Proto-Indo-European root meaning "to grow."

It forms all or part of: accretion; accrue; cereal; Ceres; concrete; create; creation; creature; Creole; crescendo; crescent; crew (n.) "group of soldiers;" croissant; cru; decrease; Dioscuri; excrescence; excrescent; griot; increase; Kore; procerity; procreate; procreation; recreate; recreation; recruit; sincere.

It is the hypothetical source of/evidence for its existence is provided by: Greek kouros "boy," korē "girl;" Latin crescere "come forth, spring up, grow, thrive, swell," Ceres, goddess of agriculture, creare "to bring forth, create, produce;" Armenian serem "bring forth," serim "be born."

"that which grows from or out of anything," especially an excrescence from the surface of a plant, 1801, from out- + growth. The figurative sense, in reference to inanimate things, "a development or result from a cause or beginning or from some earlier state" is by 1828.

1650s, "fleshy excrescence," Medical Latin, from Latinized form of Greek sarkoma "fleshy substance" (Galen), from sarkoun "to produce flesh, grow fleshy," from sarx (genitive sarkos) "flesh" (see sarcasm) + -oma. Meaning "harmful tumor of the connective tissue," more or less malignant, is from 1804 (Abernethy). Related: Sarcomatous.

"style of architecture and decoration which prevailed in Europe late 17c. through much of 18c., later derided as clumsy in form and extravagant in contorted ornamentation," 1765, from French baroque "irregular" (15c.), said to be from Portuguese barroco "imperfect pearl," which is of uncertain origin, perhaps related to Spanish berruca "a wart."

This style in decorations got the epithet of Barroque taste, derived from a word signifying pearls and teeth of unequal size. [Fuseli's translation of Winkelmann, 1765]

The Spanish word is perhaps from Latin verruca "a steep place, a height," hence "a wart," also "an excrescence on a precious stone" (see verruca). But Klein suggests the name may be from Italian painter Federico Barocci (1528-1612), whose work influenced the style. How to tell baroque from rococo, according to Fowler: "The characteristics of baroque are grandeur, pomposity, and weight; those of rococo are inconsequence, grace, and lightness." But the two terms have been used without distinction for styles featuring odd and excessive ornamentation.

"tree or shrub of the genus Quercus," Middle English oke, from Old English ac "oak tree" and in part from cognate Old Norse eik, both from Proto-Germanic *aiks (source also of Old Saxon and Old Frisian ek, Middle Dutch eike, Dutch eik, Old High German eih, German Eiche, Swedish ek, Danish eg), a word of uncertain origin with no certain cognates outside Germanic.

The usual Indo-European base for "oak" (*deru-) has become Modern English tree (n.). In Greek and Celtic, meanwhile, words for "oak" are from the Indo-European root for "tree." All this probably reflects the importance of the oak, the monarch of the forest, to ancient Indo-Europeans. Likewise, as there were no oaks in Iceland, the Old Norse word eik came to be used by the viking settlers there for "tree" in general.

In English the word is used in Biblical translations to render Hebrew elah (probably usually "terebinth tree") and four other words. The form in Middle English was very uncertain (oc, oek, hokke, ake, eoke, aike, hock, etc.). Oak-gall "excrescence produced by an oak tree in reaction to insects," used in making ink, is by 1712.

                            Jove's own tree,

That holds the woods in awful sovereignty,

Requires a depth of lodging in the ground ;

High as his topmost boughs to heaven ascend,

So low his roots to hell's dominion tend.

[Dryden, translating Virgil]