"woman considered stylish at the turn of the 20th century," 1894, named for U.S. artist and illustrator Charles Dana Gibson (1867-1944), whose main model was his wife, Irene Langhorne (1873-1956). The Gibson cocktail (gin, vermouth, and a pearl onion) is attested by 1914, in some stories ascribed to him but the origin of the term is unknown.
"She looks like a Gibson girl" is not an uncommon saying; and to look like a Gibson girl, is not without its merits. Although our artist has expressed in his drawings disapproval of women usurping the spheres of men, his girls suggest intellectuality. He has none of the doll-like inanely pretty faces which artists used to give women in olden days. His girls look as if they would have opinions of their own and would act with discrimination in the affairs of life. They are tall and graceful and although not in the least like fashion plates, their clothes are becoming and fit perfectly. [National Magazine, May 1898]
"black man," 1838, American English, originally the name of a black minstrel character in a popular song-and-dance act by T.D. Rice (1808-1860) that debuted 1828 and attained national popularity by 1832:
Wheel about, an' turn about, an' do jis so;
Eb'ry time I wheel about, I jump Jim Crow.
Where and how Rice got it, or wrote it, is a mystery. Even before that, crow (n.) had been a derogatory term for a black man. As an adjective from 1833, in reference to the song. Association with segregation dates from 1841, in reference to separate railroad cars for blacks in Massachusetts. Modern use as a type of racial discrimination is from 1943. Jim Crow also could be a reference to someone's change of (political) principles (1837, from the "jump" in the song) or reversible machinery (1875, "wheel about").
On his arrival in Boston, Mr. [Charles Lenox] R[emond] went to the Eastern rail-road depot, in order to visit his parents in Salem; but, instead of being allowed to ride with other passengers, he was compelled to take a seat in what is contemptuously called the "Jim Crow car," as though he were a leper or a wild animal! [Annual Report of the Massachusetts Anti-Slavery Society, 1842]