quiz (n.)

"brief examination by a teacher of a student or class on some subject," originally oral, 1852, colloquial, of uncertain origin.

Perhaps from quiz (v.), which might be from Latin. Or from slang quiz "odd person, person or thing deemed ridiculous" (1782, itself perhaps originally university slang), via the notion of "schoolboy prank or joke at the expense of a person deemed a quiz," a noun sense attested frequently 1840s, but quiz (n.) in the sense of "puzzling question, one designed to make one ridiculous" seems to not be attested before 1807. More than one etymological thread might be involved here. The word itself seems to have confused literary English from the beginning.

A Quiz, in the common acceptation of the word, signifies one who thinks, speaks, or acts differently from the rest of the world in general. But, as manners and opinions are as various as mankind, it will be difficult to say who shall be termed a Quiz, and who shall not: each person indiscriminately applying the name of Quiz to every one who differs from himself .... [The London Magazine, November 1783]
The word Quiz is a sort of a kind of a word
That people apply to some being absurd;
One who seems, as t'were oddly your fancy to strike
In a sort of a fashion you somehow don't like
A mixture of odd, and of queer, and all that
Which one hates, just, you know, as some folks hate a cat;
A comical, whimsical, strange, droll — that is,
You know what I mean; 'tis — in short, — 'tis a quiz!
[from "Etymology of Quiz," Charles Dibdin, 1842]

According to OED, the anecdote that credits this word to a bet by the Dublin theater-manager Daly or Daley that he could coin a word is regarded by authorities as "doubtful" and the first record of it appears to be in 1836 (in Smart's "Walker Remodelled"; the story is omitted in the edition of 1840). The medical school quiz class is attested from 1853. "The object of the Quiz will be to take the students over the ground of the different lectures in a thorough review, by a system of close questioning, so as to make them familiar with the subject-matter of the lectures to a degree not to be obtained in any other way" [Missouri Clinical Record, 1875].

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humor (n.)

mid-14c., "fluid or juice of an animal or plant," from Old North French humour "liquid, dampness; (medical) humor" (Old French humor, umor; Modern French humeur), from Latin umor "body fluid" (also humor, by false association with humus "earth"); related to umere "be wet, moist," and to uvescere "become wet" (see humid).

In old medicine, "any of the four body fluids" (blood, phlegm, choler, and melancholy or black bile).

The human body had four humors—blood, phlegm, yellow bile, and black bile—which, in turn, were associated with particular organs. Blood came from the heart, phlegm from the brain, yellow bile from the liver, and black bile from the spleen. Galen and Avicenna attributed certain elemental qualities to each humor. Blood was hot and moist, like air; phlegm was cold and moist, like water; yellow bile was hot and dry, like fire; and black bile was cold and dry, like earth. In effect, the human body was a microcosm of the larger world. [Robert S. Gottfried, "The Black Death," 1983]

 Their relative proportions were thought to determine physical condition and state of mind. This gave humor an extended sense of "mood, temporary state of mind" (recorded from 1520s); the sense of "amusing quality, funniness, jocular turn of mind" is first recorded 1680s, probably via sense of "whim, caprice" as determined by state of mind (1560s), which also produced the verb sense of "indulge (someone's) fancy or disposition." Modern French has them as doublets: humeur "disposition, mood, whim;" humour "humor." "The pronunciation of the initial h is only of recent date, and is sometimes omitted ..." [OED].

For aid in distinguishing the various devices that tend to be grouped under "humor," this guide, from Henry W. Fowler ["Modern English Usage," 1926] may be of use:

HUMOR: motive/aim: discovery; province: human nature; method/means: observation; audience: the sympathetic
WIT: motive/aim: throwing light; province: words & ideas; method/means: surprise; audience: the intelligent
SATIRE: motive/aim: amendment; province: morals & manners; method/means: accentuation; audience: the self-satisfied
SARCASM: motive/aim: inflicting pain; province: faults & foibles; method/means: inversion; audience: victim & bystander
INVECTIVE: motive/aim: discredit; province: misconduct; method/means: direct statement; audience: the public
IRONY: motive/aim: exclusiveness; province: statement of facts; method/means: mystification; audience: an inner circle
CYNICISM: motive/aim: self-justification; province: morals; method/means: exposure of nakedness; audience: the respectable
SARDONIC: motive/aim: self-relief; province: adversity; method/means: pessimism; audience: the self
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hag (n.)
early 13c., "repulsive old woman" (rare before 16c.), probably from Old English hægtes, hægtesse "witch, sorceress, enchantress, fury," shortened on the assumption that -tes was a suffix. The Old English word is from Proto-Germanic *hagatusjon, which is of unknown origin. Dutch heks, German Hexe "witch" are similarly shortened from cognate Middle Dutch haghetisse, Old High German hagzusa.

The first element probably is cognate with Old English haga "enclosure, portion of woodland marked off for cutting" (see hedge (n.)). Old Norse had tunriða and Old High German zunritha, both literally "hedge-rider," used of witches and ghosts. The second element in the prehistoric compound may be connected with Norwegian tysja "fairy; crippled woman," Gaulish dusius "demon," Lithuanian dvasia "spirit," from PIE *dhewes- "to fly about, smoke, be scattered, vanish."

One of the magic words for which there is no male form, suggesting its original meaning was close to "diviner, soothsayer," which were always female in northern European paganism, and hægtesse seem at one time to have meant "woman of prophetic and oracular powers" (Ælfric uses it to render the Greek "pythoness," the voice of the Delphic oracle), a figure greatly feared and respected. Later, the word was used of village wise women.

Haga is also the haw- in hawthorn, which is an important tree in northern European pagan religion. There may be several layers of folk etymology here. Confusion or blending with heathenish is suggested by Middle English hæhtis, hægtis "hag, witch, fury, etc.," and haetnesse "goddess," used of Minerva and Diana.

If the hægtesse once was a powerful supernatural woman (in Norse it is an alternative word for Norn, any of the three weird sisters, the equivalent of the Fates), it might originally have carried the hawthorn sense. Later, when the pagan magic was reduced to local scatterings, it might have had the sense of "hedge-rider," or "she who straddles the hedge," because the hedge was the boundary between the civilized world of the village and the wild world beyond. The hægtesse would have a foot in each reality. Even later, when it meant the local healer and root collector, living in the open and moving from village to village, it may have had the mildly pejorative Middle English sense of hedge- (hedge-priest, etc.), suggesting an itinerant sleeping under bushes. The same word could have contained all three senses before being reduced to its modern one.
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score (n.)

late Old English scoru "twenty," from Old Norse skor "mark, notch, incision; a rift in rock," also, in Icelandic, "twenty," from Proto-Germanic *skur-, from PIE root *sker- (1) "to cut."

The notion probably is of counting large numbers (of a passing flock of sheep, etc.) by making a notch in a stick for each 20. The prehistoric sense of the Germanic word, then, likely was "straight mark like a scratch, line drawn by a sharp instrument." That way of counting, called vigesimalism, is widespread and also exists in France and left its trace in the language: In Old French, "twenty" (vint) or a multiple of it could be used as a base, as in vint et doze ("32"), dous vinz et diz ("50"). Vigesimalism was or is a feature of Welsh, Irish, Gaelic and Breton (as well as non-IE Basque), and it is speculated that the English and the French learned it from the Celts. Compare tally (n.).

By early 13c. it is attested in the sense of "a financial record" (perhaps one kept by tallies), and it is attested from early 14c. as "reckoning, total amount." The specific sense of "a reckoning or account kept by means of tallies" is clearly attested by c. 1400, especially (1590s) "mark made (by chalk, on a taproom door, etc.) to keep count of a customer's drinks."

This was extended by c. 1600 to "amount due, one's debt," and by 1670s to "mark made for purpose of recording a point in a game or match," and thus "aggregate of points made by contestants in certain games and matches" (1742, in whist).

The sporting score-card is by 1877 (in cricket). The newspaper sports section score line is by 1965. Score-keeping in sports is by 1905. From the tavern-keeping sense comes the meaning "amount on an innkeeper's bill" (c. 1600) and thus the figurative verbal expression settle scores (1775; as cut scores, 1610s).

Meaning "printed piece of music" is recorded by 1701, said to be from the practice of connecting related staves by scores (in the "line drawn" sense). Especially "music composed for a film" (1927). In underworld slang, "money obtained in a crime," 1914. Meaning "an act of obtaining narcotic drugs" is by 1951.

The meaning "a cut, notch, scratch or line made by a sharp instrument," without reference to counting, is attested from c. 1400. By c. 1600 as "a line drawn."

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bad (adj.)

c. 1300, "inadequate, unsatisfactory, worthless; unfortunate;" late 14c., "wicked, evil, vicious; counterfeit;" from 13c. in surnames (William Badde, Petri Badde, Asketinus Baddecheese, Rads Badinteheved). Rare before 1400, and evil was more common until c. 1700 as the ordinary antithesis of good. It has no apparent relatives in other languages.* Possibly from Old English derogatory term bæddel and its diminutive bædling "effeminate man, hermaphrodite, pederast," which probably are related to bædan "to defile."

The orig. word, AS. bæddel, ME. baddel, on account of its sinister import, is scarcely found in literature, but, like other words of similar sense, it prob. flourished in vulgar speech as an indefinite term of abuse, and at length, divested of its original meaning, emerged in literary use as a mere adj., badde, equiv. to the older evil. [Century Dictionary, 1897]

Comparable words in the other Indo-European languages tend to have grown from descriptions of specific qualities, such as "ugly," "defective," "weak," "faithless," "impudent," "crooked," "filthy" (such as Greek kakos, probably from the word for "excrement;" Russian plochoj, related to Old Church Slavonic plachu "wavering, timid;" Persian gast, Old Persian gasta-, related to gand "stench;" German schlecht, originally "level, straight, smooth," whence "simple, ordinary," then "bad").

Comparative and superlative forms badder, baddest were common 14c.-18c. and used as recently as Defoe (but not by Shakespeare), but yielded to comparative worse and superlative worst (which had belonged to evil and ill).

Meaning "uncomfortable, sorry" is 1839, American English colloquial. To go bad "putrefy" is from 1884. Not bad "fairly good" is by 1771. Ironic use as a word of approval is said to be at least since 1890s orally, originally in African-American vernacular, emerging in print 1928 in a jazz context. It might have emerged from the ambivalence of expressions like bad nigger, used as a term of reproach by whites, but among blacks sometimes representing one who stood up to injustice, but in the U.S. West bad man also had a certain ambivalence:

These are the men who do most of the killing in frontier communities, yet it is a noteworthy fact that the men who are killed generally deserve their fate. [Farmer and Henley, "Slang and Its Analogues"]

*Persian has bad in more or less the same sense as the English word, but this is regarded by linguists as a coincidence. The forms of the words diverge as they are traced back in time (Persian bad comes from Middle Persian vat), and such accidental convergences exist across many languages, given the vast number of words in each and the limited range of sounds humans can make to signify them. Among other coincidental matches with English are Korean mani "many," Chinese pei "pay," Nahuatl (Aztecan) huel "well," Maya hol "hole."

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