Etymology
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Jugendstil (n.)

German equivalent of art nouveau, from "Jugend" ("Youth"), the name of a German magazine begun in 1896 + stil "style." See youth (n.) + style (n.).

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Artemis 

Greek goddess of the moon, wild animals, hunting, childbirth, etc. (identified by the Romans with their Diana); daughter of Zeus and Leto, twin sister of Apollo; her name is of unknown origin. Beekes points to arguments against the attempt to connect it with arktos "bear" (as "bear-goddess") and finds it possibly Pre-Greek.

The name is found in Lydian inscriptions (Artimus, Artimu-), and Lycian has ertemi, but this does not prove that the name comes from Lydia or Asia Minor. [Beekes]
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Arthur 

masc. proper name, from Medieval Latin Arthurus/Arturus, usually said to be from Welsh arth "bear," cognate with Greek arktos, Latin ursus (see arctic).

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Artaxerxes 

Persian masc. proper name, in classical history a son of Xerxes II, also a son of Darius, from Greek Artaxerxes, from Old Persian Artaxšaca, literally "having a kingdom of justice," from arta- "justice" + xšaca "kingdom."

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Byzantine (adj.)

pertaining to Byzantium (q.v., original name of Constantinople, modern Istanbul), 1770, from Late Latin Byzantinus; originally used of the style of art and architecture developed there 4c.-5c. C.E.; later in reference to the complex, devious, and intriguing character of the royal court of Constantinople (1937). As a noun from 1770. Byzantian is from 1610s.

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Guggenheim (n.)

grant for advanced study, from the John Simon Guggenheim Foundation, established 1925 by U.S. Sen. Simon Guggenheim (1867-1941) in memory of his son, who died young. The senator's brother was an arts patron who founded the Solomon R. Guggenheim Foundation in 1937, which grew into the Guggenheim Museum of modern art. The surname is German, said to mean literally "swamp hamlet" or "cuckoo hamlet."

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Muse (n.)

late 14c., "one of the nine Muses of classical mythology," daughters of Zeus and Mnemosyne, protectors of the arts; from Old French Muse and directly from Latin Musa, from Greek Mousa, "the Muse," also "music, song," ultimately from PIE root *men- (1) "to think." Meaning "inspiring goddess of a particular poet" (with a lower-case m-) is from late 14c.

The traditional names and specialties of the nine Muses are: Calliope (epic poetry), Clio (history), Erato (love poetry, lyric art), Euterpe (music, especially flute), Melpomene (tragedy), Polymnia (hymns), Terpsichore (dance), Thalia (comedy), Urania (astronomy).

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Met (n.)

1879 as colloquial shortening of Metropolitan (n.) "member of the New York Metropolitan Base-Ball Club."

THE baseball season has opened, and along with the twittering of the birds, the budding of the trees, and the clattering of the truck, comes the news that the "Mets were beaten yesterday 17 to 5." It is an infallible sign of spring when the Mets are beaten 17 to 5, and we invariably put on our thinner clothing when we read that refreshing, though perennial news in the papers. [Life magazine, May 12, 1887]

Used variously to abbreviate other proper names beginning with Metropolitan, such as "Metropolitan Museum of Art" (N.Y.), by 1919; "Metropolitan Railway" (stock), by 1890; "Metropolitan Opera Company (N.Y.), by 1922. Related: Mets.

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Promethean (adj.)

"of, pertaining to, or resembling in any way Prometheus," 1580s, from Prometheus (q.v.) + -an. Before the introduction of modern matches (see lucifer), promethean was the name given (1830) to small glass tubes full of sulphuric acid, surrounded by an inflammable mixture, which ignited when pressed and afforded a ready light. Related: Prometheans.

Prometheans are small glass bulbs, filled with concentrated sulphuric acid, and hermetically sealed, and surrounded with a mixture of inflammable materials, amongst which the chlorate of potash forms one ; and the whole being again inclosed or surrounded with paper, also rendered still more inflammable by means of resinous matters. Upon pinching the end containing the glass bulb, between the jaws of a pair of pliers, the bulb breaks, and the sulphuric acid instantly kindles the surrounding materials. ["Arcana of Science and Art," London, 1830]
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Nereid 

sea-nymph, in Greek mythology, late 14c., Nereides (plural), via Latin from Greek Nēreis (genitive Nēreidos), daughter of the ancient sea-god Nēreus, son of Pontus and Gaia, husband of Doris, whose name is related to naros "flowing, liquid, I flow" (see Naiad). In zoology, "a sea-centipede" (1840).

The most famous among them were Amphitrite, Thetis, and Galatea. The Nereids were beautiful maidens helpful to voyagers, and constituted the main body of the female, as the Tritons did of the male, followers of Poseidon or Neptune. They were imagined as dancing, singing, playing musical instruments, wooed by the Tritons, and passing in long processions over the sea seated on hippocamps and other sea-monsters. Monuments of ancient art represent them lightly draped or nude, in poses characterized by undulating lines harmonizing with those the ocean, and often riding on sea-monsters of fantastic forms.  [Century Dictionary]
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