fem. proper name, from Latin, fem. of Priscillus, diminutive of Priscus (fem. Prisca), from priscus "antique, ancient, of old; old-fashioned, primitive, venerable," from *pris-ko-, adjective from *pris-, *pri "before," probably from PIE root *per- (1) "forward," hence "in front of, before, first."
masc. proper name, Germanic, perhaps from Proto-Germanic *fardi-nanth- and meaning literally "adventurer," with first element perhaps Proto-Germanic *fardiz "journey," abstract noun related to or from *far- "to fare, travel" (from PIE root *per- (2) "to lead, pass over"); second element is Proto-Germanic *nanthiz "risk," related to Old English neðan, Old High German nendan "to risk, venture."
Mesopotamian river, arising in Armenia and flowing to the Persian Gulf, Old English Eufrate, from Greek Euphrates, from Old Persian Ufratu, perhaps from Avestan huperethuua "good to cross over," from hu- "good" + peretu- "ford" (from PIE root *per- (2) "to lead, pass over"). But Kent says "probably a popular etymologizing in O.P. of a local non-Iranian name" ["Old Persian," p.176]. In Akkadian, purattu. Related: Euphratean.
seventh month, c. 1050, Iulius, from Anglo-French julie, Old French Juil, Jule (Modern French uses a diminutive, Juillet) and directly from Latin Iulius "fifth month of the Roman calendar" (which began its year in March), renamed after his death and deification in honor of Gaius Julius Caesar, who was born in this month. In republican Rome it had been Quintilis, literally "fifth." Compare August. Accented on the first syllable in English until 18c.; "the modern Eng. pronunciation is abnormal and unexplained" [OED]. Replaced Old English liða se æfterra "later mildness," from liðe "mild."
Middle English North-se, from Old English norþsæ, norðsæ, usually meaning "the Bristol Channel" (see north + sea). The application to the body of waternow so called, east of England (late 13c.) is from Dutch (Noordzee, Middle Dutch Noortzee); it lies to the north of Holland, where it was contrasted with the inland Zuider Zee, literally "Southern Sea"). To the Danes, it sometimes was Vesterhavet "West Sea." In English, this had been typically called the "German Sea" or "German Ocean," which follows the Roman name for it, Oceanus Germanicus. "German" persisted on some British maps at least into the 1830s. North Sea in Middle English also could mean "the northern portion of the ocean believed to surround the earth" (late 14c.).
third letter of the alphabet. Alphabetic writing came to Rome via the southern Etruscan "Caeretan" script, in which gamma was written as a crescent. Early Romans made little use of Greek kappa and used gamma for both the "g" and "k" sounds, the latter more frequently, so that the "k" sound came to be seen as the proper one for gamma. Classical Latin -c-, with only the value "k," passed to Celtic and, via missionary Irish monks, to the Anglo-Saxons. Also see cee.
In some Old English words, before some vowels and in certain positions, -c- had a "ts" sound that was respelled ch- in Middle English by French scribes (chest, cheese, church; see ch). In Old English -k- was known but little used.
Meanwhile, in Old French, many "k" sounds drifted to "ts" and by 13c., "s," but still were written -c-. Thus the 1066 invasion brought to the English language a flood of French and Latin words in which -c- represented "s" (as in cease, ceiling, circle) and a more vigorous use of -k- to distinguish that sound. By 15c. even native English words with -s- were being respelled with -c- for "s" (ice, mice, lice).
In some English words from Italian, the -c- has a "ch" sound (via a sound evolution somewhat like the Old French one). In German, -c- in loanwords was regularized to -k- or -z- (depending on pronunciation) in the international spelling reform of 1901, which was based on the Duden guide of 1880.
As a symbol in the Roman numeral system, "one hundred;" the symbol originally was a Greek theta, but was later reduced in form and understood to stand for centum. In music, it is the name of the keynote of the natural scale, though the exact pitch varied in time and place 18c. and 19c. from 240 vibrations per second to 275; it wasn't entirely regularized (at 261.63) until the adoption of the A440 standard in the 1930s. C-spring as a type of carriage spring is from 1794, so called for its shape.
Old English Carles wægn, a star-group associated in medieval times with Charlemagne, but originally with the nearby bright star Arcturus, which is linked by folk etymology to Latin Arturus "Arthur." Which places the seven-star asterism at the crux of the legendary association (or confusion) of Arthur and Charlemagne. Evidence from Dutch (cited in Grimm, "Teutonic Mythology") suggests that it might originally have been Woden's wagon. More recent names for it are the Plough (by 15c., chiefly British) and the Dipper (1833, chiefly American).
It is called "the Wagon" in a Mesopotamian text from 1700 B.C.E., and it is mentioned in the Biblical Book of Job. The seven bright stars in the modern constellation Ursa Major have borne a dual identity in Western history at least since Homer's time, being seen as both a wagon and a bear: as in Latin plaustrum "freight-wagon, ox cart" and arctos "bear," both used of the seven-star pattern, as were equivalent Greek amaxa (Attic hamaxa) and arktos.
The identification with a wagon is easy to see, with four stars as the body and three as the pole. The identification with a bear is more difficult, as the figure has a tail longer than its body. As Allen writes, "The conformation of the seven stars in no way resembles the animal,--indeed the contrary ...." But he suggests the identification "may have arisen from Aristotle's idea that its prototype was the only creature that dared invade the frozen north." The seven stars never were below the horizon in the latitude of the Mediterranean in Homeric and classical times (though not today, due to precession of the equinoxes). See also arctic for the identification of the bear and the north in classical times.
A variety of French and English sources from the early colonial period independently note that many native North American tribes in the northeast had long seen the seven-star group as a bear tracked by three hunters (or a hunter and his two dogs).
Among the Teutonic peoples, it seems to have been only a wagon, not a bear. A 10c. Anglo-Saxon astronomy manual uses the Greek-derived Aretos, but mentions that "unlearned men" call it "Charles's Wain":
Arheton hatte an tungol on norð dæle, se haefð seofon steorran, & is for ði oþrum naman ge-hatan septemtrio, þone hatað læwede meon carles-wæn. ["Anglo-Saxon Manual of Astronomy"]
[Septemtrio, the seven oxen, was yet another Roman name.] The star picture was not surely identified as a bear in English before late 14c.
The unlearned of today are corrected that the seven stars are not the Great Bear but form only a part of that large constellation. But those who applied the name "Bear" apparently did so originally only to these seven stars, and from Homer's time down to Thales, "the Bear" meant just the seven stars. From Rome to Anglo-Saxon England to Arabia to India, ancient astronomy texts mention a supposed duplicate constellation to the northern bear in the Southern Hemisphere, never visible from the north. This perhaps is based on sailors' tales of the Southern Cross.
eighteenth letter of the English alphabet, traceable to Phoenician and always representing more or less the same sound, which in many languages is typically so resonant and continuous as to be nearly akin to the vowels, but in English is closer to -l-.
It was aspirated at the start of words (hr-) in Old English, as in Greek, but this was abandoned in English spelling and pronunciation by the end of the Old English period, but the rh- spelling survives in many words borrowed from Greek. In many languages and some dialects (e.g. Scottish) it is pronounced with a distinct trilling vibration of the tongue-tip, which gave it its ancient nickname of "the dog letter;" in other regional dialects (e.g. Boston) it is omitted unless followed by a vowel, while in others it is introduced artificially in pronunciation ("idear," "drawring").
If all our r's that are written are pronounced, the sound is more common than any other in English utterance (over seven per cent.); the instances of occurrence before a vowel, and so of universal pronunciation, are only half as frequent. There are localities where the normal vibration of the tip of the tongue is replaced by one of the uvula, making a guttural trill, which is still more entitled to the name of "dog's letter" than is the ordinary r; such are considerable parts of France and Germany; the sound appears to occur only sporadically in English pronunciation. [Century Dictionary]
Louise Pound ("The Humorous 'R'") notes that in British humorous writing, -ar- "popularly indicates the sound of the vowel in father" and formations like larf (for laugh) "are to be read with the broad vowel but no uttered r."
The moment we encounter the added r's of purp or dorg in our reading we know that we have to do with humor, and so with school-marm. The added consonants are supposed to be spoken, if the words are uttered, but, as a matter of fact, they are less often uttered than seen. The words are, indeed, largely visual forms; the humor is chiefly for the eye. [Louise Pound, "The Humorous 'R,'" American Mercury, October 1924]
She also quotes Henry James on the characteristic prominence of the medial -r- sound (which tends to be dropped in England and New England) in the speech of the U.S. Midwest, "under some strange impulse received toward consonantal recovery of balance, making it present even in words from which it is absent, bringing it in everywhere as with the small vulgar effect of a sort of morose grinding of the back teeth."
In a circle, meaning "registered (trademark)," attested by 1925. R&R "rest and relaxation," is attested by 1953, American English; R&B "rhythm and blues" (type of popular music) is attested by 1949, American English. Form three Rs, see Three Rs.