1842, in reference to the alphabet adopted by Slavic people belonging to the Eastern Church, from St. Cyril, 9c. apostle of the Slavs, who supposedly invented it. The alphabet replaced earlier Glagolitic. The name Cyril is Late Latin Cyrillus, from Greek Kyrillos, literally "lordly, masterful," related to kyrios "lord, master" (see church).
It is believed to have superseded the Glagolitic as being easier both for the copyist to write and for the foreigner to acquire. Some of its signs are modified from the Glagolitic, but those which Greek and Slavic have in common are taken from the Greek. It was brought into general use by St. Cyril's pupil, Clement, first bishop of Bulgaria. The Russian alphabet is a slight modification of it. [Century Dictionary]
twentieth letter of the English alphabet; in the Phoenician alphabet the corresponding sign was the 22nd and last; everything after T in the modern alphabet represents European alterations or additions. The sound has been consistent throughout its history.
In Late Latin and Old French, -t- before -e- and -i- acquired the "s" value of -c- and words appeared in both spellings (nationem/nacionem) and often passed into Middle English with a -c- (nacioun). In most of these the spelling was restored to a -t- by or in the period of early Modern English, but sorting them out took time (Edmund Coote's "English Schoole-maister" (1596) noted malicious/malitious) and a few (space, place, coercion, suspicion) resisted the restoration.
To cross one's t's(and dot one's i's) "to be exact" is attested from 1849. Phrase to a T "exactly, with utmost exactness" is recorded from 1690s, though the exact signification remains uncertain despite much speculation. The measuring tool called a T-square (sometimes suggested as the source of this) is recorded by that name only from 1785. The T-cell (1970) so called because they are derived from the thymus. As a medieval numeral, T represented 160. A T was formerly branded on the hand of a convicted thief.
proprietary name of a brand of canvas sneakers, 1917, registered by United States Rubber Co., N.Y. Based on Latin ped-, stem of pes "foot" (see foot (n.))
"We wanted to call it Peds, but ... it came too close to ... other brand names. So we batted it around for awhile and decided on the hardest-sounding letter in the alphabet, K, and called it Keds, that was in 1916." [J.Healey, in R.L. Cohen, "Footwear Industry," x.93]
first letter of the Roman alphabet, based on Greek alpha (see alpha). In music from c. 1600 as the name of the sixth note of the natural scale; it is the note given by a fixed-tone instrument (usually oboe or organ) to which all the instruments of an orchestra are tuned. As a blood type, 1926, denoting A agglutinogens. The A side of a two-sided record (by 1962, see side (n.)) held the material chosen for promotion. A-bomb, short for atom bomb, was in newspaper headlines by Aug. 8, 1945.
eighth letter of the alphabet; it comes from Phoenician, via Greek and Latin. In Phoenician it originally had a rough guttural sound like German Reich or Scottish loch. In Greek at first it had the value of Modern English -h-, and with this value it passed into the Latin alphabet via Greek colonies in Italy. Subsequently in Greek it came to be used for a long "e" sound; the "h" sound being indicated by a fragment of the letter, which later was reduced to the aspiration mark.
In Germanic it was used for the voiceless breath sound when at the beginning of words, and in the middle or at the end of words for the rough guttural sound, which later came to be written -gh.
The sound became totally silent in Vulgar Latin and in the languages that emerged from it; thus the letter was omitted in Old French and Italian, but it was restored pedantically in French and Middle English spelling, and often later in English pronunciation. Thus Modern English has words ultimately from Latin with missing -h- (able, from Latin habile); with a silent -h- (heir, hour); with a formerly silent -h- now often vocalized (humble, humor, herb); and even a few with an unetymological -h- fitted in confusion to words that never had one (hostage, hermit). Relics of the formerly unvoiced -h- persist in pedantic insistence on an historical (object) and in obsolete mine host.
The pronunciation "aitch" was in Old French (ache "name of the letter H"), and is from a presumed Late Latin *accha (compare Italian effe, elle, emme), with the central sound approximating the rough, guttural value of the letter in Germanic. In earlier Latin the letter was called ha. The use in digraphs (as in -sh-, -th-) goes back to the ancient Greek alphabet, which used it in -ph-, -th-, -kh- until -H- took on the value of a long "e" and the digraphs acquired their own characters. The letter passed into Roman use before this evolution, and thus retained there more of its original Semitic value.
10th letter of the English alphabet, pronounced "jay," as in "kay" for -k-, but formerly written out as jy, rhyming with -i- and corresponding to French ji.
One of the most stable English letters (it has almost always the same sound), it is a latecomer to the alphabet and originally had no sound value. The letter itself began as a scribal modification of Roman -i- in continental Medieval Latin. The scribes added a "hook" to small -i-, especially in the final position in a word or roman numeral, to distinguish it from the strokes of other letters. The dot on the -i- (and thus the -j-) and the capitalization of the pronoun I are other solutions to the same problems.
In English, -j- was used as a roman numeral throughout Middle English, but the letter -y- was used to spell words ending an "i" sound, so -j- was not needed to represent a sound. Instead, it was introduced into English c. 1600-1640 to take up the consonantal sound that had evolved from the Roman i- since Late Latin times. In Italian, g- was used to represent this, but in other languages j- took the job. This usage is attested earliest in Spanish, where it was in place before 1600.
No word beginning with J is of Old English derivation. [OED]
English dictionaries did not distinguish words beginning in -i- and -j- until 19c., and -j- formerly was skipped when letters were used to express serial order.
In Latin texts printed in modern times, -j- often is used to represent Latin -i- before -a-, -e-, -o-, -u- in the same syllable, which in Latin was sounded as the consonant in Modern English you, yam, etc., but the custom has been controversial among Latinists:
The character J, j, which represents the letter sound in some school-books, is an invention of the seventeenth century, and is not found in MSS., nor in the best texts of the Latin authors. [Lewis]
In English words from Hebrew, -j- represents yodh, which was equivalent to English consonantal y (hence hallelujah) but many of the Hebrew names later were conformed in sound to the modern -j- (compare Jesus).
masc. proper name, from Old French Rogier, from Old High German Hrotger, literally "famous with the spear," from hruod- "fame, glory" + ger "spear" (see gar (n.)). "The name was introduced from Norman where OG Rodger was reinforced by the cognate ON Hroðgeirr" [Dictionary of English Surnames]. Pet forms include Hodge and Dodge. As a generic name for "a person," attested from 1630s. In 16c.-17c. cant, "a goose." Slang meaning "penis" was popular c. 1650-c. 1870; hence the slang verb sense of "to copulate with (a woman)," which is attested from 1711.
The use of the word in radio communication to mean "yes, I understand" is attested from 1941, from the U.S. military phonetic alphabet word for the letter -R-, in this case an abbreviation for "received." It is said to have been used likewise by the R.A.F. since 1938. Roger de Coverley, once a favorite English country dance, is said to have been so called from 1685. Addison took him early 18c. as the name of a recurring character in the "Spectator."
THE first of our society is a gentleman of Worcestershire, of ancient descent, a baronet, his name Sir Roger de Coverley. His great-grandfather was inventor of that famous country-dance which is called after him. All who know that shire are very well acquainted with the parts and merits of Sir Roger. [Addison]
fourteenth letter of the English alphabet; in chemistry, the symbol for nitrogen.
In late Middle English a and an commonly were joined to the following noun, if that word began with a vowel, which caused confusion over how such words ought to be divided when written separately. In nickname, newt, and British dialectal naunt, the -n- belongs to a preceding indefinite article an or possessive pronoun mine.
Other examples of this from Middle English manuscripts include a neilond ("an island," early 13c.), a narawe ("an arrow," c. 1400), a nox ("an ox," c. 1400), a noke ("an oak," early 15c.), a nappyle ("an apple," early 15c.), a negge ("an egg," 15c.), a nynche ("an inch," c. 1400), a nostryche ("an ostrich," c. 1500). A manuscript from c. 1500 has a nylle for "an isle." My naunt for mine aunt is recorded from 13c.-17c. None other could be no noder (mid-15c.). My nown (for mine own) was frequent 15c.-18c. In 16c., an idiot sometimes became a nidiot (1530s), which, with still-common casual pronunciation, became nidget (1570s), which, alas, has not survived. Also compare nonce, pigsney. Even in 19c. provincial English and U.S., noration (from an oration) was "a speech; a rumor."
The process also worked in surnames, from oblique cases of Old English at "by, near," as in Nock/Nokes/Noaks from atten Oke "by the oak;" Nye from atten ye "near the lowland;" and see Nashville. (Elision of the vowel of the definite article also took place and was standard in Chancery English of the 15c.: þarchebisshop for "the archbishop," thorient for "the orient.")
But it is more common for an English word to lose an -n- to a preceding a: apron, auger, adder, umpire, humble pie, etc. By a related error in Elizabethan English, natomy or atomy was common for anatomy, noyance (annoyance) and noying (adj.) turn up 14c.-17c., and Marlowe (1590) has Natolian for Anatolian. The tendency is not limited to English: compare Luxor, jade (n.1), lute, omelet, and Modern Greek mera for hēmera, the first syllable being confused with the article.
The mathematical use of n for "an indefinite number" is attested by 1717 in phrases such as to the nth power (see nth). In Middle English n. was written in form documents to indicate an unspecified name of a person to be supplied by the speaker or reader.
third letter of the alphabet. Alphabetic writing came to Rome via the southern Etruscan "Caeretan" script, in which gamma was written as a crescent. Early Romans made little use of Greek kappa and used gamma for both the "g" and "k" sounds, the latter more frequently, so that the "k" sound came to be seen as the proper one for gamma. Classical Latin -c-, with only the value "k," passed to Celtic and, via missionary Irish monks, to the Anglo-Saxons. Also see cee.
In some Old English words, before some vowels and in certain positions, -c- had a "ts" sound that was respelled ch- in Middle English by French scribes (chest, cheese, church; see ch). In Old English -k- was known but little used.
Meanwhile, in Old French, many "k" sounds drifted to "ts" and by 13c., "s," but still were written -c-. Thus the 1066 invasion brought to the English language a flood of French and Latin words in which -c- represented "s" (as in cease, ceiling, circle) and a more vigorous use of -k- to distinguish that sound. By 15c. even native English words with -s- were being respelled with -c- for "s" (ice, mice, lice).
In some English words from Italian, the -c- has a "ch" sound (via a sound evolution somewhat like the Old French one). In German, -c- in loanwords was regularized to -k- or -z- (depending on pronunciation) in the international spelling reform of 1901, which was based on the Duden guide of 1880.
As a symbol in the Roman numeral system, "one hundred;" the symbol originally was a Greek theta, but was later reduced in form and understood to stand for centum. In music, it is the name of the keynote of the natural scale, though the exact pitch varied in time and place 18c. and 19c. from 240 vibrations per second to 275; it wasn't entirely regularized (at 261.63) until the adoption of the A440 standard in the 1930s. C-spring as a type of carriage spring is from 1794, so called for its shape.
eighteenth letter of the English alphabet, traceable to Phoenician and always representing more or less the same sound, which in many languages is typically so resonant and continuous as to be nearly akin to the vowels, but in English is closer to -l-.
It was aspirated at the start of words (hr-) in Old English, as in Greek, but this was abandoned in English spelling and pronunciation by the end of the Old English period, but the rh- spelling survives in many words borrowed from Greek. In many languages and some dialects (e.g. Scottish) it is pronounced with a distinct trilling vibration of the tongue-tip, which gave it its ancient nickname of "the dog letter;" in other regional dialects (e.g. Boston) it is omitted unless followed by a vowel, while in others it is introduced artificially in pronunciation ("idear," "drawring").
If all our r's that are written are pronounced, the sound is more common than any other in English utterance (over seven per cent.); the instances of occurrence before a vowel, and so of universal pronunciation, are only half as frequent. There are localities where the normal vibration of the tip of the tongue is replaced by one of the uvula, making a guttural trill, which is still more entitled to the name of "dog's letter" than is the ordinary r; such are considerable parts of France and Germany; the sound appears to occur only sporadically in English pronunciation. [Century Dictionary]
Louise Pound ("The Humorous 'R'") notes that in British humorous writing, -ar- "popularly indicates the sound of the vowel in father" and formations like larf (for laugh) "are to be read with the broad vowel but no uttered r."
The moment we encounter the added r's of purp or dorg in our reading we know that we have to do with humor, and so with school-marm. The added consonants are supposed to be spoken, if the words are uttered, but, as a matter of fact, they are less often uttered than seen. The words are, indeed, largely visual forms; the humor is chiefly for the eye. [Louise Pound, "The Humorous 'R,'" American Mercury, October 1924]
She also quotes Henry James on the characteristic prominence of the medial -r- sound (which tends to be dropped in England and New England) in the speech of the U.S. Midwest, "under some strange impulse received toward consonantal recovery of balance, making it present even in words from which it is absent, bringing it in everywhere as with the small vulgar effect of a sort of morose grinding of the back teeth."
In a circle, meaning "registered (trademark)," attested by 1925. R&R "rest and relaxation," is attested by 1953, American English; R&B "rhythm and blues" (type of popular music) is attested by 1949, American English. Form three Rs, see Three Rs.