"material object regarded with awe as having mysterious powers or being the representative of a deity that may be worshipped through it," 1610s, fatisso, from Portuguese feitiço "charm, sorcery, allurement," noun use of an adjective meaning "artificial."
The Portuguese adjective is from Latin facticius "made by art, artificial," from facere "to make, do, produce" (from PIE root *dhe- "to set, put;" compare French factice "artificial," restored from Old French faitise, from Latin facticius). Via the French word, Middle English had fetis, fetice (adj.) "cleverly made, neat, elegant" (of things), "handsome, pretty, neat" (of persons). But in the Middle Ages the Romanic derivatives of the word took on magical senses; compare Portuguese feiticeria "sorcery, witchcraft," feiticeiro "sorcerer, wizard." Latin facticius in Spanish has become hechizo "artificial, imitated," also "bewitchment, fascination."
The specific Portuguese use of the word that brought it to English probably began among Portuguese sailors and traders who used the word as a name for charms and talismans worshipped by the inhabitants of the Guinea coast of Africa. It was picked up and popularized in anthropology by Charles de Brosses' "Du culte des dieux fétiches" (1760), which influenced the word's spelling in English (French fétiche also is borrowed 18c. from the Portuguese word).
Any material image of a religious idea is an idol; a material object in which force is supposed to be concentrated is a Fetish; a material object, or a class of material objects, plants, or animals, which is regarded by man with superstitious respect, and between whom and man there is supposed to exist an invisible but effective force, is a Totem. [J. Fitzgerald Lee, "The Greater Exodus," London, 1903]
Figurative sense of "something irrationally revered, object of blind devotion" appears to be an extension made by the New England Transcendentalists (1837). For sexual sense (1897), see fetishism.
1801, "worship of fetishes," from fetish + -ism. Expanded in use by Comte taking it to denote a general type of primitive religion (animism). In the purely psycho-sexual sense, first recorded 1897 in writings of Henry Havelock Ellis (1859-1939).
In certain perversions of the sexual instinct, the person, part of the body, or particular object belonging to the person by whom the impulse is excited, is called the fetish of the patient. [E. Morselli in "Baldwin Dictionary of Philosophy," 1901]
Related: Fetishist (1845; psycho-sexual sense from 1897); fetishistic.
*dhē-, Proto-Indo-European root meaning "to set, put."
It forms all or part of: abdomen; abscond; affair; affect (v.1) "make a mental impression on;" affect (v.2) "make a pretense of;" affection; amplify; anathema; antithesis; apothecary; artifact; artifice; beatific; benefice; beneficence; beneficial; benefit; bibliothec; bodega; boutique; certify; chafe; chauffeur; comfit; condiment; confection; confetti; counterfeit; deed; deem; deface; defeasance; defeat; defect; deficient; difficulty; dignify; discomfit; do (v.); doom; -dom; duma; edifice; edify; efface; effect; efficacious; efficient; epithet; facade; face; facet; facial; -facient; facile; facilitate; facsimile; fact; faction (n.1) "political party;" -faction; factitious; factitive; factor; factory; factotum; faculty; fashion; feasible; feat; feature; feckless; fetish; -fic; fordo; forfeit; -fy; gratify; hacienda; hypothecate; hypothesis; incondite; indeed; infect; justify; malefactor; malfeasance; manufacture; metathesis; misfeasance; modify; mollify; multifarious; notify; nullify; office; officinal; omnifarious; orifice; parenthesis; perfect; petrify; pluperfect; pontifex; prefect; prima facie; proficient; profit; prosthesis; prothesis; purdah; putrefy; qualify; rarefy; recondite; rectify; refectory; sacrifice; salmagundi; samadhi; satisfy; sconce; suffice; sufficient; surface; surfeit; synthesis; tay; ticking (n.); theco-; thematic; theme; thesis; verify.
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit dadhati "puts, places;" Avestan dadaiti "he puts;" Old Persian ada "he made;" Hittite dai- "to place;" Greek tithenai "to put, set, place;" Latin facere "to make, do; perform; bring about;" Lithuanian dėti "to put;" Polish dziać się "to be happening;" Russian delat' "to do;" Old High German tuon, German tun, Old English don "to do."
1670s, "knot-like contraction or short twist in a rope, thread, hair, etc., originally a nautical term, from Dutch kink "twist in a rope" (also found in French and Swedish), which is probably related to Old Norse kikna "to bend backwards, sink at the knees" as if under a burden" (see kick (v.)). Figurative sense of "odd notion, mental twist, whim" first recorded in American English, 1803, in writings of Thomas Jefferson; specifically "a sexual perversion, fetish, paraphilia" is by 1973 (by 1965 as "sexually abnormal person").
"moral fault, wickedness," c. 1300, from Old French vice "fault, failing, defect, irregularity, misdemeanor" (12c.), from Latin vitium "defect, offense, blemish, imperfection," in both physical and moral senses (in Medieval Latin also vicium; source also of Italian vezzo "usage, entertainment"), which is of uncertain origin.
Vice squad "special police unit targeting prostitution, narcotics, gambling, etc.," is attested from 1905, American English. Vice anglais "fetish for corporal punishment," literally "the English vice," is attested from 1942, from French. In Old French, the seven deadly sins were les set vices.
Horace and Aristotle have already spoken to us about the virtues of their forefathers and the vices of their own times, and through the centuries, authors have talked the same way. If all this were true, we would be bears today. [Montesquieu, "Pensées"]
"a talisman, charm, thing supposed to bring good luck to its possessor," also "person whose presence is supposed to be a cause of good fortune," 1881, from provincial French mascotte "sorcerer's charm, 'faerie friend,' good luck piece" (19c.), of uncertain origin, perhaps from or related to Provençal mascoto "sorcery, fetish" (a Narbonnese manuscript of 1233 has mascotto "procuress, enchantment, bewitchment in gambling"), from masco "witch," from Old Provençal masca, itself of unknown origin, perhaps from Medieval Latin masca "mask, specter, nightmare" (see mask (n.)).
Popularized by French composer Edmond Audran's 1880 comic operetta "La Mascotte," about a household "fairy" who gives luck to an Italian peasant, which was performed in a toned-down translation in England from fall 1881. In reference to animals (later costumed characters) representing sports teams, by 1889.
For the edification of readers not versed in baseball lore it should be stated that the mascot has become quite an important institution among the professional teams of America. He may be a boy possessed of some special attainment or physical peculiarity, or he may be a bull-pup with a prominent patch over his left eye. It matters not whether a mascot be brute or human, so long as his presence upon the players' bench insures a victory—in the minds of the players—to the team with which he has cast his fortunes and in whose favor he exercises the influence he is supposed to have with Dame Fortune. [Harry Clay Palmer, ed., "Athletic Sports in America, England, and Australia," New York, 1889]