In September [1963], the Beatles played the Royal Albert Hall in London, and in October they had top bill on "Val Parnell's Sunday Night at the Palladium" show. Fans lined up all day on Argyll Street outside the Palladium for a glimpse of the boys, a phenomenon that was unprecedented at that time. Hundreds of extra policemen were called in to deal with the crowd, and some later estimated that as many as 2,000 girls mobbed the band as they tried to enter the theater. ... All major British newspapers headlined the story the next day, and the term "Beatlemania" was coined to describe the frenzy and hysteria that fans exhibited over the Beatles. [Jacqueline Edmondson, "John Lennon: A Biography," 2010]
"music form featuring flatted thirds and sevenths," possibly c. 1895 (though officially 1912, in W.C. Handy's "Memphis Blues"). Blue note "minor interval where a major would be expected" is attested from 1919, and at first was suspected as a source of the term. Also compare blues (n.2).
I am under the impression that these terms [blue note, blue chord] were contemporary with, if they did not precede and foreshadow, the period of our innumerable musical 'Blues.' What the uninitiated tried to define by that homely appellation was, perhaps, an indistinct association of the minor mode and dyspeptic intonation with poor digestion; in reality, it is the advent in popular music of something which the textbooks call ambiguous chords, altered notes, extraneous modulation, and deceptive cadence. [Carl Engel, "Jazz: A Musical Discussion," The Atlantic Monthly, August 1922]
mid-13c., ris, "edible seeds or grains of the rice plant, one of the world's major food grains," from Old French ris, from Italian riso, from Latin oriza, from Greek oryza "rice," via an Indo-Iranian language (compare Pashto vriže, Old Persian brizi), ultimately from Sanskrit vrihi-s "rice."
The Greek word, directly or in indirectly, is the source of the European words for the grain (Welsh reis, German reis, Lithuanian ryžiai, Serbo-Croatian riza, Polish ryż, etc.). Evidence of semi-cultivated rice in Thailand dates to 5,500 years ago; introduced to the Mediterranean by the Arabs, it was introduced 1647 in the Carolinas.
Rice paper (1810), originally used in China, Japan, etc., is made from straw of rice; the name is sometimes misapplied to a delicate white film prepared from the pith of a certain East Asian shrub. Rice-pudding is by 1889. Rice Krispies is from 1936.
town and county in England, Old English Deorby "deer village," from deor "deer" (see deer) + by "habitation, homestead," from a Scandinavian source (see first element in bylaw). the annual Derby horse race, the most important in England, was begun 1780 by the 12th Earl of Derby and run at Epsom, Surrey; the name was used for any major horse race after 1875. Hence Derby day (generally the Wednesday before Whitsuntide), etc.
Derby dog, something that "turns up" without fail, as the proverbial dog on the race-course on Derby day, after the track is otherwise cleared for the races. [Century Dictionary; the phrase is attested from 1858]
The type of stiff, felt hat with a rounded crown and more or less narrow brim was manufactured in U.S. by 1850 and called by that name by 1870; perhaps so called because it was worn in riding. It came in as a fashionable novelty in 1874.
early 15c., drom, "percussive musical instrument consisting of a hollow wooden or metallic body and a tightly stretched head of membrane," probably from Middle Dutch tromme "drum," a common Germanic word (compare German Trommel, Danish tromme, Swedish trumma) and probably imitative of the sound of one.
Not common before 1570s; the slightly older, and more common at first, word was drumslade, apparently from Dutch or Low German trommelslag "drum-beat," "though it does not appear how this name of the action came to be applied to the instrument" [OED], and the English word might be a shortening of this. Other earlier words for it were tabour (c. 1300, ultimately from Persian; see tabor) and timpan (Old English; see tympanum).
In machinery, the word was applied to various contrivances resembling a drum from 1740. In anatomy, "the tympanum of the ear," 1610s. Meaning "receptacle having the form of a drum" is by 1812. Drum-major (1590s) originally was "chief or first drummer of a military regiment;" later "one who directs the evolutions of a marching corps."
1610s, Hamburger "native of Hamburg." Also used of ships from Hamburg. From 1838 as a type of excellent black grape indigenous to Tyrolia; 1857 as a variety of hen.
The meat product was so called by 1880 (as hamburg steak); if it was named for the German city no certain connection has ever been put forth, and there may not be one unless it be that Hamburg was a major port of departure for German immigrants to United States. An 1809 account of life and manners in Iceland says meat smoked in the chimney there is referred to as Hamburg beef.
The meaning "a sandwich consisting of a bun and a patty of grilled hamburger meat" attested by 1909, short for hamburger sandwich (1902). Shortened form burger is attested from 1939; beefburger was attempted 1940, in an attempt to make the main ingredient more explicit, after the -burger had taken on a life of its own as a suffix (compare cheeseburger, attested by 1938).
"religious system revealed by Muhammad," 1816, from Arabic islam, literally "submission" (to the will of God), from root of aslama "he resigned, he surrendered, he submitted," causative conjunction of salima "he was safe," and related to salam "peace."
... Islam is the only major religion, along with Buddhism (if we consider the name of the religion to come from Budd, the Divine Intellect, and not the Buddha), whose name is not related to a person or ethnic group, but to the central idea of the religion. ["The Heart of Islam: Enduring Values for Humanity," Seyyed Hossein Nasr, 2002]
Earlier English names for the faith include Mahometry (late 15c.), Muhammadism (1610s), Islamism (1747), and Ismaelism (c. 1600; see Ismailite). The Ismailites were not numerous in Islam, but among them were the powerful Fatimid dynasty in Egypt and the Assassins, both of which loomed large in European imagination. This use also is in part from Ishmaelite, a name formerly given (especially by Jews) to Arabs, as descendants of Ishmael (q.v.).
Proto-Indo-European root meaning "house, household." It represents the usual Indo-European word for "house" (Italian, Spanish casa are from Latin casa "cottage, hut;" Germanic *hus is of obscure origin).
It forms all or part of: Anno Domini; belladonna; condominium; dame; damsel; dan "title of address to members of religious orders;" danger; dangerous; demesne; despot; Dom Perignon; domain; dome; domestic; domesticate; domicile; dominate; domination; dominion; domino; don (n.) "Spanish, Italian, and Portuguese title of respect;" Donna; dungeon; ma'am; madam; madame; mademoiselle; madonna; major-domo; predominant; predominate; timber; toft.
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit damah "house;" Avestan demana- "house;" Greek domos "house," despotēs "master, lord;" Latin domus "house," dominus "master of a household;" Armenian tanu-ter "house-lord;" Old Church Slavonic domu, Russian dom "house;" Lithuanian dimstis "enclosed court, property;" Old Norse topt "homestead."
1590s, "of Ionia," the districts of ancient Greece inhabited by the Ionians, one of the three (or four) great divisions of the ancient Greek people. The name (which Herodotus credits to an ancestral Ion, son of Apollo and Creusa) probably is pre-Greek, perhaps related to Sanskrit yoni "womb, vulva," and a reference to goddess-worshipping people. As a noun from 1560s.
Ionia included Attica, Euboea, and the north coast of the Peloponnesus, but it especially referred to the coastal strip of Asia Minor, including the islands of Samos and Chios. The old Ionic dialect was the language of Homer and Herodotus, and, via its later form, Attic, that of all the great works of the Greeks. The name also was given to the sea that lies between Sicily and Greece, and the islands in it (1630s in English in this sense). The musical Ionian mode (1844) corresponds to our C-major scale but was characterized by the Greeks as soft and effeminate, as were the Ionians generally.
The Ionians delighted in wanton dances and songs more than the rest of the Greeks ... and wanton gestures were proverbially termed Ionic motions. [Thomas Robinson, "Archæologica Græca," 1807]
1782, "peasant dance popular in Italy," originally "hysterical malady characterized by extreme impulse to dance" (1630s), epidemic in Apulia and adjacent parts of southern Italy 15c.-17c., popularly attributed to (or believed to be a cure for) the bite of the tarantula. This is likely folk-etymology, however, and the names of the dance and the spider more probably share an origin in Taranto, the name of a city in southern Italy (see tarantula). Used from 1833 to mean the style of music that accompanies this dance, usually in 6/8 time, with whirling triplets and abrupt major-minor modulations. Related: Tarantism.
Those who were bitten generally fell into a state of melancholy, and appeared to be stupified, and scarcely in possession of their senses. This condition was, in many cases, united with so great a sensibility to music, that at the very first tones of their favourite melodies, they sprang up, shouting for joy, and danced on without intermission, until they sank to the ground exhausted and almost lifeless. [Babington's translation of J.F.C. Hecker, "The Epidemics of the Middle Ages," London, 1859]
