Old English bæc "back," from Proto-Germanic *bakam (cognates: Old Saxon and Middle Dutch bak, Old Frisian bek), with no known connections outside Germanic. In other modern Germanic languages the cognates mostly have been ousted in this sense by words akin to Modern English ridge (such as Danish ryg, German Rücken).
Many Indo-European languages show signs of once having distinguished the horizontal back of an animal (or a mountain range) from the upright back of a human. In other cases, a modern word for "back" may come from a word related to "spine" (Italian schiena, Russian spina) or "shoulder, shoulder blade" (Spanish espalda, Polish plecy).
By synecdoche, "the whole body," especially with reference to clothing. Meaning "upright part of a chair" is from 1520s. To turn (one's) back on (someone or something) "ignore" is from early 14c. As a U.S. football position by 1876, so called from being behind the line of rushers; further distinguished according to relative position as quarterback, halfback, fullback.
To know (something) like the back of one's hand, implying familiarity, is first attested 1893 in a dismissive speech made to a character in Robert Louis Stevenson's "Catriona":
If I durst speak to herself, you may be certain I would never dream of trusting it to you; because I know you like the back of my hand, and all your blustering talk is that much wind to me.
The story, a sequel to "Kidnapped," has a Scottish setting and context, and the back of my hand to you was noted in the late 19th century as a Scottish expression meaning "I will have nothing to do with you" [see Longmuir's edition of Jamieson's Scottish dictionary]. In English generally, the back of (one's) hand has been used to imply contempt and rejection at least since 1300. Perhaps the connection of a menacing dismissal is what made Stevenson choose that particular anatomical reference.
a word of vague etymology, perhaps a convergence of two or more words, given wide application in late 19c. and settling into its main modern meaning "floozie" from early 1920s, with a revival in 1980s.
Bimbo first appears as the name of an alcoholic punch, mentioned in newspapers from New York state (1837), Boston (1842), and New Orleans (1844, but as having come from Boston). This sense quickly fades, though it occasional is on menus as late as 1895.
From 1860-1910, Bimbo as a proper name is frequent: It is the name or part of the name of several race horses, dogs, and monkeys, a circus elephant (perhaps echoing Jumbo), and a jester character in a play. It is in the title of a three-act musical farce ("Bimbo of Bombay"), and the name of a popular "knockabout clown"/actor in England and several other stage clowns. Also it appears as a genuine surname, and "The Bimbos" were a popular brother-sister comedy acrobatics team in vaudeville.
A separate bimbo seems to have entered American English c. 1900, via immigration, as an Italian word for a little child or a child's doll, evidently a contraction of bambino "baby."
By 1920 it began to be used generally of a stupid or ineffectual man, a usage Damon Runyon in 1919 traced to Philadelphia prize-fight slang. He wrote, that July, in a column printed in several newspapers, of a hotel lobby fist-fight between "Yankee Schwartz, the old Philadelphia boxer," and another man, which Schwartz wins.
"No Bimbo can lick me," he said, breathlessly, at the finish.
"What's a Bimbo?" somebody asked "Tiny" Maxwell, on the assumption that "Tiny" ought to be familiar with the Philadelphia lingo.
A bimbo," said "Tiny," "is t-t-two degrees lower than a coo-coo—cootie."
The word does turn up in Philadelphia papers' accounts of prizefights (e.g. "Fitzsimmons Is No Bimbo," Evening Public Ledger, May 25, 1920).
By 1920 the sense of "floozie" had developed (said to have been popularized by "Variety" staffer Jack Conway), perhaps boosted by "My Little Bimbo Down on Bamboo Isle," a popular 1920 song in which the singer (imploring the audience not to alert his wife) tells of "his shipwreck on a Fiji Isle and the little Bimbo he left down on that Bamboo isle." Its resurrection in this sense during 1980s U.S. political sex scandals led to derivatives including diminutive bimbette (1990) and male form himbo (1988).
Old English macian "to give being to, give form or character to, bring into existence; construct, do, be the author of, produce; prepare, arrange, cause; behave, fare, transform," from West Germanic *makōjanan "to fashion, fit" (source also of Old Saxon makon, Old Frisian makia "to build, make," Middle Dutch and Dutch maken, Old High German mahhon "to construct, make," German machen "to make"), from PIE root *mag- "to knead, fashion, fit." If so, sense evolution perhaps is via prehistoric houses built of mud. It gradually replaced the main Old English word, gewyrcan (see work (v.)).
Meaning "to arrive at" (a place), first attested 1620s, originally was nautical. Formerly used in many places where specific verbs now are used, such as to make Latin (c. 1500) "to write Latin compositions." This broader usage survives in some phrases, such as make water "to urinate" (c. 1400), make a book "arrange a series of bets" (1828), make hay "to turn over mown grass to expose it to sun." Make the grade is 1912, perhaps from the notion of railway engines going up an incline.
Read the valuable suggestions in Dr. C.V. Mosby's book — be prepared to surmount obstacles before you encounter them — equipped with the power to "make the grade" in life's climb. [advertisement for "Making the Grade," December 1916]
But the phrase also was in use in a schoolwork context at the time.
To make friends is from late 14c.; to make good "make right" is from early 15c. To make do "manage with what is available" is attested by 1867; to make for "direct one's course to, proceed toward" is from 1580s, but "Not frequent before the 19th c." [OED]. To make of "think, judge" is from c. 1300. To make off "run away, depart suddenly" is from 1709; to make off with "run away with (something) in one's possession" is by 1820. To make way is from c. 1200 as "cut a path," early 14c. as "proceed, go."
Make time "go fast" is 1849; make tracks in this sense is from 1834. To make a federal case out of (something) was popularized in 1959 movie "Anatomy of a Murder;" to make an offer (one) can't refuse is from Mario Puzo's 1969 novel "The Godfather." To make (one's) day is by 1909; menacing make my day is from 1971, popularized by Clint Eastwood in film "Sudden Impact" (1983). Related: Made; making.
"small sack," c. 1200, bagge, probably from Old Norse baggi "pack, bundle," or a similar Scandinavian source. OED rejects connection to other Germanic words for "bellows, belly" as without evidence and finds a Celtic origin untenable. In some senses perhaps from Old French bague, which is also from Germanic.
As disparaging slang for "woman" it dates from 1924 in modern use (but various specialized senses of this are much older, and compare baggage). Meaning "person's area of interest or expertise" is 1964, from African-American vernacular, from jazz sense of "category," probably via notion of putting something in a bag. Meaning "fold of loose skin under the eye" is by 1867. Related: bags.
To be left holding the bag (and presumably nothing else), "cheated, swindled" is attested by 1793. Many figurative senses, such as the verb meaning "to kill game" (1814) and its colloquial extension to "catch, seize, steal" (1818) are from the notion of the game bag (late 15c.) into which the product of the hunt was placed. This also probably explains modern slang in the bag "assured, certain" (1922, American English).
To let the cat out of the bag "reveal the secret" is from 1760. The source is probably the French expression Acheter chat en poche "buy a cat in a bag," which is attested in 18c. French and explained in Bailey's "Universal Etymological English Dictionary" (1736), under the entry for To buy a pig in a poke as "to buy a Thing without looking at it, or enquiring into the Value of it." (Similar expressions are found in Italian and German; and in English, Wyclif (late 14c.) has To bye a catte in þo sakke is bot litel charge). Thus to let the cat out of the bag would be to inadvertently reveal the hidden truth of a matter one is attempting to pass off as something better or different, which is in line with the earliest uses in English.
Sir Joseph letteth the cat out of the bag, and sheweth principles inimical to the cause of true philosophy, by wishing to make great men Fellows, instead of wise men ["Peter Pindar," "Peter's Prophecy," 1788]
"being but a single unit or individual; being a single person, thing, etc. of the class mentioned;" as a pronoun, "a single person or thing, an individual, somebody;" as a noun, "the first or lowest of the cardinal numerals; single in kind, the same; the first whole number, consisting of a single unit; unity; the symbol representing one or unity;" c. 1200, from Old English an (adjective, pronoun, noun) "one," from Proto-Germanic *ainaz (source also of Old Norse einn, Danish een, Old Frisian an, Dutch een, German ein, Gothic ains), from PIE root *oi-no- "one, unique."
Originally pronounced as it still is in only, atone, alone, and in dialectal good 'un, young 'un, etc.; the now-standard pronunciation "wun" began c. 14c. in southwest and west England (Tyndale, a Gloucester man, spells it won in his Bible translation), and it began to be general 18c. Its use as indefinite pronoun was influenced by unrelated French on and Latin homo.
Before the name of a person, indicating "hitherto unknown" or not known to the speaker.
One and only "sweetheart" is from 1906. Slang one-arm bandit for a type of slot machine is recorded by 1938. One-night stand is 1880 in performance sense; 1963 in sexual sense. One of the boys "ordinary amiable fellow" is from 1893. One-track mind "mind capable of only one line of thought or action" is by 1915. Drinking expression one for the road is from 1950 (as a song title). One-man band is by 1909 in a literal sense, 1914 figurative. One of those things "unpredictable occurrence" is from 1934 (Cole Porter's song is from 1935).
The conscience clause is one of the weaknesses of the Bill. It is one of those things which tend to create the bitterness. The conscience clause is one of those things which are inseparable from a Bill like this. It is one of those things which divides the sheep from the goats—members can pick them out for themselves—in the playground, in the school. ["Religious Exercises in School Bills," New Zealand Parliamentary Debates, Aug. 13, 1926]
general common name of birds of the genus Corvus (the larger sort being sometimes called ravens), Old English crawe, which is held to be imitative of the bird's cry. Compare Old Saxon kraia, Dutch kraai, Old High German chraja, German Kräke.
Noted for sagacity and sociability. The British and North American species are very similar. Phrase as the crow flies "in a straight line" is from 1810; the image is attested in different form from 1800.
American English figurative phrase eat crow "do or accept what one vehemently dislikes and has opposed defiantly, accept things which, though not unbearable, are yet scarcely to be wished for," is attested by 1870 (originally often eat boiled crow), and seems to be based on the notion that the bird is edible when boiled but hardly agreeable.
There was an oft-reprinted mid-19c. joke about a man who, to settle a bet that he could eat anything, agrees to eat a boiled crow. As he with great difficulty swallows the first to mouthfuls, he says to the onlookers, "I can eat crow, but I don't hanker arter it." The joke is attested by 1854 (Walter Etecroue turns up 1361 in the Calendar of Letter Books of the City of London).
I tried my best to eat crow, but it was too tough for me. "How do you like it?" said the old man, as, with a desperate effort, he wrenched off a mouthful from a leg. "I am like the man," said I, "who was once placed in the same position: 'I ken eat crow, but hang me if I hanker arter it.'" "Well," says the captain, "it is somewhat hard; but try some of the soup and dumplings and don t condemn crow-meat from this trial, for you shot the grandfather and grandmother of the flock: no wonder they are tough; shoot a young one next time." "No more crow-meat for me, thank you," said I. [James G. Swan, "The Northwest Coast, or Three Years' Residence in Washington Territory," New York, 1857]
The image of a crow's foot for the wrinkles appearing with age at the corner of the eye is from late 14c. ("So longe mote ye lyve Til crowes feet be growen under youre ye." [Chaucer, Troilus and Criseyde, c. 1385]).
c. 1200, "body of persons living under a religious discipline," from Old French ordre "position, estate; rule, regulation; religious order" (11c.), from earlier ordene, from Latin ordinem (nominative ordo) "row, line, rank; series, pattern, arrangement, routine," originally "a row of threads in a loom," from Proto-Italic *ordn- "row, order" (source also of ordiri "to begin to weave;" compare primordial), which is of uncertain origin. Watkins suggests it is a variant of PIE root *ar- "to fit together," and De Vaan finds this "semantically attractive."
The original English word reflects a medieval notion: "a system of parts subject to certain uniform, established ranks or proportions," and was used of everything from architecture to angels. Old English expressed many of the same ideas with endebyrdnes. From the notion of "formal disposition or array, methodical or harmonious arrangement" comes the meaning "fit or consistent collocation of parts" (late 14c.).
Meaning "a rank in the (secular) community" is first recorded c. 1300. Sense of "a regular sequence or succession" is from late 14c. The meaning "command, directive" is first recorded 1540s, from the notion of "that which keep things in order." Military and honorary orders grew out of the fraternities of Crusader knights.
The business and commerce sense of "a written direction to pay money or deliver property" is attested by 1837; as "a request for food or drink in a restaurant" from 1836. In natural history, as a classification of living things next below class and next above family, it is recorded from 1760. Meaning "condition of a community which is under the rule of law" is from late 15c.
In order "in proper sequence or arrangement" is from c. 1400; out of order "not in proper sequence or orderly arrangement" is from 1540s; since 20c. principally mechanical, but not originally so ("and so home, and there find my wife mightily out of order, and reproaching of Mrs. Pierce and Knipp as wenches, and I know not what," - Pepys, diary, Aug. 6, 1666).
Phrase in order to "for the purpose of" (1650s) preserves etymological notion of "sequence." In short order "without delay" is from 1834, American English; order of battle "arrangement and disposition of an army or fleet for the purposes of engagement" is from 1769. The scientific/mathematical order of magnitude is attested from 1723.
1833, "one who embodies the person or character of another;" 1840 as "one who infuses (something) with a personality;" 1842 as "dramatic actor, one who plays a part on stage," from impersonate with Latinate agent noun suffix. Meaning "one who imitates the manners and speech of another" for entertainment (by 1921) perhaps grew from older theatrical use of female impersonator (1876), male impersonator (1874), both once popular stage acts; the first example of the latter was perhaps Miss Ella Wesner, who had a vogue c. 1870: In Britain, blackface performers were called negro impersonators (1906). As a fem. formation, impersonatrix, as if from Latin, is from 1847; impersonatress, as if from French, is from 1881.
Her [Wesner's] impersonation were a genuine surprise and her success was so pronounced that in a short period a host of imitators made their appearance. Her most successful rivals were Bessie Bonehill, Millie Hilton and Vesta Tilley, all of London. [M.B Leavitt, "Fifty Years in Theatrical Management," New York, 1912]
There is no member of a minstrel company who gets a better salary than a good female impersonator, the line being considered a very delicate one, requiring a high style of art in its way to judge where fun stops and bad taste begins, with decision enough on the part of the performer to stop at the stopping place. ["The Ancestry of Brudder Bones," Harper's New Monthly Magazine, April 1879]
The most fascinating performer I knew in those days was a dame named Metcalfe who was a female female impersonator. To maintain the illusion and keep her job, she had to be a male impersonator when she wasn't on. Onstage she wore a wig, which she would remove at the finish, revealing her mannish haircut. "Fooled you!" she would boom at the audience in her husky baritone. Then she would stride off to her dressing room and change back into men's clothes. She fooled every audience she played to, and most of the managers she worked for, but her secret was hard to keep from the rest of the company. [Harpo Marx, "Harpo Speaks"]
1726, "morbid longing to return to one's home or native country, severe homesickness considered as a disease," Modern Latin, coined 1688 in a dissertation on the topic at the University of Basel by scholar Johannes Hofer (1669-1752) as a rendering of German heimweh "homesickness" (for which see home + woe).
From Greek algos "pain, grief, distress" (see -algia) + nostos "homecoming," from neomai "to reach some place, escape, return, get home," from PIE *nes- "to return safely home" (cognate with Old Norse nest "food for a journey," Sanskrit nasate "approaches, joins," German genesen "to recover," Gothic ganisan "to heal," Old English genesen "to recover"). French nostalgie is in French army medical manuals by 1754.
Originally in reference to the Swiss and said to be peculiar to them and often fatal, whether by its own action or in combination with wounds or disease.
[Dr. Scheuzer] had said that the air enclosed in the bodies of his countrymen, being in Æquilibrium with a rare and light air that surrounds them, was overloaded in lower countries with an air more dense and heavier, which compressing and obstructing the capillary vessels, makes the circulation slow and difficult, and occasions many sad symptoms. [Account of the publication of "Areographia Helvetiæ" in New Memoirs of Literature, London, March 1726]
By 1830s the word was used of any intense homesickness: that of sailors, convicts, African slaves. "The bagpipes produced the same effects sometimes in the Scotch regiments while serving abroad" [Penny Magazine," Nov. 14, 1840]. It is listed among the "endemic diseases" in the "Cyclopaedia of Practical Medicine" [London, 1833, edited by three M.D.s], which defines it as "The concourse of depressing symptoms which sometimes arise in persons who are absent from their native country, when they are seized with a longing desire of returning to their home and friends and the scenes their youth ...."
It was a military medical diagnosis principally, and was considered a serious medical problem by the North in the American Civil War:
In the first two years of the war, there were reported 2588 cases of nostalgia, and 13 deaths from this cause. These numbers scarcely express the real extent to which nostalgia influenced the sickness and mortality of the army. To the depressing influence of home-sickness must be attributed the fatal result in many cases which might otherwise have terminated favorably. ["Sanitary Memoirs of the War," U.S. Sanitary Commission, N.Y.: 1867]
Transferred sense (the main modern one) of "wistful yearning for the past" is recorded by 1920, perhaps from such use of nostalgie in French literature. The longing for a distant place also necessarily involves a separation in time.
[correct, morally correct, direct] Old English riht, of actions, "just, good, fair, in conformity with moral law; proper, fitting, according to standard; rightful, legitimate, lawful; correct in belief, orthodox;" of persons or their characters, "disposed to do what is good or just;" also literal, "straight, not bent; direct, being the shortest course; erect," from Proto-Germanic *rehtan (source also of Old Frisian riucht "right," Old Saxon reht, Middle Dutch and Dutch recht, Old High German reht, German recht, Old Norse rettr, Gothic raihts), from PIE root *reg- "move in a straight line," also "to rule, to lead straight, to put right" (source also of Greek orektos "stretched out, upright;" Latin rectus "straight, right;" Old Persian rasta- "straight; right," aršta- "rectitude;" Old Irish recht "law;" Welsh rhaith, Breton reiz "just, righteous, wise").
Compare slang straight (adj.1) "honest, morally upright," and Latin rectus "right," literally "straight," Lithuanian teisus "right, true," literally "straight." Greek dikaios "just" (in the moral and legal sense) is from dike "custom."
By 1580s as "in conformity with truth, fact, or reason; correct, not erroneous;" of persons, "thinking or acting in accordance with truth or the facts of the case," 1590s. Of solid figures, "having the base at right angle with the axis," 1670s. The sense of "leading in the proper or desired direction" is by 1814. As an emphatic, meaning "you are right," it is recorded from 1580s; use as a question meaning "am I not right?" is by 1961. Extended colloquial form righto is attested by 1896.
The sense in right whale (by 1733) is said in dictionaries to be "justly entitled to the name" (a sense that goes back to Old English); earliest sources for the term, in New England whaling publications, list it first among whales and compare the others to it. Of persons who are socially acceptable and potentially influential (the right people) by 1842.
Right stuff "best human ingredients" is from 1848, popularized by Tom Wolfe's 1979 book about the first astronauts. Right angle is from late 14c. The right way originally was "the way of moral righteousness, the path to salvation" (Old English); the sense of "correct method, what is most conducive to the end in vision" is by 1560s. The sense in in one's right mind is of "mentally normal or sound" (1660s).