Old English bean "bean, pea, legume," from Proto-Germanic *bauno (source also of Old Norse baun, Middle Dutch bone, Dutch boon, Old High German bona, German Bohne), and related to Latin faba "bean;" Greek phakos "lentil;" Albanian bathë "horse-bean;" Old Prussian babo, Russian bob "bean," but the original form is obscure. Watkins suggests a PIE reduplicated root *bha-bhā- "broad bean;" de Vaan writes that the Italic, Slavic and Germanic "are probably independent loanwords from a European substratum word of the form *bab- (or similar) 'bean'."

As a metaphor for "something of small value" it is attested from c. 1300 (hill of beans as something not much to amount to is from 1863). The meaning "head" is U.S. baseball slang 1905 (in bean-ball "a pitch thrown at the head"); thus slang verb bean meaning "to hit on the head," attested from 1910. Bean-shooter as a child's weapon for mischief, a sort of small sling-shot to fire beans, is attested from 1876. Derisive slang bean-counter "accountant" is recorded by 1971.

The notion of lucky or magic beans in English folklore is from the exotic beans or large seeds, carried from the Caribbean or South America by the Gulf Stream, that wash up occasionally in Cornwall and western Scotland. They were cherished, believed to ward off the evil eye and aid in childbirth.

To not know beans "be ignorant" is attested by 1842 in American English, often said to be a New England phrase; it is perhaps from the "object of little worth" sense. Some of the earliest citations give it in a fuller form, but they do not agree: "why, I sometimes think they don't know beans when the bag is open" ["The History of the Saints," 1842]; "This feller don't know beans from porridge, no how." ["Etchings of a Whaling Cruise," 1850]. It might have a connection to the English colloquial expression know how many beans make five "be a clever fellow" (1824).

fifteenth letter of the alphabet, from a character that in Phoenician was called  'ain (literally "eye") and represented "a very peculiar and to us unpronounceable guttural" [Century Dictionary]. The Greeks also lacked the sound, so when they adopted the Phoenician letters they arbitrarily changed O's value to a vowel. (Thus there is no grounds for the belief that the form of the letter represents the shape of the mouth in pronouncing it.) The Greeks later added a special character for "long" O (omega), and the original became "little o" (omicron).

In Middle English and later colloquial use, o or o' can be an abbreviation of on or of, and is still literary in some words (o'clock, Jack-o'-lantern, tam-o'-shanter, cat-o'-nine-tails, will-o'-the-wisp, etc.).

O' the common prefix in Irish surnames is from Irish ó, ua (Old Irish au, ui) "descendant." 

The "connective" -o- is the usual connecting vowel in compounds taken or formed from Greek, where it often is the vowel in the stem. "[I]t is affixed, not only to terms of Greek origin, but also to those derived from Latin (Latin compounds of which would have been formed with the L. connecting or reduced thematic vowel, -i), especially when compounds are wanted with a sense that Latin composition, even if possible, would not warrant, but which would be authorized by the principles of Greek composition." [OED]

As "zero" in Arabic numerals it is attested from c. 1600, from the similarity of shape. Similarly the O blood type (1926) was originally "zero," denoting the absence of A and B agglutinogens.

As a gauge of track in model railroads, by 1905. For o as an interjection of fear, surprise, joy, etc., see oh.

The use of the colloquial or slang -o suffix in wino, ammo, combo, kiddo, the names of the Marx Brothers, etc., "is widespread in English-speaking countries but nowhere more so than in Australia" [OED].

"finished, worn out, dead," 1895 as a German word in English, from German kaputt "destroyed, ruined, lost" (1640s), which in this sense probably is a misunderstanding of an expression from card-playing, capot machen, a partial translation into German of French faire capot, a phrase which meant "to win all the tricks (from the other player) in piquet," an obsolete card game.

The French phrase means "to make a bonnet," and perhaps the notion is throwing a hood over the other player, but faire capot also meant in French marine jargon "to overset in a squall when under sail." The German word was popularized in English during World War I.

"Kaput" — a slang word in common use which corresponds roughly to the English "done in," the French "fichu." Everything enemy was "kaput" in the early days of German victories. [F. Britten Austin, "According to Orders," New York, 1919]

French capot is literally "cover, bonnet," also the name of a type of greatcloak worn by sailors and soldiers (see capote).

The card-playing sense is attested in German only from 1690s, but capot in the (presumably) transferred sense of "destroyed, ruined, lost" is attested from 1640s [see William Jervis Jones, "A Lexicon of French Borrowings in the German Vocabulary (1575-1648)," Berlin, de Gruyter, 1976]. In Hoyle and other English gaming sources, faire capot is "to win all the tricks," and a different phrase, être capot, literally "to be a bonnet," is sometimes cited as the term for losing them. The sense reversal in German might have come about because if someone wins all the tricks the other player has to lose them, and the same word capot, when it entered English from French in the mid-17c. meant "to score a capot against; to win all the tricks from," with figurative extensions, e.g.:

"There are others, says a third, that have played with my Lady Lurewell at picquet besides my lord; I have capotted her myself two or three times in an evening." [George Farquhar (1677-1707), "Sir Harry Wildair"]

"1 more than six; the cardinal number which is one more than six; a symbol representing this number;" Old English seofon, from Proto-Germanic *sebun (source also of Old Saxon sibun, Old Norse sjau, Swedish sju, Danish syv, Old Frisian sowen, siugun, Middle Dutch seven, Dutch zeven, Old High German sibun, German sieben, Gothic sibun), from PIE *septm "seven" (source also of Sanskrit sapta, Avestan hapta, Hittite shipta, Greek hepta, Latin septem, Old Church Slavonic sedmi, Lithuanian septyni, Old Irish secht, Welsh saith).

Long regarded as a number of perfection (seven wonders; seven sleepers, the latter translating Latin septem dormientes; seven against Thebes, etc.), but that notion is late in Old English and in German a nasty, troublesome woman could be eine böse Sieben "an evil seven" (1662). Magical power or healing skill associated since 16c. with the seventh son ["The seuenth Male Chyld by iust order (neuer a Gyrle or Wench being borne betweene)," Thomas Lupton, "A Thousand Notable Things," 1579]. The typical number for "very great, strong," as in seven-league boots in the fairy story of Hop o'my Thumb. Also, formerly, in combination with days, years, etc., indicating merely a very long time.

By early 15c. as "the hour of 7 o'clock." As a high-stakes number for a throw in dice, late 14c. The Seven Years' War (1756-63) is also the Third Silesian War. The Seven Stars (Old English sibunsterri), usually refers to the Pleiades, though in 15c. and after this name occasionally was given to the Big Dipper (which also has seven stars), or the seven planets of classical astronomy. Popular as a tavern sign, it might also (with six in a circle, one in the center) be a Masonic symbol.

FOOL: ... The reason why the seven stars are no more than seven is a pretty reason.

LEAR: Because they are not eight?

FOOL: Yes, indeed: thou wouldst make a good fool.

["King Lear," I.v.]

"feathered, warm-blooded vertebrate animal of the class Aves," Old English bird, a rare collateral form of bridd, originally meaning "young bird, nestling" (the usual Old English for "bird" being fugol, for which see fowl (n.)), which is of uncertain origin with no cognates in any other Germanic language. The suggestion that it is related by umlaut to brood and breed is rejected by OED as "quite inadmissible." The metathesis of -r- and -i- was complete 15c. (compare wright).

Despite its early attestation, bridd is not necessarily the oldest form of bird. It is usually assumed that -ir- from -ri- arose by metathesis, but here, too, the Middle English form may go back to an ancient period. [Liberman]

Up to c. 1400 it still often was used in the specific sense "the young of a bird, fledgling, nestling, chick," and of the young of other animals (bees, fish, snakes) and human children. Compare the usual Balto-Slavic words for "bird" (Lithuanian paukštis, Old Church Slavonic pŭtica, Polish ptak, Russian ptica, etc.), said to be ultimately from the same root as Latin pullus "young of an animal."

The proper designation of the feathered creation is in E. fowl, which in course of time was specially applied to the gallinaceous tribe as the most important kind of bird for domestic use, and it was perhaps this appropriation of the word which led to the adoption of the name of the young animal as the general designation of the race. [Hensleigh Wedgwood, "A Dictionary of English Etymology," 1859]

The figurative sense of "secret source of information" is from 1540s. The colloquial meaning "man, fellow, person" is from 1799.

Bird-watching is attested from 1897. Bird's-eye view "the view as seen from above, as if by a bird in flight," is from 1762. Phrase for the birds in reference to anything undesirable is recorded from 1944, supposedly in allusion to birds eating from droppings of horses and cattle. The bird-spider (1800) of the American tropics is a large sort of tarantula that can capture and kill small birds.

A byrde yn honde ys better than three yn the wode. [c. 1530]

The form with bush is attested by 1630s.

Old English æppel "apple; any kind of fruit; fruit in general," from Proto-Germanic *ap(a)laz (source also of Old Saxon, Old Frisian, Dutch appel, Old Norse eple, Old High German apful, German Apfel), from PIE *ab(e)l- "apple" (source also of Gaulish avallo "fruit;" Old Irish ubull, Lithuanian obuolys, Old Church Slavonic jabloko "apple"), but the exact relation and original sense of these is uncertain (compare melon).

In Middle English and as late as 17c., it was a generic term for all fruit other than berries but including nuts (such as Old English fingeræppla "dates," literally "finger-apples;" Middle English appel of paradis "banana," c. 1400). Hence its grafting onto the unnamed "fruit of the forbidden tree" in Genesis.

As far as the forbidden fruit is concerned, again, the Quran does not mention it explicitly, but according to traditional commentaries it was not an apple, as believed by Christians and Jews, but wheat. [Seyyed Hossein Nasr, "The Heart of Islam: Enduring Values for Humanity," 2002] 

 Cucumbers, in one Old English work, are eorþæppla, literally "earth-apples" (compare French pomme de terre "potato," literally "earth-apple;" see also melon). French pomme is from Latin pomum "apple; fruit" (see Pomona).

Apple of Discord (c. 1400) was thrown into the wedding of Thetis and Peleus by Eris (goddess of chaos and discord), who had not been invited, and inscribed kallisti "To the Prettiest One." Paris, elected to choose which goddess should have it, gave it to Aphrodite, offending Hera and Athene, with consequences of the Trojan War, etc.

Apple of one's eye (Old English), symbol of what is most cherished, was the pupil, supposed to be a globular solid body. Apple-polisher "one who curries favor" first attested 1928 in student slang. The image in the phrase upset the apple cart "spoil the undertaking" is attested from 1788. Road-apple "horse dropping" is from 1942.

A roted eppel amang þe holen, makeþ rotie þe yzounde. ["Ayenbite of Inwit," 1340] 

"small sack," c. 1200, bagge, probably from Old Norse baggi "pack, bundle," or a similar Scandinavian source. OED rejects connection to other Germanic words for "bellows, belly" as without evidence and finds a Celtic origin untenable. In some senses perhaps from Old French bague, which is also from Germanic.

As disparaging slang for "woman" it dates from 1924 in modern use (but various specialized senses of this are much older, and compare baggage). The meaning "person's area of interest or expertise" is by 1964, from African-American vernacular, from jazz sense of "category," probably via notion of putting something in a bag. The meaning "fold of loose skin under the eye" is by 1867. Related: bags.

To be left holding the bag (and presumably nothing else), "cheated, swindled" is attested by 1793. Many figurative senses, such as the verb meaning "to kill game" (1814) and its colloquial extension to "catch, seize, steal" (1818) are from the notion of the game bag (late 15c.) into which the product of the hunt was placed. This also probably explains modern slang in the bag "assured, certain" (1922, American English).

To let the cat out of the bag "reveal the secret" is from 1760. The source is probably the French expression Acheter chat en poche "buy a cat in a bag," which is attested in 18c. French and explained in Bailey's "Universal Etymological English Dictionary" (1736), under the entry for To buy a pig in a poke as "to buy a Thing without looking at it, or enquiring into the Value of it." (Similar expressions are found in Italian and German; and in English, Wycliffe (late 14c.) has To bye a catte in þo sakke is bot litel charge). Thus to let the cat out of the bag would be to inadvertently reveal the hidden truth of a matter one is attempting to pass off as something better or different, which is in line with the earliest uses in English.

Sir Joseph letteth the cat out of the bag, and sheweth principles inimical to the cause of true philosophy, by wishing to make great men Fellows, instead of wise men ["Peter Pindar," "Peter's Prophecy," 1788]

general common name of birds of the genus Corvus (the larger sort being sometimes called ravens), Old English crawe, which is held to be imitative of the bird's cry. Compare Old Saxon kraia, Dutch kraai, Old High German chraja, German Kräke.

Noted for sagacity and sociability. The British and North American species are very similar.  Phrase as the crow flies "in a straight line" is from 1810; the image is attested in different form from 1800. 

American English figurative phrase eat crow "do or accept what one vehemently dislikes and has opposed defiantly, accept things which, though not unbearable, are yet scarcely to be wished for," is attested by 1870 (originally often eat boiled crow), and seems to be based on the notion that the bird is edible when boiled but hardly agreeable.

There was an oft-reprinted mid-19c. joke about a man who, to settle a bet that he could eat anything, agrees to eat a boiled crow. As he with great difficulty swallows the first to mouthfuls, he says to the onlookers, "I can eat crow, but I don't hanker arter it." The joke is attested by 1854 (Walter Etecroue turns up 1361 in the Calendar of Letter Books of the City of London).

I tried my best to eat crow, but it was too tough for me. "How do you like it?" said the old man, as, with a desperate effort, he wrenched off a mouthful from a leg. "I am like the man," said I, "who was once placed in the same position: 'I ken eat crow, but hang me if I hanker arter it.'" "Well," says the captain, "it is somewhat hard; but try some of the soup and dumplings and don t condemn crow-meat from this trial, for you shot the grandfather and grandmother of the flock: no wonder they are tough; shoot a young one next time." "No more crow-meat for me, thank you," said I. [James G. Swan, "The Northwest Coast, or Three Years' Residence in Washington Territory," New York, 1857] 

The image of a crow's foot for the wrinkles appearing with age at the corner of the eye is from late 14c. ("So longe mote ye lyve Til crowes feet be growen under youre ye." [Chaucer, Troilus and Criseyde, c. 1385]).

early 13c., "skin color, complexion," from Anglo-French culur, coulour, Old French color "color, complexion, appearance" (Modern French couleur), from Latin color "color of the skin; color in general, hue; appearance," from Old Latin colos, originally "a covering" (akin to celare "to hide, conceal"), from PIE root *kel- (1) "to cover, conceal, save." Old English words for "color" were hiw ("hue"), bleo. For sense evolution, compare Sanskrit varnah "covering, color," which is related to vrnoti "covers," and also see chroma.

Colour was the usual English spelling from 14c., from Anglo-French. Classical correction made color an alternative from 15c., and that spelling became established in the U.S. (see -or). 

Meaning "a hue or tint, a visible color, the color of something" is from c. 1300. As "color as an inherent property of matter, that quality of a thing or appearance which is perceived by the eye alone," from late 14c. From early 14c. as "a coloring matter, pigment, dye." From mid-14c. as "kind, sort, variety, description." From late 14c. in figurative sense of "stylistic device, embellishment. From c. 1300 as "a reason or argument advanced by way of justifying, explaining, or excusing an action," hence "specious reason or argument, that which hides the real character of something" (late 14c.).

From c. 1300 as "distinctive mark of identification" (as of a badge or insignia or livery, later of a prize-fighter, horse-rider, etc.), originally in reference to a coat of arms. Hence figurative sense as in show one's (true) colors "reveal one's opinions or intentions;" compare colors.

In reference to "the hue of the darker (as distinguished from the 'white') varieties of mankind" [OED], attested from 1792, in people of colour, in translations from French in reference to the French colony of Saint-Domingue (modern Haiti) and there meaning "mulattoes."

In reference to musical tone from 1590s. Color-scheme is from 1860. Color-coded is by 1943, in reference to wiring in radios and military aircraft. Color-line in reference to social and legal discrimination by race in the U.S. is from 1875, originally referring to Southern whites voting in unity and taking back control of state governments during Reconstruction (it had been called white line about a year earlier, and with more accuracy).

early 14c., bealte, "physical attractiveness," also "goodness, courtesy," from Anglo-French beute, Old French biauté "beauty, seductiveness, beautiful person" (12c., Modern French beauté), earlier beltet, from Vulgar Latin *bellitatem (nominative bellitas) "state of being pleasing to the senses" (source also of Spanish beldad, Italian belta), from Latin bellus "pretty, handsome, charming," in classical Latin used especially of women and children, or ironically or insultingly of men, perhaps from PIE *dw-en-elo-, diminutive of root *deu- (2) "to do, perform; show favor, revere." Famously defined by Stendhal as la promesse de bonheur "the promise of happiness."

[I]t takes the one hundred men in ten million who understand beauty, which isn't imitation or an improvement on the beautiful as already understood by the common herd, twenty or thirty years to convince the twenty thousand next most sensitive souls after their own that this new beauty is truly beautiful. [Stendhal, "Life of Henry Brulard"]

Replaced Old English wlite. The concrete meaning "a beautiful woman" in English is recorded from late 14c. Beauty-sleep "sleep before midnight" (popularly regarded as the most refreshing) is attested by 1850. Beauty-spot "dark spot placed on the face formerly by women to heighten beauty" is from 1650s. Beauty-contest is from 1885; beauty-queen is from 1922 (earlier it was a show-name of cattle and hogs). Beauté du diable (literally "devil's beauty") is used as a French phrase in English from 1825.

But as it is hardly possible to define all the properties which constitute beauty, we may observe in general, that beauty consists in whatever pleases the eye of the beholder, whether in the human body, in a tree, in a landscape or in any other object. [from definition of BEAUTY in Noah Webster's "Dictionary of the English Language," 1828]

That pleasure which is at once the most intense, the most elevating, and the most pure is, I believe, found in the contemplation of the beautiful. When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect—they refer, in short, just to that intense and pure elevation of soul—not of intellect, or of heart—upon which I have commented, and which is experienced in consequence of contemplating the “beautiful.” [Poe, "The Philosophy of Composition," 1846]