Middle English liven, from Old English lifian (Anglian), libban (West Saxon) "to be, be alive, have life; continue in life; to experience," also "to supply oneself with food, procure a means of subsistence; pass life in a specified fashion," from Proto-Germanic *libejanan (source also of Old Norse lifa "to be left; to live; to live on," of fire, "to burn;" Old Frisian libba, German leben, Gothic liban "to live"), from PIE root *leip- "to stick, adhere," forming words meaning "to remain, continue."
Meaning "to make a residence, dwell" is from c. 1200. Meaning "express in one's life" (live a lie) is from 1540s. Intensified sense "have life abundantly, make full use of life's opportunities" is from c. 1600. Related: Lived; living.
To live it up "live gaily and extravagantly" is from 1903. To live up to "act in accordance with, not live below the standard of" is 1690s, from earlier live up "live on a high (moral or mental) level" (1680s). To live (something) down "cause (something disreputable) to be forgotten by subsequent blameless course, live so as to disprove" is from 1842. To live with "cohabit as husband and wife" is attested from 1749; sense of "to put up with" is attested from 1937. Expression live and learn is attested from c. 1620.
According to the Dutch Prouerbe ... Leuen ende laetan leuen, To liue and to let others liue. [Gerard de Malynes, 1622]
[I]n general, as now used, the term classical includes the composers active in instrumental music from somewhere about 1700 to say 1830. Hence the list includes among the great names those of Bach, his sons, Haydn, Mozart, Beethoven, Clementi, Dussek, Pleyel, Cramer, etc. The next step beyond the term classical is "modern romantic," the composers of which school may be taken to include all the writers for pianoforte from about 1829 (when Mendelssohn published the first "Songs without Words") down to the present. The term romantic in this sense means strongly marked, extraordinary, intending to tell stories and the like. ["Music, Its Ideals and Methods," W.S.B. Mathews, 1897]
But already by 1880s it was acknowledged the term had a double sense: Music that had withstood the test of time, as well as music of a style contrasted to "romantic." Later (early 20c.) it was contrasted to jazz (in this sense more often with reference to the orchestras than to the music itself). Still later it stood in contrast to popular music generally (mid-20c.). Classical history is the history of ancient Greece and Rome; ancient history is the history of mankind from the earliest reliable records to the fall of Rome (476 C.E.). Related: Classically.
also logrolling, in the legislative vote-trading sense, "mutual aid given in carrying out several schemes or gaining individual ends," 1823, American English, from the notion of neighbors on the frontier joining forces for rolling logs into heaps after the trees have been felled to clear the land (as in phrase you roll my log and I'll roll yours); see log (n.1) + verbal noun from roll (v.). "Sometimes many neighbors were invited to assist, and a merrymaking followed. [Century Dictionary]. In lumbering, in reference to rolling logs into a stream where they bound together and floated down to the mills.
LOG-ROLLING. 1. In the lumber regions of Maine it is customary for men of different logging camps to appoint days for helping each other in rolling the logs to the river, after they are felled and trimmed — this rolling being about the hardest work incident to the business. Thus the men of three or four camps will unite, say on Monday, to roll for camp No. 1, — on Tuesday for camp No. 2, — on Wednesday for camp No. 3, — and so on, through the whole number of camps within convenient distance of each other. [Bartlett]
However the phrase is not attested in any literal sense, only the political sense, until 1848.
Old English læppa (plural læppan) "skirt or flap of a garment," from Proto-Germanic *lapp- (source also of Old Frisian lappa, Old Saxon lappo, Middle Dutch lappe, Dutch lap, Old High German lappa, German Lappen "rag, shred," Old Norse leppr "patch, rag"), of uncertain origin.
Sense of "lower front part of a shirt or skirt" led to that of "upper legs of seated person" (c. 1300). Used figuratively ("bosom, breast, place where someone or something is held and cherished") from late 14c., as in lap of luxury (which is first recorded 1802). To drop or dump something in someone's lap "shift a burden" is from 1962. From 15c.-17c. the word (often in plural) was a euphemism for "female pudendum," but this is not the source of lap dance, which is first recorded 1993.
To lap dance, you undress, sit your client down, order him to stay still and fully clothed, then hover over him, making a motion that you have perfected by watching Mister Softee ice cream dispensers. [Anthony Lane, review of "Showgirls," New Yorker, Oct. 16, 1995]
Lap-clap was old slang for "an act of coition" (c. 1600), in warning expressions to youth often paired with lip-clip "a kiss." Also compare slang Lapland "the society of women."
common Irish surname, Gaelic Murchadh "sea-warrior." The Celtic "sea" element is also in names Muriel (q.v.), Murdoch (Old Irish Muireadhach, Old Welsh Mordoc "mariner"), etc. As colloquial for "a potato" by 1811, apparently in allusion ot it being a staple food of the Irish.
Murphy bed (1912; in full Murphy In-A-Dor Bed) is named for U.S. inventor William Lawrence Murphy (1876-1959). By happy coincidence, Murphy was an illiterate 18c.-19c. perversion of Morpheus, god of sleep. Murphy's law (1958) is used of various pessimistic aphorisms. If there ever was a real Murphy his identity is lost to history. Said to be military originally, and it probably pre-dates the earliest printed example (the 1958 citation calls it "an old military maxim").
No history of the subject would be complete without some reference to the semilegendary, almost anonymous Murphy (floreat circa 1940?) who chose to disguise his genius by stating a fundamental systems theorem in commonplace, almost pedestrian terminology. This law, known to schoolboys the world over as Jellybread always falls jelly-side down, is here restated in Murphy's own words, as it appears on the walls of most of the world's scientific laboratories:
If Anything Can Go Wrong, It Will.
[John Gall, "Systemantics," 1975]
mid-13c., "division, portion of a whole, element or constituent (of something)," from Old French part "share, portion; character; power, dominion; side, way, path," from Latin partem (nominative pars) "a part, piece, a share, a division; a party or faction; a part of the body; a fraction; a function, office," related to portio "share, portion," from PIE root *pere- (2) "to grant, allot."
It has replaced native deal (n.) in most senses. Meaning "an allotted portion, a share" is from c. 1300; that of "a share of action or influence in activity or affairs, role, duty" is by late 14c. The theatrical sense (late 15c.) is from an actor's "share" in a performance (The Latin plural partis was used in the same sense). In music, "one of the voices or instruments in a concerted piece" (1520s). Sense of "separate piece of a machine" is by 1813.
Meaning "the division of the hair on the head when dressing it; the separation of the hair on the top of the head, from which it spread down on either side" is by 1890, American English; the earlier word for this was parting (1690s). The common Middle English word for it was shede, schede, from Old English scead, scad.
As an adjective from 1590s. Late Old English part "part of speech" did not survive and the modern word is considered a separate borrowing. Phrase for the most part "most, the greatest part" is from late 14c. To take part "participate" is from late 14c.
coined 1958 by San Francisco newspaper columnist Herb Caen (1916-1997) during the heyday of -nik suffixes in the wake of Sputnik. The first element is from Beat generation (1952), which is associated with beat (n.) in its meaning "rhythm (especially in jazz)" as well as beat (adj.) "worn out, exhausted." Century Dictionary (1902) has slang beat (n.) "a worthless, dishonest, shiftless fellow." Originator Jack Kerouac in 1958 connected it with beatitude.
The origins of the word beat are obscure, but the meaning is only too clear to most Americans. More than the feeling of weariness, it implies the feeling of having been used, of being raw. It involves a sort of nakedness of the mind. [New York Times Magazine, Oct. 2, 1952]
"Beat" is old carny slang. According to Beat Movement legend (and it is a movement with a deep inventory of legend), Ginsberg and Kerouac picked it up from a character named Herbert Huncke, a gay street hustler and drug addict from Chicago who began hanging around Times Square in 1939 (and who introduced William Burroughs to heroin, an important cultural moment). The term has nothing to do with music; it names the condition of being beaten down, poor, exhausted, at the bottom of the world. [Louis Menand, New Yorker, Oct. 1, 2007]
Middle English sellen, from Old English sellan "to give (something to someone), furnish, supply, lend; surrender, give up; deliver to; promise," from Proto-Germanic *saljanan "offer up, deliver" (source also of Old Norse selja "to hand over, deliver, sell;" Old Frisian sella, Old High German sellen "to give, hand over, sell;" Gothic saljan "to offer a sacrifice"), ultimately from PIE root *sel- (3) "to take, grasp."
Meaning "to give up for money, accept a price or reward for" had emerged by late Old English, but in Chaucer selle still can mean "to give." Students of Old English learn early that the word they encounter that looks like sell usually means "give." An Old English word for "to sell" was bebycgan, from bycgan "to buy."
The meaning "betray for gain" is from c. 1200. Slang meaning "to swindle" is from 1590s. To sell off "dispose of by sale, sell all of" is by 1700. To sell one's soul "make a contract with the devil," often figurative, is from c. 1570. Sell-by in reference to dates stamped on perishable packaged foods is from 1972. To sell like hot cakes is from 1839. To sell (someone) down the river figuratively is by 1927, probably from or with recollection of slavery days, on notion of sale from the Upper South to the cotton plantations of the Deep South (attested in this literal sense since 1851).
1580s, in Aristotle's logic, "a highest notion," from French catégorie, from Late Latin categoria, from Greek katēgoria "accusation, prediction, category," verbal noun from katēgorein "speak against; to accuse, assert, predicate," from kata "down to" (or perhaps "against;" see cata-) + agoreuein "to harangue, to declaim (in the assembly)," from agora "public assembly" (from PIE root *ger- "to gather").
The Greek verb's original sense of "accuse" had weakened to "assert, name" by the time Aristotle applied katēgoria to his 10 classes of "expressions that are in no way composite," perhaps "things that can be named simply." Precisely what he meant by it "has been disputed almost from his own day till the present" [OED].
What, exactly, is meant by the word "category," whether in Aristotle or in Kant and Hegel, I must confess that I have never been able to understand. I do not myself believe that the term "category" is in any way useful in philosophy, as representing any clear idea. [Bertrand Russell, "A History of Western Philosophy," 1945]
The sense of "any very wide and distinctive class, any comprehensive class of persons or things" is from 1660s.
category should be used by no-one who is not prepared to state (1) that he does not mean class, & (2) that he knows the difference between the two .... [Fowler]
"expose false or nonsensical claims or sentiments," 1923, from de- + bunk (n.2); apparently first used by U.S. novelist William Woodward (1874-1950), in his best-seller "Bunk;" the notion being "to take the bunk out of things." It got a boost from Harold U. Faulkner's "Colonial History Debunked" [Harper's Magazine, December 1925], which article itself quickly was debunked, and the word was in vogue in America in the mid-1920s. Related: Debunked; debunking.
Wets and Drys, Fundamentalists and Modernists, are busily engaged in debunking one another to the delight and edification of a public which divides its time between automobiling and listening-in. Is it art, or education, or religion that you prefer? You have only to get the right station and what you last heard about the matter will be cleverly debunked while you wait. [Carl Vernon Tower, "Genealogy 'Debunked," in Annual Reports of the Tower Genealogical Society, 1925]
It was, naturally, execrated in England.
The origin of to debunk is doubtless the same as that of American jargon in general — the inability of an ill-educated and unintelligent democracy to assimilate long words. Its intrusion in our own tongue is due partly to the odious novelty of the word itself, and partly to the prevailing fear that to write exact English nowadays is to be put down as a pedant and a prig. [letter to the editor, London Daily Telegraph, March 2, 1935, cited in Mencken, "The American Language"]