early 14c., "actually existing, having physical existence (not imaginary);" mid-15c., "relating to things" (especially property), from Old French reel "real, actual," from Late Latin realis "actual," in Medieval Latin "belonging to the thing itself," from Latin res "property, goods, matter, thing, affair," which de Vaan traces to a PIE *Hreh-i- "wealth, goods," source also of Sanskrit rayim, rayah "property, goods," Avestan raii-i- "wealth."
The meaning "genuine" is recorded from 1550s; the sense of "unaffected, no-nonsense" is from 1847. Real estate, the exact term, "land, including what is naturally or artificially on or in it" is recorded from 1660s, but as far back as Middle English real was used in law in reference to immovable property, paired with, and distinguished from, personal. The noun phrase real time is from early 19c. in logic and philosophy, from 1953 as an adjectival phrase in reference to "the actual time during which an event or process occurs," with the rise of computer processes. Get real, usually an interjection, was U.S. college slang in 1960s, reaching wide popularity c. 1987. As a noun, the real, "that which actually exists," by 1818 (Coleridge). The real thing "the genuine article" is by 1818.
Real applies to that which certainly exists, as opposed to that which is imaginary or feigned : as, real cause for alarm ; a real occurrence ; a real person, and not a ghost or a shadow ; real sorrow. Actual applies to that which is brought to be or to pass, as opposed to that which is possible, probable, conceivable, approximate, estimated, or guessed at. [Century Dictionary]
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand. [Margery Williams, "The Velveteen Rabbit"]
Old English fæger "pleasing to the sight (of persons and body features, also of objects, places, etc.); beautiful, handsome, attractive," of weather, "bright, clear, pleasant; not rainy," also in late Old English "morally good," from Proto-Germanic *fagraz (source also of Old Saxon fagar, Old Norse fagr, Swedish fager, Old High German fagar "beautiful," Gothic fagrs "fit"), perhaps from PIE *pek- (1) "to make pretty" (source also of Lithuanian puošiu "I decorate").
The meaning in reference to weather preserves the oldest sense "suitable, agreeable" (opposed to foul (adj.)). Of the main modern senses of the word, that of "light of complexion or color of hair and eyes, not dusky or sallow" (of persons) is from c. 1200, faire, contrasted to browne and reflecting tastes in beauty. From early 13c. as "according with propriety; according with justice," hence "equitable, impartial, just, free from bias" (mid-14c.).
Of wind, "not excessive; favorable for a ship's passage," from late 14c. Of handwriting from 1690s. From c. 1300 as "promising good fortune, auspicious." Also from c. 1300 as "above average, considerable, sizable." From 1860 as "comparatively good."
The sporting senses (fair ball, fair catch, etc.) began to appear in 1856. Fair play is from 1590s but not originally in sports (earlier it meant "pleasant amusement," c. 1300, and foul play was "sinful amusement"). Fair-haired in the figurative sense of "darling, favorite" is from 1909. First record of fair-weather friends is from 1736 (in a letter from Pope published that year, written in 1730). The fair sex "women" is from 1660s, from the "beautiful" sense (fair as a noun meaning "a woman" is from early 15c.). Fair game "legitimate target" is from 1776, from hunting.
Others, who have not gone to such a height of audacious wickedness, have yet considered common prostitutes as fair game, which they might pursue without restraint. ["Advice from a Father to a Son, Just Entered into the Army and about to Go Abroad into Action," London, 1776]
mid-14c., gunne "an engine of war that throws rocks, arrows or other missiles from a tube by the force of explosive powder or other substance," apparently a shortening of woman's name Gunilda, found in Middle English gonnilde "cannon" and in an Anglo-Latin reference to a specific gun from a 1330 munitions inventory of Windsor Castle ("... una magna balista de cornu quae Domina Gunilda ..."). Also compare gonnilde gnoste "spark or flame used to fire a cannon" (early 14c.).
The identification of women with powerful weapons is common historically (such as Big Bertha, Brown Bess, Mons Meg, etc.).
Or perhaps gun is directly from Old Norse gunnr "battle." The word was perhaps influenced by or confirmed by (or possibly from) Old French engon, dialectal variant of engin "engine."
Meaning grew with technology, from cannons to firearms as they developed 15c.; popularly applied to pistols and revolvers from 1744. In modern military use the word is restricted to cannons (which must be mounted), especially long ones used for high velocity and long trajectory. Hence great guns (1884 as an exclamation) distinguished from small guns (such as muskets) from c. 1400. Meaning "thief, rascal" is from 1858. For son of a gun, see son. To jump the gun (1912, American English) is a figurative use from track and field. Guns "a woman's breasts" (especially if prominent) attested by 2006.
[G]un covers firearms from the heaviest naval or siege guns (but in technical use excluding mortars and howitzers) to the soldier's rifle or the sportsman's shotgun, and in current U.S. use even the gangster's revolver. In the other European languages there is no such comprehensive word, but different terms for the small or hand gun of the soldier or sportsman (even these, sometimes differentiated) and the heavy naval guns or artillery pieces .... [Buck, 1949]
c. 1600, from Latin toga "cloak or mantle," from PIE *tog-a- "covering," suffixed form of root *(s)teg- "to cover." The outer garment of a Roman citizen in time of peace.
The toga as the Roman national dress was allowed to be worn by free citizens only. A stranger not in full possession of the rights of a Roman citizen could not venture to appear in it. Even banished Romans were in imperial times precluded from wearing it. The appearance in public in a foreign dress was considered as contempt of the majesty of the Roman people. Even boys appeared in the toga, called, owing to the purple edge attached to it (a custom adopted from the Etruscans) toga praetexta. On completing his sixteenth, afterward his fifteenth, year (tirocinium fori), the boy exchanged the toga praetexta for the toga virilis, pura, or libera—a white cloak without the purple edge. Roman ladies (for these also wore the toga) abandoned the purple edge on being married. [Guhl & Koner, "The Life of the Greeks and Romans," transl. Francis Hueffer, 1876]
Breeches, like the word for them (Latin bracae) were alien to the Romans, being the dress of Persians, Germans, and Gauls, so that bracatus "wearing breeches" was a term in Roman geography meaning "north of the Alps." College fraternity toga party was re-popularized by movie "Animal House" (1978), but this is set in 1962 and the custom seems to date from at least the mid-1950s.
Down on Prospect Street, Campus Club held a toga party, at which everyone wore togas. Charter held a come-as-you-are party, at which everyone wore what they happened to have on, and Cloister held a party called "A Night in Tahiti," at which we'd hate to guess what everyone wore. The borough police reported that only one false alarm was turned in. [Princeton Alumni Weekly, March 19, 1954]
late 13c., "restorative powers of the body, bodily processes; powers of growth;" from Old French nature "nature, being, principle of life; character, essence," from Latin natura "course of things; natural character, constitution, quality; the universe," literally "birth," from natus "born," past participle of nasci "to be born," from PIE root *gene- "give birth, beget."
By mid-14c. as "the forces or processes of the material world; that which produces living things and maintains order." From late 14c. as "creation, the universe;" also "heredity, birth, hereditary circumstance; essential qualities, inherent constitution, innate disposition" (as in human nature); also "nature personified, Mother Nature." Nature and nurture have been paired and contrasted since Shakespeare's "Tempest."
The phrase "nature and nurture" is a convenient jingle of words, for it separates under two distinct heads the innumerable elements of which personality is composed. Nature is all that a man brings with himself into the world; nurture is every influence from without that affects him after his birth. [Francis Galton, "English Men of Science: Their Nature and Nurture," 1875]
Specifically as "the material world beyond human civilization or society; an original, wild, undomesticated condition" from 1660s, especially in state of nature "the condition of man before organized society." Nature-worship "religion which deifies the phenomena of physical nature" is by 1840.
Nature should be avoided in such vague expressions as 'a lover of nature,' 'poems about nature.' Unless more specific statements follow, the reader cannot tell whether the poems have to do with natural scenery, rural life, the sunset, the untouched wilderness, or the habits of squirrels. [Strunk & White, "The Elements of Style," 3rd ed., 1979]
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law—
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed—
[Tennyson, from "In Memoriam"]
Old English blod "blood, fluid which circulates in the arteries and veins," from Proto-Germanic *blodam "blood" (source also of Old Frisian blod, Old Saxon blôd, Old Norse bloð, Middle Dutch bloet, Dutch bloed, Old High German bluot, German Blut, Gothic bloþ), according to some sources from PIE *bhlo-to-, perhaps meaning "to swell, gush, spurt," or "that which bursts out" (compare Gothic bloþ "blood," bloma "flower"), from suffixed form of root *bhel- (3) "to thrive, bloom." But Boutkan finds no certain IE etymology and assumes a non-IE origin.
There seems to have been an avoidance in Germanic, perhaps from taboo, of other PIE words for "blood," such as *esen- (source of poetic Greek ear, Old Latin aser, Sanskrit asrk, Hittite eshar); also *krew-, which seems to have had a sense of "blood outside the body, gore from a wound" (source of Latin cruour "blood from a wound," Greek kreas "meat"), but which came to mean simply "blood" in the Balto-Slavic group and some other languages.
Inheritance and relationship senses (also found in Latin sanguis, Greek haima) emerged in English by mid-13c. Meanings "person of one's family, race, kindred; offspring, one who inherits the blood of another" are late 14c. As the fluid of life (and the presumed seat of the passions), blood has stood for "temper of mind, natural disposition" since c. 1300 and been given many figurative extensions. Slang meaning "hot spark, a man of fire" [Johnson] is from 1560s. Blood pressure attested from 1862. Blood money is from 1530s; originally money paid for causing the death of another.
Blood type is from 1928. That there were different types of human blood was discovered c. 1900 during early experiments in transfusion. To get blood from a stone "do the impossible" is from 1660s. Expression blood is thicker than water attested by 1803, in reference to family ties of those separated by distance. New (or fresh) blood, in reference to new members of an organization or group, especially ones bringing new ideas and fresh vigor or strength, is from 1880.
"finished, worn out, dead," 1895 as a German word in English, from German kaputt "destroyed, ruined, lost" (1640s), which in this sense probably is a misunderstanding of an expression from card-playing, capot machen, a partial translation into German of French faire capot, a phrase which meant "to win all the tricks (from the other player) in piquet," an obsolete card game.
The French phrase means "to make a bonnet," and perhaps the notion is throwing a hood over the other player, but faire capot also meant in French marine jargon "to overset in a squall when under sail." The German word was popularized in English during World War I.
"Kaput" — a slang word in common use which corresponds roughly to the English "done in," the French "fichu." Everything enemy was "kaput" in the early days of German victories. [F. Britten Austin, "According to Orders," New York, 1919]
French capot is literally "cover, bonnet," also the name of a type of greatcloak worn by sailors and soldiers (see capote).
The card-playing sense is attested in German only from 1690s, but capot in the (presumably) transferred sense of "destroyed, ruined, lost" is attested from 1640s [see William Jervis Jones, "A Lexicon of French Borrowings in the German Vocabulary (1575-1648)," Berlin, de Gruyter, 1976]. In Hoyle and other English gaming sources, faire capot is "to win all the tricks," and a different phrase, être capot, literally "to be a bonnet," is sometimes cited as the term for losing them. The sense reversal in German might have come about because if someone wins all the tricks the other player has to lose them, and the same word capot, when it entered English from French in the mid-17c. meant "to score a capot against; to win all the tricks from," with figurative extensions, e.g.:
"There are others, says a third, that have played with my Lady Lurewell at picquet besides my lord; I have capotted her myself two or three times in an evening." [George Farquhar (1677-1707), "Sir Harry Wildair"]
by 1560s, perhaps mid-15c., if an isolated instance in a diary in Middle English Compendium is the same word, of uncertain origin.
The meaning "dishonest person who preys on others," though attested from 1599 (sharker "artful swindler" in this sense is from 1594), may be the original sense, later transferred to the large, voracious marine fish. If so, it is possibly from German Schorck, a variant of Schurke "scoundrel, villain," agent noun of Middle High German schürgen (German schüren) "to poke, stir."
On an old theory, the English word is from a Mayan word, xoc, which might have meant "shark." Northern Europeans seem not to have been familiar with the larger sort of sharks before voyages to the tropics began. A slightly earlier name for it in English was tiburon, from Spanish tiburón (1520s), which probably is from a native word from South America, such as Tupi uperu "shark" (source also of Portuguese tubarão, Catalan tauró).
Middle English had hound-fish (early 14c.), which probably was used of dogfish and other small sharks. The general Germanic word seems to be represented by Old Norse har (Norwegian hai, Danis haj, Dutch haai, German Hai, also borrowed in Finnish, Latvian), which is of unknown origin. French requin is literally "grimacer," from Norman requin, from Old French reschignier "to bare the teeth, grimace." An ancient Greek word for a shark was karkharias, from karkharos "sharp, jagged, biting." Latin used squalus, from the root of English whale (n.); Lithuanian ryklys is literally "swallower."
The English word was applied (or re-applied) to voracious or predatory persons, on the image of the fish, from 1707 (originally of pick-pockets); loan shark is attested from 1905. Sharkskin (1851) was used for binding books, etc. As the name of a type of fabric held to resemble it, it is recorded from 1932.
There is the ordinary Brown Shark, or sea attorney, so called by sailors; a grasping, rapacious varlet, that in spite of the hard knocks received from it, often snapped viciously at our steering oar. [Herman Melville, "Mardi"]
16th letter of the classical Roman alphabet, occurring in English only before a -u- that is followed by another vowel (with a few exceptions; see below), whether the -u- is sounded or not (pique). The letter is from the Phoenician equivalent of Hebrew koph, qoph, which was used for the deeper and more guttural of the two "k" sounds in Semitic. The letter existed in early Greek (where there was no such distinction), and called koppa, but it was little used and not alphabetized; it mainly served as a sign of number (90).
The connection with -u- began in Latin. Anglo-Saxon scribes at first adopted the habit, but later used spellings with cw- or cu-. The qu- pattern returned to English with the Normans and French after the Conquest and had displaced cw- by c. 1300.
In some spelling variants of late Middle English, quh- also took work from wh-, especially in Scottish and northern dialects, for example Gavin Douglas, Provost of St. Giles, in his vernacular "Aeneid" of 1513:
Lyk as the rois in June with hir sueit smell
The marygulde or dasy doith excell.
Quhy suld I than, with dull forhede and vane,
With ruide engine and barrand emptive brane,
With bad harsk speche and lewit barbour tong,
Presume to write quhar thi sueit bell is rong,
Or contirfait sa precious wourdis deir?
Scholars use -q- alone to transliterate Semitic koph or the equivalent in Turkish or Iranian (as in Quran, Qatar, Iraq). In Christian theology, Q has been used since 1901 to signify the hypothetical source of passages shared by Matthew and Luke but not in Mark; in this sense probably it is an abbreviation of German Quelle "source" (from Old High German quella, from the same Proto-Germanic source as Old English cwiella, cwylla"spring; well"). In Middle English accounts, it is an abbreviation of quadrans "farthing" (mid-15c.). In Roman personal names it is an abbreviation of Quintus.
name of an imaginary realm in "Las sergas de Esplandián" ("Exploits of Espladán"), a romance by Spanish writer Garci Ordóñez de Montalvo, published in 1510. It was a sequel to his "Amadis de Gaula," and was said to have been influential among Spanish explorers of the New World. It could have led them to misidentify Baja California as this mythical land and to mistake it for an island. The Amadis tales are the Iberian equivalent of the Arthurian romances; they are older than 1510 (traces of them have been found mid-14c.) and were wildly popular. That conquistadors and sailors would have known the story in all its imaginative detail is hardly surprising.
Amadis de Gaula ... set a fashion: all later Spanish writers of books of chivalry adopted the machinery of Amadis de Gaula. Later knights were not less brave (they could not be braver than) Amadis; heroines were not less lovely (they could not be lovelier) than Oriana; there was nothing for it but to make the dragons more appalling, the giants larger, the wizards craftier, the magic castles more inaccessible, the enchanted lakes deeper. Subsequent books of chivalry are simple variants of the types in Amadis de Gaula: Cervantes made his barber describe it as 'the best of all books of this kind.' This verdict is essentially just. Amadis de Gaula was read everywhere, especially in the French version of Herberay des Essarts. It was done into Hebrew during the sixteenth century, and attracted readers as different as St Ignatius of Loyola and Henry of Navarre. Its vogue perhaps somewhat exceeded its merit, but its merits are not inconsiderable. [James Fitzmaurice-Kelly, "Spanish Literature," 1922 edition]
Where Montalvo got the name and what it means, if anything, is a mystery. In reference to the native inhabitants, Californian is attested from 1785 as an adjective, 1789 as a noun. The element Californium (1950) was named in reference to University of California, where it was discovered.