "Clipper," who had been writing baseball since 1858, and who explained it thus:
Smith was the first striker, and went out on three strikes, which is recorded by the figure "1" for the first out, and the letter K to indicate how put out, K being the last letter of the word "struck." The letter K is used in this instance as being easier to remember in connection with the word struck than S, the first letter, would be. [Henry Chadwick, "Chadwick's Base Ball Manual," London, 1874]