Etymology
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bitter end (n.)

In lexicons of sea language going back to 1759, the bitter end is the part of a cable which is round about the bitts (the two great timbers used to belay cables) when the ship is at anchor (see bitt).

Bitter end of the Cable, the End which is wound about the Bitts. ["The News-Readers Pocket-Book: Or, a Military Dictionary," London, 1759]

So, when a cable is played out to the bitter end, there is no more left to play. The term began to be used c. 1835 in non-nautical use and with probable influence of or merger with bitter (adj.).

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son of a bitch 

1707 as a direct phrase, but implied much earlier, and Old Norse had bikkju-sonr. Abbreviated form SOB from 1918; form sumbitch attested in writing by 1969.

Abide þou þef malicious!
Biche-sone þou drawest amis
þou schalt abigge it ywis!
["Of Arthour & of Merlin," c. 1330]

"Probably the most common American vulgarity from about the middle of the eighteenth century to the middle of the twentieth" [Rawson].

Our maid-of-all-work in that department [indecency] is son-of-a-bitch, which seems as pale and ineffectual to a Slav or a Latin as fudge does to us. There is simply no lift in it, no shock, no sis-boom-ah. The dumbest policeman in Palermo thinks of a dozen better ones between breakfast and the noon whistle. [H.L. Mencken, "The American Language," 4th ed., 1936, p.317-8]

Elsewhere, complaining of the tepidity of the American vocabulary of profanity, Mencken writes that the toned-down form son-of-a-gun "is so lacking in punch that the Italians among us have borrowed it as a satirical name for an American: la sanemagogna is what they call him, and by it they indicate their contempt for his backwardness in the art that is one of their great glories."

It was in 1934 also that the New York Daily News, with commendable frankness, in reporting a hearing in Washington at which Senator Huey P. Long featured, forsook the old-time dashes and abbreviations and printed the complete epithet "son of a bitch." [Stanley Walker, "City Editor," 1934]
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yellow ribbon 

The American folk custom of wearing or displaying a yellow ribbon to signify solidarity with loved ones or fellow citizens at war originated during the U.S. embassy hostage crisis in Iran in 1979. It does not have a connection to the American Civil War, beyond the use of the old British folk song "Round Her Neck She Wore A Yellow Ribbon" in the John Wayne movie of the same name, with a Civil War setting, released in 1949.

The story of a ribbon tied to a tree as a signal to a convict returning home that his loved ones have forgiven him is attested from 1959, but the ribbon in that case was white.

The ribbon color seems to have changed to yellow first in a version retold by newspaper columnist Pete Hamill in 1971. The story was dramatized in June 1972 on ABC-TV (James Earl Jones played the ex-con). Later that year, Irwin Levine and L. Russell Brown copyrighted the song "Tie a Yellow Ribbon Round the Ole Oak Tree," which became a pop hit in early 1973 and sparked a lawsuit by Hamill, later dropped.

In 1975, the wife of a Watergate conspirator put out yellow ribbons when her husband was released from jail, and news coverage of that was noted and remembered by Penne Laingen, whose husband was U.S. ambassador to Iran in 1979 and one of the Iran hostages taken in the embassy on Nov. 4. Her yellow ribbon in his honor was written up in the Dec. 10, 1979, Washington Post.

When the hostage families organized as the Family Liaison Action Group (FLAG), they took the yellow ribbon as their symbol. The ribbons revived in the 1991 Gulf War and again during the 2000s wars in Afghanistan and Iraq.

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