late 14c., sensitif, in reference to the body or its parts, "capable of receiving impressions from external objects, having the function of sensation;" also (c. 1400) in scholastic philosophy, "of or pertaining to the faculty of the soul that receives and analyzes sensory information;" from Old French sensitif "capable of feeling" (13c.) and directly from Medieval Latin sensitivus "capable of sensation," from Latin sensus, past participle of sentire "feel, perceive" (see sense (n.)). Also in early Modern English sencitive.
By 1520s as "of, connected with, or affecting the senses." With reference to persons or mental feelings, "keenly susceptible to external influences," especially "easily touched by emotion, readily wounded by unkindness" (but also "ready to take offense"), by 1816.
What is commonly called a 'sensitive' person is one whose sense-organs cannot go on responding as the stimulus increases in strength, but become fatigued. [James Sully, "Outlines of Psychology," 1884]
The mechanical meaning "so delicately adjusted as to respond quickly to very slight changes or conditions" is by 1857. The Cold War meaning "involving national security" is attested by 1953. Related: Sensitively; sensitiveness.
The purely physical sense, in reference to a living being, skin, etc., "having quick or intense response to sensation," is by 1808; it is preserved in sensitive plant (1630s, also in Shelley's poem), a legume which is "mechanically irritable in a higher degree than almost any other plant" [Century Dictionary].
Marijuana ... makes you sensitive. Courtesy has a great deal to do with being sensitive. Unfortunately marijuana makes you the kind of sensitive where you insist on everyone listening to the drum solo in Iron Butterfly's 'In-a-Gadda-Da-Vida' fifty or sixty times. [P.J. O'Rourke, "Modern Manners," 1983]
As a noun, in mesmerism, "one who is sensitive to hypnotic influence," 1850; later "one in whom the sensitive facility is highly developed, an aesthete" (1891).
c. 1300 (early 13c. in surname Porkuiller), "flesh of a pig as food," from Old French porc "pig, swine, boar," and directly from Latin porcus "pig, tame swine," from PIE root *porko- "young pig." Also in Middle English "a swine, a hog" (c. 1400).
Pork barrel in the literal sense "barrel in which pork is kept" is from 1801, American English; the meaning "state's financial resources (available for distribution)" is attested from 1907 (in full, national pork barrel); it was noted as an expression of U.S. President President William Howard Taft:
"Now there is a proposition that we issue $500,000,000 or $1,000,000,000 of bonds for a waterway, and then that we just apportion part to the Mississippi and part to the Atlantic, a part to the Missouri and a part to the Ohio. I am opposed to it. I am opposed to it because it not only smells of the pork barrel, but it will be the pork barrel itself. Let every project stand on its bottom." [The Outlook, Nov. 6, 1909, quoting Taft]
The magazine article that includes the quote opens with:
We doubt whether any one knows how or when, or from what application of what story, the phrase "the National pork barrel" has come into use. If not a very elegant simile, it is at least an expressive one, and suggests a graphic picture of Congressmen eager for local advantage going, one after another, to the National pork barrel to take away their slices for home consumption.
Pork in this sense is attested from 1862 (compare figurative use of bacon). Pork chop "slice of meat from the ribs of a pork" is attested from 1858. Pork pie "pie made of pastry and minced pork" is from 1732; pork-pie hat (1855) originally described a woman's style popular c. 1855-65, but also worn by men. It was distinguished by a brim turned up around the low crown, a shape that resembled a deep pork pie.
Old English deaþ "total cessation of life, act or fact of dying, state of being dead; cause of death," in plural, "ghosts," from Proto-Germanic *dauthuz (source also of Old Saxon doth, Old Frisian dath, Dutch dood, Old High German tod, German Tod, Old Norse dauði, Danish død, Swedish död, Gothic dauus "death"), from verbal stem *dau-, which is perhaps from PIE root *dheu- (3) "to die" (see die (v.)). With Proto-Germanic *-thuz suffix indicating "act, process, condition."
I would not that death should take me asleep. I would not have him meerly seise me, and onely declare me to be dead, but win me, and overcome me. When I must shipwrack, I would do it in a sea, where mine impotencie might have some excuse; not in a sullen weedy lake, where I could not have so much as exercise for my swimming. [John Donne, letter to Sir Henry Goodere, Sept. 1608]
Of inanimate things, "cessation, end," late 14c. From late 12c. as "death personified, a skeleton as the figure of mortality." As "a plague, a great mortality," late 14c. (in reference to the first outbreak of bubonic plague; compare Black Death). Death's-head, a symbol of mortality, is from 1590s. Death's door "the near approach of death" is from 1540s.
As a verbal intensifier "to death, mortally" (as in hate (something) to death) 1610s; earlier to dead (early 14c.). Slang be death on "be very good at" is from 1839. To be the death of "be the cause or occasion of death" is in Shakespeare (1596). Expression a fate worse than death is from 1810 though the idea is ancient.
Death row "part of a prison exclusively for those condemned to capital execution" is by 1912. Death knell is attested from 1814; death penalty "capital punishment" is from 1844; death rate from 1859. Death-throes "struggle which in some cases accompanies death" is from c. 1300.
type of tall tree native to western Asia, southern Europe, and eastern U.S., also the large "nut" that it produces, 1560s, from chesten nut (1510s), with superfluous nut (n.) + Middle English chasteine, from Old French chastain (12c., Modern French châtaigne), from Latin castanea "chestnut, chestnut tree," from Greek kastaneia, which the Greeks explained as either "nut from Castanea" in Pontus, or "nut from Castana" in Thessaly, but probably both places are named for the trees, not the other way around, and the word is borrowed from a language of Asia Minor (compare Armenian kask "chestnut," kaskeni "chestnut tree"). In reference to the dark reddish-brown color, 1650s. Applied to the horse-chestnut by 1832.
Slang sense of "venerable joke or story" is from 1885, explained by U.S. actor Joseph Jefferson ("Lippincott's Monthly Magazine," January 1888) as probably abstracted from the 1816 melodrama "The Broken Sword" by William Dimond where an oft-repeated story involving a chestnut tree figures in an exchange between the characters "Captain Zavior" and "Pablo":
Zav. Let me see—aye! it is exactly six years since, that peace being restored to Spain, and my ship paid off, my kind brother offer'd me a snug hammock in the dwelling of my forefathers;—I mounted a mule at Barcelona, and trotted away for my native mountains. At the dawn of the fourth day's journey, I entered the wood of Collares, when, suddenly from the thick boughs of a cork-tree—
Pab. [Jumping up.] A chesnut, Captain, a chesnut!
Zav. Bah! you booby, I say, a cork.
Pab. And I swear, a chesnut—Captain! this is the twenty-seventh time I have heard you relate this story, and you invariably said, a chesnut, till now.
Zav. Did I? Well, a chesnut be it then. But, take your seat again.
Jefferson traced the connection through William Warren (1812-1888), "the veteran comedian of Boston" (and Jefferson's cousin) who often played Pablo in the melodrama.
c. 1200, "space, dimensional extent, room, area," from Old French place "place, spot" (12c.) and directly from Medieval Latin placea "place, spot," from Latin platea "courtyard, open space; broad way, avenue," from Greek plateia (hodos) "broad (way)," fem. of platys "broad," from PIE root *plat- "to spread."
Replaced Old English stow and stede. From mid-13c. as "particular part of space, extent, definite location, spot, site;" from early 14c. as "position or place occupied by custom, etc.; precedence, priority in rank or dignity; social status, position on some social scale;" from late 14c. as "inhabited place, town, country," also "place on the surface of something, portion of something, part." Meaning "a situation, appointment, or employment" is by 1550s. Meaning "group of houses in a town" is from 1580s.
Also from the same Latin source are Italian piazza, Catalan plassa, Spanish plaza, Middle Dutch plaetse, Dutch plaats, German Platz, Danish plads, Norwegian plass. The word appears via the Bible in Old English (Old Northumbrian plaece, plaetse "an open place in a city"), but the modern word is a reborrowing.
Sense of "a mansion with its adjoining grounds" is from mid-14c.; that of "building or part of a building set apart for some purpose is by late 15c. (in place of worship). Meaning "a broad way, square, or open space in a city or town," often having some particular use or character (Park Place, Waverly Place,Rillington Place) is by 1690s, from a sense in French. Its wide application in English covers meanings that in French require three words: place, lieu, and endroit. Cognate Italian piazza and Spanish plaza retain more of the etymological sense.
To take place "happen, come to pass, be accomplished" (mid-15c., earlier have place, late 14c.), translates French avoir lieu. To know (one's) place "know how to behave in a manner befitting one's rank, situation, etc." is from c. 1600, from the "social status" sense; hence the figurative expression put (someone) in his or her place (1855). In in the first place, etc., it has the sense of "point or degree in order of proceeding" (1630s). Out of place "not properly adjusted or placed in relation to other things" is by 1520s. All over the place "in disorder" is attested from 1923.
common termination and word-forming element of English adjectives (typically based on verbs) and generally adding a notion of "capable of; allowed; worthy of; requiring; to be ______ed," sometimes "full of, causing," from French -able and directly from Latin -abilis. It is properly -ble, from Latin -bilis (the vowel being generally from the stem ending of the verb being suffixed), and it represents PIE *-tro-, a suffix used to form nouns of instrument, cognate with the second syllables of English rudder and saddle (n.).
A living element in English, used in new formations from either Latin or native words (readable, bearable) and also with nouns (objectionable, peaceable). Sometimes with an active signification (suitable, capable), sometimes of neutral signification (durable, conformable). It has become very elastic in meaning, as in a reliable witness, a playable foul ball, perishable goods. A 17c. writer has cadaverable "mortal."
To take a single example in detail, no-one but a competent philologist can tell whether reasonable comes from the verb or the noun reason, nor whether its original sense was that can be reasoned out, or that can reason, or that can be reasoned with, or that has reason, or that listens to reason, or that is consistent with reason; the ordinary man knows only that it can now mean any of these, & justifiably bases on these & similar facts a generous view of the termination's capabilities; credible meaning for him worthy of credence, why should not reliable & dependable mean worthy of reliance & dependence? [Fowler]
In Latin, -abilis and -ibilis depended on the inflectional vowel of the verb. Hence the variant form -ible in Old French, Spanish, English. In English, -able tends to be used with native (and other non-Latin) words, -ible with words of obvious Latin origin (but there are exceptions). The Latin suffix is not etymologically connected with able, but it long has been popularly associated with it, and this probably has contributed to its vigor as a living suffix.
"brief examination by a teacher of a student or class on some subject," originally oral, 1852, colloquial, of uncertain origin.
Perhaps from quiz (v.), which might be from Latin. Or from slang quiz "odd person, person or thing deemed ridiculous" (1782, itself perhaps originally university slang), via the notion of "schoolboy prank or joke at the expense of a person deemed a quiz," a noun sense attested frequently 1840s, but quiz (n.) in the sense of "puzzling question, one designed to make one ridiculous" seems to not be attested before 1807. More than one etymological thread might be involved here. The word itself seems to have confused literary English from the beginning.
A Quiz, in the common acceptation of the word, signifies one who thinks, speaks, or acts differently from the rest of the world in general. But, as manners and opinions are as various as mankind, it will be difficult to say who shall be termed a Quiz, and who shall not: each person indiscriminately applying the name of Quiz to every one who differs from himself .... [The London Magazine, November 1783]
The word Quiz is a sort of a kind of a word
That people apply to some being absurd;
One who seems, as t'were oddly your fancy to strike
In a sort of a fashion you somehow don't like
A mixture of odd, and of queer, and all that
Which one hates, just, you know, as some folks hate a cat;
A comical, whimsical, strange, droll — that is,
You know what I mean; 'tis — in short, — 'tis a quiz!
[from "Etymology of Quiz," Charles Dibdin, 1842]
According to OED, the anecdote that credits this word to a bet by the Dublin theater-manager Daly or Daley that he could coin a word is regarded by authorities as "doubtful" and the first record of it appears to be in 1836 (in Smart's "Walker Remodelled"; the story is omitted in the edition of 1840). The medical school quiz class is attested from 1853. "The object of the Quiz will be to take the students over the ground of the different lectures in a thorough review, by a system of close questioning, so as to make them familiar with the subject-matter of the lectures to a degree not to be obtained in any other way" [Missouri Clinical Record, 1875].
10th letter of the English alphabet, pronounced "jay," as in "kay" for -k-, but formerly written out as jy, rhyming with -i- and corresponding to French ji.
One of the most stable English letters (it has almost always the same sound), it is a latecomer to the alphabet and originally had no sound value. The letter itself began as a scribal modification of Roman -i- in continental Medieval Latin. The scribes added a "hook" to small -i-, especially in the final position in a word or roman numeral, to distinguish it from the strokes of other letters. The dot on the -i- (and thus the -j-) and the capitalization of the pronoun I are other solutions to the same problems.
In English, -j- was used as a roman numeral throughout Middle English, but the letter -y- was used to spell words ending an "i" sound, so -j- was not needed to represent a sound. Instead, it was introduced into English c. 1600-1640 to take up the consonantal sound that had evolved from the Roman i- since Late Latin times. In Italian, g- was used to represent this, but in other languages j- took the job. This usage is attested earliest in Spanish, where it was in place before 1600.
No word beginning with J is of Old English derivation. [OED]
English dictionaries did not distinguish words beginning in -i- and -j- until 19c., and -j- formerly was skipped when letters were used to express serial order.
In Latin texts printed in modern times, -j- often is used to represent Latin -i- before -a-, -e-, -o-, -u- in the same syllable, which in Latin was sounded as the consonant in Modern English you, yam, etc., but the custom has been controversial among Latinists:
The character J, j, which represents the letter sound in some school-books, is an invention of the seventeenth century, and is not found in MSS., nor in the best texts of the Latin authors. [Lewis]
In English words from Hebrew, -j- represents yodh, which was equivalent to English consonantal y (hence hallelujah) but many of the Hebrew names later were conformed in sound to the modern -j- (compare Jesus).
Middle English kēpen, from late Old English cepan (past tense cepte) "to seize, hold; seek after, desire," also "to observe or carry out in practice; look out for, regard, pay attention to," from Proto-Germanic *kopjan, which is of uncertain origin. Old English cepan was used c. 1000 to render Latin observare, so perhaps it is related to Old English capian "to look" (from Proto-Germanic *kap-), which would make the basic sense "to keep an eye on, see to it."
The word prob. belonged primarily to the vulgar and non-literary stratum of the language; but it comes up suddenly into literary use c. 1000, and that in many senses, indicating considerable previous development. [OED]
The senses exploded in Middle English: "to guard, defend" (12c.); "restrain (someone) from doing something" (early 13c.); "take care of, look after; protect or preserve (someone or something) from harm, damage, etc." (mid-13c.); "preserve, maintain, carry on" a shop, store, etc. (mid-14c.); "prevent from entering or leaving, force to remain or stay" (late 14c.); "preserve (something) without loss or change," also "not divulge" a secret, private information, etc., also "to last without spoiling" (late 14c.); "continue on" (a course, road, etc.), "adhere to" a course of action (late 14c.); "stay or remain" (early 15c.); "to continue" (doing something) (mid-15c.). It is used to translate both Latin conservare "preserve, keep safe" and tenere "to keep, retain."
From 1540s as "maintain for ready use;" 1706 as "have habitually in stock for sale." Meaning "financially support and privately control" (usually in reference to mistresses) is from 1540s; meaning "maintain in proper order" (of books, accounts) is from 1550s.
To keep at "work persistently" is from 1825; to keep on "continue, persist" is from 1580s. To keep up is from 1630s as "continue alongside, proceed in pace with," 1660s as "maintain in good order or condition, retain, preserve," 1680s as "support, hold in an existing state." To keep it up "continue (something) vigorously" is from 1752. To keep to "restrict (oneself) to" is from 1711. To keep off (trans.) "hinder from approach or attack" is from 1540s; to keep out (trans.) "prevent from entering" is from early 15c.
slang for "backside," first attested 1860 in nautical slang, in popular use from 1930; chiefly U.S.; from dialectal variant pronunciation of arse (q.v.). The loss of -r- before -s- is attested in other words (burst/bust, curse/cuss, horse/hoss, barse/bass, garsh/gash, parcel/passel).
Indirect evidence of the change from arse to ass can be traced to 17c. By 1680s arse was being pronounced to rhyme with "-ass" words, as in "Sodom or the Quintessence of Debauchery": "I would advise you, sir, to make a pass/Once more at Pockenello's loyal arse." It is perhaps as early as Shakespeare's day, if Nick Bottom transformed into a donkey in "A Midsummer Night's Dream" (1594) is the word-play some think it is.
I must to the barber's, mounsieur; for me thinks I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me, I must scratch. [Bottom]
By 1785 polite speakers were avoiding ass in the "donkey" sense.
Meaning "woman regarded as a sexual object" is by early 1940s (piece of ass seems to be implied in 1930s Tijuana Bibles), but the image is older (compare buttock "a common strumpet," 1670s). To have (one's) head up (one's) ass "not know what one is doing" is attested by 1969. Colloquial (one's) ass "one's self, one's person" attested by 1958. To work (one's) ass off "work very much" is by 1946; to laugh (one's) ass off "laugh very much" is by 1972 (implied from 1965). The (stick it) up your ass oath is attested by 1953; apparent euphemisms suggest earlier use:
He snoighed up his nose as if th' cheese stunk, eyed me wi an air o contempt fro my shoon to my yed, un deawn ogen fro my yed to my shoon ; un then pushin th' brade un cheese into my hont ogen, he says "Take your vile bread and cheese and stick it up your coat sleeve, and be demmed to you. Do you think I want your paltry grub?" Un then, turnin on his heel, he hurried into th' perk. ["Bobby Shuttle un His Woife Sayroh's Visit to Manchester," 1857]