late 13c., meven, in various senses (see below), from Anglo-French mover, Old French movoir "to move, get moving, set out; set in motion; introduce" (Modern French mouvoir), from Latin movere "move, set in motion; remove; disturb" (past participle motus, frequentative motare), from PIE root *meue- "to push away."
Of the physical meanings, the earliest in English (late 13c.) is the intransitive one of "change one's place or posture, stir, shift; move the body; move from one's place, change position. That of "to go (from one place to another), journey, travel; set out, proceed" is from c. 1300. The transitive sense of "cause to change place or position; shift; dislodge; set in motion" is from late 14c., as is that of "impart motion to, impel; set or sustain in motion." The intransitive sense of "pass from place to place; journey; travel; change position continuously or occasionally" is from c. 1300.
The emotional, figurative, and non-material senses also are mostly from Middle English: The earliest is "excite to action; influence; induce; incite; arouse; awaken" the senses or mental faculties or emotions (late 13c.); specifically "affect (someone) emotionally, rouse to pity or tenderness" by early 14c. Hence also "influence (someone, to do something), guide, prompt or impel toward some action" (late 14c.).
The sense of "propose; bring forward; offer formally; submit," as a motion for consideration by a deliberative assembly" is by early 15c. Sense of "to change one's place of residence" is from 1707. In chess, checkers, and similar games, "to change the position of a piece in the course of play," late 15c. Commercial sense of "sell, cause to be sold" is by 1900.
The policeman's order to move on is attested by 1831. To move heaven and earth "make extraordinary efforts" is by 1798. Related: Moved;moving.
"bent or vertical handle for turning a revolving axis," Old English *cranc, implied in crancstæf "a weaver's instrument," crencestre "female weaver, spinster," which is related to crincan "to bend, yield," from Proto-Germanic *krank- "bend, curl up" (see cringe).
English retains the literal sense of the ancient word ("something bent or crooked"), while in other Germanic languages it tends to have only a figurative sense (German and Dutch krank "sick," formerly "weak, small"). The Continental definition entered into English crank via slang counterfeit crank "one who shams sickness to get charity" (1560s). OED notes that "the 16th c. vagabonds' cant contains words taken directly from Continental languages." It apparently lingered in the north (the 1825 supplement to Jamieson's Scottish dictionary has crank "infirm, weak, etc.") and might have influenced the development of the English word.
Meaning "twist or turn of speech, grotesquery in words" is from 1590s; that of "absurd or unreasonable act" (perhaps caused by "twisted judgment") is from 1848. The sense of "eccentric person," especially one who is irrationally fixated, is first recorded 1833; this sometimes is said to be from the crank of a barrel organ, which makes it play the same tune over and over; but more likely it is a back-formation from cranky (q.v.) and thus from the notion of one having a mental "twist."
The person who adopts "any presentiment, any extravagance as most in nature," is not commonly called a Transcendentalist, but is known colloquially as a "crank." [Oliver W. Holmes, "Ralph Waldo Emerson"]
There also was a crank (adj.) in Middle English meaning "lively, brisk, merry," but it is of uncertain origin and connection. Cranky for "merry, lively" lingered into 19c. in northern England dialects and American English. Meaning "methamphetamine" attested by 1989, from the verb.
*dhē-, Proto-Indo-European root meaning "to set, put."
It forms all or part of: abdomen; abscond; affair; affect (v.1) "make a mental impression on;" affect (v.2) "make a pretense of;" affection; amplify; anathema; antithesis; apothecary; artifact; artifice; beatific; benefice; beneficence; beneficial; benefit; bibliothec; bodega; boutique; certify; chafe; chauffeur; comfit; condiment; confection; confetti; counterfeit; deed; deem; deface; defeasance; defeat; defect; deficient; difficulty; dignify; discomfit; do (v.); doom; -dom; duma; edifice; edify; efface; effect; efficacious; efficient; epithet; facade; face; facet; facial; -facient; facile; facilitate; facsimile; fact; faction (n.1) "political party;" -faction; factitious; factitive; factor; factory; factotum; faculty; fashion; feasible; feat; feature; feckless; fetish; -fic; fordo; forfeit; -fy; gratify; hacienda; hypothecate; hypothesis; incondite; indeed; infect; justify; malefactor; malfeasance; manufacture; metathesis; misfeasance; modify; mollify; multifarious; notify; nullify; office; officinal; omnifarious; orifice; parenthesis; perfect; petrify; pluperfect; pontifex; prefect; prima facie; proficient; profit; prosthesis; prothesis; purdah; putrefy; qualify; rarefy; recondite; rectify; refectory; sacrifice; salmagundi; samadhi; satisfy; sconce; suffice; sufficient; surface; surfeit; synthesis; tay; ticking (n.); theco-; thematic; theme; thesis; verify.
It is the hypothetical source of/evidence for its existence is provided by: Sanskrit dadhati "puts, places;" Avestan dadaiti "he puts;" Old Persian ada "he made;" Hittite dai- "to place;" Greek tithenai "to put, set, place;" Latin facere "to make, do; perform; bring about;" Lithuanian dėti "to put;" Polish dziać się "to be happening;" Russian delat' "to do;" Old High German tuon, German tun, Old English don "to do."
"unfounded belief that one is sick," by 1816; a narrowing from the earlier sense "depression or melancholy without real cause" (1660s); from Middle English medical term ipocondrie "lateral regions of the upper abdomen" (late 14c.). This is from Late Latin hypochondria, from Greek hypokhondria (neuter plural of hypokhondrios), from hypo- "under" (see hypo-) + khondros "cartilage" (in this case, of the false ribs); see chondro-.
The sense "morbid melancholy" reflects the ancient belief that the viscera of the hypochondria (liver, gall bladder, spleen) were the seat of melancholy and the source of the vapors that caused such feelings. The attempt to put it on a scientific bases passes through hypochondriasis. Also see hype (n.). The poet Cowper is an oft-cited example in late 18c. literature. The focus of sense on the particular symptom "unfounded belief that one is sick" seems to begin 1790s with William Cullen, M.D., professor of physic in the University of Edinburgh, who made a specialty of the topic:
A languor, listlessness, or want of resolution and activity, with respect to all undertakings; a disposition to seriousness, sadness, and timidity; as to all future events, an apprehension of the worst or most unhappy state of them; and, therefore, often upon slight grounds an apprehension of great evil. Such persons are particularly attentive to the state of their own health, to every the smallest change of feeling in their bodies; and from any unusual sensation, perhaps of the slightest kind, they apprehend great danger, and even death itself. In respect to these feelings and fears, there is commonly the most obstinate belief and persuasion. [Cullen, "First Lines of the Practice of Physic," Edinburgh, 1791]
Though to Cullen the clinical definition of hypochondria also included physical symptoms and pains as well as these mental delusions. As the old medical beliefs faded, the word dropped from clinical use but remained in popular use for "groundless morbid fear for one's health." In the 1830s hypochondria could mean merely "morbid melancholy," also "apprehension of evil respecting health, without sufficient cause," and "upper abdomen."
1640s, "animating spirit, the human spirit or mind," from Latin psyche, from Greek psykhē "the soul, mind, spirit; life, one's life, the invisible animating principle or entity which occupies and directs the physical body; understanding, the mind (as the seat of thought), faculty of reason," also "ghost, spirit of a dead person;" probably akin to psykhein "to blow, breathe," also "to cool, to make dry."
These are sometimes traced to a PIE root *bhes- "to blow, to breathe" (source also of Sanskrit bhas-), "Probably imitative" [Watkins]. Beekes finds this tempting but not convincing and doubts the existence of the PIE verb based on scant evidence.
Personified by the Greeks as Psykhē, the beloved of Eros, often represented as a fair young girl; the butterfly was her symbol. Also in ancient Greek, "departed soul, spirit, ghost," seen as a winged creature and often represented symbolically as a butterfly or moth.
The word had extensive sense development in Platonic philosophy and Jewish-influenced theological writing of St. Paul (compare spirit (n.)). Thus in Biblical use the Greek word was "the soul as the seat of feelings, desires, affections, etc.," also "the soul regarded as a moral being designed for everlasting life," and "the soul as an essence which differs from the body and is not dissolved by death." In English, the meaning "human soul" is from 1650s; the psychological sense of "mind" is attested by 1910.
In the Jewish-Alexandrine Pauline, and Neo-Platonist psychology, the psyche is in general treated as the animating principle in close relation to the body, whereas the pneuma (as representing the divine breath breathed into man), the nous, and the Logos (q.v.) stand for higher entities. They are the more universal, the more divine, the ethically purer. By this more explicit separation of the intellectual and ethical activities from the physiological the conception of the mental or psychical (in the modern sense) was at length reached. ["Dictionary of Philosophy and Psychology," J.M. Baldwin, ed., London, 1902]
Middle English quik, from Old English cwic "living, alive, animate, characterized by the presence of life" (now archaic), and figuratively, of mental qualities, "rapid, ready," from Proto-Germanic *kwikwaz (source also of Old Saxon and Old Frisian quik, Old Norse kvikr "living, alive," Dutch kwik "lively, bright, sprightly," Old High German quec "lively," German keck "bold"), from PIE root *gwei- "to live." Sense of "lively, active, swift, speedy, hasty," developed by c. 1300, on notion of "full of life."
NE swift or the now more common fast may apply to rapid motion of any duration, while in quick (in accordance with its original sense of 'live, lively') there is a notion of 'sudden' or 'soon over.' We speak of a fast horse or runner in a race, a quick starter but not a quick horse. A somewhat similar feeling may distinguish NHG schnell and rasch or it may be more a matter of local preference. [Carl Darling Buck, "A Dictionary of Selected Synonyms in the Principal Indo-European Languages," 1949]
Of persons, "mentally active, prompt to perceive or respond to impressions" from late 15c. Of an action, process, etc., "done in little time," 1540s. Also in Middle English used of soft soils, gravel pits, etc. where the ground is shifting and yielding (mid-14c., compare quicksand). Also in Middle English "with child, in an advanced state of pregnancy" (when the woman can feel the child move within). Also formerly of bright flowers or colors (c. 1200).
As an adverb, "quickly, in a quick manner," from c. 1300. To be quick about something is from 1937. Quick buck is from 1946, American English. Quick-change artist (1886) originally was an actor expert in playing different roles in the same performance of a show. Quick-witted is from 1520s.
c. 1200, materie, "the subject of a mental act or a course of thought, speech, or expression," from Anglo-French matere, Old French matere "subject, theme, topic; substance, content; character, education" (12c., Modern French matière) and directly from Latin materia "substance from which something is made," also "hard inner wood of a tree." According to de Vaan and Watkins, this is from mater "origin, source, mother" (see mother (n.1)). The sense developed and expanded in Latin in philosophy by influence of Greek hylē (see hylo-) "wood, firewood," in a general sense "material," used by Aristotle for "matter" in the philosophical sense.
The Latin word also is the source of Spanish, Portuguese, and Italian materia, Dutch, German, and Danish materie, vernacular Spanish madera, Portuguese madeira "wood" (compare Madeira). The Middle English word also sometimes was used specifically as "piece of wood."
From c. 1200 as "a subject of a literary work, content of what is written, main theme;" sense of "narrative, tale, story" is from c. 1300. Meaning "physical substance generally" is from mid-14c.; that of "substance of which some specific object is or may be composed" is attested from late 14c. Meaning "piece of business, affair, activity, situation; subject of debate or controversy, question under discussion" is from late 14c. In law, "something which is to be tried or proved," 1530s.
Matter of course "something expected" attested from 1739 (adjectival phrase matter-of-course "proceeding as a natural consequence" is by 1840). For that matter "as far as that goes, as far as that is concerned" is attested from 1670s. What is the matter "what concerns (someone), what is the cause of the difficulty" is attested from mid-15c., from matter in the sense of "circumstance or condition as affecting persons and things." To make no matter to "be no difference to" also is mid-15c., with matter in the meaning "importance, consequence."
late 14c., sensitif, in reference to the body or its parts, "capable of receiving impressions from external objects, having the function of sensation;" also (c. 1400) in scholastic philosophy, "of or pertaining to the faculty of the soul that receives and analyzes sensory information;" from Old French sensitif "capable of feeling" (13c.) and directly from Medieval Latin sensitivus "capable of sensation," from Latin sensus, past participle of sentire "feel, perceive" (see sense (n.)). Also in early Modern English sencitive.
By 1520s as "of, connected with, or affecting the senses." With reference to persons or mental feelings, "keenly susceptible to external influences," especially "easily touched by emotion, readily wounded by unkindness" (but also "ready to take offense"), by 1816.
What is commonly called a 'sensitive' person is one whose sense-organs cannot go on responding as the stimulus increases in strength, but become fatigued. [James Sully, "Outlines of Psychology," 1884]
The mechanical meaning "so delicately adjusted as to respond quickly to very slight changes or conditions" is by 1857. The Cold War meaning "involving national security" is attested by 1953. Related: Sensitively; sensitiveness.
The purely physical sense, in reference to a living being, skin, etc., "having quick or intense response to sensation," is by 1808; it is preserved in sensitive plant (1630s, also in Shelley's poem), a legume which is "mechanically irritable in a higher degree than almost any other plant" [Century Dictionary].
Marijuana ... makes you sensitive. Courtesy has a great deal to do with being sensitive. Unfortunately marijuana makes you the kind of sensitive where you insist on everyone listening to the drum solo in Iron Butterfly's 'In-a-Gadda-Da-Vida' fifty or sixty times. [P.J. O'Rourke, "Modern Manners," 1983]
As a noun, in mesmerism, "one who is sensitive to hypnotic influence," 1850; later "one in whom the sensitive facility is highly developed, an aesthete" (1891).
"cylinder of wood or metal with a spiral ridge (the thread) round it," c. 1400, scrue, from Old Frenchescröe, escroue "nut, cylindrical socket, screw-hole," a word of uncertain etymology; not found in other Romanic languages.
Perhaps via Gallo-Roman *scroba or West Germanic *scruva from Vulgar Latin scrobis "screw-head groove," in classical Latin "ditch, trench," also "vagina" (Diez, though OED finds this "phonologically impossible"). OED Seems to lean toward a group of apparently cognate Germanic words (Middle Low German, Middle Dutch schruve, Dutch schroef, German Schraube, Swedish skrufva "screw"), but these are said elsewhere to be French loan-words.
Kluge, Watkins and others trace it to Latin scrofa "breeding sow," perhaps on some fancied resemblance of the holes or furrows left by a rooting swine (compare Portuguese porca, Spanish perca "a female screw," from Latin porca "sow"). Latin scrofa in the "sow" sense is a specific Medieval Latin use; the word is literally "digger, rooter" (from PIE root *sker- (1) "to cut").
Originally an apparatus for lifting weight or pressing with it, hence its later consideration as one of the mechanical powers. The meaning "metal pin or tapered bolt with a spiral ridge, used to join articles of wood or metal," is by 1620s (specifically as wood-screw by 1841). The meaning "a twist or turn to one side" is by 1709.
The sense of "means of pressure or coercion" is from 1640s, often the screws, probably in reference to instruments of torture (as in thumbscrews). Meaning "prison guard, warder" is by 1812 in underworld slang, originally in reference to the key they carried (screw as slang for "key" is attested by 1795). In student slang, "professor or tutor who requires students to work hard" (1851).
The meaning "metal instrument with a winding or spiral shape or motion, used to draw corks from bottles" is by 1650s. As short for screw-propeller, by 1838. The sense of "small portion (of a commodity) wrapped up in a twist of paper" is by 1836. The British slang sense of "salary, wages: is by 1858, but the notion in it is obscure. The slang meaning "an act of copulation" is recorded from 1929 (canting sense of "a prostitute" is attested from 1725). Slang phrase have a screw loose "have a dangerous (usually mental) weakness" is recorded from 1810.
early 13c., "silly, stupid, or ignorant person," from Old French fol "madman, insane person; idiot; rogue; jester," also "blacksmith's bellows," also an adjective meaning "mad, insane" (12c., Modern French fou), from Medieval Latin follus (adj.) "foolish," from Latin follis "bellows, leather bag," from PIE root *bhel- (2) "to blow, swell."
The sense evolution probably is from Vulgar Latin use of follis in a sense of "windbag, empty-headed person." Compare also Sanskrit vatula- "insane," literally "windy, inflated with wind." But some sources suggest evolution from Latin folles "puffed cheeks" (of a buffoon), a secondary sense from plural of follis. One makes the "idiot" sense original, the other the "jester" sense.
The word has in mod.Eng. a much stronger sense than it had at an earlier period; it has now an implication of insulting contempt which does not in the same degree belong to any of its synonyms, or to the derivative foolish. [OED]
Also used in Middle English for "sinner, rascal, impious person" (late 13c.). Meaning "jester, court clown" in English is attested c. 1300, though it is not always possible to tell whether the reference is to a professional entertainer counterfeiting mental weakness or an amusing lunatic, and the notion of the fool sage whose sayings are ironically wise is also in English from c. 1300. The French word probably also got into English via its borrowing in the Scandinavian languages of the vikings (Old Norse fol, Old Danish fool, fol).
There is no foole to the olde foole ["Proverbs of John Heywood," 1546]
To make a fool of (someone) "cause to appear ridiculous" is from 1620s (make fool "to deceive, make (someone) appear a fool" is from early 15c.). Feast of Fools (early 14c., from Medieval Latin festum stultorum) was the burlesque festival celebrated in some churches on New Year's Day in medieval times. Fool's gold "iron pyrite" is from 1829. Fool's paradise "illusory state of happiness based on ignorance or erroneous judgment" is from mid-15c. (foles paradyce). Fool-trap is from 1690s. Foolosopher, a useful insult, is in a 1549 translation of Erasmus. Fool's ballocks is described in OED as "an old name" for the green-winged orchid. Fool-killer "imaginary personage invested with authority to put to death anybody notoriously guilty of great folly" is from 1851, American English.
Fool killer, a great American myth imagined by editors, who feign that his or its services are greatly needed, and frequently alluded to as being "around" or "in town" when some special act of folly calls for castigation. Whether the fool-killer be an individual or an instrument cannot always be gathered from the dark phraseology in which he or it is alluded to; but the weight of authority would sanction the impersonal interpretation. [Walsh, "Handy-Book of Literary Curiosities," 1892]