1829, in reference to a type of rose bearing several flowers on one stem, from Latin multiflora (rosa), from fem. of multiflorus, "abounding in flowers," from multi- "many" (see multi-) + flor-, stem of flos "flower" (see florid). Multiflorous "many-flowered" is attested by 1760, from Latin multiflorus.
U.S. state, formerly a Spanish colony, probably from Spanish Pascua florida, literally "flowering Easter," a Spanish name for Palm Sunday, and so named because the peninsula was discovered on that day (March 20, 1513) by the expedition of Spanish explorer Ponce de León. From Latin floridus "flowery, in bloom" (see florid). Related: Floridian (1580s as a noun, in reference to the natives; 1819 as an adjective).
It forms all or part of: blade; bleed; bless; blood; blow (v.2) "to bloom, blossom;" bloom (n.1) "blossom of a plant;" bloom (n.2) "rough mass of wrought iron;" blossom; cauliflower; chervil; cinquefoil; deflower; defoliation; effloresce; exfoliate; feuilleton; flora; floral; floret; florid; florin; florist; flour; flourish; flower; foil (n.) "very thin sheet of metal;" foliage; folio; folium; gillyflower; Phyllis; phyllo-; portfolio; trefoil.
It is the hypothetical source of/evidence for its existence is provided by: Greek phyllon "leaf;" Latin flos "flower," folio, folium "leaf;" Middle Irish blath, Welsh blawd "blossom, flower;" Gaelic bile "leaflet, blossom;" Old English blowan "to flower, bloom."
"a local guide to antiquities and curiosities in Italy," 1726, from Italian cicerone, from Latin Ciceronem, from the name of the great Roman orator (see Ciceronian). Traditionally the local guides were so called in reference to their florid loquacity.
1836, "old-fashioned," from French rococo (19c.), apparently a humorous alteration of rocaille "shellwork, pebble-work" from roche "rock," from Vulgar Latin *rocca "stone." Specifically of furniture or architecture of the time of Louis Quatorze and Louis Quinze, from 1841. If this etymology is correct, the reference likely is to the excessive use of shell designs in this lavish style. For differentiation, see baroque. The general sense of "tastelessly florid or ornate" is from 1844. As a noun, "rococo ornamentation or style," by 1840.
Much of the painting, engraving, porcelain-work, etc., of the time has, too, a real decorative charm, though not of a very high order in art. Hence rococo is used attributively in contempt to note anything feebly pretentious and tasteless in art or literature. [Century Dictionary, 1897]
1540s, "rigorous in condemnation or punishment," from French severe (12c., Modern French sévère) or directly from Latin severus "serious, grave, strict, austere," which is of uncertain origin, but de Vaan supports the theory (also in Watkins) that it probably is a suffixed form PIE root *segh- "to have, hold," on the notion of "steadfastness, toughness."
It is attested by 1560s of looks and demeanor, of law or punishment ("unsparing"), also "extremely strict in matters of conduct or self-discipline." It is attested by 1660s with reference to styles or tastes, "chaste, restrained, shunning florid ornament." On the notion of "sharp, distressing, violent" it is attested by 1670s in reference to weather or winter, by 1725 of illness or disease, by 1742 of pain and suffering.