"round object, compact spherical body," also "a ball used in a game," c. 1200, probably from an unrecorded Old English *beal, *beall (evidenced by the diminutive bealluc "testicle"), or from cognate Old Norse bollr "ball," from Proto-Germanic *balluz (source also of Dutch bal, Flemish bal, Old High German ballo, German Ball), from PIE root *bhel- (2) "to blow, swell."
Meaning "testicle" is from early 14c. (compare ballocks). Ball of the foot is from mid-14c. Meaning "rounded missile used in warfare" is from late 14c. A ball as an object in a sports game is recorded from c. 1200; meaning "a game played with a ball" is from mid-14c. Baseball sense of "pitch that does not cross the plate within the strike zone" is by 1889, probably short for high ball, low ball, etc.
Ball-point pen is by 1946. Ball of fire when first recorded in 1821 referred to "a glass of brandy;" as "spectacularly successful striver" it is c. 1900. Many phrases are from sports: To have the ball "hold the advantage" is from c. 1400. To be on the ball is from 1912; to keep (one's) eye on the ball in the figurative sense is by 1907, probably ultimately on golf, where it was an oft-repeated item of advice. Figurative use of ball in (someone's) court is by 1956, from tennis.
The head must necessarily be steady, for it is most important that you should keep your eye fixedly on the ball from the moment that the club-head is lifted from the ground until the ball is actually struck. "Keep your eye on the ball," should be your companion text to "Slow back." [Horace G. Hutchinson, "Hints on the Game of Golf," 1886]
Once a meeting is over, someone will be expected to do something. Make sure it is someone else. This is known as keeping the ball in their court. [Shepherd Mead, "How to Get Rich in TV Without Really Trying," 1956]
c. 1200, "the sufferings of Christ on the Cross; the death of Christ," from Old French passion "Christ's passion, physical suffering" (10c.), from Late Latin passionem (nominative passio) "suffering, enduring," from past-participle stem of Latin pati "to endure, undergo, experience," a word of uncertain origin. The notion is "that which must be endured."
The sense was extended to the sufferings of martyrs, and suffering and pain generally, by early 13c. It replaced Old English þolung (used in glosses to render Latin passio), literally "suffering," from þolian (v.) "to endure." In Middle English also sometimes "the state of being affected or acted upon by something external" (late 14c., compare passive).
In Middle English also "an ailment, disease, affliction;" also "an emotion, desire, inclination, feeling; desire to sin considered as an affliction" (mid-13c.). The specific meaning "intense or vehement emotion or desire" is attested from late 14c., from Late Latin use of passio to render Greek pathos "suffering," also "feeling, emotion." The specific sense of "sexual love" is attested by 1580s, but the word has been used of any lasting, controlling emotion (zeal; grief, sorrow; rage, anger; hope, joy). The meaning "strong liking, enthusiasm, predilection" is from 1630s; that of "object of great admiration or desire" is by 1732.
As compared with affection, the distinctive mark of passion is that it masters the mind, so that the person becomes seemingly its subject or its passive instrument, while an affection, though moving, affecting, or influencing one, still leaves him his self-control. The secondary meanings of the two words keep this difference. [Century Dictionary]
A passion-play (1843, in a German context) represents the scenes in the Passion of Christ. The passion-flower was so called from the 1630s.
The name passionflower — flos passionis — arose from the supposed resemblance of the corona to the crown of thorns, and of the other parts of the flower to the nails, or wounds, while the five sepals and five petals were taken to symbolize the ten apostles — Peter ... and Judas ... being left out of the reckoning. [Encyclopaedia Britannica, 1885]
large, long-tailed, stalk-eyed, 10-legged marine shellfish (Homarus vulgaris), early Middle English lopster, lopister, from Old English loppestre "lobster," also "locust," a corruption of Latin locusta, lucusta "marine shellfish, lobster;" also "locust, grasshopper," which is of unknown origin. De Vaan writes that "The only word similar in form and meaning is lacerta 'lizard; mackerel', but there is no common preform in sight. ... [T]hey could be cognate words in the language from which Latin borrowed these forms."
The change of Latin -c- to English -p- (and, from late 14c., to -b-) is unexplained; perhaps it is by influence of Old English loppe, lobbe "spider." The ending seems to have been altered by the old fem. agent noun suffix (preserved in Baxter, Webster, etc.; see -ster), which approximated the sound of Latin -sta.
OED says the Latin word originally meant "lobster or some similar crustacean, the application to the locust being suggested by the resemblance in shape." Trilobite fossils in Worcestershire limestone quarries were known colloquially as locusts, which seems to have been the generic word for "unidentified arthropod" (as apple was for "foreign fruit"). Locusta in the sense "lobster" also appears in Old Cornish legast and French langouste (12c.), now "crawfish, crayfish," but in Old French both "lobster" and "locust" (a 13c. psalter has God giving over the crops of Egypt to the langoustes).
As slang for "a British soldier" since 1640s, originally in reference to the jointed armor of the Roundhead cuirassiers, later (1660) to the red coat, the color of a boiled lobster.
Sir William Waller having received from London [in June 1643] a fresh regiment of five hundred horse, under the command of sir Arthur Haslerigge, which were so prodigiously armed that they were called by the other side the regiment of lobsters, because of their bright iron shells with which they were covered, being perfect curasseers. [Lord Clarendon, "History of the Rebellion," 1647]
mid-13c., boie "servant, commoner, knave" (generally young and male); c. 1300, "rascal, ruffian, knave; urchin," mid-14c. as "male child before puberty" (possibly an extended sense from the "urchin" one). A word of unknown origin.
Possibly from Old French embuie "one fettered," from Vulgar Latin *imboiare, from Latin boia "leg iron, yoke, leather collar," from Greek boeiai dorai "ox hides." (Words for "boy" double as "servant, attendant" across the Indo-European map -- compare Italian ragazzo, French garçon, Greek pais, Middle English knave, Old Church Slavonic otroku -- and often it is difficult to say which meaning came first.)
But it also appears to be identical with East Frisian boi "young gentleman," and perhaps with Dutch boef "knave," from Middle Dutch boeve, perhaps from Middle Low German buobe. This suggests a gradational relationship to babe. For a different conjecture: Used slightingly of young men in Middle English, also in familiar or contemptuous use of criminal toughs or men in the armed services. In some local uses "a man," without reference to age (OED lists "in Cornwall, in Ireland, in the far West of the U.S."). Meaning "male negro slave or Asian personal servant of any age" attested from c. 1600. Extended form boyo is attested from 1870. Emphatic exclamation oh, boy is attested by 1917. Boy-meets-girl "typical of a conventional romance" is from 1945; the phrase itself is from 1934 as a dramatic formula. Boy-crazy "eager to associate with males" is from 1923.
In Old English, only the proper name Boia has been recorded. ME boi meant 'churl, servant' and (rarely) 'devil.' In texts, the meaning 'male child' does not antedate 1400. ModE boy looks like a semantic blend of an onomatopoeic word for an evil spirit (*boi) and a baby word for 'brother' (*bo). [Liberman]
A noticable number of the modern words for 'boy', 'girl', and 'child' were originally colloquial nicknames, derogatory or whimsical, in part endearing, and finally commonplace. These, as is natural, are of the most diverse, and in part obscure, origin. [Buck]
early 13c., "silly, stupid, or ignorant person," from Old French fol "madman, insane person; idiot; rogue; jester," also "blacksmith's bellows," also an adjective meaning "mad, insane" (12c., Modern French fou), from Medieval Latin follus (adj.) "foolish," from Latin follis "bellows, leather bag," from PIE root *bhel- (2) "to blow, swell."
The sense evolution probably is from Vulgar Latin use of follis in a sense of "windbag, empty-headed person." Compare also Sanskrit vatula- "insane," literally "windy, inflated with wind." But some sources suggest evolution from Latin folles "puffed cheeks" (of a buffoon), a secondary sense from plural of follis. One makes the "idiot" sense original, the other the "jester" sense.
The word has in mod.Eng. a much stronger sense than it had at an earlier period; it has now an implication of insulting contempt which does not in the same degree belong to any of its synonyms, or to the derivative foolish. [OED]
Also used in Middle English for "sinner, rascal, impious person" (late 13c.). Meaning "jester, court clown" in English is attested c. 1300, though it is not always possible to tell whether the reference is to a professional entertainer counterfeiting mental weakness or an amusing lunatic, and the notion of the fool sage whose sayings are ironically wise is also in English from c. 1300. The French word probably also got into English via its borrowing in the Scandinavian languages of the vikings (Old Norse fol, Old Danish fool, fol).
There is no foole to the olde foole ["Proverbs of John Heywood," 1546]
To make a fool of (someone) "cause to appear ridiculous" is from 1620s (make fool "to deceive, make (someone) appear a fool" is from early 15c.). Feast of Fools (early 14c., from Medieval Latin festum stultorum) was the burlesque festival celebrated in some churches on New Year's Day in medieval times. Fool's gold "iron pyrite" is from 1829. Fool's paradise "illusory state of happiness based on ignorance or erroneous judgment" is from mid-15c. (foles paradyce). Fool-trap is from 1690s. Foolosopher, a useful insult, is in a 1549 translation of Erasmus. Fool's ballocks is described in OED as "an old name" for the green-winged orchid. Fool-killer "imaginary personage invested with authority to put to death anybody notoriously guilty of great folly" is from 1851, American English.
Fool killer, a great American myth imagined by editors, who feign that his or its services are greatly needed, and frequently alluded to as being "around" or "in town" when some special act of folly calls for castigation. Whether the fool-killer be an individual or an instrument cannot always be gathered from the dark phraseology in which he or it is alluded to; but the weight of authority would sanction the impersonal interpretation. [Walsh, "Handy-Book of Literary Curiosities," 1892]
Old English Carles wægn, a star-group associated in medieval times with Charlemagne, but originally with the nearby bright star Arcturus, which is linked by folk etymology to Latin Arturus "Arthur." Which places the seven-star asterism at the crux of the legendary association (or confusion) of Arthur and Charlemagne. Evidence from Dutch (cited in Grimm, "Teutonic Mythology") suggests that it might originally have been Woden's wagon. More recent names for it are the Plough (by 15c., chiefly British) and the Dipper (1833, chiefly American).
It is called "the Wagon" in a Mesopotamian text from 1700 B.C.E., and it is mentioned in the Biblical Book of Job. The seven bright stars in the modern constellation Ursa Major have borne a dual identity in Western history at least since Homer's time, being seen as both a wagon and a bear: as in Latin plaustrum "freight-wagon, ox cart" and arctos "bear," both used of the seven-star pattern, as were equivalent Greek amaxa (Attic hamaxa) and arktos.
The identification with a wagon is easy to see, with four stars as the body and three as the pole. The identification with a bear is more difficult, as the figure has a tail longer than its body. As Allen writes, "The conformation of the seven stars in no way resembles the animal,--indeed the contrary ...." But he suggests the identification "may have arisen from Aristotle's idea that its prototype was the only creature that dared invade the frozen north." The seven stars never were below the horizon in the latitude of the Mediterranean in Homeric and classical times (though not today, due to precession of the equinoxes). See also arctic for the identification of the bear and the north in classical times.
A variety of French and English sources from the early colonial period independently note that many native North American tribes in the northeast had long seen the seven-star group as a bear tracked by three hunters (or a hunter and his two dogs).
Among the Teutonic peoples, it seems to have been only a wagon, not a bear. A 10c. Anglo-Saxon astronomy manual uses the Greek-derived Aretos, but mentions that "unlearned men" call it "Charles's Wain":
Arheton hatte an tungol on norð dæle, se haefð seofon steorran, & is for ði oþrum naman ge-hatan septemtrio, þone hatað læwede meon carles-wæn. ["Anglo-Saxon Manual of Astronomy"]
[Septemtrio, the seven oxen, was yet another Roman name.] The star picture was not surely identified as a bear in English before late 14c.
The unlearned of today are corrected that the seven stars are not the Great Bear but form only a part of that large constellation. But those who applied the name "Bear" apparently did so originally only to these seven stars, and from Homer's time down to Thales, "the Bear" meant just the seven stars. From Rome to Anglo-Saxon England to Arabia to India, ancient astronomy texts mention a supposed duplicate constellation to the northern bear in the Southern Hemisphere, never visible from the north. This perhaps is based on sailors' tales of the Southern Cross.
c. 1300, "to make, with an edged tool or instrument, an incision in; make incisions for the purpose of dividing into two or more parts; remove by means of a cutting instrument;" of an implement, "have a cutting edge," according to Middle English Compendium from a presumed Old English *cyttan, "since ME has the normal regional variants of the vowel." Others suggest a possible Scandinavian etymology from North Germanic *kut- (source also of Swedish dialectal kuta "to cut," kuta "knife," Old Norse kuti "knife"), or that it is from Old French couteau "knife."
From early 14c. as "to make or fashion by cutting or carving." From c. 1400 as "to intersect or cross." From early 15c. as "abridge or shorten by omitting a part."
Meaning "to wound the sensibilities of" is from 1580s (to cut the heart in the same sense is attested from early 14c.). Sense of "sever connection or relations with" is from 1630s.
Meaning "to be absent without excuse" is British university slang from 1794. Colloquial or slang sense of "move off with directness and rapidity" is from 1580s. Meaning "divide (a deck of cards) at random into parts before the deal" to prevent cheating is from 1530s.
Meaning "to dilute, adulterate" (liquor, etc.) is by 1930. Colloquial sense of "to divide or share" is by 1928, perhaps an image from meat-carving at table. As a director's call to halt recording or performing, by 1931 (in an article about Pete, the bulldog with the black-ringed eye in the Hal Roach studios shorts, who was said to know the word). The sense of "perform, execute" (c. 1600) is in cut capers "frisk about;" cut a dash "make a display."
To cut down is from late 14c. as "to fell;" by 1821 as "to slay" (as with a sword); 1857 as "to curtail." To cut (someone or something) down to size is from 1821 as "reduce to suitable dimensions;" the figurative sense, "reduce to the proper level of importance," is by 1927.
To cut in "enter suddenly and unceremoniously" is from 1610s; sense of "suddenly join in conversation, interrupt" is by 1830. To cut up "cut in pieces" is from 1570s. To cut back is from 1871 as "prune by cutting off shoots," 1913 in cinematography, "return to a previous scene by repeating a part of it," 1943 as "reduce, decrease" (of expenditures, etc.). To cut (something) short "abridge, curtail, interrupt" is from 1540s.
In nautical use to cut a feather (1620s) is to move so fast as to make water foam under the bow. To cut and run (1704) also is originally nautical, "cut cable and set sail immediately," as in an emergency, hence, generally, "to make off suddenly."
To cut the teeth "have the teeth grow through the gums" as an infant is from 1670s. To cut both ways in the figurative sense of "have a good and bad effect" is from c. 1600. To cut loose "set (something) free" is by 1828; intransitive sense "begin to act freely" is by 1909.
Cut it out "remove (something) by or as if by cutting" yielded a figurative use in the command cut it out! "Stop! That's enough!" by 1933. The evolution seems to have begun earlier. A piece attributed to the Chicago Live Stock World that made the rounds in trade publications 1901-02 begins:
When you get 'hot' about something and vow you are going to rip something or somebody up the back—cut it out.
If you feel disposed to try the plan of building yourself up by tearing some one else down—cut it out.
Playing on both senses, it ends with "Should you, after reading this preachy stuff, fear you might forget some of the good advice—cut it out."