"to project, propel," c. 1300, from Old English þrawan "to twist, turn, writhe, curl," (past tense þreow, past participle þrawen), from Proto-Germanic *threw- (source also of Old Saxon thraian, Middle Dutch dræyen, Dutch draaien, Old High German draen, German drehen "to turn, twist;" not found in Scandinavian or Gothic), from PIE root *tere- (1) "to rub, turn," with derivatives referring to twisting.

Not the usual Old English word for "to throw" (weorpan, related to warp (v.) was common in this sense). The sense evolution may be via the notion of whirling a missile before throwing it. The sense of "put by force" (as in throw in jail) is first recorded 1550s; that of "confuse, flabbergast" is from 1844; that of "lose deliberately" is from 1868. To throw a party was in U.S. college slang by 1916.

To throw the book at(someone) is 1932, from notion of judge sentencing a criminal from a law book full of possible punishments. To throw (one's) hat in the ring "issue a challenge," especially to announce one's candidacy, first recorded 1917. To throw up "vomit" is first recorded 1732. To throw (someone) off "confuse by a false scent" is from 1891.

1908, modeled on German Einfühlung (from ein "in" + Fühlung "feeling"), which was coined 1858 by German philosopher Rudolf Lotze (1817-1881) as a translation of Greek empatheia "passion, state of emotion," from assimilated form of en "in" (see en- (2)) + pathos "feeling" (from PIE root *kwent(h)- "to suffer"). A term from a theory of art appreciation that maintains appreciation depends on the viewer's ability to project his personality into the viewed object.

Not only do I see gravity and modesty and pride and courtesy and stateliness, but I feel or act them in the mind's muscles. This is, I suppose, a simple case of empathy, if we may coin that term as a rendering of Einfühlung; there is nothing curious or idiosyncratic about it; but it is a fact that must be mentioned. [Edward Bradford Titchener, "Lectures on the Experimental Psychology of the Thought Processes," 1909]

... there is no doubt that the facts are new and that they justify their name: the art work is a thing of "empathy" (Titchener, Ward), of "fellow feeling" (Mitchell), of "inner sympathy" (Groos), of "sympathetic projection" (Urban), of "semblance of personality" (Baldwin), all terms suggested by different writers as renderings of the German Einfühlung. ["The American Yearbook," 1911]

1580s, "a scheme or plan in the mind," from French desseign, desseing "purpose, project, design," from the verb in French (see design (v.)). Especially "an intention to act in some particular way," often to do something harmful or illegal (1704); compare designing. Meaning "adoption of means to an end" is from 1660s.

In art, "a drawing, especially an outline," 1630s. The artistic sense was taken into French as dessin from Italian disegno, from disegnare "to mark out," from Latin designare "mark out, devise, choose, designate, appoint" (which is also ultimately the source of the English verb), from de "out" (see de-) + signare "to mark," from signum "identifying mark, sign" (see sign (n.)).

[T]he artistic sense was taken into Fr. and gradually differentiated in spelling, so that in mod.F. dessein is 'purpose, plan', dessin 'design in art'. Eng. on the contrary uses design, conformed to the verb, in both senses. [OED]

General (non-scheming) meaning "a plan our outline" is from 1590s. Meaning "the practical application of artistic principles" is from 1630s. Sense of "artistic details that go to make up an edifice, artistic creation, or decorative work" is from 1640s.

Design is not the offspring of idle fancy; it is the studied result of accumulative observation and delightful habit. [Ruskin, "Modern Manufacture and Design," 1859]

Old English muþ "oral opening of an animal or human; opening of anything, door, gate," from Proto-Germanic *muntha- (source also of Old Saxon, Old Frisian muth, Old Norse munnr, Danish mund, Middle Dutch mont, Dutch mond, Old High German mund, German Mund, Gothic munþs "mouth"), with characteristic loss of nasal consonant in Old English (compare tooth), probably an IE word, but the exact etymology is disputed. Perhaps from the source of Latin mentum "chin" (from PIE root *men- (2) "to project," on the notion of "projecting body part"), presuming a semantic shift from "chin" to "mouth."

In the sense of "outfall of a river" it is attested from late Old English; as the opening of anything with capacity (a bottle, cave, etc.) it is recorded from mid-13c. Mouth-organ attested from 1660s. Mouth-breather is by 1883. Mouth-to-mouth "involving contact of one person's mouth with another's" is from 1909.

Word of mouth "spoken words, oral communication" (as distinguished from written words) is by 1550s. To put words in (someone's) mouth "represent as having said what one did not say" is from late 14c.; to take the words out of (someone's) mouth "anticipate what one is about to say" is from 1520s. To be down in the mouth "dejected" (1640s) is from the notion of having the corners of the mouth turned downward.

[length of cloth] Old English sciete (West Saxon), scete (Mercian) "length of cloth, covering, napkin, towel, shroud," according to Watkins from Proto-Germanic *skautjon-, with notions of "corner," from *skauta- "project" (source also of Old Norse skaut, Gothic skauts "seam, hem of a garment;" Dutch schoot; German Schoß "bosom, lap"), from PIE root *skeud- "to shoot, chase, throw." "A very abstract and uncertain semantic development" according to Boutkan (who rightly can't resist adding a German assessment of it, etwas hervorragendes).

It is attested by mid-13c. as "large square or rectangular piece of linen or cotton spread over a bed next to the sleeper." The sense of "oblong or square piece of paper," especially one suitable for writing or printing on, is recorded by c. 1500; that of "any broad, flat, relatively thin surface" (of metal, open water, etc.) is from 1590s. Of a continuous sweep of falling rain from 1690s. The meaning "a newspaper" is recorded by 1749.

Sheet lightning, caused by cloud reflection, is attested from 1794; sheet music is from 1857. Between the sheets "in bed" (usually with sexual overtones) is attested from 1590s (played upon in "Much Ado"); to be white as a sheet is from 1751. The first element in sheet-anchor (late 15c.), one used only in emergencies, appears to be a different word, of unknown origin, perhaps with some connection to shoot (v.) on the notion of being "shot out."

late Old English castel "village" (this sense from a biblical usage in Vulgar Latin); later "large building or series of connected buildings fortified for defense, fortress, stronghold" (late Old English), in this sense from Old North French castel (Old French chastel, 12c.; Modern French château), from Latin castellum "a castle, fort, citadel, stronghold; fortified village," diminutive of castrum "fort," from Proto-Italic *kastro- "part, share;" cognate with Old Irish cather, Welsh caer "town" (probably related to castrare via notion of "cut off," from PIE root *kes- "to cut"). In early bibles, castle was used to translate Greek kome "village."

Latin castrum in its plural castra was used for "military encampment, military post" and thus it came into Old English as ceaster and formed the -caster and -chester in place names. Spanish alcazar "castle" is from Arabic al-qasr, from Latin castrum. Castles in Spain "visionary project, vague imagination of possible wealth" translates 14c. French chastel en Espaigne (the imaginary castles sometimes stood in Brie, Asia, or Albania) and probably reflects the hopes of landless knights to establish themselves abroad. The statement that an (English) man's home is his castle is from 16c.

THAT the house of every man is to him as his castle and fortress, as well for his defence against injuries and violence, as for his repose .... [Edward Coke, "Semaynes Case," 1604]

c. 1300 (early 13c. in surname Porkuiller), "flesh of a pig as food," from Old French porc "pig, swine, boar," and directly from Latin porcus "pig, tame swine," from PIE root *porko- "young pig." Also in Middle English "a swine, a hog" (c. 1400).

Pork barrel in the literal sense "barrel in which pork is kept" is from 1801, American English; the meaning "state's financial resources (available for distribution)" is attested from 1907 (in full, national pork barrel); it was noted as an expression of U.S. President President William Howard Taft:

"Now there is a proposition that we issue $500,000,000 or $1,000,000,000 of bonds for a waterway, and then that we just apportion part to the Mississippi and part to the Atlantic, a part to the Missouri and a part to the Ohio. I am opposed to it. I am opposed to it because it not only smells of the pork barrel, but it will be the pork barrel itself. Let every project stand on its bottom." [The Outlook, Nov. 6, 1909, quoting Taft]

The magazine article that includes the quote opens with:

We doubt whether any one knows how or when, or from what application of what story, the phrase "the National pork barrel" has come into use. If not a very elegant simile, it is at least an expressive one, and suggests a graphic picture of Congressmen eager for local advantage going, one after another, to the National pork barrel to take away their slices for home consumption.

Pork in this sense is attested from 1862 (compare figurative use of bacon). Pork chop "slice of meat from the ribs of a pork" is attested from 1858. Pork pie "pie made of pastry and minced pork" is from 1732; pork-pie hat (1855) originally described a woman's style popular c. 1855-65, but also worn by men. It was distinguished by a brim turned up around the low crown, a shape that resembled a deep pork pie.