c. 1600, from Latin toga "cloak or mantle," from PIE *tog-a- "covering," suffixed form of root *(s)teg- "to cover." The outer garment of a Roman citizen in time of peace.
The toga as the Roman national dress was allowed to be worn by free citizens only. A stranger not in full possession of the rights of a Roman citizen could not venture to appear in it. Even banished Romans were in imperial times precluded from wearing it. The appearance in public in a foreign dress was considered as contempt of the majesty of the Roman people. Even boys appeared in the toga, called, owing to the purple edge attached to it (a custom adopted from the Etruscans) toga praetexta. On completing his sixteenth, afterward his fifteenth, year (tirocinium fori), the boy exchanged the toga praetexta for the toga virilis, pura, or libera—a white cloak without the purple edge. Roman ladies (for these also wore the toga) abandoned the purple edge on being married. [Guhl & Koner, "The Life of the Greeks and Romans," transl. Francis Hueffer, 1876]
Breeches, like the word for them (Latin bracae) were alien to the Romans, being the dress of Persians, Germans, and Gauls, so that bracatus "wearing breeches" was a term in Roman geography meaning "north of the Alps." College fraternity toga party was re-popularized by movie "Animal House" (1978), but this is set in 1962 and the custom seems to date from at least the mid-1950s.
Down on Prospect Street, Campus Club held a toga party, at which everyone wore togas. Charter held a come-as-you-are party, at which everyone wore what they happened to have on, and Cloister held a party called "A Night in Tahiti," at which we'd hate to guess what everyone wore. The borough police reported that only one false alarm was turned in. [Princeton Alumni Weekly, March 19, 1954]
mid-15c. (earlier ren, late 14c.), "a spell of running, the act of running," from run (v.).
The Old English noun ryne/yrn (early Middle English rine) meant "a flowing, a course, a watercourse;" the modern sense of "small stream" is recorded from 1580s, mostly in Northern English dialect and American English. The sense of "a flowing or pouring, as of liquid" is by 1814. In reference to the action of a school of fish moving together, especially upstream or in-shore, by 1820.
From 1804 as "place where anything runs or may run." The meaning "the privilege of going through or over, free access" is from 1755. In. U.S. baseball, "feat of running around the bases without being put out" by 1856; the sense in cricket is from 1746.
Meaning "continuous stretch" (of something) is from 1670s. That of "continuous use, circulation, or observance" (as in run of luck) is by 1714. The general sense of "a continuous series or succession" has yielded many specific meanings, as "three or more playing cards in consecutive order" (1870). In music, "a rapid succession of consecutive tones," by 1835.
The financial meaning "extraordinary series or rush of demands on a bank, etc." is recorded from 1690s. The market sense of "sustained demand for something" is by 1816.
From 1712 as "a spell of sailing between two ports;" hence also "an excursion trip" (1819); "single trip by a railroad train" (1857); the military aircraft attack sense (as in bombing run) is from 1916. Hence also "a regular round in a vehicle" (as in paper run, milk run, etc.).
In printing, the meaning "total number of copies done in a single period of press-work" is from 1909. In publishing, "set or series of consecutive numbers of a periodical," by 1889.
Meaning "tear in a knitted garment or stocking" is from 1922, probably on the notion of "a failure caused by looseness, weakness, or giving way;" to run had a specialized sense in reference to machinery, "to slip, go awry" (1846), and in reference to lace it meant "to unravel, come undone" (1878). Also compare running stitch "loose, open stitch" (1848).
Phrase a run for one's money "satisfaction for trouble taken" is from 1872 in a figurative sense, from horse racing, where it implied real competition (1841).
c. 1200, from Old Norse geta (past tense gatum, past participle getenn) "to obtain, reach; to be able to; to beget; to learn; to be pleased with," a word of very broad meaning, often used almost as an auxilliary verb, also frequently in phrases (such as geta rett "to guess right"). This is from Proto-Germanic *getan (source also of Old Swedish gissa "to guess," literally "to try to get"), from PIE root *ghend- "to seize, take."
Old English, as well as Dutch and Frisian, had the verb almost exclusively in compounds (such as begietan, "to beget;" forgietan "to forget"). Vestiges of an Old English cognate *gietan remain obliquely in modern past participle gotten and original past tense gat, also Biblical begat.
In compound phrases with have and had it is grammatically redundant, but often usefully indicates possession, obligation, or necessity, or gives emphasis. The word and phrases built on it take up 29 columns in the OED 2nd edition; Century Dictionary lists seven distinct senses for to get up.
"I GOT on Horseback within ten Minutes after I received your Letter. When I GOT to Canterbury I GOT a Chaise for Town. But I GOT wet through before I GOT to Canterbury, and I HAVE GOT such a Cold as I shall not be able to GET rid of in a Hurry. I GOT to the Treasury about Noon, but first of all I GOT shaved and drest. I soon GOT into the Secret of GETTING a Memorial before the Board, but I could not GET an Answer then, however I GOT Intelligence from the Messenger that I should most likely GET one the next Morning. As soon as I GOT back to my Inn, I GOT my Supper, and GOT to Bed, it was not long before I GOT to Sleep. When I GOT up in the Morning, I GOT my Breakfast, and then GOT myself drest, that I might GET out in Time to GET an Answer to my Memorial. As soon as I GOT it, I GOT into the Chaise, and GOT to Canterbury by three: and about Tea Time, I GOT Home. I HAVE GOT No thing particular for you, and so Adieu." [Philip Withers, "Aristarchus, or the Principles of Composition," London, 1789, illustrating the widespread use of the verb in Modern English]
As a command to "go, be off" by 1864, American English. Meaning "to seize mentally, grasp" is from 1892. Get wind of "become acquainted with" is from 1840, from earlier to get wind "to get out, become known" (1722). To get drunk is from 1660s; to get religion is from 1772; to get better "recover health" is from 1776. To get ready "prepare oneself" is from 1890; to get going "begin, start doing something" is by 1869 in American English; get busy "go into action, begin operation" is from 1904. Get lost as a command to go away is by 1947. To get ahead "make progress" is from 1807. To get to (someone) "vex, fret, obsess" is by 1961, American English (get alone as "to puzzle, trouble, annoy" is by 1867, American English). To get out of hand originally (1765) meant "to advance beyond the need for guidance;" sense of "to break free, run wild" is from 1892, from horsemanship. To get on (someone's) nerves is attested by 1970.
Old English wicce "female magician, sorceress," in later use especially "a woman supposed to have dealings with the devil or evil spirits and to be able by their cooperation to perform supernatural acts," fem. of Old English wicca "sorcerer, wizard, man who practices witchcraft or magic," from verb wiccian "to practice witchcraft" (compare Low German wikken, wicken "to use witchcraft," wikker, wicker "soothsayer").
OED says of uncertain origin; Liberman says "None of the proposed etymologies of witch is free from phonetic or semantic difficulties." Klein suggests connection with Old English wigle "divination," and wig, wih "idol." Watkins says the nouns represent a Proto-Germanic *wikkjaz "necromancer" (one who wakes the dead), from PIE *weg-yo-, from PIE root *weg- "to be strong, be lively."
That wicce once had a more specific sense than the later general one of "female magician, sorceress" perhaps is suggested by the presence of other words in Old English describing more specific kinds of magical craft. In the Laws of Ælfred (c. 890), witchcraft was specifically singled out as a woman's craft, whose practitioners were not to be suffered to live among the West Saxons:
Ða fæmnan þe gewuniað onfon gealdorcræftigan & scinlæcan & wiccan, ne læt þu ða libban.
The other two words combined with it here are gealdricge, a woman who practices "incantations," and scinlæce "female wizard, woman magician," from a root meaning "phantom, evil spirit."
Another word that appears in the Anglo-Saxon laws is lyblæca "wizard, sorcerer," but with suggestions of skill in the use of drugs, because the root of the word is lybb "drug, poison, charm" (see leaf (n.)). Lybbestre was a fem. word meaning "sorceress," and lybcorn was the name of a certain medicinal seed (perhaps wild saffron). Weekley notes possible connection to Gothic weihs "holy" and German weihan "consecrate," and writes, "the priests of a suppressed religion naturally become magicians to its successors or opponents." Whatever the English word's origin, the use of a "poisoner" word for "witch, sorceress" parallels that of the Hebrew word used for "witch, sorceress" in the Levitical condemnation.
In Anglo-Saxon glossaries, wicca renders Latin augur (c. 1100), and wicce stands for "pythoness, divinatricem." In the "Three Kings of Cologne" (c. 1400) wicca translates Magi:
Þe paynyms ... cleped þe iij kyngis Magos, þat is to seye wicchis.
The glossary translates Latin necromantia ("demonum invocatio") with galdre, wiccecræft. The Anglo-Saxon poem called "Men's Crafts" (also "The Gifts of Men") has wiccræft, which appears to be the same word, and by its context means "skill with horses." In a c. 1250 translation of "Exodus," witches is used of the Egyptian midwives who save the newborn sons of the Hebrews: "Ðe wicches hidden hem for-ðan, Biforen pharaun nolden he ben."
Witch in reference to a man survived in dialect into 20c., but the fem. form was so dominant by 1601 that men-witches or he-witch began to be used. Extended sense of "old, ugly, and crabbed or malignant woman" is from early 15c; that of "young woman or girl of bewitching aspect or manners" is first recorded 1740. Witch doctor is from 1718; applied to African magicians from 1836.
At this day it is indifferent to say in the English tongue, 'she is a witch,' or 'she is a wise woman.' [Reginald Scot, "The Discoverie of Witchcraft," 1584]
c. 1300, "to make, with an edged tool or instrument, an incision in; make incisions for the purpose of dividing into two or more parts; remove by means of a cutting instrument;" of an implement, "have a cutting edge," according to Middle English Compendium from a presumed Old English *cyttan, "since ME has the normal regional variants of the vowel." Others suggest a possible Scandinavian etymology from North Germanic *kut- (source also of Swedish dialectal kuta "to cut," kuta "knife," Old Norse kuti "knife"), or that it is from Old French couteau "knife."
From early 14c. as "to make or fashion by cutting or carving." From c. 1400 as "to intersect or cross." From early 15c. as "abridge or shorten by omitting a part."
Meaning "to wound the sensibilities of" is from 1580s (to cut the heart in the same sense is attested from early 14c.). Sense of "sever connection or relations with" is from 1630s.
Meaning "to be absent without excuse" is British university slang from 1794. Colloquial or slang sense of "move off with directness and rapidity" is from 1580s. Meaning "divide (a deck of cards) at random into parts before the deal" to prevent cheating is from 1530s.
Meaning "to dilute, adulterate" (liquor, etc.) is by 1930. Colloquial sense of "to divide or share" is by 1928, perhaps an image from meat-carving at table. As a director's call to halt recording or performing, by 1931 (in an article about Pete, the bulldog with the black-ringed eye in the Hal Roach studios shorts, who was said to know the word). The sense of "perform, execute" (c. 1600) is in cut capers "frisk about;" cut a dash "make a display."
To cut down is from late 14c. as "to fell;" by 1821 as "to slay" (as with a sword); 1857 as "to curtail." To cut (someone or something) down to size is from 1821 as "reduce to suitable dimensions;" the figurative sense, "reduce to the proper level of importance," is by 1927.
To cut in "enter suddenly and unceremoniously" is from 1610s; sense of "suddenly join in conversation, interrupt" is by 1830. To cut up "cut in pieces" is from 1570s. To cut back is from 1871 as "prune by cutting off shoots," 1913 in cinematography, "return to a previous scene by repeating a part of it," 1943 as "reduce, decrease" (of expenditures, etc.). To cut (something) short "abridge, curtail, interrupt" is from 1540s.
In nautical use to cut a feather (1620s) is to move so fast as to make water foam under the bow. To cut and run (1704) also is originally nautical, "cut cable and set sail immediately," as in an emergency, hence, generally, "to make off suddenly."
To cut the teeth "have the teeth grow through the gums" as an infant is from 1670s. To cut both ways in the figurative sense of "have a good and bad effect" is from c. 1600. To cut loose "set (something) free" is by 1828; intransitive sense "begin to act freely" is by 1909.
Cut it out "remove (something) by or as if by cutting" yielded a figurative use in the command cut it out! "Stop! That's enough!" by 1933. The evolution seems to have begun earlier. A piece attributed to the Chicago Live Stock World that made the rounds in trade publications 1901-02 begins:
When you get 'hot' about something and vow you are going to rip something or somebody up the back—cut it out.
If you feel disposed to try the plan of building yourself up by tearing some one else down—cut it out.
Playing on both senses, it ends with "Should you, after reading this preachy stuff, fear you might forget some of the good advice—cut it out."