c. 1200, "divine office prescribed for each of the seven canonical hours; the daily service at the canonical hours;" c. 1300, "time of day appointed for prayer, one of the seven canonical hours," from Old French ore, hore "canonical hour; one-twelfth of a day" (sunrise to sunset), from Latin hora "an hour;" poetically "time of year, season," from Greek hōra a word used to indicate any limited time within a year, month, or day (from PIE *yor-a-, from root *yer- "year, season;" see year).
Church sense is oldest in English. Meaning "one of the 24 equal parts of a natural solar day (time from one sunrise to the next), equal hour; definite time of day or night reckoned in equal hours," and that of "one of the 12 equal parts of an artificial day (sunrise to sunset) or night, varying in duration according to the season; definite time of day or night reckoned in unequal hours" are from late 14c. In the Middle Ages the planets were held to rule over the unequal hours. As late as 16c. distinction sometimes was made in English between temporary (unequal) hours and sidereal (equal) ones. Meaning "time of a particular happening; the time for a given activity" (as in hour of death) is mid-14c.
The h- has persisted in this word despite not being pronounced since Roman times. Replaced Old English tid, literally "time" (see tide (n.)) and stund "period of time, point of time, hour," from Proto-Germanic *stundo (compare German Stunde "hour"), which is of uncertain origin. German Uhr likewise is from French.
Greek hora could mean "a season; 'the season' (spring or summer)." In classical times it sometimes meant "a part of the day," such as morning, evening, noon, night. The Greek astronomers apparently borrowed the notion of dividing the day into twelve parts (mentioned in Herodotus) from the Babylonians. Night continued to be divided into four watches (see watch (n.)); but because the amount of daylight changed throughout the year, the hours were not fixed or of equal length.
As a measure of distance ("the distance that can be covered in an hour") it is recorded from 1785. At all hours "at all times" is from early 15c. For small hours (those with low numbers) see wee (adj.).
Old English dweorh, dweorg (West Saxon), duerg (Mercian), "very short human being, person much below ordinary stature, whether of proportionate parts or not," also "supernatural being of subhuman size," from Proto-Germanic *dweraz (source also of Old Frisian dwerch, Old Saxon dwerg, Old High German twerg, German Zwerg, Old Norse dvergr), perhaps from PIE *dhwergwhos "something tiny," but with no established cognates outside Germanic.
Also used by c. 1200 of an animal or plant much below the ordinary size of its species." The use of dwarf in the Germanic mythological sense, "a diminished and generally deformed being, dwelling in rocks and hills and skilled in working metals," seems to have faded after Middle English and been revived after c. 1770 from German.
Whilst in this and other ways the dwarfs do at times have dealings with mankind, yet on the whole they seem to shrink from man; they give the impression of a downtrodden afflicted race, which is on the point of abandoning its ancient home to new and more powerful invaders. There is stamped on their character something shy and something heathenish, which estranges them from intercourse with christians. They chafe at human faithlessness, which no doubt would primarily mean the apostacy from heathenism. In the poems of the Mid. Ages, Laurin is expressly set before us as a heathen. It goes sorely against the dwarfs to see churches built, bell-ringing ... disturbs their ancient privacy; they also hate the clearing of forests, agriculture, new fangled pounding-machinery for ore. ["Teutonic Mythology," Jakob Grimm, transl. Stallybrass, 1883]
The shift of the Old English guttural at the end of the word to modern -f is typical (compare enough, draft) and begins to appear early 14c. In Middle English it also was dwerþ, dwerke. Old English plural dweorgas became Middle English dwarrows, later leveled down to dwarfs. The use of dwarves for the legendary race was popularized by J.R.R. Tolkien. As an adjective, from 1590s.
The use of giant and dwarf in reference to stars of the highest and lowest luminosity is attested by 1914, said to have been suggested by Danish astronomer Ejnar Hertzsprung, (1873-1967); hence red dwarf (attested by 1922), white dwarf, black dwarf "dead and lightless star" (1966).
Middle English shot "a missile, arrow, dart" (senses now archaic or obsolete); "a swift movement, a gushing out," from Old English scot, sceot "a shot, a shooting, an act of shooting; that which is discharged in shooting, what is shot forth; darting, rapid motion."
This is from Proto-Germanic *skutan (source also of Old Norse skutr, Old Frisian skete, Middle Dutch scote, German Schuß "a shot"), from PIE root *skeud- "to shoot, chase, throw." The Old English noun is related to sceotan "to shoot." The meaning "discharge of a bow, missile," also is from related Old English gesceot.
The noun was extended to other projectiles (balls, bullets) by mid-15c. Especially "lead in small pellets, a small ball or pellet," a number of which are combined in one charge, which is attested by 1770 (shortened from earlier small shot, 1727).
The general sense of "an attempt to hit with a projectile" is by 1650s. Extended to sports (hockey, basketball, etc.) by 1772, originally in curling. It is attested by early 15c. as "range or distance of a missile in flight," hence "range" in general (c. 1600), as in earshot.
Another original meaning, "payment" (perhaps literally "money thrown down") is preserved in scot-free; also see scot (n.). The notion of "throwing down" might have led to the meaning "a drink," first attested 1670s; the more precise meaning "small drink of straight liquor" is by 1928.
The sense of "hypodermic injection" is attested from 1904; the figurative phrase shot in the arm "stimulant" is by 1922. The broad meaning "a try, an attempt" is by 1756; the sense of "remark meant to wound" is by 1841. The meaning "an expert in shooting with a firearm" is from 1780; the sense of "a rocket flight" is by 1934. The camera-view sense is by 1958.
To call the shots "control events, make decisions" is American English, 1922, perhaps from sport shooting. Shot in the dark "uninformed guess, random attempt" is by 1885. Big shot "important person" is from 1861.
By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood
And fired the shot heard round the world.
[Emerson, from "Concord Hymn"]
"the black liquor with which men write" [Johnson], mid-13c., from Old French enche, encre "dark writing fluid" (12c.), earlier enque (11c.), originally enca, from Late Latin encaustum, from Late Greek enkauston. This is the neuter of the past-participle adjective enkaustos "burned in," from the stem of enkaiein "to burn in," from en- "in" (see en- (1)) + kaiein "to burn" (see caustic).
In Pliny the word is the name of a kind of painting executed by fire or heat. Later it was the name of the purple-red ink, the sacrum encaustum, used by the Roman emperors to sign their documents; this was said to have been obtained from the ground remains of certain shellfish, formed into writing fluid by the application of fire or heat, which explained the name. In the Code of Justinian, the making of it for common uses, or by common persons, was prohibited under penalty of death and confiscation of goods.
It denoted a kind of painting practised by the ancients, in which the crayon was dipped in wax of various colours. Encausto pingere is to practise this art, paint in encaustic or enamel. Encaustum afterwards came to signify an ink for the purpose of writing; and the "sacred encaustum" of Justinian's Code was an ink which the Roman Emperors used for imperial subscriptions. It was of the imperial colour, reddish purple, and was made of the purple dye, prepared in some way by the application of fire. (So that in this use of the word, the notion of burning which there is in the etymology, is still retained.) [from footnote in "The Life, Letters, and Sermons of Bishop Herbert de Losinga," Oxford, 1878]
The usual words for "ink" in Latin was atramentum (source of Old French arrement), literally "anything that serves to dye black," from ater "black;" the Greek word was melan, neuter of melas "black." The Old English word for it was blæc, literally "black," and compare Swedish bläck, Danish blæk "ink." Spanish and Portuguese (tinta) and German (tinte) get their "ink" words from Latin tinctus "a dyeing."
Donkin credits a Greek pronunciation, with the accent at the front of the word, for the French evolution; the same Latin word, behaving regularly, became inchiostro (with unetymological -r-) in Italian, encausto in Spanish. As an adjective, inken (c. 1600) occasionally has been used. Ink-slinger, contemptuous for "journalist," is from 1870. The psychologist's ink-blot test attested from 1915.
early 14c., bealte, "physical attractiveness," also "goodness, courtesy," from Anglo-French beute, Old French biauté "beauty, seductiveness, beautiful person" (12c., Modern French beauté), earlier beltet, from Vulgar Latin *bellitatem (nominative bellitas) "state of being pleasing to the senses" (source also of Spanish beldad, Italian belta), from Latin bellus "pretty, handsome, charming," in classical Latin used especially of women and children, or ironically or insultingly of men, perhaps from PIE *dw-en-elo-, diminutive of root *deu- (2) "to do, perform; show favor, revere." Famously defined by Stendhal as la promesse de bonheur "the promise of happiness."
[I]t takes the one hundred men in ten million who understand beauty, which isn't imitation or an improvement on the beautiful as already understood by the common herd, twenty or thirty years to convince the twenty thousand next most sensitive souls after their own that this new beauty is truly beautiful. [Stendhal, "Life of Henry Brulard"]
Replaced Old English wlite. The concrete meaning "a beautiful woman" in English is recorded from late 14c. Beauty-sleep "sleep before midnight" (popularly regarded as the most refreshing) is attested by 1850. Beauty-spot "dark spot placed on the face formerly by women to heighten beauty" is from 1650s. Beauty-contest is from 1885; beauty-queen is from 1922 (earlier it was a show-name of cattle and hogs). Beauté du diable (literally "devil's beauty") is used as a French phrase in English from 1825.
But as it is hardly possible to define all the properties which constitute beauty, we may observe in general, that beauty consists in whatever pleases the eye of the beholder, whether in the human body, in a tree, in a landscape or in any other object. [from definition of BEAUTY in Noah Webster's "Dictionary of the English Language," 1828]
That pleasure which is at once the most intense, the most elevating, and the most pure is, I believe, found in the contemplation of the beautiful. When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect—they refer, in short, just to that intense and pure elevation of soul—not of intellect, or of heart—upon which I have commented, and which is experienced in consequence of contemplating the “beautiful.” [Poe, "The Philosophy of Composition," 1846]
"fine, minute, loose, uncompacted particles," c. 1300, poudre, "ash, cinders; dust of the earth;" early 14c. of any pulverized substance; from Old French poudre "dust, powder; ashes; powdered substance" (13c.), earlier pouldre (11c.), from Latin pulverem (nominative pulvis) "dust, powder" (source also of Spanish polvo, Italian polve; see pulverize).
The insertion of the unetymological -d- was common in French (compare meddle, tender (adj.), remainder). German has it as a doublet; Puder via French and Pulver from Latin. From mid-14c. specifically as "medicinal powder;" specialized sense of "gunpowder" is from late 14c. In the sense "powdered cosmetic," it is recorded from 1570s.
Powder keg "small barrel for holding gunpowder" is by 1820; the figurative sense ("something likely to explode easily") is by 1895. Powder room, euphemistic for "women's lavatory," is attested from 1936. Earlier it meant "place where gunpowder is stored on a warship" (1620s). Powder monkey "boy employed on ships to carry powder from the magazines to the guns" is from 1680s. Powder blue (1650s) was smalt used in laundering; as a color name from 1894.
The phrase take a powder "scram, vanish," is from 1920; it was a common phrase as a doctor's instruction, so perhaps the notion is of taking a laxative medicine or a sleeping powder, with the result that one has to leave in a hurry (or, on another guess, from a magician's magical powder, which makes things disappear).
Avis dropped an exhausted little heap onto her aunt's bed. She put her hand over her heart and said piteously, "Oh, Aunt Joyce, I mustn't ever do that again. My heart's going awful fast. I shall have to take a powder. Wasn't it fun though-" Avis' dark eyes flashed. [from "The Evolution of Avis" in The Connecticut School Journal, Jan. 9, 1902]
When the wife of your breast has confessed she has drest
On just triple the sum you allowed her,
And has run up long bills for her frocks and her frills—
Take a powder, my friend, take a powder.
[from "The Panacaea," in Punch, Dec. 14, 1901]
Powder in the wind (c. 1300, meaning powdered spices) was a Middle English image of something highly valued but flawed in some way that renders it impermanent or doomed to loss (of virtues without humility, etc.).
Middle English se, seo, from Old English sæ,"sheet of water, sea, lake, pool," from Proto-Germanic *saiwa- (source also of Old Saxon seo, Old Frisian se, Middle Dutch see, Dutch zee, German See, Swedish sjö), of unknown origin, outside connections "wholly doubtful" [Buck], and an IE etymon "has generally been doubted" [Boutkan]. The meaning "any great mass or large quantity" (of anything) is from c. 1200.
Germanic languages also use the more general Indo-European word (represented by English mere (n.1)), but have no firm distinction between "sea" and "lake," either large or small, by inland or open, salt or fresh. This may reflect the Baltic geography where the languages are thought to have originated. The two words are used more or less interchangeably in Germanic, and exist in opposite senses (such as Gothic saiws "lake, marshland," marei "sea;" but Dutch zee "sea," meer "lake"). Compare also Old Norse sær "sea," but Danish sø, usually "lake" but "sea" in phrases. German See is "sea" (fem.) or "lake" (masc.).
Boutkan writes that the sea words in Germanic likely were originally "lake," and the older word for "sea" is represented by haff. The single Old English word sæ glosses Latin mare, aequor, pontus, pelagus, and marmor. The range in the Old English word included "the expanse of salt water that covers much of the world" to individual great, distinctly limited bodies of water; it also was used of inland seas, bogs, lakes, rivers, and the Bristol Channel.
Meaning "dark area of the moon's surface" is attested from 1660s (see mare (n.2)); before the invention of telescopes they were supposed to be water. The phrase sea change "transformation," literally "a change wrought by the sea," is attested from 1610, first in Shakespeare ("The Tempest," I.ii). Sea legs, humorous colloquial term implying ability to walk on a ship's deck when she is pitching or rolling is from 1712. At sea in the figurative sense of "perplexed" is attested from 1768, from literal sense (in reference to ships) of "out of sight of land" (c. 1300).
popular name of a common bird of Europe, Asia, and America, known for its chattering, acquisitiveness, curiosity, and mimicry, c. 1600, earlier simply pie (mid-13c.).
The first element is Mag, nickname for Margaret, long used in proverbial and slang English for qualities associated generally with women, especially in this case "idle chattering" (as in Magge tales "tall tales, nonsense," early 15c.; also compare French margot "magpie," from Margot, pet form of Marguerite). The name Margaret, and its reduced forms Mag, Madge, diminutive Maggie, also has long been familiarly applied to birds. Pies were proverbial since Middle English for chattering (as were jays), hence the application of pie to a prattling gossip or tattler, also "sly person, informer" (late 14c.) and in 15c.-16c. a wily pie (or wyly pye) was "a cunning person."
The second element, pie, is the earlier name of the bird, from Old French pie, from Latin pica "magpie" (source also of Spanish pega), fem. of picus "woodpecker," from PIE root *(s)peik- "woodpecker, magpie" (source also of Umbrian peica "magpie," Sanskrit pikah "Indian cuckoo," Old Norse spætr, German Specht "woodpecker"); possibly from PIE root *pi-, denoting pointedness, of the beak. The application to pies might be because the magpie also has a long, pointed tail.
The birds are proverbial for pilfering and hoarding and for their indiscriminate appetites (see pica (n.2)); they can be taught to speak, and have been regarded since the Middle Ages as ill omens.
Whan pyes chatter vpon a house it is a sygne of ryghte euyll tydynges. 
Divination by numbering magpies is attested from c. 1780 in Lincolnshire; the rhyme varies from place to place, the only consistency being that one is bad, two are good.
The councils which magpies appear to hold together, at particular seasons, commonly called "folkmotes," are associated in the minds of many with superstitious and ominous notions. The innocent objects of terror, while meeting together most probably for the purpose of choosing mates, are supposed to be conspiring and clubbing their wits, for the weal or woe of the inhabitants of the neighbouring village. If they are of an even number and carry on their cheerful, noisy chatter, it is supposed to betoken good to old and young—but if there is an odd magpie perched apart from the rest, silent, and disconsolate, the reverse of this is apprehended, and mischievous consequences are inevitably expected. [The Saturday Magazine, Jan. 23, 1841]
mid-14c., "state or fact of knowing; what is known, knowledge (of something) acquired by study; information;" also "assurance of knowledge, certitude, certainty," from Old French science "knowledge, learning, application; corpus of human knowledge" (12c.), from Latin scientia "knowledge, a knowing; expertness," from sciens (genitive scientis) "intelligent, skilled," present participle of scire "to know."
The original notion in the Latin verb probably is "to separate one thing from another, to distinguish," or else "to incise." This is related to scindere "to cut, divide" (from PIE root *skei- "to cut, split;" source also of Greek skhizein "to split, rend, cleave," Gothic skaidan, Old English sceadan "to divide, separate").
OED writes that the oldest English sense of the word now is restricted to theology and philosophy. From late 14c. in English as "book-learning," also "a particular branch of knowledge or of learning, systematized knowledge regarding a particular group of objects;" also "skillfulness, cleverness; craftiness." From c. 1400 as "experiential knowledge;" also "a skill resulting from training, handicraft; a trade."
From late 14c. in the more specific sense of "collective human knowledge," especially that gained by systematic observation, experiment, and reasoning. The modern (restricted) sense of "body of regular or methodical observations or propositions concerning a particular subject or speculation" is attested by 1725; in 17c.-18c. this commonly was philosophy.
The sense of "non-arts studies" is attested from 1670s. The distinction is commonly understood as between theoretical truth (Greek epistemē) and methods for effecting practical results (tekhnē), but science sometimes is used for practical applications and art for applications of skill.
The predominant modern use, "natural and physical science," generally restricted to study of the phenomena of the material universe and its laws, is by mid-19c.
The men who founded modern science had two merits which are not necessarily found together: Immense patience in observation, and great boldness in framing hypotheses. The second of these merits had belonged to the earliest Greek philosophers; the first existed, to a considerable degree, in the later astronomers of antiquity. But no one among the ancients, except perhaps Aristarchus, possessed both merits, and no one in the Middle Ages possessed either. [Bertrand Russell, "A History of Western Philosophy," 1945]
Science, since people must do it, is a socially embedded activity. It progresses by hunch, vision, and intuition. Much of its change through time does not record a closer approach to absolute truth, but the alteration of cultural contexts that influence it so strongly. Facts are not pure and unsullied bits of information; culture also influences what we see and how we see it. Theories, moreover, are not inexorable inductions from facts. The most creative theories are often imaginative visions imposed upon facts; the source of imagination is also strongly cultural. [Stephen Jay Gould, introduction to "The Mismeasure of Man," 1981]
early 13c., "silly, stupid, or ignorant person," from Old French fol "madman, insane person; idiot; rogue; jester," also "blacksmith's bellows," also an adjective meaning "mad, insane" (12c., Modern French fou), from Medieval Latin follus (adj.) "foolish," from Latin follis "bellows, leather bag," from PIE root *bhel- (2) "to blow, swell."
The sense evolution probably is from Vulgar Latin use of follis in a sense of "windbag, empty-headed person." Compare also Sanskrit vatula- "insane," literally "windy, inflated with wind." But some sources suggest evolution from Latin folles "puffed cheeks" (of a buffoon), a secondary sense from plural of follis. One makes the "idiot" sense original, the other the "jester" sense.
The word has in mod.Eng. a much stronger sense than it had at an earlier period; it has now an implication of insulting contempt which does not in the same degree belong to any of its synonyms, or to the derivative foolish. [OED]
Also used in Middle English for "sinner, rascal, impious person" (late 13c.). Meaning "jester, court clown" in English is attested c. 1300, though it is not always possible to tell whether the reference is to a professional entertainer counterfeiting mental weakness or an amusing lunatic, and the notion of the fool sage whose sayings are ironically wise is also in English from c. 1300. The French word probably also got into English via its borrowing in the Scandinavian languages of the vikings (Old Norse fol, Old Danish fool, fol).
There is no foole to the olde foole ["Proverbs of John Heywood," 1546]
To make a fool of (someone) "cause to appear ridiculous" is from 1620s (make fool "to deceive, make (someone) appear a fool" is from early 15c.). Feast of Fools (early 14c., from Medieval Latin festum stultorum) was the burlesque festival celebrated in some churches on New Year's Day in medieval times. Fool's gold "iron pyrite" is from 1829. Fool's paradise "illusory state of happiness based on ignorance or erroneous judgment" is from mid-15c. (foles paradyce). Fool-trap is from 1690s. Foolosopher, a useful insult, is in a 1549 translation of Erasmus. Fool's ballocks is described in OED as "an old name" for the green-winged orchid. Fool-killer "imaginary personage invested with authority to put to death anybody notoriously guilty of great folly" is from 1851, American English.
Fool killer, a great American myth imagined by editors, who feign that his or its services are greatly needed, and frequently alluded to as being "around" or "in town" when some special act of folly calls for castigation. Whether the fool-killer be an individual or an instrument cannot always be gathered from the dark phraseology in which he or it is alluded to; but the weight of authority would sanction the impersonal interpretation. [Walsh, "Handy-Book of Literary Curiosities," 1892]
Fools rush in where angels fear to tread is a (shortened) line of Pope's "Essay on Criticism" (1711) popularized in Burke's "Reflections on the Revolution in France" (1793).