Middle English bok, from Old English boc "book, writing, written document," generally referred (despite phonetic difficulties) to Proto-Germanic *bōk(ō)-, from *bokiz "beech" (source also of German Buch "book" Buche "beech;" see beech), the notion being of beechwood tablets on which runes were inscribed; but it may be from the tree itself (people still carve initials in them).

Latin and Sanskrit also have words for "writing" that are based on tree names ("birch" and "ash," respectively). And compare French livre "book," from Latin librum, originally "the inner bark of trees" (see library).

The sense gradually narrowed by early Middle English to "a written work covering many pages fastened together and bound," also "a literary composition" in any form, of however many volumes. Later also "bound pages," whether written on or not. In 19c. it also could mean "a magazine;" in 20c., a telephone directory.

The use of books or written charters was introduced in Anglo-Saxon times by the ecclesiastics, as affording more permanent and satisfactory evidence of a grant or conveyance of land than the symbolical or actual delivery of possession before witnesses, which was the method then in vogue. [Century Dictionary] 

From c. 1200 as "a main subdivision of a larger work." The meaning "libretto of an opera" is from 1768. A betting book "record of bets made" is from 1812. The meaning "sum of criminal charges" is from 1926, hence slang phrase throw the book at (1932). Book of Life "the roll of those chosen for eternal life" is from mid-14c. Book of the month is from 1926. To do something by the book "according to the rules" is from 1590s.

1883, "fastidious man," New York City slang of unknown origin; recent research suggests it is a shortening of Yankee Doodle, based on the song's notion of "foppish, over-fastidious male" (compare macaroni). The vogue word of 1883, originally used in reference to the devotees of the "aesthetic" craze, later applied to city slickers, especially Easterners vacationing in the West (as in dude ranch "ranch which entertains guests and tourists for pay," attested by 1921). "The term has no antecedent record, and is prob. merely one of the spontaneous products of popular slang" [Century Dictionary].

Now, "tenderfoot" is not to be construed as the Western equivalent of that much evolved and more abused specimen of mankind, familiarly styled "dude." For even the Montana cowboy recognizes the latter. Not that he has ever seen the true prototype of a class that was erstwhile so numerous among us. But he is convinced that a person caught in the act of wearing a white linen collar, and who looks as though he might have recently shaved or washed his face, must be a dude, true and proper. ["Random Notes and Observations of a Trip through the Great Northwest," The Medical Record, Oct. 20, 1883]

Application to any male is recorded by 1966, U.S., originally in African-American vernacular.

DUDE: This does not mean "tenderfoot," as it once did. It now is used to refer positively to somebody. "Charlie's a nice dude." Occasionally it's used as a neutral noun, so you can call someone a "strange dude." [Mike Jahn, "Are You Hip?" Louisville, Ky. Courier-Journal, July 11, 1971]

1833, "one who embodies the person or character of another;" 1840 as "one who infuses (something) with a personality;" 1842 as "dramatic actor, one who plays a part on stage," from impersonate with Latinate agent noun suffix. Meaning "one who imitates the manners and speech of another" for entertainment (by 1921) perhaps grew from older theatrical use of female impersonator (1876), male impersonator (1874), both once popular stage acts; the first example of the latter was perhaps Miss Ella Wesner, who had a vogue c. 1870: In Britain, blackface performers were called negro impersonators (1906). As a fem. formation, impersonatrix, as if from Latin, is from 1847; impersonatress, as if from French, is from 1881.

Her [Wesner's] impersonation were a genuine surprise and her success was so pronounced that in a short period a host of imitators made their appearance. Her most successful rivals were Bessie Bonehill, Millie Hilton and Vesta Tilley, all of London. [M.B Leavitt, "Fifty Years in Theatrical Management," New York, 1912]

There is no member of a minstrel company who gets a better salary than a good female impersonator, the line being considered a very delicate one, requiring a high style of art in its way to judge where fun stops and bad taste begins, with decision enough on the part of the performer to stop at the stopping place. ["The Ancestry of Brudder Bones," Harper's New Monthly Magazine, April 1879]

The most fascinating performer I knew in those days was a dame named Metcalfe who was a female female impersonator. To maintain the illusion and keep her job, she had to be a male impersonator when she wasn't on. Onstage she wore a wig, which she would remove at the finish, revealing her mannish haircut. "Fooled you!" she would boom at the audience in her husky baritone. Then she would stride off to her dressing room and change back into men's clothes. She fooled every audience she played to, and most of the managers she worked for, but her secret was hard to keep from the rest of the company. [Harpo Marx, "Harpo Speaks"]

also cony, "rabbit," c. 1200, abstracted from Anglo-French conis, Old French coniz, plurals of conil "long-eared rabbit" (Lepus cunicula) from Latin cuniculus (source of Spanish conejo, Portuguese coelho, Italian coniglio), the small, Spanish variant of the Italian hare (Latin lepus). The word perhaps is from Iberian Celtic (classical writers say it is Hispanic).

Middle English had two forms: cony, conny, also coning, cunin, conyng; Old French had conil alongside conin. Apparently the plural form conis (from conil, with the -l- elided) was taken into English and regularly single-ized as cony. The Old French form in -n was borrowed in Dutch (konijn) and German (Kaninchen, a diminutive), and is preserved in the surname Cunningham (from a place-name in Ayrshire). Rabbits not being native to northern Europe, there was no Germanic word for them.

Rabbit arose 14c. to mean the young of the species, but gradually pushed out the older word 19c., after British slang picked up coney as a punning synonym for cunny "cunt" (compare connyfogle "to deceive (a woman) in order to win sexual favors"). The word was in the King James Bible (Proverbs xxx.26, etc.), however, so it couldn't be entirely dropped, and the solution was to change the pronunciation of the original short vowel (rhyming with honey, money) to rhyme with bony, stony. In the Old Testament, the word translates Hebrew shaphan "rock-badger."

Association with "cheating" is from coney-catcher, "A term made famous by [Robert] Greene in 1591, and in great vogue for 60 years after" [OED]

CONY-CATCHER. A sharper, or cheat. Minshew has well expressed the origin of the term: A conie-catcher, a name given to deceivers, by a metaphor, taken from those that rob warrens, and conie-grounds, using all means, sleights, and cunning to deceive them, as pitching of haies before their holes, fetching them in by tumblers, &c. [Nares, "Glossary"]

Also 16c.-17c. a term of endearment for a woman. Coney-wool (1714) "fur of rabbits" formerly was much used in making hats, etc. Coney-hole "rabbit hole" is from mid-15c.

name of an imaginary realm in "Las sergas de Esplandián" ("Exploits of Espladán"), a romance by Spanish writer Garci Ordóñez de Montalvo, published in 1510. It was a sequel to his "Amadis de Gaula," and was said to have been influential among Spanish explorers of the New World. It could have led them to misidentify Baja California as this mythical land and to mistake it for an island. The Amadis tales are the Iberian equivalent of the Arthurian romances; they are older than 1510 (traces of them have been found mid-14c.) and were wildly popular. That conquistadors and sailors would have known the story in all its imaginative detail is hardly surprising.

Amadis de Gaula ... set a fashion: all later Spanish writers of books of chivalry adopted the machinery of Amadis de Gaula. Later knights were not less brave (they could not be braver than) Amadis; heroines were not less lovely (they could not be lovelier) than Oriana; there was nothing for it but to make the dragons more appalling, the giants larger, the wizards craftier, the magic castles more inaccessible, the enchanted lakes deeper. Subsequent books of chivalry are simple variants of the types in Amadis de Gaula: Cervantes made his barber describe it as 'the best of all books of this kind.' This verdict is essentially just. Amadis de Gaula was read everywhere, especially in the French version of Herberay des Essarts. It was done into Hebrew during the sixteenth century, and attracted readers as different as St Ignatius of Loyola and Henry of Navarre. Its vogue perhaps somewhat exceeded its merit, but its merits are not inconsiderable. [James Fitzmaurice-Kelly, "Spanish Literature," 1922 edition]

Where Montalvo got the name and what it means, if anything, is a mystery. In reference to the native inhabitants, Californian is attested from 1785 as an adjective, 1789 as a noun. The element Californium (1950) was named in reference to University of California, where it was discovered.

"man who draws attention by unusual finery of dress and fastidiousness manners, a fop," c. 1780, of uncertain origin; attested earliest in a Scottish border ballad:

I've heard my granny crack

O' sixty twa years back

When there were sic a stock of Dandies O

etc. In that region, Dandy is diminutive of Andrew (as it was in Middle English generally). OED notes that the word was in vogue in London c. 1813-1819. His female counterpart was a dandizette (1821) with French-type ending.

Meaning "anything superlative or fine" is from 1786. As an adjective, "characteristic of a dandy, affectedly neat and trim," by 1813; earlier in the sense of "fine, splendid, first-rate" (1792) and in this sense it was very popular c. 1880-1900.

The popular guess, since at least 1827, is that it is from French Dandin, a mock surname for a foolish person used in 16c. by Rabelais (Perrin Dandin), also by Racine, La Fontaine, and Molière, from dandiner "to walk awkwardly, waddle." Farmer rejects this and derives it from dandyprat, an Elizabethan word for "a dwarf; a page; a young or insignificant person," originally (early 16c.) the name of a small silver coin. Both words are of unknown origin, and OED finds the connection of both to dandy to be "without any apparent ground." English dandy was itself borrowed into French c. 1830.

Jack-a-Dandy, or Jack O'Dandy figures in writings from the early 17c. He is listed among other famous Jacks in "Iack a Lent" (1620) and is sometimes defined as an impertinent little man, but other uses are unclear as to sense and in at least one instance from 1620s he is a bogeyman character.

DANDY was first applied half in admiration half in derision to a fop about the year 1816. John Bee (Slang Dict., 1823) says that Lord Petersham was the chief of these successors to the departed Macaronis, and gives, as their peculiarities, 'French gait, lispings, wrinkled foreheads, killing king's English, wearing immense plaited pantaloons, coat cut away, small waistcoat, cravat and chitterlings immense, hat small, hair frizzled and protruding.' [Farmer and Henley, "Slang and its Analogues," 1891]