Etymology
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diversity (n.)
Origin and meaning of diversity

mid-14c., diversite, "variety, diverseness;" late 14c., "quality of being diverse, fact of difference between two or more things or kinds; variety; separateness; that in which two or more things differ," mostly in a neutral sense, from Old French diversete "difference, diversity, unique feature, oddness:" also "wickedness, perversity" (12c., Modern French diversité), from Latin diversitatem (nominative diversitas) "contrariety, contradiction, disagreement;" also, as a secondary sense, "difference, diversity," from diversus "turned different ways" (in Late Latin "various"), past participle of divertere (see divert).

A negative meaning, "perverseness, being contrary to what is agreeable or right; conflict, strife; perversity, evil" existed in English from late 14c. but was obsolete from 17c. Diversity as a virtue in a nation is an idea from the rise of modern democracies in the 1790s, where it kept one faction from arrogating all power (but this was not quite the modern sense, as ethnicity, gender, sexual identity, etc. were not the qualities in mind):

The dissimilarity in the ingredients which will compose the national government, and still more in the manner in which they will be brought into action in its various branches, must form a powerful obstacle to a concert of views in any partial scheme of elections. There is sufficient diversity in the state of property, in the genius, manners, and habits of the people of the different parts of the Union, to occasion a material diversity of disposition in their representatives towards the different ranks and conditions in society. ["The Federalist," No. 60, Feb. 26, 1788 (Hamilton)]

Specific focus (in a positive sense) on race, gender, etc., "inclusion and visibility of persons of previously under-represented minority identities" is by 1992.

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hook (n.)

"bent or angled piece of metal or other substance used to catch or hold something," Old English hoc "hook, angle," perhaps related to Old English haca "bolt," from Proto-Germanic *hokaz/*hakan (source also of Old Frisian hok, Middle Dutch hoek "a hook;" Dutch haak "a hook, angle, corner, cape," German Haken "hook"), from PIE root *keg- "hook, tooth." For spelling, see hood (n.1).

Also the name of a fireman's tool for tearing into buildings, hence hook-and-ladder (1821). Meaning "holder for a telephone receiver" is from 1885 and continued in use after the mechanism evolved. Boxing sense of "short, swinging blow with the elbow bent" is from 1898. Figurative sense "that which catches, a snare, trap" is from early 15c. Meaning "projecting point of land" is from 1670s; in U.S. use probably reinforced by the Dutch word.

This name is given in New York to several angular points in the North and East rivers; as Corlear's Hook, Sandy Hook, Powles's Hook. [Bartlett, "Dictionary of Americanisms," 1848]

Off the hooks meant "disordered" (16c.), "unhinged" (1610s) and "dead" (1840). By hook or by crook (late 14c.) probably alludes to tools of professional thieves. Hook, line, and sinker "completely" is 1838, a metaphor from angling. Hook-nose (n.) is from 1680s; hook-nosed (adj.) from 1510s. Hook-and-eye as a method of garment fastening is from 1620s.

Hook and eye, a metallic fastening for garments, consisting of a hook, commonly of flattened wire bent to the required shape, and an eye, usually of the same material, into which the hook fits. Under the name of crochet and loop, this form of fastening was in use as early as the fourteenth century. [Century Dictionary]
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scene (n.)

1530s, "subdivision of an act of a play," also "stage-setting," from French scène (14c.), from Latin scaena, scena "scene, stage of a theater," from Greek skēnē "wooden stage for actors," also "that which is represented on stage," originally "tent or booth," which is related to skia "shadow, shade," via the notion of "something that gives shade" (see Ascians).

According to Beekes' sources, the Greek word "originally denoted any light construction of cloth hung between tree branches in order to provide shadow, under which one could shelter, sleep, celebrate festivities, etc."

A theatrical word; the wider senses come from the notion of the painted drops and hangings on stage as the "setting" for the action. From "stage setting" the sense extended to "material apparatus of a theatrical stage, part of a theater in which the acting is done" (1540s), which led to "setting of any artistic work, place in which the action of a literary work is supposed to occur" and the general (non-literary) sense of "place where anything is done or takes place" (both by 1590s).

Hence the sense in reference to a (specified) activity and its realm or sphere (1931, as in the poetry scene) and U.S. slang sense of "setting or milieu or situation for a specific group or activity," attested from 1951 in Beat jargon.

Meaning "any exhibition, display, or demonstration of strong feeling," especially "stormy encounter between two or more persons," is attested by 1761. By 1650s as "a view presented to the mind or eye." 

Behind the scenes "having knowledge of affairs not apparent to the public" (1748) is an image from the theater, "amid actors and stage machinery" (back of the visible stage and out of sight of the audience), which is attested from 1660s. Scene of the crime is attested by 1843. To make a scene "make a noisy or otherwise unpleasant demonstration" is by 1831.

The word was in Middle English in the Latin form, scena, "structure on a stage for dramatic recitations" (late 14c.).

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abstract (adj.)
Origin and meaning of abstract

late 14c., originally in grammar (in reference to nouns that do not name concrete things), from Latin abstractus "drawn away," past participle of abstrahere "to drag away, detach, pull away, divert," also used figuratively; from assimilated form of ab "off, away from" (see ab-) + trahere "to draw" (from PIE root *tragh- "to draw, drag, move;" see tract (n.1)).

The meaning in philosophy, "withdrawn or separated from material objects or practical matters" (opposed to concrete) is from mid-15c. That of "difficult to understand, abstruse" is from c. 1400.

In the fine arts, "characterized by lack of representational qualities" by 1914; it had been a term at least since 1847 for music without accompanying lyrics. Abstract expressionism as an American-based uninhibited approach to art exemplified by Jackson Pollock is from 1952, but the term itself had been used in the 1920s of Kandinsky and others.

Oswald Herzog, in an article on "Der Abstrakte Expressionismus" (Sturm, heft 50, 1919) gives us a statement which with equal felicity may be applied to the artistic attitude of the Dadaists. "Abstract Expressionism is perfect Expressionism," he writes. "It is pure creation. It casts spiritual processes into a corporeal mould. It does not borrow objects from the real world; it creates its own objects .... The abstract reveals the will of the artist; it becomes expression. ..." [William A. Drake, "The Life and Deeds of Dada," 1922]
Then, that art we have called "abstract" for want of any possible descriptive term, with which we have been patient, and, even, appreciative, getting high stimulation by the new Guggenheim "non-objective" Art Museum, is reflected in our examples of "surrealism," "dadaism," and what-not, to assert our acquaintance in every art, fine or other. [Report of the Art Reference Department of Pratt Institute Free Library for year ending June 30, 1937]
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fly (n.)

Old English fleoge "a fly, winged insect," from Proto-Germanic *fleugon "flying insect" (source also of Old Saxon fleiga, Old Norse fluga, Middle Dutch vlieghe, Dutch vlieg, Old High German flioga, German Fliege "fly"); literally "the flying (insect)" (compare Old English fleogende "flying"), from PIE root *pleu- "to flow," which is also the source of fly (v.1).

Originally any winged insect (moths, gnats, beetles, locusts, hence butterfly, etc.) and long used by farmers and gardeners for any insect parasite. Flies figuratively for "large numbers" of anything is from 1590s. Plural flien (as in oxen, etc.) gradually normalized 13c.-15c. to -s. Fly in the ointment is from Eccles. x:1. Fly on the wall "unseen observer" first recorded 1881. No flies on _____ "no lack of activity or alertness on the part of," is attested by 1866. Meaning "fish-hook dressed to resemble an insect" is from 1580s; Fly-fishing is from 1650s. Fly-catcher "bird which eats insects on the wing" is from 1670s. The fly agaric mushroom (1788) so called because it was used as a poison for flies.

The sense of "a flight, flying" is from mid-15c. From the verb and the notion of "flapping as a wing does" comes the noun sense of "tent flap" (1810), which was extended to "strip of material sewn into a garment as a covering for buttons" or some other purpose (1844). Baseball fly ball attested by 1866. To do something on the fly is 1856, apparently from baseball.

When the catcher sees several fielders running to catch a ball, he should name the one he thinks surest to take it, when the others should not strive to catch the ball on the fly, but only, in case of its being missed, take it on the bound. ["The American Boys Book of Sports and Games," New York, 1864]
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treason (n.)

c. 1200, "betraying; betrayal of trust; breach of faith," from Anglo-French treson, from Old French traison "treason, treachery" (11c.; Modern French trahison), from Latin traditionem (nominative traditio) "delivery, surrender, a handing down, a giving up," noun of action from past-participle stem of tradere "deliver, hand over," from trans- "over" (see trans-) + dare "to give" (from PIE root *do- "to give"). A doublet of tradition. The Old French form was influenced by the verb trair "betray."

Vpon Thursday it was treason to cry God saue king James king of England, and vppon Friday hye treason not to cry so. [Thomas Dekker, "The Wonderfull Yeare 1603"]

In old English law, high treason (c. 1400) is violation by a subject of his allegiance to his sovereign or to the state (the sense of high here is "grave, serious"); distinguished from petit treason, treason against a subject, such as murder of a master by his servant. Constructive treason was a judicial fiction whereby actions carried out without treasonable intent, but found to have the effect of treason, were punished as though they were treason itself. The protection against this accounts for the careful wording of the definition of treason in the U.S. Constitution.

Trahison des clercs "self-compromised integrity of intellectuals, betrayal or corruption by academics, moralists, journalists, etc., of their vocation," is the title of a 1927 French work by Julien Benda, translated into English in 1928.

In short, intellectuals began to immerse themselves in the unsettlingly practical and material world of political passions: precisely those passions, Benda observed, "owing to which men rise up against other men, the chief of which are racial passions, class passions and national passions." ... "Our age is indeed the age of the intellectual organization of political hatreds" he wrote. "It will be one of its chief claims to notice in the moral history of humanity." [Roger Kimball, introduction to 2007 English edition] 
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matter (n.)

c. 1200, materie, "the subject of a mental act or a course of thought, speech, or expression," from Anglo-French matere, Old French matere "subject, theme, topic; substance, content; character, education" (12c., Modern French matière) and directly from Latin materia "substance from which something is made," also "hard inner wood of a tree." According to de Vaan and Watkins, this is from mater "origin, source, mother" (see mother (n.1)). The sense developed and expanded in Latin in philosophy by influence of Greek hylē (see hylo-) "wood, firewood," in a general sense "material," used by Aristotle for "matter" in the philosophical sense. 

The Latin word also is the source of Spanish, Portuguese, and Italian materia, Dutch, German, and Danish materie, vernacular Spanish madera, Portuguese madeira "wood" (compare Madeira). The Middle English word also sometimes was used specifically as "piece of wood."

From c. 1200 as "a subject of a literary work, content of what is written, main theme;" sense of "narrative, tale, story" is from c. 1300. Meaning "physical substance generally" is from mid-14c.; that of "substance of which some specific object is or may be composed" is attested from late 14c. Meaning "piece of business, affair, activity, situation; subject of debate or controversy, question under discussion" is from late 14c. In law, "something which is to be tried or proved," 1530s.

Matter of course "something expected" attested from 1739 (adjectival phrase matter-of-course "proceeding as a natural consequence" is by 1840). For that matter "as far as that goes, as far as that is concerned" is attested from 1670s. What is the matter "what concerns (someone), what is the cause of the difficulty" is attested from mid-15c., from matter in the sense of "circumstance or condition as affecting persons and things." To make no matter to "be no difference to" also is mid-15c., with matter in the meaning "importance, consequence."

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mirror (n.)

mid-13c., mirour, "polished surface (of metal, coated glass, etc.) used to reflect images of objects," especially the face of a person, from Old French mireoir "a reflecting glass, looking glass; observation, model, example," earlier miradoir (11c.), from mirer "look at" (oneself in a mirror), "observe, watch, contemplate," from Vulgar Latin *mirare "to look at," variant of Latin mirari "to wonder at, admire" (see miracle).

The Spanish cognate, mirador (from mirar "to look, look at, behold"), has come to mean "watch tower, gallery commanding an extensive view." Latin speculum "mirror" (or its Medieval Latin variant speglum) is the source of words for "mirror" in neighboring languages: Italian specchio, Spanish espejo, Old High German spiegal, German Spiegel, Dutch spiegel, Danish spejl, Swedish spegel. An ancient Germanic group of words for "mirror" is represented by Gothic skuggwa, Old Norse skuggsja, Old High German scucar, which are related to Old English scua "shade, shadow."

Words for 'mirror' are mostly from verbs for 'look', with a few words for 'shadow' or other sources. The common use of the word for the material 'glass' in the sense of 'mirror' seems to be peculiar to English. [Carl Darling Buck, "A Dictionary of Selected Synonyms in the Principal Indo-European Languages," 1949]

Figurative use, "that in or by which anything is shown or exemplified," hence "a model (of good or virtuous conduct)" is attested from c. 1300. Mirrors have been used in divination since classical and biblical times, and according to folklorists, in modern England they are the subject of at least 14 known superstitions. Belief that breaking one brings bad luck is attested from 1777. Mirror image "something identical to another but having right and left reversed" is by 1864. Mirror ball attested from 1968. To look in (the) mirror in the figurative sense of "examine oneself" is by early 15c.

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chip (n.1)

Old English cipp "small piece (of wood, stone etc.) separated from a body by a blow from an instrument," perhaps from PIE root *keipo- "sharp post" (source also of Dutch kip "small strip of wood," Old High German kipfa "wagon pole," Old Norse keppr "stick," Latin cippus "post, stake, beam;" the Germanic words perhaps were borrowed from Latin).

Meaning "small disk or counter used in a game of chance" is first recorded 1840. Meaning "piece of dried dung" first attested 1846, American English. Electronics sense "thin, tiny square of semi-conducting material" is from 1962.

Used for thin slices of foodstuffs (originally fruit) since 1769; specific reference to potatoes (what Americans would call French fries) is found by 1859 (in "A Tale of Two Cities"). The fish-and-chips combination was being offered in London by 1860. Potato-chip is attested by 1854, but the context doesn't make it clear whether this is the British version (above) or the U.S. version, "very thin slice of potato fried until crisp" (the British crisp). The American potato-chip is said to have been invented 1853 in Saratoga, N.Y., and is described, more or less, by this name in a recipe book from 1858. OED notes they also were called Saratoga chips (by 1880).

Chip of the old block, familiar term for a child or adult who resembles a parent in some way is used by Milton (1642); earlier form was chip of the same block (1620s); more common modern form of the phrase with off in place of of is by early 20c. To have a chip on one's shoulder is 1830, American English, from the custom of a boy determined to fight putting a wood chip on his shoulder and defying another to knock it off. When the chips are down (1940s) is from the chips being down on the table after the final bets are made in a poker match. Chips as a familiar name for a carpenter is from 1785.

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