1610s, "pool or lake for irrigation or drinking water," a word originally brought by the Portuguese from India, from a Hindi source, such as Gujarati tankh "cistern, underground reservoir for water," Marathi tanken, or tanka "reservoir of water, tank." Perhaps ultimately from Sanskrit tadaga-m "pond, lake pool," and reinforced in later sense of "large artificial container for liquid" (1680s) by Portuguese tanque "reservoir," from estancar "hold back a current of water," from Vulgar Latin *stanticare (see stanch). But other sources say the Portuguese word is the source of the Indian ones.
Meaning "fuel container" is recorded from 1902. Slang meaning "detention cell" is from 1912. Railroad tank-car is from 1874.
In military use, "armored, gun-mounted vehicle moving on continuous articulated tracks," the word originated late 1915. In "Tanks in the Great War" , Brevet Col. J.F.C. Fuller quotes a memorandum of the Committee of Imperial Defence dated Dec. 24, 1915, recommending the proposed "caterpillar machine-gun destroyer" machines be entrusted to an organization "which, for secrecy, shall be called the 'Tank Supply Committee,' ..." In a footnote, Fuller writes, "This is the first appearance of the word 'tank' in the history of the machine." He writes that "cistern" and "reservoir" also were put forth as possible cover names, "all of which were applicable to the steel-like structure of the machines in the early stages of manufacture. Because it was less clumsy and monosyllabic, the name 'tank' was decided on." They were first used in action at Pozieres ridge, on the Western Front, Sept. 15, 1916, and the name was quickly picked up by the soldiers. Tank-trap attested from 1920.
Old English gan "to advance, walk; depart, go away; happen, take place; conquer; observe, practice, exercise," from West Germanic *gaian (source also of Old Saxon, Old Frisian gan, Middle Dutch gaen, Dutch gaan, Old High German gan, German gehen), from PIE root *ghē- "to release, let go; be released" (source also of Sanskrit jihite "goes away," Greek kikhano "I reach, meet with"), but there does not seem to be general agreement on a list of cognates.
A defective verb throughout its recorded history; the Old English past tense was eode, a word of uncertain origin but evidently once a different verb (perhaps connected to Gothic iddja); it was replaced 1400s by went, past tense of wenden "to direct one's way" (see wend). In northern England and Scotland, however, eode tended to be replaced by gaed, a construction based on go. In modern English, only be and go take their past tenses from entirely different verbs.
The word in its various forms and combinations takes up 45 columns of close print in the OED. Meaning "cease to exist" is from c. 1200; that of "to appear" (with reference to dress, appearance, etc.) is from late 14c.; that of "to be sold" is from early 15c. Meaning "to be known" (with by) is from 1590s; that of "pass into another condition or state" is from 1580s. From c. 1600 as "to wager," hence also "to stand treat," and to go (someone) better in wagering (1864). Meaning "say" emerged 1960s in teen slang. Colloquial meaning "urinate or defecate" attested by 1926, euphemistic (compare Old English gong "a privy," literally "a going").
To go back on "prove faithless to" is from 1859; to go under in the figurative sense "to fail" is from 1849. To go places "be successful" is by 1934.
late 14c., poetrie, "poetry, composition in verse; a poem; ancient literature; poetical works, fables, or tales," from Old French poetrie (13c.), and perhaps directly from Medieval Latin poetria (c. 650), from Latin poeta (see poet). In classical Latin, poetria meant "poetess."
Figurative use is from 1660s. Old English had metergeweorc "verse," metercræft "art of versification." Also scop-cræft "the poet's art." Modern English lacks a true verb form in this group of words, though poeticize (1804), poetize (1580s, from French poétiser), and poetrize (c. 1600) have been tried. Poetry in motion (1826) perhaps is from poetry of motion (1813) "dance" (also poetry of the foot, 1660s). Poetry slam is by 1993.
... I decided not to tell lies in verse. Not to feign any emotion that I did not feel; not to pretend to believe in optimism or pessimism, or unreversible progress; not to say anything because it was popular, or generally accepted, or fashionable in intellectual circles, unless I myself believed it; and not to believe easily. [Robinson Jeffers (1887-1962), forward to "Selected Poems"]
Poetry — meaning the aggregate of instances from which the idea of poetry is deduced by every new poet — has been increasingly enlarged for many centuries. The instances are numerous, varied and contradictory as instances of love; but just as 'love' is a word of powerful enough magic to make the true lover forget all its baser and falser, usages, so is 'poetry' for the true poet. [Robert Graves, "The White Goddess"]
And the relation of the forms of poetry to the requirements of actual song is so fixed, that the laws of the four great groups of metre which we now successively to examine—the trimetre, tetrametre, pentametre, and hexametre—all depend upon the physical power of utterance in the breath. [Ruskin, "Elements of English Prosody, for use in St. George's Schools," 1880]
"tear apart, cut open or off," c. 1400, rippen, "pull out sutures," probably from a North Sea Germanic language (compare Flemish rippen "strip off roughly," Frisian rippe "to tear, rip;" also Middle Dutch reppen, rippen "to rip") or else from a Scandinavian source (compare Swedish reppa, Danish rippe "to tear, rip"). Likely most or all of them are from a Proto-Germanic *rupjan- (from PIE root *reup-, *reub- "to snatch"). "Of somewhat obscure origin and history; it is not quite certain that all the senses really belong to the same word" [OED].
The meaning "to slash with a sharp instrument" is from 1570s. Intransitive sense of "be torn or split open" is by 1840. Related: Ripped; ripping. In old U.S. slang, "to utter strong language" (1772), often with out; hence "break forth with sudden violence." The meaning "to move with slashing force" (1798) is the sense in let her rip "allow something to go or continue unrestrained," an American English colloquial phrase attested by 1846.
At another time, when a charge was ordered one of the officers could not think of the word, and he shouted—'Let 'er rip!'—when the whole line burst out with a yell—'Let 'er rip!' and dashed in among the Mexicans, laughing and shouting this new battle cry. [from an account of Illinois volunteers in the Mexican-American War, in the Pensacola Gazette, March 29, 1851]
In garments we rip along the line at which they were sewed ; we tear the texture of the cloth; we say, "It is not torn; it is only ripped." More broadly, rip, especially with up, stands for a cutting open or apart with a quick, deep strike: as, to rip up a body or a sack of meal. Rend implies great force or violence. [Century Dictionary]
late Old English pinn "peg or bolt of wood or metal used to hold things in place or fasten them together," from Proto-Germanic *penn- "jutting point or peak" (source also of Old Saxon pin "peg," Old Norse pinni "peg, tack," Middle Dutch pin "pin, peg," Old High German pfinn, German Pinne "pin, tack") from Latin pinna "a feather, plume;" in plural "a wing;" also "fin, scoop of a water wheel;" also "a pinnacle; a promontory, cape; battlement" (as in Luke iv.9 in Vulgate) and so applied to "points" of various sorts, from PIE root *pet- "to rush, to fly."
De Vaan and Watkins say Latin pinna is a derivative of penna, literally "feather" (see pen (n.1)); older theories regarded pinna as a separate word from a root meaning "sharp point." The Latin word also was borrowed in Celtic: Irish pinne "a pin, peg, spigot;" Welsh pin "a pin, pen."
The transition from 'feather' to 'pin' (a slender or pointed instrument) appears to have been through 'pen,' a quill, to ' pen,' a style or stylus, hence any slender or pointed instrument [Century Dictionary]
As a part of a lock or latch, c. 1200; as a control for a mechanical device, late 14c. The modern slender wire pin, used as a fastener for clothing or in sewing, is attested by this name by late 14c., perhaps late 13c. Transferred sense of "leg" is recorded from 1520s and holds the older sense. The meaning "wooden stick or club set up to be knocked down in a game" (skittles, bowling, etc.) is by 1570s.
Pin-money "annual sum allotted to a woman for personal expenses on dress, etc." is attested from 1620s. Pins and needles "tingling sensation" is from 1810. The sound of a pin dropping as a type of something all but silent is from 1775.
c. 1200, perhaps mid-12c., "well-born man, man of good family or birth," also extended to Roman patricians and ancient Greek aristocrats, from gentle + man (n.); the compound probably is modeled on Old French gentilhomme (the English gentleman itself was borrowed into French in 18c.).
Given specific uses in late Middle English (small gentleman, gentleman-of-arms, gentleman-usher, etc.), hence in England the word often meant any man above the social rank of a yeoman, including the nobility, but it was sometimes restricted to those who bear a coat of arms but not a title; in U.S., "man of property, not engaged in business or a profession" (1789). The English word from the beginning also had a special sense "nobleman whose behavior conforms to the ideals of chivalry and Christianity," and gentleman came to be used loosely for any man of good breeding, courtesy, kindness, honor, strict regard for the feelings of others, etc.
[The Gentleman] is always truthful and sincere ; will not agree for the sake of complaisance or out of weakness ; will not pass over that of which he disapproves. He has a clear soul, and a fearless, straightforward tongue. On the other hand, he is not blunt and rude. His truth is courteous ; his courtesy, truthful ; never a humbug, yet, where he truthfully can, he prefers to say pleasant things. [The Rev. John R. Vernon, "The Grand Old Name of Gentleman," in Contemporary Review, vol. XI, May-August 1869]
Eventually, in polite use, it came to mean a man in general, regardless of social standing. Related: Gentlemen. Gentleman's agreement is first attested 1929. Gentleman farmer recorded from 1749, "A man of means who farms on a large scale, employs hands, and does little or none of the work himself" [Craigie, "Dictionary of American English"].
Old English riht (West Saxon, Kentish), reht (Anglian), "that which is morally right, duty, obligation," also "rule of conduct; law of a land;" also "what someone deserves; a just claim, what is due, equitable treatment;" also "correctness, truth;" also "a legal entitlement (to possession of property, etc.), a privilege," from Proto-Germanic *rehtan (see right (adj.1)). In Middle English often contrasted to might or wrong. From early 14c. as "a right action, a good deed," hence the right "that which is just or true, righteousness."
From what has been said it will be seen that the adjective right has a much wider signification than the substantive Right. Every thing is right which is conformable to the Supreme Rule of human action ; but that only is a Right which, being conformable to the Supreme Rule, is realized in Society, and vested in a particular person. Hence the two words may often be properly opposed. We may say that a poor man has no Right to relief, but it is right he should have it. A rich man has a Right to destroy the harvest of his fields, but to do so would not be right. [William Whewell, "Elements of Morality," 1858]
The meaning "the right hand or right side" (as opposed to the left) is from mid-13c.; see right (adj.2) for sense development. As "the right wing of an army" by 1707. Political use is from 1825. Meaning "a blow with the right fist" is from 1898; the meaning "a right-hand turn" is by 1961. The phrase to rights "at once, straightway" is 1660s, from an earlier meaning "in a proper manner" (Middle English). Adjectival phrase right-to-work is attested from 1958; right-to-die by 1976. To do or something in one's own right (1610s) is from the legal use for "title or claim to something possessed by one or more" (12c.).
"companion, comrade," c. 1200, from Old English feolaga "partner, one who shares with another," from Old Norse felagi, from fe "money" (see fee) + lag, from Proto-Germanic *lagam, from PIE root *legh- "to lie down, lay." The etymological sense of fellow seems to be "one who puts down money with another in a joint venture."
Meaning "one of the same kind" is from early 13c.; that of "one of a pair" is from c. 1300. Used familiarly since mid-15c. for "any man, male person," but not etymologically masculine (it is used of women, for example, in Judges xi.37 in the King James version: "And she said unto her father, Let this thing be done for me: let me alone two months, that I may go up and down upon the mountains, and bewail my virginity, I and my fellows").
Its use can be contemptuous or dignified in English and American English, and at different times in its history, depending on who used it to whom, it has carried a tinge of condescension or insult.
University senses (mid-15c., corresponding to Latin socius) evolved from notion of "one of the corporation who constitute a college" and who are paid from its revenues. Fellow well-met "boon companion" is from 1580s, hence hail-fellow-well-met as a figurative phrase for "on intimate terms."
In compounds, with a sense of "co-, joint-," from 16c., and by 19c. also denoting "association with another." Hence fellow-traveler, 1610s in a literal sense but in 20c. with a specific extended sense of "one who sympathizes with the Communist movement but is not a party member" (1936, translating Russian poputchik).
Fellow-countrymen formerly was one of the phrases the British held up to mock the Americans for their ignorance, as it is redundant to say both, until they discovered it dates from the 1580s and was used by Byron and others.
type of tall tree native to western Asia, southern Europe, and eastern U.S., also the large "nut" that it produces, 1560s, from chesten nut (1510s), with superfluous nut (n.) + Middle English chasteine, from Old French chastain (12c., Modern French châtaigne), from Latin castanea "chestnut, chestnut tree," from Greek kastaneia, which the Greeks explained as either "nut from Castanea" in Pontus, or "nut from Castana" in Thessaly, but probably both places are named for the trees, not the other way around, and the word is borrowed from a language of Asia Minor (compare Armenian kask "chestnut," kaskeni "chestnut tree"). In reference to the dark reddish-brown color, 1650s. Applied to the horse-chestnut by 1832.
Slang sense of "venerable joke or story" is from 1885, explained by U.S. actor Joseph Jefferson ("Lippincott's Monthly Magazine," January 1888) as probably abstracted from the 1816 melodrama "The Broken Sword" by William Dimond where an oft-repeated story involving a chestnut tree figures in an exchange between the characters "Captain Zavior" and "Pablo":
Zav. Let me see—aye! it is exactly six years since, that peace being restored to Spain, and my ship paid off, my kind brother offer'd me a snug hammock in the dwelling of my forefathers;—I mounted a mule at Barcelona, and trotted away for my native mountains. At the dawn of the fourth day's journey, I entered the wood of Collares, when, suddenly from the thick boughs of a cork-tree—
Pab. [Jumping up.] A chesnut, Captain, a chesnut!
Zav. Bah! you booby, I say, a cork.
Pab. And I swear, a chesnut—Captain! this is the twenty-seventh time I have heard you relate this story, and you invariably said, a chesnut, till now.
Zav. Did I? Well, a chesnut be it then. But, take your seat again.
Jefferson traced the connection through William Warren (1812-1888), "the veteran comedian of Boston" (and Jefferson's cousin) who often played Pablo in the melodrama.
c. 1300, fairie, "the country or home of supernatural or legendary creatures; fairyland," also "something incredible or fictitious," from Old French faerie "land of fairies, meeting of fairies; enchantment, magic, witchcraft, sorcery" (12c.), from fae "fay," from Latin fata "the Fates," plural of fatum "that which is ordained; destiny, fate," from PIE root *bha- (2) "to speak, tell, say." Also compare fate (n.), also fay.
In ordinary use an elf differs from a fairy only in generally seeming young, and being more often mischievous. [Century Dictionary]
But that was before Tolkien. As a type of supernatural being from late 14c. [contra Tolkien; for example "This maketh that ther been no fairyes" in "Wife of Bath's Tale"], perhaps via intermediate forms such as fairie knight "supernatural or legendary knight" (c. 1300), as in Spenser, where faeries are heroic and human-sized. As a name for the diminutive winged beings in children's stories from early 17c.
Yet I suspect that this flower-and-butterfly minuteness was also a product of "rationalization," which transformed the glamour of Elfland into mere finesse, and invisibility into a fragility that could hide in a cowslip or shrink behind a blade of grass. It seems to become fashionable soon after the great voyages had begun to make the world seem too narrow to hold both men and elves; when the magic land of Hy Breasail in the West had become the mere Brazils, the land of red-dye-wood. [J.R.R. Tolkien, "On Fairy-Stories," 1947]
Hence, figurative adjective use in reference to lightness, fineness, delicacy. Slang meaning "effeminate male homosexual" is recorded by 1895. Fairy ring, of certain fungi in grass fields (as we would explain it now), is from 1590s. Fairy godmother attested from 1820. Fossil Cretaceous sea urchins found on the English downlands were called fairy loaves, and a book from 1787 reports that "country people" in England called the stones of the old Roman roads fairy pavements.