brown earthy pigment, 1560s, from French ombre (in terre d'ombre), or Italian ombra (in terra di ombra), both from Latin umbra "shade, shadow" (see umbrage) or else from Umbra, fem. of Umber "belonging to Umbria," region in central Italy from which the coloring matter first came (compare Sienna). Burnt umber, specially prepared and redder in color, is attested from c. 1650, distinguished from raw umber.
"1 more than four; the number which is one more than four; a symbol representing this number;" Old English fif "five," from Proto-Germanic *fimfe (source also of Old Frisian fif, Old Saxon fif, Dutch vijf, Old Norse fimm, Old High German funf, Gothic fimf), from PIE root *penkwe- "five." The lost *-m- is a regular development (compare tooth).
Five-and-ten (Cent Store) is from 1880, American English, with reference to prices of goods for sale. Five-star (adj.) is from 1913 of hotels, 1945 of generals. Slang five-finger discount "theft" is from 1966. The original five-year plan was 1928 in the U.S.S.R. Five o'clock shadow attested by 1937.
[under picture of a pretty girl] "If I were a man I'd pay attention to that phrase '5 O'Clock Shadow.' It's that messy beard growth which appears prematurely about 5 P.M." [advertisement for Gem razors and blades in Life magazine, May 9, 1938]
"vertical shaft that tells time by the shadow it casts" (especially the triangular plate on a sundial), 1540s, from Latin gnomon, from Greek gnōmōn "indicator (of a sundial), carpenter's rule," also, in plural, "the teeth that mark the age of a horse or mule," literally "one that discerns or examines, interpreter, expert," from gignōskein "to come to know," from PIE root *gno- "to know." In geometry from 1560s, from a use in Greek. In early use in English sometimes folk-etymologized as knowman. Related: Gnomonic.
Middle English schade, Kentish ssed, from late Old English scead "partial darkness; shelter, protection," also partly from sceadu "shade, shadow, darkness; shady place, arbor, protection from glare or heat," both from Proto-Germanic *skadwaz (source also of Old Saxon skado, Middle Dutch scade, Dutch schaduw, Old High German scato, German Schatten, Gothic skadus), from PIE *skot-wo-, from root *skoto- "dark, shade."
shade, shadow, nn. It seems that the difference in form is fairly to be called an accidental one, the first representing the nominative & the second the oblique cases of the same word. The meanings are as closely parallel or intertwined as might be expected from this original identity, the wonder being that, with a differentiation so vague, each form should have maintained its existence by the side of the other. [Fowler]
Figurative use in reference to comparative obscurity is from 1640s. Meaning "a ghost" is from 1610s; dramatic (or mock-dramatic) expression "shades of _____" to invoke or acknowledge a memory is from 1818, from the "ghost" sense. Meaning "lamp cover" is from 1780. Sense of "window blind" first recorded 1845. Meaning "cover to protect the eyes" is from 1801. Meaning "grade of color" first recorded 1680s; that of "degree or gradiation of darkness in a color" is from 1680s (compare nuance, from French nue "cloud"). Meaning "small amount or degree" is from 1782.
A sunshade in the Mediterranean, a shelter from the rain in England; in late 17c. usage, usually as an Oriental or African symbol of dignity. Said to have been used by women in England from c. 1700; the use of rain-umbrellas carried by men there traditionally is dated to c. 1750, first by Jonas Hathaway, noted traveler and philanthropist. Figurative sense of "authority, unifying quality" (usually in a phrase such as under the umbrella of) is recorded from 1948.
c. 1200, "a cloud," from Old Norse sky "cloud," from Proto-Germanic *skeujam "cloud, cloud cover" (source also of Old English sceo, Old Saxon scio "cloud, region of the clouds, sky;" Old High German scuwo, Old English scua, Old Norse skuggi "shadow;" Gothic skuggwa "mirror"), from PIE root *(s)keu- "to cover, conceal."
Meaning "upper regions of the air" is attested from c. 1300; replaced native heofon in this sense (see heaven). In Middle English, the word can still mean both "cloud" and "heaven," as still in the skies, originally "the clouds." Sky-high is from 1812; phrase the sky's the limit is attested from 1908. Sky-dive first recorded 1965; sky-writing is from 1922.
1896, from Japanese, popular theater (as opposed to shadow puppet-plays or lyrical Noh dramas).
Kabuki comes from the verb 'kabuku', meaning 'to deviate from the normal manners and customs, to do something absurd.' Today kabuki is performed only by men, but the first kabuki performance was given in about 1603 by a girl, a shrine maiden of Kyoto named O-kuni, who 'deviated from the normal customs' by dressing as a man and entertaining the public with satirical dances in the grounds of the Kitano shrine. [Toshie M. Evans, "A Dictionary of Japanese Loanwords," 1997]
Alternative etymology [Barnhart, OED] is that it means literally "art of song and dance," from ka "song" + bu "dance" + ki "art, skill."
mid-13c., mirour, "polished surface (of metal, coated glass, etc.) used to reflect images of objects," especially the face of a person, from Old French mireoir "a reflecting glass, looking glass; observation, model, example," earlier miradoir (11c.), from mirer "look at" (oneself in a mirror), "observe, watch, contemplate," from Vulgar Latin *mirare "to look at," variant of Latin mirari "to wonder at, admire" (see miracle).
The Spanish cognate, mirador (from mirar "to look, look at, behold"), has come to mean "watch tower, gallery commanding an extensive view." Latin speculum "mirror" (or its Medieval Latin variant speglum) is the source of words for "mirror" in neighboring languages: Italian specchio, Spanish espejo, Old High German spiegal, German Spiegel, Dutch spiegel, Danish spejl, Swedish spegel. An ancient Germanic group of words for "mirror" is represented by Gothic skuggwa, Old Norse skuggsja, Old High German scucar, which are related to Old English scua "shade, shadow."
Words for 'mirror' are mostly from verbs for 'look', with a few words for 'shadow' or other sources. The common use of the word for the material 'glass' in the sense of 'mirror' seems to be peculiar to English. [Carl Darling Buck, "A Dictionary of Selected Synonyms in the Principal Indo-European Languages," 1949]
Figurative use, "that in or by which anything is shown or exemplified," hence "a model (of good or virtuous conduct)" is attested from c. 1300. Mirrors have been used in divination since classical and biblical times, and according to folklorists, in modern England they are the subject of at least 14 known superstitions. Belief that breaking one brings bad luck is attested from 1777. Mirror image "something identical to another but having right and left reversed" is by 1864. Mirror ball attested from 1968. To look in (the) mirror in the figurative sense of "examine oneself" is by early 15c.
1530s, "subdivision of an act of a play," also "stage-setting," from French scène (14c.), from Latin scaena, scena "scene, stage of a theater," from Greek skēnē "wooden stage for actors," also "that which is represented on stage," originally "tent or booth," which is related to skia "shadow, shade," via the notion of "something that gives shade" (see Ascians).
According to Beekes' sources, the Greek word "originally denoted any light construction of cloth hung between tree branches in order to provide shadow, under which one could shelter, sleep, celebrate festivities, etc."
A theatrical word; the wider senses come from the notion of the painted drops and hangings on stage as the "setting" for the action. From "stage setting" the sense extended to "material apparatus of a theatrical stage, part of a theater in which the acting is done" (1540s), which led to "setting of any artistic work, place in which the action of a literary work is supposed to occur" and the general (non-literary) sense of "place where anything is done or takes place" (both by 1590s).
Hence the sense in reference to a (specified) activity and its realm or sphere (1931, as in the poetry scene) and U.S. slang sense of "setting or milieu or situation for a specific group or activity," attested from 1951 in Beat jargon.
Meaning "any exhibition, display, or demonstration of strong feeling," especially "stormy encounter between two or more persons," is attested by 1761. By 1650s as "a view presented to the mind or eye."
Behind the scenes "having knowledge of affairs not apparent to the public" (1748) is an image from the theater, "amid actors and stage machinery" (back of the visible stage and out of sight of the audience), which is attested from 1660s. Scene of the crime is attested by 1843. To make a scene "make a noisy or otherwise unpleasant demonstration" is by 1831.
The word was in Middle English in the Latin form, scena, "structure on a stage for dramatic recitations" (late 14c.).