mid-14c., hogge, but probably in Old English (implied late 12c. in hogaster), "a swine," especially a castrated male, "swine reared for slaughter" (usually about a year old), also used by stockmen for "young sheep before the first shearing" (early 14c.) and for "horse older than one year," suggesting the original sense had to do with age, not type of animal. Possibility of British Celtic origin [Watkins, etc.] is regarded by OED as "improbable."
Extended to the wild boar by late 15c. As a term of opprobrium for a greedy or gluttonous person, c. 1400. Meaning "Harley-Davidson motorcycle" is attested from 1967. Road hog is attested from 1886, hence hog "rude person heedless of the convenience or safety of others" (1906). To go hog-wild is American English from 1904. Hog in armor "awkward or clumsy person in ill-fitting attire" is from 1650s (later used of the armadillo).
Phrase go the whole hog (1828, American English) is sometimes said to be from the butcher shop option of buying the whole slaughtered animal (at a discount) rather than just the choice bits. But it is perhaps rather from the allegorical story (recorded in English from 1779) of Muslim sophists, forbidden by their faith from eating a certain unnamed part of the hog, who debated which part was intended and in the end managed to exempt the whole of it from the prohibition.
Had he the sinful part express'd,
They might, with safety, eat the rest.
But for one piece, they thought it hard,
From the whole hog to be debarr'd
And set their wits to work, to find
What joint the prophet had in mind.
[Cowper, "The Love of the World Reproved"]
Middle English melten, from Old English meltan (intransitive) "become liquid through heat" (class III strong verb; past tense mealt, past participle molten), from Proto-Germanic *meltanan; fused with Old English gemæltan (Anglian), gemyltan (West Saxon) "make liquid, reduce from a solid to a fluid state by means of heat" (transitive), from Proto-Germanic *gamaltijan (source also of Old Norse melta "to digest").
Both Germanic words are from PIE *meldh- (source also of Sanskrit mrduh "soft, mild," Greek meldein "to melt, make liquid," Latin mollis "soft, mild"), from root *mel- (1) "soft." Also in Middle English "dissolve" (of salt, sugar, etc.), "corrode" (of iron), "putrefy" (of flesh). Meaning "pass imperceptibly from one thing into another" is by 1781. Related: Melted; melting.
Figurative use "to diminish, wane; be touched, grow tender" is by c. 1200; transitive sense of "soften" (to love, pity, tenderness) is by early 14c. Of food, to melt in (one's) mouth is from 1690s. Melting point "degree of temperature at which a solid body melts" is by 1807. Melting pot is from early 15c.; figurative use from 1855; popularized with reference to immigrant assimilation in the United States by the play "The Melting Pot" by Israel Zangwill (1908):
DAVID Yes, East and West, and North and South, the palm and the pine, the pole and the equator, the crescent and the cross—how the great Alchemist melts and fuses them with his purging flame! Here shall they all unite to build the Republic of Man and the Kingdom of God. Ah, Vera, What is the glory of Rome and Jerusalem where all nations and races come to worship and look back, compared with the glory of America where all races and nations come to labour and look forward!
metallic element, 1812, Modern Latin, altered from earlier platina, from Spanish platina "platinum," diminutive of plata "silver," from Old French plate or Old Provençal plata "sheet of metal" (see plate (n.)). Related: Platiniferous.
The metal looks like silver, and the Spaniards at first thought it an inferior sort of silver, hence the name platina. It was first obtained from Spanish colonies in Mexico and Colombia, brought to Europe in 1735, and identified as an element 1741. Taken into English as platina (1750), it took its modern form (with element ending -ium) in 1812, at the time the names of elements were being regularized.
As a grayish-white color (similar to that of the metal) it is attested by 1923; especially as a shade of blond hair, it is attested by 1927 (in platinum blonde "woman with platinum-blonde hair;" Jean Harlow, famously associated with the label, starred in a popular movie of that name in 1931).
There is a blonde type to me more irresistibly lovely than all the rest of the women who come under the "preferred" classification. She is the platinum blonde. ... There are thousands of blondes with gold in their hair, and as many with red, and quite as many again with the yellow of corn, some real and sometimes corned with the aid of a well known bleaching ingredient—but the platinum blonde maintains her supremacy by her rarity. [Antoinette Donnelly, beauty advice column in New York "Daily News," Jan. 25, 1927]
As a designation for a recording that has sold at least one million copies, platinum is attested from 1960 ("The Battle of New Orleans"); in the late '50s it had been used to commemorate 3 million sales of a record (Pat Boone "Love Letters in the Sand"), and, from 1954, 25 million in total record sales (Jo Stafford, Gene Autry).
late 15c., "reciprocally given and received," originally of feelings, from Old French mutuel (14c.), from Latin mutuus "reciprocal, done in exchange," from PIE root *mei- (1) "to change, go, move," "with derivatives referring to the exchange of goods and services within a society as regulated by custom or law" [Watkins].
The meaning "common" is from 1630s. "Used in this sense loosely and improperly (but not infrequently, and by many writers of high rank), especially in the phrase a mutual friend" [Century Dictionary].
That is common which pertains equally to two or more persons or things. That is mutual which is freely interchanged: mutual love, affection, hatred. The word is sometimes incorrectly used for common: our mutual friend, a phrase of very frequent occurrence, no doubt owing to the perfectly correct 'mutual friendship.' [J.H.A. Günther, "English Synonyms Explained & Illustrated," Groningen, 1904]
Mutual Admiration Society (1851) seems to have been coined by Thoreau. Mutual fund is recorded from 1950.
The Cold War's mutual assured destruction is attested from 1966. Assured destruction was a 1962 term in U.S. military policy circles in reference to nuclear weapons as a deterrent, popularized c. 1964 by Robert McNamara, U.S. Secretary of Defense under Lyndon Johnson, e.g. statement before House Armed Services Committee, Feb. 18, 1965. The notion was "the minimum threat necessary to assure deterrence: the capability to exterminate not less than one third of the Union of Soviet Socialist Republics' (USSR) population in a retaliatory nuclear attack." [Martin Folly, "Historical Dictionary of U.S. Diplomacy During the Cold War"].
By 1964, as the Soviet Union caught up to NATO in ICBMs, the mutual was added, perhaps first by Donald Brennan, conservative defense analyst and a public critic of the policy, who also noted the acronym MAD.)
1590s, "compatriot," from French patriote (15c.) and directly from Late Latin patriota "fellow-countryman" (6c.), from Greek patriotes "fellow countryman," from patrios "of one's fathers," patris "fatherland," from pater (genitive patros) "father" (see father (n.)); with -otes, suffix expressing state or condition. Liddell & Scott write that patriotes was "applied to barbarians who had only a common [patris], [politai] being used of Greeks who had a common [polis] (or free-state)."
Meaning "loyal and disinterested lover and defender of one's country and its interests" is attested from c. 1600, but it became an ironic term of ridicule or abuse from mid-18c. in England, so that Johnson, who at first defined it as "one whose ruling passion is the love of his country," in his fourth edition added, "It is sometimes used for a factious disturber of the government."
The name of patriot had become [c. 1744] a by-word of derision. Horace Walpole scarcely exaggerated when he said that ... the most popular declaration which a candidate could make on the hustings was that he had never been and never would be a patriot. [Macaulay, "Horace Walpole," 1833]
It was somewhat revived in reference to resistance movements in overrun countries in World War II, and it has usually had a positive sense in American English, where the phony and rascally variety has been consigned to the word patrioteer (1928).
Oriana Fallaci ["The Rage and the Pride," 2002] marvels that Americans, so fond of patriotic, patriot, and patriotism, lack the root noun and are content to express the idea of patria by cumbersome compounds such as homeland. (Joyce, Shaw, and H.G. Wells all used patria as an English word early 20c., but it failed to stick.) Patriots' Day (April 19, the anniversary of the 1775 skirmishes at Lexington and Concord Bridge) was observed as a legal holiday in Maine and Massachusetts from 1894.
c. 1300, melancolie, malencolie, "mental disorder characterized by sullenness, gloom, irritability, and propensity to causeless and violent anger," from Old French melancolie "black bile; ill disposition, anger, annoyance" (13c.), from Late Latin melancholia, from Greek melankholia "sadness," literally (excess of) "black bile," from melas (genitive melanos) "black" (see melano-) + khole "bile" (see cholera).
Old medicine attributed mental depression to unnatural or excess "black bile," a secretion of the spleen and one of the body's four "humors," which help form and nourish the body unless altered or present in excessive amounts. The word also was used in Middle English for "sorrow, gloom" (brought on by love, disappointment, etc.), by mid-14c. As belief in the old physiology of humors faded out in the 18c. the word remained with a sense of "a gloomy state of mind," particularly when habitual or prolonged.
The Latin word also is the source of Spanish melancolia, Italian melancolia, German Melancholie, Danish melankoli, etc. Old French variant malencolie (also in Middle English) is by false association with mal "sickness."
When I go musing all alone,
Thinking of divers things fore-known,
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so sad as melancholy.
[Robert Burton, from "Anatomy of Melancholy," 17c.]
c. 1200, "the sufferings of Christ on the Cross; the death of Christ," from Old French passion "Christ's passion, physical suffering" (10c.), from Late Latin passionem (nominative passio) "suffering, enduring," from past-participle stem of Latin pati "to endure, undergo, experience," a word of uncertain origin. The notion is "that which must be endured."
The sense was extended to the sufferings of martyrs, and suffering and pain generally, by early 13c. It replaced Old English þolung (used in glosses to render Latin passio), literally "suffering," from þolian (v.) "to endure." In Middle English also sometimes "the state of being affected or acted upon by something external" (late 14c., compare passive).
In Middle English also "an ailment, disease, affliction;" also "an emotion, desire, inclination, feeling; desire to sin considered as an affliction" (mid-13c.). The specific meaning "intense or vehement emotion or desire" is attested from late 14c., from Late Latin use of passio to render Greek pathos "suffering," also "feeling, emotion." The specific sense of "sexual love" is attested by 1580s, but the word has been used of any lasting, controlling emotion (zeal; grief, sorrow; rage, anger; hope, joy). The meaning "strong liking, enthusiasm, predilection" is from 1630s; that of "object of great admiration or desire" is by 1732.
As compared with affection, the distinctive mark of passion is that it masters the mind, so that the person becomes seemingly its subject or its passive instrument, while an affection, though moving, affecting, or influencing one, still leaves him his self-control. The secondary meanings of the two words keep this difference. [Century Dictionary]
A passion-play (1843, in a German context) represents the scenes in the Passion of Christ. The passion-flower was so called from the 1630s.
The name passionflower — flos passionis — arose from the supposed resemblance of the corona to the crown of thorns, and of the other parts of the flower to the nails, or wounds, while the five sepals and five petals were taken to symbolize the ten apostles — Peter ... and Judas ... being left out of the reckoning. [Encyclopaedia Britannica, 1885]
1590s, "pertaining to the island of Lesbos," from Latin Lesbius, from Greek lesbios "of Lesbos," Greek island in northeastern Aegean Sea (the name originally may have meant "wooded"), home of Sappho, great lyric poet whose erotic and romantic verse embraced women as well as men, hence meaning "relating to homosexual relations between women, characterized by erotic interest in other women" (in continuous use from 1890; the noun lesbianism from this sense is attested from 1870) and the noun, which is first recorded 1925.
Sappho's particular association with erotic love between women (with or without concurrent relations with men) dates to at least 1732 in writing in English, though the continuous use of lesbian and the modern words formed from it are from late 19c. The use of lesbian as a noun and an adjective in this sense seems to follow the same pattern.
In another Place the same commentator conjectures, that Myra is a Corruption of Myrrhina а famous Courtesan of Athens, who first practis'd and taught in that City Sappho's Manner and the Lesbian Gambols. ["Peregrine O Donald" (William King), "The Toast," 1732]
Before this, the principal figurative use of Lesbian was lesbian rule (c. 1600 and especially common in 17c.) a mason's rule of lead, of a type used in ancient times on Lesbos, which could be bent to fit the curves of a molding; hence, figuratively, "pliant morality or judgment."
And this is the nature of the equitable, a correction of law where it is defective owing to its universality. ... For when the thing is indefinite the rule also is indefinite, like the leaden rule used in making the Lesbian moulding; the rule adapts itself to the shape of the stone and is not rigid, and so too the decree is adapted to the facts. [Aristotle, "Nicomachean Ethics"]
It also was used in English from 1775 in reference to wines from Lesbos. Though the specific "pertaining to female homosexuality" is recent, Lesbian had long before that a suggestion of "amatory, erotic," "From the reputed character of the inhabitants and the tone of their poetry" [Century Dictionary]. The island's erotic reputation was ancient; Greek had a verb lesbiazein "to imitate the Lesbians," which implied "sexual initiative and shamelessness" among women (especially fellatio), but not necessarily female homosexuality, and they did not differentiate such things the way we have.
late Old English wyrre, werre "large-scale military conflict," from Old North French werre "war" (Old French guerre "difficulty, dispute; hostility; fight, combat, war;" Modern French guerre), from Frankish *werra, from Proto-Germanic *werz-a- (source also of Old Saxon werran, Old High German werran, German verwirren "to confuse, perplex"), from PIE *wers- (1) "to confuse, mix up". Cognates suggest the original sense was "to bring into confusion."
Spanish, Portuguese, and Italian guerra also are from Germanic; Romanic peoples turned to Germanic for a "war" word possibly to avoid Latin bellum (see bellicose) because its form tended to merge with bello- "beautiful." There was no common Germanic word for "war" at the dawn of historical times. Old English had many poetic words for "war" (wig, guð, heaðo, hild, all common in personal names), but the usual one to translate Latin bellum was gewin "struggle, strife" (related to win (v.)).
First record of war-time is late 14c. Warpath (1775) originally is in reference to North American Indians, as are war-whoop (1761), war-paint (1826), and war-dance (1757). War crime is attested from 1906 (in Oppenheim's "International Law"). War chest is attested from 1901; now usually figurative. War games translates German Kriegspiel (see kriegspiel).
The causes of war are always falsely represented ; its honour is dishonest and its glory meretricious, but the challenge to spiritual endurance, the intense sharpening of all the senses, the vitalising consciousness of common peril for a common end, remain to allure those boys and girls who have just reached the age when love and friendship and adventure call more persistently than at any later time. The glamour may be the mere delirium of fever, which as soon as war is over dies out and shows itself for the will-o'-the-wisp that it is, but while it lasts no emotion known to man seems as yet to have quite the compelling power of this enlarged vitality. [Vera Brittain, "Testament of Youth"]
The world will never have lasting peace so long as men reserve for war the finest human qualities. [John Foster Dulles, Speech on the Marshall Plan, 1948]
Middle English setten, from Old English settan (transitive) "cause to sit; make or cause to rest as on a seat; cause to be put, placed, or seated;" also "put in a definite place," also "arrange, fix adjust; fix or appoint (a time) for some affair or transaction," and "cause (thoughts, affections) to dwell on."
This is from Proto-Germanic *(bi)satejanan "to cause to sit, set" (source also of Old Norse setja, Swedish sätta, Old Saxon settian, Old Frisian setta, Dutch zetten, German setzen, Gothic satjan), causative form of PIE *sod-, a variant of the root *sed- (1) "to sit." Also see set (n.2). It has been confused with sit (v.) at least since early 14c.
The intransitive sense of "be seated" is from c. 1200; that of "sink down, descend, decline toward and pass below the horizon" (of the sun, moon, or stars) is by mid-13c., perhaps from similar use of the cognates in Scandinavian languages; figurative use of this is from c. 1600.
Many uses are highly idiomatic, the verb, like put, its nearest equivalent, and do, make, get, etc., having become of almost universal application, and taking its distinctive color from the context. [Century Dictionary]
The sense of "make or cause to do, act, or be; start, bring (something) to a certain state" (on fire, in order, etc.) and that of "mount a gemstone" are attested by mid-13c. That of "determine upon, resolve" is from c. 1300; hence be set against "resisting" (mid-14c.).
The sense of "make a table ready for a meal" is from late 14c.; that of "regulate or adjust by a standard" (of a clock, etc.) is from late 14c. In printing, "to place (types) in the proper order for reading; put into type," 1520s. From c. 1500 as "put words to music." From 1570s as "put (a broken or dislocated bone) in position." In cookery, plastering, etc., "become firm or solid in consistency" by 1736.
To set (one's) heart on (something) is from c. 1300 as "love, be devoted to;" c. 1400 as "have a desire for." To set (one's) mind is from mid-15c.; transitive set (one's mind) to "determine to accomplish" is from late 15c. To set (something) on "incite to attack" (c. 1300) originally was in reference to hounds and game. To set an example is mid-14c. (set (v.) in the sense of "present" is from late Old English). The notion of "fix the value of" is behind old phrases such as set at naught "regard as nothing."
To set out is from c. 1300 as "display (for sale);" to set up shop "commence doing business" is from c. 1400.