Old English life (dative lif) "animated corporeal existence; lifetime, period between birth and death; the history of an individual from birth to death, written account of a person's life; way of life (good or bad); condition of being a living thing, opposite of death; spiritual existence imparted by God, through Christ, to the believer," from Proto-Germanic *leiban (source also of Old Norse lif "life, body," Old Frisian, Old Saxon lif "life, person, body," Dutch lijf "body," Old High German lib "life," German Leib "body"), properly "continuance, perseverance," from PIE root *leip- "to stick, adhere."
The noun associated with live (v.) "to live," which is literally "to continue, remain." Extended 1703 to inanimate objects, "term of duration or existence." Sense of "vitality, energy in action, expression, etc." is from 1580s. Meaning "conspicuously active part of human existence, pleasures or pursuits of the world or society" is by 1770s. Meaning "cause or source of living" led to the sense "vivifying or animating principle," and thus "one who keeps things lively" in life of the party (1787). Meaning "imprisonment for life, a life sentence" is from 1903. Paired alliteratively with limb from 1640s. Not on your life "by no means" is attested from 1896.
In gaming, an additional turn at play for a character; this transferred use was prefigured by uses in card-playing (1806), billiards (1856), etc., in reference to a certain number of chances or required objects without which one's turn at the game fails. The life "the living form or model, semblance" is from 1590s. Life-and-death "of dire importance" is from 1822; life-or-death (adj.) is from 1897. Life-jacket is from 1840; life-preserver from 1630s of anything that is meant to save a life, 1803 of devices worn to prevent drowning. Life-saver is from 1883, figurative use from 1909, as a brand of hard sugar candy from 1912, so called for shape.
Life-form is from 1861; life-cycle is from 1855; life-expectancy from 1847; life-history in biology from 1870; life-science from 1935. Life-work "the labor to which one's life has been devoted" is from 1848. Expression this is the life is from 1919; verbal shrug that's life is from 1924 (earlier such is life, 1778).
1907 (from 1903 as a French word in English), "malicious damaging or destruction of an employer's property by workmen," from French sabotage, from saboter "to sabotage, bungle," literally "walk noisily," from sabot "wooden shoe" (see sabaton).
In English, "malicious mischief" would appear to be the nearest explicit definition of "sabotage," which is so much more expressive as to be likely of adoption into all languages spoken by nations suffering from this new force in industry and morals. Sabotage has a flavor which is unmistakable even to persons knowing little slang and no French .... [Century Magazine, November 1910]
In French, and at first in English, the sense of "deliberately and maliciously destroying property" was in reference to labor disputes, but the oft-repeated story (as old as the record of the word in English) that the modern meaning derives from strikers' supposed tactic of throwing shoes into machinery is not supported by the etymology. Likely it was not meant as a literal image; the word was used in French in a variety of "bungling" senses, such as "to play a piece of music badly."
This, too, was the explanation given in some early usages:
SABOTAGE [chapter heading] The title we have prefixed seems to mean "scamping work." It is a device which, we are told, has been adopted by certain French workpeople as a substitute for striking. The workman, in other words, purposes to remain on and to do his work badly, so as to annoy his employer's customers and cause loss to his employer. [The Liberty Review, January 1907]
You may believe that sabotage is murder, and so forth, but it is not so at all. Sabotage means giving back to the bosses what they give to us. Sabotage consists in going slow with the process of production when the bosses go slow with the same process in regard to wages. [Arturo M. Giovannitti, quoted in report of the Sagamore Sociological Conference, June 1907]
The military extension to damage inflicted (especially clandestinely) to disrupt an enemy is from World War I.
a late Old English contraction of cyning "king, ruler" (also used as a title), from Proto-Germanic *kuningaz (source also of Dutch koning, Old Norse konungr, Danish konge, Old Saxon and Old High German kuning, Middle High German künic, German König).
This is of uncertain origin. It is possibly related to Old English cynn "family, race" (see kin), making a king originally a "leader of the people." Or perhaps it is from a related prehistoric Germanic word meaning "noble birth," making a king etymologically "one who descended from noble birth" (or "the descendant of a divine race"). The sociological and ideological implications render this a topic of much debate. "The exact notional relation of king with kin is undetermined, but the etymological relation is hardly to be doubted" [Century Dictionary].
General Germanic, but not attested in Gothic, where þiudans (cognate with Old English þeoden "chief of a tribe, ruler, prince, king") was used. Finnish kuningas "king," Old Church Slavonic kunegu "prince" (Russian knyaz, Bohemian knez), Lithuanian kunigas "clergyman" are forms of this word taken from Germanic. Meaning "one who has superiority in a certain field or class" is from late 14c.
As leon is the king of bestes. [John Gower, "Confessio Amantis," 1390]
In Old English, used for chiefs of Anglian and Saxon tribes or clans, of the heads of states they founded, and of the British and Danish chiefs they fought. The word acquired a more imposing quality with the rise of European nation-states, but then it was applied to tribal chiefs in Africa, Asia, North America. The chess piece is so called from c. 1400; the playing card from 1560s; the use in checkers/draughts is first recorded 1820. Three Kings for the Biblical Wise Men is from c. 1200.
[I]t was [Eugene] Field who haunted the declining years of Creston Clarke with his review of that actor's Lear. ... Said he, "Mr. Clarke played the King all the evening as though under constant fear that someone else was about to play the Ace." ["Theatre Magazine," January 1922]
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle." The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
[The answer is "snow-ball."]
The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
c. 1200, "opposite of right," probably from Kentish and northern English forms of Old English *lyft "weak; foolish" (in lyft-adl "lameness, paralysis"). Compare East Frisian luf, Dutch dialectal loof "weak, worthless").
Sense of "opposite of right" is from the left being usually the weaker hand), a derived sense also found in cognate Middle Dutch and Low German luchter, luft. Compare Lithuanian kairys "left" and Lettish kreilis "left hand" both from a root that yields words for "twisted, crooked."
The usual Old English winstre/winestra "left" (adj.); "left hand," literally "friendlier," a euphemism used superstitiously to avoid invoking the unlucky forces connected with the left side (compare sinister). The Kentish word itself might have been originally a taboo replacement, if instead it represents PIE *laiwo- "considered conspicuous" (represented in Greek laios, Latin laevus, and Russian levyi). Greek also uses a euphemism for "left," aristeros "the better one" (compare also Avestan vairyastara- "to the left," from vairya- "desirable").
Meaning "being on the left-hand side" is from c. 1300. As an adverb from early 14c. For political senses, see left (n.). Used at least since c. 1600 in various senses of "irregular, illicit;" earlier proverbial sense was "opposite of what is expressed" (mid-15c.), for example over the left (shoulder) "not at all," added to a statement to negate or neglect what was just said (1705). To have two left feet "be clumsy" is attested by 1902.
Phrase out in left field "out of touch with pertinent realities" is attested from 1944, from the baseball fielding position that tends to be far removed from the play (left field in baseball attested by 1867; the fielding positions are from the point of view of the batter). The Parisian Left Bank (of the River Seine) has been associated with intellectual and artistic culture at least since 1893; Left Coast "Pacific Coast of the U.S." is by 1980s.
German link, Dutch linker "left" are said to be not directly related to these, being instead from Old High German slinc and Middle Dutch slink "left," related to Swedish linka "limp," slinka "dangle," and Old English slincan "crawl" (Modern English slink).
slang for "backside," first attested 1860 in nautical slang, in popular use from 1930; chiefly U.S.; from dialectal variant pronunciation of arse (q.v.). The loss of -r- before -s- is attested in other words (burst/bust, curse/cuss, horse/hoss, barse/bass, garsh/gash, parcel/passel).
Indirect evidence of the change from arse to ass can be traced to 17c. By 1680s arse was being pronounced to rhyme with "-ass" words, as in "Sodom or the Quintessence of Debauchery": "I would advise you, sir, to make a pass/Once more at Pockenello's loyal arse." It is perhaps as early as Shakespeare's day, if Nick Bottom transformed into a donkey in "A Midsummer Night's Dream" (1594) is the word-play some think it is.
I must to the barber's, mounsieur; for me thinks I am marvellous hairy about the face; and I am such a tender ass, if my hair do but tickle me, I must scratch. [Bottom]
By 1785 polite speakers were avoiding ass in the "donkey" sense.
Meaning "woman regarded as a sexual object" is by early 1940s (piece of ass seems to be implied in 1930s Tijuana Bibles), but the image is older (compare buttock "a common strumpet," 1670s). To have (one's) head up (one's) ass "not know what one is doing" is attested by 1969. Colloquial (one's) ass "one's self, one's person" attested by 1958. To work (one's) ass off "work very much" is by 1946; to laugh (one's) ass off "laugh very much" is by 1972 (implied from 1965). The (stick it) up your ass oath is attested by 1953; apparent euphemisms suggest earlier use:
He snoighed up his nose as if th' cheese stunk, eyed me wi an air o contempt fro my shoon to my yed, un deawn ogen fro my yed to my shoon ; un then pushin th' brade un cheese into my hont ogen, he says "Take your vile bread and cheese and stick it up your coat sleeve, and be demmed to you. Do you think I want your paltry grub?" Un then, turnin on his heel, he hurried into th' perk. ["Bobby Shuttle un His Woife Sayroh's Visit to Manchester," 1857]
"artificial penis used for female gratification," 1590s, a word of unknown origin. Traditional guesses include a corruption of Italian deletto "delight" (from Latin dilectio, noun of action from diligere "to esteem highly, to love;" see diligence) or a corruption of English diddle. None of these seems very convincing (Florio's dictionary glosses many words with dildo, but diletto is not one of them.) Century Dictionary perhaps gets closer to the mark:
A term of obscure cant or slang origin, used in old ballads and plays as a mere refrain or nonsense-word; also used, from its vagueness, as a substitute for various obscene terms and in various obscene meanings. 
The earliest use of the word in this sense, and probably the start of its popularity, seems to be via Nashe:
"Curse Eunuke dilldo, senceless counterfet" ["Choise of Valentines or the Merie Ballad of Nash his Dildo," T. Nashe, c. 1593]
Other early forms include dildoides (1675), dildidoes (1607). Middle English had dillidoun (n.) "a darling, a pet" (mid-15c.), from Old Norse dilla "to lull" (hence dillindo "lullaby"). That sense probably survived into Elizabethan times, if it is the word in Jonson's "Cynthia's Revels":
Chorus: Good Mercury defend vs.
Phan.: From perfum'd Dogs, Monkeys, Sparrowes, Dildos, and Parachitos.
And dildin seems to be a term for "sweetheart" in a 1675 play:
Mir.: Here comes a lusty Wooer, my dildin, my darling.
Here comes a lusty Wooer Lady bright and shining.
The thing itself is older. A classical Latin word for one was fascinum (see fascinate). In later English sometimes a French word, godemiché, was used (1879). Also used in 18c. of things that resemble dildoes, e.g. dildo pear (1756), dildo cactus (1792).
Shakespeare plays on the double sense, sexual toy and ballad refrain, in "A Winter's Tale."
SERVANT: He hath songs for man or woman, of all sizes; no
milliner can so fit his customers with gloves: he
has the prettiest love-songs for maids; so without
bawdry, which is strange; with such delicate
burthens of dildos and fadings, 'jump her and thump
her;' and where some stretch-mouthed rascal would,
as it were, mean mischief and break a foul gap into
the matter, he makes the maid to answer 'Whoop, do me
no harm, good man;' puts him off, slights him, with
'Whoop, do me no harm, good man.'
"quadruped of the genus Canis," Old English docga, a late, rare word, used in at least one Middle English source in reference specifically to a powerful breed of canine; other early Middle English uses tend to be depreciatory or abusive. Its origin remains one of the great mysteries of English etymology.
The word forced out Old English hund (the general Germanic and Indo-European word, from root from PIE root *kwon-) by 16c. and subsequently was picked up in many continental languages (French dogue (16c.), Danish dogge, German Dogge (16c.)). The common Spanish word for "dog," perro, also is a mystery word of unknown origin, perhaps from Iberian. A group of Slavic "dog" words (Old Church Slavonic pisu, Polish pies, Serbo-Croatian pas) likewise is of unknown origin.
In reference to persons, by c. 1200 in abuse or contempt as "a mean, worthless fellow, currish, sneaking scoundrel." Playfully abusive sense of "rakish man," especially if young, "a sport, a gallant" is from 1610s. Slang meaning "ugly woman" is from 1930s; that of "sexually aggressive man" is from 1950s.
Many expressions — a dog's life (c. 1600), go to the dogs (1610s), dog-cheap (1520s), etc. — reflect the earlier hard use of the animals as hunting accessories, not pets. In ancient times, "the dog" was the worst throw in dice (attested in Greek, Latin, and Sanskrit, where the word for "the lucky player" was literally "the dog-killer"), which plausibly explains the Greek word for "danger," kindynos, which appears to be "play the dog" (but Beekes is against this).
Notwithstanding, as a dog hath a day, so may I perchance have time to declare it in deeds. [Princess Elizabeth, 1550]
Meaning "something poor or mediocre, a failure" is by 1936 in U.S. slang. From late 14c. as the name for a heavy metal clamp of some kind. Dog's age "a long time" is by 1836. Adjectival phrase dog-eat-dog "ruthlessly competitive" is by 1850s. Phrase put on the dog "get dressed up" (1934) may be from comparison of dog collars to the stiff stand-up shirt collars that in the 1890s were the height of male fashion (and were known as dog-collars from at least 1883).
And Caesar's spirit, ranging for revenge,
With Ate by his side come hot from Hell,
Shall in these confines with a monarch's voice
Cry Havoc! and let slip the dogs of war;
[Shakespeare, "Julius Caesar"]
a word of vague etymology, perhaps a convergence of two or more words, given wide application in late 19c. and settling into its main modern meaning "floozie" from early 1920s, with a revival in 1980s.
Bimbo first appears as the name of an alcoholic punch, mentioned in newspapers from New York state (1837), Boston (1842), and New Orleans (1844, but as having come from Boston). This sense quickly fades, though it occasional is on menus as late as 1895.
From 1860-1910, Bimbo as a proper name is frequent: It is the name or part of the name of several race horses, dogs, and monkeys, a circus elephant (perhaps echoing Jumbo), and a jester character in a play. It is in the title of a three-act musical farce ("Bimbo of Bombay"), and the name of a popular "knockabout clown"/actor in England and several other stage clowns. Also it appears as a genuine surname, and "The Bimbos" were a popular brother-sister comedy acrobatics team in vaudeville.
A separate bimbo seems to have entered American English c. 1900, via immigration, as an Italian word for a little child or a child's doll, evidently a contraction of bambino "baby."
By 1920 it began to be used generally of a stupid or ineffectual man, a usage Damon Runyon in 1919 traced to Philadelphia prize-fight slang. He wrote, that July, in a column printed in several newspapers, of a hotel lobby fist-fight between "Yankee Schwartz, the old Philadelphia boxer," and another man, which Schwartz wins.
"No Bimbo can lick me," he said, breathlessly, at the finish.
"What's a Bimbo?" somebody asked "Tiny" Maxwell, on the assumption that "Tiny" ought to be familiar with the Philadelphia lingo.
A bimbo," said "Tiny," "is t-t-two degrees lower than a coo-coo—cootie."
The word does turn up in Philadelphia papers' accounts of prizefights (e.g. "Fitzsimmons Is No Bimbo," Evening Public Ledger, May 25, 1920).
By 1920 the sense of "floozie" had developed (said to have been popularized by "Variety" staffer Jack Conway), perhaps boosted by "My Little Bimbo Down on Bamboo Isle," a popular 1920 song in which the singer (imploring the audience not to alert his wife) tells of "his shipwreck on a Fiji Isle and the little Bimbo he left down on that Bamboo isle." Its resurrection in this sense during 1980s U.S. political sex scandals led to derivatives including diminutive bimbette (1990) and male form himbo (1988).
mid-13c., "animating or vital principle in man and animals," from Anglo-French spirit, Old French espirit "spirit, soul" (12c., Modern French esprit) and directly from Latin spiritus "a breathing (respiration, and of the wind), breath; breath of a god," hence "inspiration; breath of life," hence "life;" also "disposition, character; high spirit, vigor, courage; pride, arrogance," related to spirare "to breathe," perhaps from PIE *(s)peis- "to blow" (source also of Old Church Slavonic pisto "to play on the flute"). But de Vaan says "Possibly an onomatopoeic formation imitating the sound of breathing. There are no direct cognates."
Meaning "supernatural immaterial creature; angel, demon; an apparition, invisible corporeal being of an airy nature" is attested from mid-14c.; from late 14c. as "a ghost" (see ghost (n.)). From c. 1500 as "a nature, character"; sense of "essential principle of something" (in a non-theological context, as in Spirit of St. Louis) is attested from 1680s, common after 1800; Spirit of '76 in reference to the qualities that sparked and sustained the American Revolution is attested by 1797 in William Cobbett's "Porcupine's Gazette and Daily Advertiser."
From late 14c. in alchemy as "volatile substance; distillate;" from c. 1500 as "substance capable of uniting the fixed and the volatile elements of the philosopher's stone." Hence spirits "volatile substance;" sense narrowed to "strong alcoholic liquor" by 1670s. This also is the sense in spirit level (1768). Also from mid-14c. as "character, disposition; way of thinking and feeling, state of mind; source of a human desire;" in Middle English freedom of spirit meant "freedom of choice." From late 14c. as "divine substance, divine mind, God;" also "Christ" or His divine nature; "the Holy Ghost; divine power;" also, "extension of divine power to man; inspiration, a charismatic state; charismatic power, especially of prophecy." Also "essential nature, essential quality." From 1580s in metaphoric sense "animation, vitality."
According to Barnhart and OED, originally in English mainly from passages in Vulgate, where the Latin word translates Greek pneuma and Hebrew ruah. Distinction between "soul" and "spirit" (as "seat of emotions") became current in Christian terminology (such as Greek psykhe vs. pneuma, Latin anima vs. spiritus) but "is without significance for earlier periods" [Buck]. Latin spiritus, usually in classical Latin "breath," replaces animus in the sense "spirit" in the imperial period and appears in Christian writings as the usual equivalent of Greek pneuma. Spirit-rapping is from 1852.