also bomb-shell, 1708, "mortar-thrown shell which explodes upon falling," from bomb (n.) + shell (n.).

BOMB, or BOMB SHELL, now called simply Shell (Fr. Bombe). A hollow iron ball or shell filled with gunpowder, having a vent or fuze-hole into which a fuzee is fitted to set the powder on fire after the shell is thrown out of a mortar. This destructive missile is intended to do injury both by its force in falling, and by bursting after it falls. [Arthur Young, "Nautical Dictionary," London, 1863]

The figurative sense of "shattering or devastating thing or event" is attested by 1859. In reference to a pretty woman "of startling vitality or physique" [OED], especially a blonde, it is attested by 1942. "Bombshell" as title of a movie starring blond U.S. actress Jean Harlow (1911-1937) is from 1933; it was believed to have been loosely based on the life of screen star Clara Bow.

The producers of the current hilarious Jean Harlow-Lee Tracy photoplay were not satisfied with the original title "Bombshell" so they renamed it "The Blond Bombshell." We wonder, in passing, why they didn't call it "The Private Life of Clara Bow" originally and let it go at that. [The Oklahoma News, Nov. 19, 1933]

c. 1400, "avowal, pledge, solemn declaration," from Old French protest, from protester, from Latin protestari "declare publicly, testify, protest," from pro- "forth, before" (from PIE root *per- (1) "forward," hence "in front of, before") + testari "testify," from testis "witness" (see testament).

Meaning "statement of disapproval" is recorded by 1751. By late 19c. this was mostly restricted to "a solemn or formal declaration against some act or course of action."

The adjectival sense of "expressing of dissent from, or rejection of, prevailing social, political, or cultural mores" is by 1942, in reference to U.S. civil rights movement (in protest march); protest rally from 1960. Protest vote, "vote cast to demonstrate dissatisfaction with the choice of candidates or the current system," is by 1905 (in reference to Socialist Party candidates).

Because they now fully understood the power of the picket line, they were ready and anxious to march on Washington when A. Philip Randolph, president of the Brotherhood of Sleeping Car Porters, advanced the idea in January 1941 of organizing a Negro protest march on Washington, because Government officials from the President down to minor bureau chiefs, had persistently evaded the issue of combating discrimination in defense industries as well as the Government itself. As the time for the event drew nearer some of the heads of the Government became alarmed; Randolph reported that a ranking New Dealer had told him many Government officials were asking, "What will they think in Berlin?" [Statement of Edgar G. Brown, Revenue Revision of 1942 hearings, 77th Congress, 2nd session]

c. 1200, "the sufferings of Christ on the Cross; the death of Christ," from Old French passion "Christ's passion, physical suffering" (10c.), from Late Latin passionem (nominative passio) "suffering, enduring," from past-participle stem of Latin pati "to endure, undergo, experience," a word of uncertain origin. The notion is "that which must be endured."

The sense was extended to the sufferings of martyrs, and suffering and pain generally, by early 13c. It replaced Old English þolung (used in glosses to render Latin passio), literally "suffering," from þolian (v.) "to endure." In Middle English also sometimes "the state of being affected or acted upon by something external" (late 14c., compare passive).

In Middle English also "an ailment, disease, affliction;" also "an emotion, desire, inclination, feeling; desire to sin considered as an affliction" (mid-13c.). The specific meaning "intense or vehement emotion or desire" is attested from late 14c., from Late Latin use of passio to render Greek pathos "suffering," also "feeling, emotion." The specific sense of "sexual love" is attested by 1580s, but the word has been used of any lasting, controlling emotion (zeal; grief, sorrow; rage, anger; hope, joy). The meaning "strong liking, enthusiasm, predilection" is from 1630s; that of "object of great admiration or desire" is by 1732.

As compared with affection, the distinctive mark of passion is that it masters the mind, so that the person becomes seemingly its subject or its passive instrument, while an affection, though moving, affecting, or influencing one, still leaves him his self-control. The secondary meanings of the two words keep this difference. [Century Dictionary]

A passion-play (1843, in a German context) represents the scenes in the Passion of Christ. The passion-flower was so called from the 1630s.

The name passionflower — flos passionis — arose from the supposed resemblance of the corona to the crown of thorns, and of the other parts of the flower to the nails, or wounds, while the five sepals and five petals were taken to symbolize the ten apostles — Peter ... and Judas ... being left out of the reckoning. [Encyclopaedia Britannica, 1885]

"material object regarded with awe as having mysterious powers or being the representative of a deity that may be worshipped through it," 1610s, fatisso, from Portuguese feitiço "charm, sorcery, allurement," noun use of an adjective meaning "artificial."

The Portuguese adjective is from Latin facticius "made by art, artificial," from facere "to make, do, produce" (from PIE root *dhe- "to set, put;" compare French factice "artificial," restored from Old French faitise, from Latin facticius). Via the French word, Middle English had fetis, fetice (adj.) "cleverly made, neat, elegant" (of things), "handsome, pretty, neat" (of persons). But in the Middle Ages the Romanic derivatives of the word took on magical senses; compare Portuguese feiticeria "sorcery, witchcraft," feiticeiro "sorcerer, wizard." Latin facticius in Spanish has become hechizo "artificial, imitated," also "bewitchment, fascination."

The specific Portuguese use of the word that brought it to English probably began among Portuguese sailors and traders who used the word as a name for charms and talismans worshipped by the inhabitants of the Guinea coast of Africa. It was picked up and popularized in anthropology by Charles de Brosses' "Du culte des dieux fétiches" (1760), which influenced the word's spelling in English (French fétiche also is borrowed 18c. from the Portuguese word).

Any material image of a religious idea is an idol; a material object in which force is supposed to be concentrated is a Fetish; a material object, or a class of material objects, plants, or animals, which is regarded by man with superstitious respect, and between whom and man there is supposed to exist an invisible but effective force, is a Totem. [J. Fitzgerald Lee, "The Greater Exodus," London, 1903]

Figurative sense of "something irrationally revered, object of blind devotion" appears to be an extension made by the New England Transcendentalists (1837). For sexual sense (1897), see fetishism.

1507, "the western hemisphere, North and South America," in Cartographer Martin Waldseemüller's treatise "Cosmographiae Introductio," from Modern Latin Americanus, traditionally after Amerigo Vespucci (1454-1512) who made two trips to the New World as a navigator and claimed to have discovered it. His published works put forward the idea that it was a new continent, and he was first to call it Novus Mundus "New World." Amerigo is more easily Latinized than Vespucci (Latin Vesputius, which might have yielded place-name Vesputia). The sense in English naturally was restricted toward the British colonies, then the United States.

It is a thousand pities that the puny witticisms of a few professional objectors should have the power to prevent, even for a year, the adoption of a name for our country. At present we have, clearly, none. There should be no hesitation about "Appalachia." In the first place, it is distinctive. "America" is not, and can never be made so. We may legislate as much as we please, and assume for our country whatever name we think right — but to use it will be no name, to any purpose for which a name is needed, unless we can take it away from the regions which employ it at present. South America is "America," and will insist upon remaining so. [Edgar Allan Poe, "Marginalia," in Graham's Magazine, Philadelphia, December 1846]

FREDONIA, FREDONIAN, FREDE, FREDISH, &c. &c. These extraordinary words, which have been deservedly ridiculed here as well as in England, were proposed sometime ago, and countenanced by two or three individuals, as names for the territory and people of the United States. The general term American is now commonly understood (at least in all places where the English language is spoken,) to mean an inhabitant of the United States; and is so employed, except where unusual precision of language is required. [John Pickering, "A Vocabulary, or Collection of Words and Phrases Which Have Been Supposed to be Peculiar to the United States of America," Boston, 1816]

The man's name Amerigo is Germanic, said to derive from Gothic Amalrich, literally "work-ruler." The Old English form of the name has come down as surnames Emmerich, Emery, etc. The Italian fem. form merged into Amelia.

Colloquial pronunciation "Ameri-kay," not uncommon 19c., goes back to at least 1643 and a poem that rhymed the word with away. Amerika "U.S. society viewed as racist, fascist, oppressive, etc." is attested from 1969; the spelling is German but it also might suggest the KKK.