"chalky, sticky mineral used in making mortar," from Old English lim "sticky substance, birdlime;" also "mortar, cement, gluten," from Proto-Germanic *leimaz (source also of Old Saxon, Old Norse, Danish lim, Dutch lijm, German Leim "birdlime"), from PIE root *(s)lei- "slime, slimy, sticky" (source also of Latin limus "slime, mud, mire," linere "to smear;" see slime (n.)).
Bird-lime is prepared from the bark of the holly, it was spread on twigs and used for catching small birds. The lime used in building, etc. is made by putting limestone or shells in a red heat, which burns off the carbonic acid and leaves a brittle white solid which dissolves easily in water. Hence lime-kiln (late 13c.), lime-burner (early 14c.). As a verb, c. 1200, from the noun.
The North American freshwater fish was so called by 1690s, probably for its "whiskers," or for the purring noise it is said to make when taken from the water. Greek had glanis, glaneos "catfish," in reference to the only European species (the Latin silurus, in English generally sheatfish), found north of the Alps, and the largest European fish other than the sturgeon. The name is based on glanos "hyena," the fish being "thus called because of its voracity and the sound it makes" [Beekes]. Compare dogfish. The ancients thought them sensitive to thunder and able to predict earthquakes and told of catching them of such size they had to be hauled ashore by oxen.
"contrivance for catching unawares," late Old English træppe, treppe "snare, trap," from Proto-Germanic *trep- (source also of Middle Dutch trappe "trap, snare"), related to Germanic words for "stair, step, tread" (Middle Dutch, Middle Low German trappe, treppe, German Treppe "step, stair," English tread (v.)).
This is probably literally "that on or into which one steps," from PIE *dreb-, an extended form of a root *der- (1), base of words meaning "to run, walk, step." The English word is probably akin to Old French trape, Spanish trampa "trap, pit, snare," but the exact relationship is uncertain.
The sense of "deceitful practice, device or contrivance to betray one" is recorded from c. 1400. The meaning "U-shaped section of a drain pipe" is from 1833. Slang meaning "mouth" is from 1776. Speed trap is by 1908. Trap-door "door in a floor or ceiling" (often hidden and leading to a passageway or secret place) is attested from late 14c. (trappe-dore).
Middle English sein, "visible, able to be seen with the eyes; plain, clear, manifest," from Old English gesegen, gesewen, past participle of seon (see see (v.)). From c. 1200 as "perceived, discovered." From c. 1300 as "experienced, undergone." To have seen everything as a hyperbolic expression of astonishment is from 1941 (the phrase itself is older, in "Gatsby," etc.).
He that has seen one thing hath seen all things ; for he has got the general idea of something. [Locke, 1706]
The saw or vulgar maxim about children being best seen and not heard (by 1816) was previously of maids specifically (mid-15c.).
Well, at length my wish was in part gratified—lady Cowley was announced. It has been said that women, like children, should be "seen and not heard." I am no advocate for dumb dolls, yet I object to catching the voice through long passages ere one sees the party, and in the present instance ... (etc.) ["The Spinster's Journal," vol. 1, by 'A Modern Antique,' London: 1816]
early 15c., tonel, "funnel-shaped net for catching birds," from Old French tonnelle "net," or tonel "cask," diminutive of Old French tonne "tun, cask for liquids," possibly from the same source as Old English tunne (see tun).
Sense of "tube, pipe" (1540s) developed in English and led to sense of "underground passage" (1660s). This sense subsequently has been borrowed into French (1878). The earlier native word for this was mine (n.). Meaning "burrow of an animal" is from 1873. Tunnel vision is attested from 1912. The amusement park tunnel of love is attested from 1911 (in reference to New York's Luna Park). The figurative light at the end of the tunnel has been seen since 1882.
The "Tunnel of Love," an attraction found at many amusement parks, has been responsible for a surprising number of proposals. In this and similar devices, couples are allowed to drift through dark or semi-dark underground caverns, usually in a boat or gondola borne on an artificial stream of water. ... Their dim interiors often give a bashful young man the opportunity to propose. [The American Magazine, July 1922]
mid-14c., "to understand, take into the mind, grasp by understanding," late 14c., "to take in, include;" from Latin comprehendere "to take together, to unite; include; seize" (of catching fire or the arrest of criminals); also "to comprehend, perceive" (to seize or take in the mind), from com "with, together," here probably "completely" (see com-) + prehendere "to catch hold of, seize."
The (partial) range of senses in Latin prehendere was "to lay hold of, to grasp, snatch, seize, catch; occupy violently; take by surprise, catch in the act; to reach, arrive at;" of trees, "to take root;" of the mind, "to seize, apprehend, comprehend," though this last sense is marked "very rare" in Lewis & Short.
It is a compound of prae- "before" (see pre-) + -hendere, found only in compounds, from PIE root *ghend- "to seize, take." De Vaan regards the compound as Proto-Italic. Related: Comprehended; comprehending.
Compare the sense development in German begriefen, literally "to seize," but, through the writings of the 14c. mystics, "to seize with the mind, to comprehend."
1540s, "open to view, catching the eye," from Latin conspicuus "visible, open to view; attracting attention, striking," from conspicere "to look at, observe, see, notice," from assimilated form of com-, here perhaps an intensive prefix (see com-), + specere "to look at" (from PIE root *spek- "to observe").
Meaning "obvious to the mind, forcing itself upon the attention" is from 1610s; hence "eminent, notable, distinguished." Related: Conspicuously; conspicuousness. Phrase conspicuous by its absence (1859) is said to be from Tacitus ("Annals" iii.76), in a passage about certain images: "sed præfulgebant ... eo ipso quod effigies eorum non visebantur."
Conspicuous consumption "expenditure on a lavish scale to enhance prestige" is attested by 1895 in published writing of Norwegian-American economist and sociologist Thorstein Vebeln, made famous in his "The Theory of the Leisure Class" (1899).
Not only must wealth be possessed, but there must be a show of its possession. It must be made obvious to all that there is an inexhaustible reserve. Hence leisure must be made conspicuous by "conspicuous consumption" and "conspicuous waste." If only enough persons and the right persons could see it and know it, it would be highly honorific to light a cigar occasionally with a thousand-dollar bill. A man must not limit his consumption to himself and his family. He must live in a palace many times larger than he can possibly fill, and have a large retinue of servants and retainers, ostensibly to minister to his wants, but really to make clear his ability to pay. [Lester F. Ward, review of "Theory of the Leisure Class" in The American Journal of Sociology, May 1900]
"metal vessel used for boiling or heating liquids over a flame," Old English cetil, citel (Mercian), from Proto-Germanic *katilaz (compare Old Saxon ketel, Old Frisian zetel, Middle Dutch ketel, Old High German kezzil, German Kessel), which usually is said to be derived from Latin catillus "deep pan or dish for cooking," a diminutive of catinus "deep vessel, bowl, dish, pot," from Proto-Italic *katino-.
This word has been connected with Greek forms such as [kotylē] "bowl, dish." Yet the Greek word is no perfect formal match, and words for types of vessels are very often loanwords. It seems best to assume this for catinus too. [de Vaan]
One of the few Latin loan-words in Proto-Germanic, along with *punda- "measure of weight or money" (see pound (n.1)) and a word relating to "merchant" that yielded cheap (adj.). "[I]t is striking that all have something to do with trade" [Don Ringe, "From Proto-Indo-European to Proto-Germanic," Oxford 2006]. Perhaps the Latin word was confused with a native Germanic one.
Spelling with a -k- (c. 1300) probably is from influence of Old Norse cognate ketill. The smaller sense of "tea-kettle" is attested by 1769.
Kettle of fish "complicated and bungled affair" (1715), sometimes is said to be from a Scottish custom of a kettle full of fish cooked al fresco at a boating party or picnic, but this custom is not attested by that phrase until 1790. Perhaps it is rather a variant of kittle/kiddle "weir or fence with nets set in rivers or along seacoasts for catching fish" (c. 1200, in the Magna Charta as Anglo-Latin kidellus), from Old French quidel, probably from Breton kidel "a net at the mouth of a stream."
Kettle was used in geology for "deep circular hollow in a river bed or other eroded area, pothole" (1866), hence kettle moraine (1883), one characterized by such features.
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle."
An enigma whose solution is a word of two or more syllables, each of which separately significant in sound, and which, as well as the whole word, must be discovered from a dialogue or description in which it is used, or from dramatic representation. [Century Dictionary]
The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
The answer is "snow-ball." The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.