"ethereal fluid that serves for blood in the veins of the gods," 1630s, from French ichor (16c.) or Modern Latin ichor, from Greek ikhōr, a word of unknown origin, possibly from a non-Indo-European language. Related: Ichorous.
1869; Englishing of vers libre.
But it is possible that excessive devotion to rhyme has thickened the modern ear. The rejection of rhyme is not a leap at facility; on the contrary, it imposes a much severer strain upon the language. When the comforting echo of rhyme is removed, success or failure in the choice of words, in the sentence structure, in the order, is at once more apparent. Rhyme removed, the poet is at once held up to the standards of prose. Rhyme removed, much ethereal music leaps up from the word, music which has hitherto chirped unnoticed in the expanse of prose. [T.S. Eliot, "Reflections on Vers libre," New Statesman, 3 March 1917]
late 14c., an astrological term, "streaming ethereal power from the stars when in certain positions, acting upon character or destiny of men," from Old French influence "emanation from the stars that acts upon one's character and destiny" (13c.), also "a flow of water, a flowing in," from Medieval Latin influentia "a flowing in" (also used in the astrological sense), from Latin influentem (nominative influens), present participle of influere "to flow into, stream in, pour in," from in- "into, in, on, upon" (from PIE root *en "in") + fluere "to flow" (see fluent).
The range of senses in Middle English was non-personal, in reference to any outflowing of energy that produces effect, of fluid or vaporous substance as well as immaterial or unobservable forces. Meaning "exertion of unseen influence by persons" is from 1580s (a sense already in Medieval Latin, for instance Aquinas); meaning "capacity for producing effects by insensible or invisible means" is from 1650s. Under the influence (of alcohol, etc.) "drunk" first attested 1866.