"a word viewed as a constituent member of a sentence," c. 1500, translating Latin pars orationis (see parse). The parts of speech are: Noun, adjective, pronoun, verb, adverb, preposition, conjunction, and interjection. Sometimes article and participle are counted among them.
figurative sense is attested from 1832, from profit-and-loss accounting, where the final figure calculated is the bottom line on the page. Also (especially as an adjective) bottom-line, bottomline.
1824; said to have been given as a toast by Sir William Curtis (1752-1829), a beloved lord mayor of London in the 1820s, who seems to have been a figure of fun to whom many mangled phrases were attributed. Among the toasts he is alleged to have given at public dinners were "The Female Ladies of London;" "The three C's—Cox, King, and Curtis;" and "The three R's—Reading, Writing, and Rithmetic."
It has been very much the fashion amongst a class of persons to attribute to Sir W. C. ... a vulgarity and ignorance of speech which are by no means consistent with his character and conduct. The worthy and hospitable baronet has a rapid mode of speech, but it is always correct ; and although some eccentricities are mixed up in his composition, he is highly honourable, and has been a very useful member of society, particularly to his London constituents. [The Mirror, Jan. 29, 1825]
After listing some examples, the article continues:
It is, however, very certain, that at a city festival some years ago, having indulged very freely, he fell asleep, when some wag, choosing to consider him dead, wrote his epitaph, which was found next morning pinned to the baronet's dress coat:—
"Here lies the great Curtis,
Of London, Lord May'r:
He's left this here world,
And gone to that there."
c. 1600, "peculiar person, person of a type seldom encountered," from Latin rara avis, literally "strange bird," from rara, fem. of rarus "rare" (see rare (adj.1)) + avis "bird" (see aviary). Latin plural is raræ aves. A phrase used of Horace's peacock (a Roman delicacy), Juvenal's black swan ("Rara avis in terris, nigroque simillima cygno"). A figure perhaps natural to the superstitious Romans, who divined by bird-watching.
1816, in the figurative sense of "icy reception, studied neglect or indifference," first in Sir Walter Scott, probably originally a literal figure (see cold (adj.)), but commonly used with a punning reference to "cold shoulder of mutton," considered a poor man's dish and thus, perhaps, something one would set out for an unwanted guest with deliberate intention to convey displeasure.
How often have we admired the poor knight, who, to avoid the snares of bribery and dependence, was found making a second dinner from a cold shoulder of mutton, above the most affluent courtier, who had sold himself to others for a splendid pension! ["No Fiction," 1820]
Formerly the literal figure was felt as associated with the image of the figurative "stubborn shoulder" in Nehemiah ix.29 (translating Latin humerum recedentum dare in Vulgate).
Originally with to show, later to give. As a verb from 1845; related: cold-shouldered. Also compare cold roast, old slang for "something insignificant." Cold pig was a 19c. term for throwing cold water on a sleeping person to wake him or her.
"nonhostile belligerency," used in print October 1945 by George Orwell; popularized in U.S. c. 1947 by U.S. statesman Bernard Baruch (1870-1965). Hence hot war (1947).
More than any other time in history, mankind faces a crossroads. One path leads to despair and utter hopelessness. The other, to total extinction. Let us pray we have the wisdom to choose correctly. [Woody Allen, from "My Speech to the Graduates," 1979]
In the sense of "person liberally and excessively sympathetic" (especially toward those the speaker or writer deems not to deserve it) is attested by 1951, but said by many to have been popularized with reference to liberals (especially Eleanor Roosevelt) in 1930s by newspaper columnist Westbrook Pegler (1894-1969), though quotations are wanting; bleeding in a figurative sense of "generous" is from late 16c., and the notion of one's heart bleeding as a figure of emotional anguish is from late 14c.; the exact image here may be the "bleeding heart of Jesus."