Old English lufu "feeling of love; romantic sexual attraction; affection; friendliness; the love of God; Love as an abstraction or personification," from Proto-Germanic *lubo (source also of Old High German liubi "joy," German Liebe "love;" Old Norse, Old Frisian, Dutch lof; German Lob "praise;" Old Saxon liof, Old Frisian liaf, Dutch lief, Old High German liob, German lieb, Gothic liufs "dear, beloved"). The Germanic words are from PIE root *leubh- "to care, desire, love."
The weakened sense "liking, fondness" was in Old English. Meaning "a beloved person" is from early 13c. The sense "no score" (in tennis, etc.) is 1742, from the notion of playing for love (1670s), that is, for no stakes. Phrase for love or money "for anything" is attested from 1580s. The phrase no love lost (between two people) is ambiguous and was used 17c. in reference to two who love each other well (c. 1640) as well as two who have no liking for each other (1620s, the usual modern sense).
To fall in love is attested from early 15c.; to be in love with (someone) is from c. 1500. To make love is from 1570s in the sense "pay amorous attention to;" as a euphemism for "have sex," it is attested from c. 1950. Love affair "a particular experience of love" is from 1590s. Love life "one's collective amorous activities" is from 1919, originally a term in psychological jargon. Love beads is from 1968. Love bug, imaginary insect, is from 1883. Love-handles "the fat on one's sides" is by 1967.
"Even now," she thought, "almost no one remembers Esteban and Pepita but myself. Camilla alone remembers her Uncle Pio and her son; this woman, her mother. But soon we shall die and all memory of those five will have left the earth, and we ourselves shall be loved for a while and forgotten. But the love will have been enough; all those impulses of love return the love that made them. Even memory is not necessary for love. There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning." [Thornton Wilder, "Bridge of San Luis Rey," 1927]
10th letter of the English alphabet, pronounced "jay," as in "kay" for -k-, but formerly written out as jy, rhyming with -i- and corresponding to French ji.
One of the most stable English letters (it has almost always the same sound), it is a latecomer to the alphabet and originally had no sound value. The letter itself began as a scribal modification of Roman -i- in continental Medieval Latin. The scribes added a "hook" to small -i-, especially in the final position in a word or roman numeral, to distinguish it from the strokes of other letters. The dot on the -i- (and thus the -j-) and the capitalization of the pronoun I are other solutions to the same problems.
In English, -j- was used as a roman numeral throughout Middle English, but the letter -y- was used to spell words ending an "i" sound, so -j- was not needed to represent a sound. Instead, it was introduced into English c. 1600-1640 to take up the consonantal sound that had evolved from the Roman i- since Late Latin times. In Italian, g- was used to represent this, but in other languages j- took the job. This usage is attested earliest in Spanish, where it was in place before 1600.
No word beginning with J is of Old English derivation. [OED]
English dictionaries did not distinguish words beginning in -i- and -j- until 19c., and -j- formerly was skipped when letters were used to express serial order.
In Latin texts printed in modern times, -j- often is used to represent Latin -i- before -a-, -e-, -o-, -u- in the same syllable, which in Latin was sounded as the consonant in Modern English you, yam, etc., but the custom has been controversial among Latinists:
The character J, j, which represents the letter sound in some school-books, is an invention of the seventeenth century, and is not found in MSS., nor in the best texts of the Latin authors. [Lewis]
In English words from Hebrew, -j- represents yodh, which was equivalent to English consonantal y (hence hallelujah) but many of the Hebrew names later were conformed in sound to the modern -j- (compare Jesus).
1590s, "pertaining to the island of Lesbos," from Latin Lesbius, from Greek lesbios "of Lesbos," Greek island in northeastern Aegean Sea (the name originally may have meant "wooded"), home of Sappho, great lyric poet whose erotic and romantic verse embraced women as well as men, hence meaning "relating to homosexual relations between women, characterized by erotic interest in other women" (in continuous use from 1890; the noun lesbianism from this sense is attested from 1870) and the noun, which is first recorded 1925.
Sappho's particular association with erotic love between women (with or without concurrent relations with men) dates to at least 1732 in writing in English, though the continuous use of lesbian and the modern words formed from it are from late 19c. The use of lesbian as a noun and an adjective in this sense seems to follow the same pattern.
In another Place the same commentator conjectures, that Myra is a Corruption of Myrrhina а famous Courtesan of Athens, who first practis'd and taught in that City Sappho's Manner and the Lesbian Gambols. ["Peregrine O Donald" (William King), "The Toast," 1732]
Before this, the principal figurative use of Lesbian was lesbian rule (c. 1600 and especially common in 17c.) a mason's rule of lead, of a type used in ancient times on Lesbos, which could be bent to fit the curves of a molding; hence, figuratively, "pliant morality or judgment."
And this is the nature of the equitable, a correction of law where it is defective owing to its universality. ... For when the thing is indefinite the rule also is indefinite, like the leaden rule used in making the Lesbian moulding; the rule adapts itself to the shape of the stone and is not rigid, and so too the decree is adapted to the facts. [Aristotle, "Nicomachean Ethics"]
It also was used in English from 1775 in reference to wines from Lesbos. Though the specific "pertaining to female homosexuality" is recent, Lesbian had long before that a suggestion of "amatory, erotic," "From the reputed character of the inhabitants and the tone of their poetry" [Century Dictionary]. The island's erotic reputation was ancient; Greek had a verb lesbiazein "to imitate the Lesbians," which implied "sexual initiative and shamelessness" among women (especially fellatio), but not necessarily female homosexuality, and they did not differentiate such things the way we have.
Middle English smok, "women's undergarment, shift," from from Old English smoc "garment worn by women," corresponding to the men's shirt, from Proto-Germanic *smukkaz (source also of Old Norse smokkr "a smock," but this perhaps is from Old English; Old High German smoccho "smock," a rare word; North Frisian smok "woman's shift," but this, too, perhaps is from English).
Klein's sources, Barnhart and the OED see this as connected to a group of Germanic sm- words having to do with creeping or pressing close, such as Old Norse smjuga "to creep (through an opening), to put on (a garment)," smuga "narrow cleft to creep through; small hole;" Old Swedish smog "a round hole for the head;" Old English smugan, smeogan "to creep," smygel "a burrow." Compare also German schmiegen "to cling to, press close, nestle;" and Schmuck "jewelry, adornments," from schmucken "to adorn," literally "to dress up."
Watkins, however, traces it to a possible Germanic base *(s)muk- "wetness," figuratively "slipperiness," from PIE root*meug- "slimy, slippery" (see mucus). Either way, the original notion seems to have been "garment one creeps or slips into," by the same pattern that produced sleeve and slip (n.2).
In the original sense it has largely been replaced by euphemistic shift (n.2). Until 18c. smock was so much the common word for a woman's undergarment that it could be emblematic of womanhood generally, as in verb smock "to render (a man) effeminate or womanish" (1610s); smocker "man who consorts with women" (18c.). Smock also was an adjective, "belonging or relating to women;" smock-face "person having a pale, effeminate face" is attested by c. 1600 (Dryden's Endymion was a smock-fac'd boy). Smell-smock "licentious man" was in use c. 1550-c. 1900.
The modern meaning "woman's or child's loose dress or blouse" is from 1907; the sense of "loose garment worn by artists over other clothes" is from 1938. A smock-race (1707) was a foot-race for women and girls, an old country pastime:
Smock Races are commonly performed by the young country wenches, and so called because the prize is a holland smock, or shift, usually decorated with ribbands. [Joseph Strutt, "Sports and Pastimes of the People of England," 1867]
popular name of a common bird of Europe, Asia, and America, known for its chattering, acquisitiveness, curiosity, and mimicry, c. 1600, earlier simply pie (mid-13c.).
The first element is Mag, nickname for Margaret, long used in proverbial and slang English for qualities associated generally with women, especially in this case "idle chattering" (as in Magge tales "tall tales, nonsense," early 15c.; also compare French margot "magpie," from Margot, pet form of Marguerite). The name Margaret, and its reduced forms Mag, Madge, diminutive Maggie, also has long been familiarly applied to birds. Pies were proverbial since Middle English for chattering (as were jays), hence the application of pie to a prattling gossip or tattler, also "sly person, informer" (late 14c.) and in 15c.-16c. a wily pie (or wyly pye) was "a cunning person."
The second element, pie, is the earlier name of the bird, from Old French pie, from Latin pica "magpie" (source also of Spanish pega), fem. of picus "woodpecker," from PIE root *(s)peik- "woodpecker, magpie" (source also of Umbrian peica "magpie," Sanskrit pikah "Indian cuckoo," Old Norse spætr, German Specht "woodpecker"); possibly from PIE root *pi-, denoting pointedness, of the beak. The application to pies might be because the magpie also has a long, pointed tail.
The birds are proverbial for pilfering and hoarding and for their indiscriminate appetites (see pica (n.2)); they can be taught to speak, and have been regarded since the Middle Ages as ill omens.
Whan pyes chatter vpon a house it is a sygne of ryghte euyll tydynges. 
Divination by numbering magpies is attested from c. 1780 in Lincolnshire; the rhyme varies from place to place, the only consistency being that one is bad, two are good.
The councils which magpies appear to hold together, at particular seasons, commonly called "folkmotes," are associated in the minds of many with superstitious and ominous notions. The innocent objects of terror, while meeting together most probably for the purpose of choosing mates, are supposed to be conspiring and clubbing their wits, for the weal or woe of the inhabitants of the neighbouring village. If they are of an even number and carry on their cheerful, noisy chatter, it is supposed to betoken good to old and young—but if there is an odd magpie perched apart from the rest, silent, and disconsolate, the reverse of this is apprehended, and mischievous consequences are inevitably expected. [The Saturday Magazine, Jan. 23, 1841]
"quadruped of the genus Canis," Old English docga, a late, rare word, used in at least one Middle English source in reference specifically to a powerful breed of canine; other early Middle English uses tend to be depreciatory or abusive. Its origin remains one of the great mysteries of English etymology.
The word forced out Old English hund (the general Germanic and Indo-European word, from root from PIE root *kwon-) by 16c. and subsequently was picked up in many continental languages (French dogue (16c.), Danish dogge, German Dogge (16c.). The common Spanish word for "dog," perro, also is a mystery word of unknown origin, perhaps from Iberian. A group of Slavic "dog" words (Old Church Slavonic pisu, Polish pies, Serbo-Croatian pas) likewise is of unknown origin.
In reference to persons, by c. 1200 in abuse or contempt as "a mean, worthless fellow, currish, sneaking scoundrel." Playfully abusive sense of "rakish man," especially if young, "a sport, a gallant" is from 1610s. Slang meaning "ugly woman" is from 1930s; that of "sexually aggressive man" is from 1950s.
Many expressions — a dog's life (c. 1600), go to the dogs (1610s), dog-cheap (1520s), etc. — reflect the earlier hard use of the animals as hunting accessories, not pets. In ancient times, "the dog" was the worst throw in dice (attested in Greek, Latin, and Sanskrit, where the word for "the lucky player" was literally "the dog-killer"), which plausibly explains the Greek word for "danger," kindynos, which appears to be "play the dog" (but Beekes is against this).
Notwithstanding, as a dog hath a day, so may I perchance have time to declare it in deeds. [Princess Elizabeth, 1550]
Meaning "something poor or mediocre, a failure" is by 1936 in U.S. slang. From late 14c. as the name for a heavy metal clamp of some kind. Dog's age "a long time" is by 1836. Adjectival phrase dog-eat-dog "ruthlessly competitive" is by 1850s. Phrase put on the dog "get dressed up" (1934) may be from comparison of dog collars to the stiff stand-up shirt collars that in the 1890s were the height of male fashion (and were known as dog-collars from at least 1883).
And Caesar's spirit, ranging for revenge,
With Ate by his side come hot from Hell,
Shall in these confines with a monarch's voice
Cry Havoc! and let slip the dogs of war;
[Shakespeare, "Julius Caesar"]
"agricultural implement drawn by animals, used to cut ground and turn it up to prepare it for sowing or planting," late Old English ploʒ, ploh "plow; plowland" (a measure of land equal to what a yoke of oxen could plow in a day); in reference to the implement perhaps from a Scandinavian cognate (such as Old Norse plogr "plow;" compare Swedish and Danish plog; Middle English Compendium notes that, "As an element in names, plough is most freq. in the area of the Danelaw"); from Proto-Germanic *plōga- (source also of Old Saxon plog, Old Frisian ploch "plow," Middle Low German ploch, Middle Dutch ploech, Dutch ploeg, Old High German pfluog, German Pflug), a late word in Germanic, of uncertain origin.
Rare as a word alone in Old English, where the usual word for "plow" (n.) was sulh (later sull), which is cognate with Latin sulcus "furrow" (see sulcus).
Old Church Slavonic plugu, Lithuanian plūgas "plow" are Germanic loan-words, as probably is Latin plovus, plovum "plow," a word said by Pliny to be of Rhaetian origin. Boutkan argues against that and points out that, "A priori, the initial p- [in a Germanic word] points to a probable non-IE origin." He also notes the unclear etymological connection with Albanian plúar "plow," which "may have the same, apparently Central-European origin as the Gmc. etymon. On the other hand, the word may represent a North-European innovation which would also be found in OIr. dlongid 'split' < *tlong-." For the usual IE "plow" word, see arable.
The plow and the use of it would have been familiar to most people in England (and later America) from remote antiquity to fairly recent times, and it thus figures largely in image and metaphor; Middle English had (modernized) govern the plow of battles "command an army, wage war;" drive (or hold) the plow "bear burdens; gain the authority;" have weak oxen in the plow "not have energy for the undertaking;" put (one) in pain's plow "force to suffer;" and slightly later plow the sand "labor fruitlessly."
As a name for the star pattern also known as the Big Dipper or Charles's Wain, it is attested by early 15c., perhaps early 14c., also Arthouris Plowe. The three "handle" stars (in the Dipper configuration) generally are seen as the team of oxen pulling the plow, though sometimes they are the plow's handle.
Proto-Indo-European root forming prepositions, etc., meaning "forward," and, by extension, "in front of, before, first, chief, toward, near, against," etc.
It forms all or part of: afford; approach; appropriate; approve; approximate; barbican; before; deprive; expropriate; far; first; for; for-; fore; fore-; forefather; foremost; former (adj.); forth; frame; frau; fret; Freya; fro; froward; from; furnish; furniture; further; galore; hysteron-proteron; impervious; improbity; impromptu; improve; palfrey; par (prep.); para- (1) "alongside, beyond; altered; contrary; irregular, abnormal;" paradise; pardon; paramount; paramour; parvenu; pellucid; per; per-; percent; percussion; perennial; perestroika; perfect; perfidy; perform; perfume; perfunctory; perhaps; peri-; perish; perjury; permanent; permeate; permit; pernicious; perpendicular; perpetual; perplex; persecute; persevere; perspective; perspire; persuasion; pertain; peruse; pervade; pervert; pierce; portray; postprandial; prae-; Prakrit; pre-; premier; presbyter; Presbyterian; preterite; pride; priest; primal; primary; primate; primavera; prime; primeval; primitive; primo; primogenitor; primogeniture; primordial; primus; prince; principal; principle; prior; pristine; private; privilege; privy; pro (n.2) "a consideration or argument in favor;" pro-; probably; probe; probity; problem; proceed; proclaim; prodigal; produce; profane; profess; profile; profit; profound; profuse; project; promise; prompt; prone; proof; proper; property; propinquity; prophet; prose; prostate; prosthesis; protagonist; Protean; protect; protein; Proterozoic; protest; proto-; protocol; proton; protoplasm; Protozoa; proud; prove; proverb; provide; provoke; prow; prowess; proximate; Purana; purchase; purdah; reciprocal; rapprochement; reproach; reprove; veneer.
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit pari "around, about, through," parah "farther, remote, ulterior," pura "formerly, before," pra- "before, forward, forth;" Avestan pairi- "around," paro "before;" Hittite para "outside of," Greek peri "around, about, near, beyond," pera "across, beyond," paros "before," para "from beside, beyond," pro "before;" Latin pro "before, for, on behalf of, instead of," porro "forward," prae "before," per "through;" Old Church Slavonic pra-dedu "great-grandfather;" Russian pere- "through;" Lithuanian per "through;" Old Irish ire "farther," roar "enough;" Gothic faura "before," Old English fore (prep.) "before, in front of," (adv.) "before, previously," fram "forward, from," feor "to a great distance, long ago;" German vor "before, in front of;" Old Irish air- Gothic fair-, German ver-, Old English fer-, intensive prefixes.
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle."
An enigma whose solution is a word of two or more syllables, each of which separately significant in sound, and which, as well as the whole word, must be discovered from a dialogue or description in which it is used, or from dramatic representation. [Century Dictionary]
The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
The answer is "snow-ball." The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
mid-13c., "animating or vital principle in man and animals," from Anglo-French spirit, Old French espirit "spirit, soul" (12c., Modern French esprit) and directly from Latin spiritus "a breathing (respiration, and of the wind), breath; breath of a god," hence "inspiration; breath of life," hence "life;" also "disposition, character; high spirit, vigor, courage; pride, arrogance," related to spirare "to breathe," perhaps from PIE *(s)peis- "to blow" (source also of Old Church Slavonic pisto "to play on the flute"). But de Vaan says "Possibly an onomatopoeic formation imitating the sound of breathing. There are no direct cognates."
Meaning "supernatural immaterial creature; angel, demon; an apparition, invisible corporeal being of an airy nature" is attested from mid-14c.; from late 14c. as "a ghost" (see ghost (n.)). From c. 1500 as "a nature, character"; sense of "essential principle of something" (in a non-theological context, as in Spirit of St. Louis) is attested from 1680s, common after 1800; Spirit of '76 in reference to the qualities that sparked and sustained the American Revolution is attested by 1797 in William Cobbett's "Porcupine's Gazette and Daily Advertiser."
From late 14c. in alchemy as "volatile substance; distillate;" from c. 1500 as "substance capable of uniting the fixed and the volatile elements of the philosopher's stone." Hence spirits "volatile substance;" sense narrowed to "strong alcoholic liquor" by 1670s. This also is the sense in spirit level (1768). Also from mid-14c. as "character, disposition; way of thinking and feeling, state of mind; source of a human desire;" in Middle English freedom of spirit meant "freedom of choice." From late 14c. as "divine substance, divine mind, God;" also "Christ" or His divine nature; "the Holy Ghost; divine power;" also, "extension of divine power to man; inspiration, a charismatic state; charismatic power, especially of prophecy." Also "essential nature, essential quality." From 1580s in metaphoric sense "animation, vitality."
According to Barnhart and OED, originally in English mainly from passages in Vulgate, where the Latin word translates Greek pneuma and Hebrew ruah. Distinction between "soul" and "spirit" (as "seat of emotions") became current in Christian terminology (such as Greek psykhe vs. pneuma, Latin anima vs. spiritus) but "is without significance for earlier periods" [Buck]. Latin spiritus, usually in classical Latin "breath," replaces animus in the sense "spirit" in the imperial period and appears in Christian writings as the usual equivalent of Greek pneuma. Spirit-rapping is from 1852.