mid-14c., "something laid, placed or spread (on something else)," from cover (v.). Sense of "something which veils or screens from sight" is from c. 1400. From c. 1500 as "shelter" of any kind, later especially in hunting, "shrubbery, brush, or thickets which conceal game" (1719).
Meaning "binding or wrapper of a book" is from 1590s; that of "envelope or wrapper for a letter" is by 1748. Meaning "recording of a song already recorded by another" is by 1970, short for cover version (1966). Cover-band "band that plays only cover songs" is by 1981. Cover girl is U.S. slang from 1915, shortening of magazine-cover girl (1899).
Cover-charge is attested by 1913. The immediate sense of cover in it appears to be the old one of "plate, knives, forks, spoons, napkin, wine glasses, etc., used at the table by one person," from French couvert, literally "a cover," in the same sense; supposedly they were so called because they were originally brought together in a case.
According to contemporary publications, cover came to include table condiments and bread and butter, and c. 1910 some restaurants began to charge extra for these. ["... a smart New York restauranteur recently made a 'cover charge' of twenty-five cents for bread and butter and ice-water. Others followed." - Edward Hungerford, "The Personality of American Cities," 1913]
In this sense, cover also probably involves the banquet service use of cover for a charge which includes ("covers") everything provided with the food — menu card, flowers, music, etc.
In recent years hotels, particularly those featuring entertainment in their restaurants, have made a so-called cover charge which includes entertainment in addition to the table service. For instance, at some of the larger hotels in New York, where there is dancing, or cabaret, or high-priced soloists, or entertainment of costly nature provided, there is a cover charge, sometimes as high as $1 the seat. [Hotel Monthly, December 1917]
c. 1300, "determined, fixed," from Old French certain "reliable, sure, assured" (12c.), from Vulgar Latin *certanus, extended form of Latin certus "determined, resolved, fixed, settled," of things whose qualities are invariable, "established," also "placed beyond doubt, sure, true, proved; unerring, to be depended upon" (also source of Old French cert, Italian certo, Spanish cierto), originally a variant past participle of cernere "to distinguish, decide," literally "to sift, separate." This Latin verb comes from the PIE root *krei- "to sieve," thus "discriminate, distinguish," which is also the source of Greek krisis "turning point, judgment, result of a trial" (compare crisis).
The transferred sense, in reference to persons, "full of confidence in one's knowledge or judgment, made certain in reference to a matter or thing," is from mid-14c. (it also was a sense in Latin). The meaning "established as true beyond doubt" in English is from c. 1400. The meaning "indefinite, not specifically named, known but not described" is from late 14c.
Different as this seems to be from sense I, it is hardly separable from it in a large number of examples: thus, in [a certain hour], the hour was quite 'certain' or 'fixed', but it is not communicated to the reader; to him it remains, so far as his knowledge is concerned, quite indefinite; it may have been, as far as he knows, at any hour; though, as a fact, it was at a particular hour. [OED]
Lewis & Short write that Latin certus also was sometimes indefinite, "of things, the certainty of whose existence is given, but whose nature is not more definitely designated, or comes not into consideration ...."
Hence the euphemistic use, attested from mid-18c., as in woman of a certain age "an old maid;" woman of a certain description "disreputable woman;" in a certain condition "pregnant;" a certain disease "venereal disease;" of a certain weight "obese." Used with proper names from 1785, "often conveying a slight shade of disdain" [OED]. Certainer, certainest were common to c. 1750, but have fallen from proper use for some reason. Expression for certain "assuredly" is attested by early 14c.
1590s, "pertaining to the island of Lesbos," from Latin Lesbius, from Greek lesbios "of Lesbos," Greek island in northeastern Aegean Sea (the name originally may have meant "wooded"), home of Sappho, great lyric poet whose erotic and romantic verse embraced women as well as men, hence meaning "relating to homosexual relations between women, characterized by erotic interest in other women" (in continuous use from 1890; the noun lesbianism from this sense is attested from 1870) and the noun, which is first recorded 1925.
Sappho's particular association with erotic love between women (with or without concurrent relations with men) dates to at least 1732 in writing in English, though the continuous use of lesbian and the modern words formed from it are from late 19c. The use of lesbian as a noun and an adjective in this sense seems to follow the same pattern.
In another Place the same commentator conjectures, that Myra is a Corruption of Myrrhina а famous Courtesan of Athens, who first practis'd and taught in that City Sappho's Manner and the Lesbian Gambols. ["Peregrine O Donald" (William King), "The Toast," 1732]
Before this, the principal figurative use of Lesbian was lesbian rule (c. 1600 and especially common in 17c.) a mason's rule of lead, of a type used in ancient times on Lesbos, which could be bent to fit the curves of a molding; hence, figuratively, "pliant morality or judgment."
And this is the nature of the equitable, a correction of law where it is defective owing to its universality. ... For when the thing is indefinite the rule also is indefinite, like the leaden rule used in making the Lesbian moulding; the rule adapts itself to the shape of the stone and is not rigid, and so too the decree is adapted to the facts. [Aristotle, "Nicomachean Ethics"]
It also was used in English from 1775 in reference to wines from Lesbos. Though the specific "pertaining to female homosexuality" is recent, Lesbian had long before that a suggestion of "amatory, erotic," "From the reputed character of the inhabitants and the tone of their poetry" [Century Dictionary]. The island's erotic reputation was ancient; Greek had a verb lesbiazein "to imitate the Lesbians," which implied "sexual initiative and shamelessness" among women (especially fellatio), but not necessarily female homosexuality, and they did not differentiate such things the way we have.
"of the nature of blood, pertaining to blood, bleeding, covered in blood," Old English blodig, adjective from blod (see blood (n.) + -y (2)). Common Germanic, compare Old Frisian blodich, Old Saxon blôdag, Dutch bloedig, Old High German bluotag, German blutig. The English word is attested from late 14c. as "involving bloodshed" and by 1560s as "bloodthirsty, cruel, tainted with blood-crimes."
It has been a British intensive swear word at least since 1676. Weekley relates it to the purely intensive use of the cognate Dutch bloed, German Blut. Perhaps it is influenced by bloods in the slang sense of "rowdy young aristocrats" (18c., see blood (n.)), via expressions such as bloody drunk "as drunk as a blood," and it might be ultimately from the general association of the blood and high emotions and heated passions.
Partridge reports that bloody was "respectable" before c. 1750, and it was used by Dryden, Fielding and Swift, but it was heavily tabooed c. 1750-c. 1920. Johnson calls it "very vulgar," and OED writes of it, "now constantly in the mouths of the lowest classes, but by respectable people considered 'a horrid word', on par with obscene or profane language."
The onset of the taboo against bloody coincides with the increase in linguistic prudery that presaged the Victorian Era but it is hard to say what the precise cause was in the case of this specific word. Attempts have been made to explain the term's extraordinary shock power by invoking etymology. Theories that derive it from such oaths as "By our Lady" or "God's blood" seem farfetched, however. More likely, the taboo stemmed from the fear that many people have of blood and, in the minds of some, from an association with menstrual bleeding. Whatever, the term was debarred from polite society during the whole of the nineteenth century. [Rawson]
Shaw shocked theatergoers when he put it in the mouth of Eliza Doolittle in "Pygmalion" (1913), and for a time the word was known euphemistically as the Shavian adjective. It was avoided in print as late as 1936. Bloody Sunday, Jan. 30, 1972, saw 13 civilians were killed by British troops at protest in Londonderry, Northern Ireland.
mid-14c., "fluid or juice of an animal or plant," from Old North French humour "liquid, dampness; (medical) humor" (Old French humor, umor; Modern French humeur), from Latin umor "body fluid" (also humor, by false association with humus "earth"); related to umere "be wet, moist," and to uvescere "become wet" (see humid).
In old medicine, "any of the four body fluids" (blood, phlegm, choler, and melancholy or black bile).
The human body had four humors—blood, phlegm, yellow bile, and black bile—which, in turn, were associated with particular organs. Blood came from the heart, phlegm from the brain, yellow bile from the liver, and black bile from the spleen. Galen and Avicenna attributed certain elemental qualities to each humor. Blood was hot and moist, like air; phlegm was cold and moist, like water; yellow bile was hot and dry, like fire; and black bile was cold and dry, like earth. In effect, the human body was a microcosm of the larger world. [Robert S. Gottfried, "The Black Death," 1983]
Their relative proportions were thought to determine physical condition and state of mind. This gave humor an extended sense of "mood, temporary state of mind" (recorded from 1520s); the sense of "amusing quality, funniness, jocular turn of mind" is first recorded 1680s, probably via sense of "whim, caprice" as determined by state of mind (1560s), which also produced the verb sense of "indulge (someone's) fancy or disposition." Modern French has them as doublets: humeur "disposition, mood, whim;" humour "humor." "The pronunciation of the initial h is only of recent date, and is sometimes omitted ..." [OED].
For aid in distinguishing the various devices that tend to be grouped under "humor," this guide, from Henry W. Fowler ["Modern English Usage," 1926] may be of use:
HUMOR: motive/aim: discovery; province: human nature; method/means: observation; audience: the sympathetic
WIT: motive/aim: throwing light; province: words & ideas; method/means: surprise; audience: the intelligent
SATIRE: motive/aim: amendment; province: morals & manners; method/means: accentuation; audience: the self-satisfied
SARCASM: motive/aim: inflicting pain; province: faults & foibles; method/means: inversion; audience: victim & bystander
INVECTIVE: motive/aim: discredit; province: misconduct; method/means: direct statement; audience: the public
IRONY: motive/aim: exclusiveness; province: statement of facts; method/means: mystification; audience: an inner circle
CYNICISM: motive/aim: self-justification; province: morals; method/means: exposure of nakedness; audience: the respectable
SARDONIC: motive/aim: self-relief; province: adversity; method/means: pessimism; audience: the self
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle."
An enigma whose solution is a word of two or more syllables, each of which separately significant in sound, and which, as well as the whole word, must be discovered from a dialogue or description in which it is used, or from dramatic representation. [Century Dictionary]
The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
The answer is "snow-ball." The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.