"manner;" late 14c., "melodies, strains of music" (a sense now obsolete; see musical senses below), from Old French mode and directly from Latin modus "measure, extent, quantity; proper measure, rhythm, song; a way, manner, fashion, style" (in Late Latin also "mood" in grammar and logic), from PIE root *med- "take appropriate measures."
Meaning "manner of acting or doing, was in which a thing is done" is by 1660s. Sense of "inflectional category in conjugation" is mid-15c. In music, 1670s as "method of dividing the intervals of the octave for melodic purposes" in reference to ancient Greek music; by 1721 in reference to modern music.
late 13c., "affected with periodic insanity dependent on the changes of the moon," from Old French lunatique "insane," or directly from Late Latin lunaticus "moon-struck," from Latin luna "moon" (see luna).
Compare Old English monseoc "lunatic," literally "moon-sick;" Middle High German lune "humor, temper, mood, whim, fancy" (German Laune), from Latin luna. Compare also New Testament Greek selēniazomai "be epileptic," from selēnē "moon." Lunatic fringe (1913) apparently was coined by U.S. politician Theodore Roosevelt.
Then, among the wise and high-minded people who in self-respecting and genuine fashion strive earnestly for peace, there are foolish fanatics always to be found in such a movement and always discrediting it — the men who form the lunatic fringe in all reform movements. [Theodore Roosevelt, autobiography, 1913].
Earlier it was a term for a type of hairstyle worn over the forehead (1877). Lunatic soup (1918) was slang for "alcoholic drink" or in reference to drinking several different alcoholic drinks together.
1857 as the years of someone's life between 90 and 99; from 1848 as the tenth decade of years in a given century; 1849 with reference to Fahrenheit temperature. See ninety.
Many still live who remember those days; if the old men cannot tell you the exact date, they will say: 'It were in the nineties;' (etc.) [Chambers's Journal, Nov. 1, 1856]
Related: Ninetyish "characteristic of the (eighteen-) nineties" (1909). In Britain, the naughty nineties was a popular name 1920s-30s for the 1890s, based on the notion of a relaxing of morality and mood in contrast to earlier Victorian times. In U.S., gay nineties in reference to the same decade is attested from 1927, and was the title of a regular nostalgia feature in "Life" magazine about that time.
The long, dreary blue-law Sunday afternoons were periods of the Nineties which no amount of rosy retrospect will ever be able to recall as gay, especially to a normal healthy boy to whom all activities were taboo except G. A. Henty and the bound volumes of Leslie's Weekly of the Civil War. [Life magazine, Sept. 1, 1927]
"musical instrument having a long tube with seven holes and a mouthpiece," early 15c. (earlier recordys, mid-14c.), from record (v.) in an archaic sense of "quietly sing or repeat a tune, practice a tune," used mostly of birds. Darwin, writing of birds in "The Descent of Man," says, "The young males continue practising, or as the bird-catchers say, recording, for ten or eleven months."
The musical instrument was known to Shakespeare and Milton ("In perfect phalanx to the Dorian mood/Of flutes and soft recorders," "Paradise Lost"), but the name, and the device, were rarely heard by mid-1800s (it is marked "obsolete" in Century Dictionary, 1895), ousted by the flute, but both enjoyed revival after 1911 as an easy-to-play instrument for musical beginners.
Seynte Aldelme diede in this tyme havynge in habite and in use instrumentes of the arte off musike, as in harpes, pipes, recordres. [Higden's "Polychronicon," 15c. translation]
mid-14c., "fluid or juice of an animal or plant," from Old North French humour "liquid, dampness; (medical) humor" (Old French humor, umor; Modern French humeur), from Latin umor "body fluid" (also humor, by false association with humus "earth"); related to umere "be wet, moist," and to uvescere "become wet" (see humid).
In old medicine, "any of the four body fluids" (blood, phlegm, choler, and melancholy or black bile).
The human body had four humors—blood, phlegm, yellow bile, and black bile—which, in turn, were associated with particular organs. Blood came from the heart, phlegm from the brain, yellow bile from the liver, and black bile from the spleen. Galen and Avicenna attributed certain elemental qualities to each humor. Blood was hot and moist, like air; phlegm was cold and moist, like water; yellow bile was hot and dry, like fire; and black bile was cold and dry, like earth. In effect, the human body was a microcosm of the larger world. [Robert S. Gottfried, "The Black Death," 1983]
Their relative proportions were thought to determine physical condition and state of mind. This gave humor an extended sense of "mood, temporary state of mind" (recorded from 1520s); the sense of "amusing quality, funniness, jocular turn of mind" is first recorded 1680s, probably via sense of "whim, caprice" as determined by state of mind (1560s), which also produced the verb sense of "indulge (someone's) fancy or disposition." Modern French has them as doublets: humeur "disposition, mood, whim;" humour "humor." "The pronunciation of the initial h is only of recent date, and is sometimes omitted ..." [OED].
For aid in distinguishing the various devices that tend to be grouped under "humor," this guide, from Henry W. Fowler ["Modern English Usage," 1926] may be of use:
HUMOR: motive/aim: discovery; province: human nature; method/means: observation; audience: the sympathetic
WIT: motive/aim: throwing light; province: words & ideas; method/means: surprise; audience: the intelligent
SATIRE: motive/aim: amendment; province: morals & manners; method/means: accentuation; audience: the self-satisfied
SARCASM: motive/aim: inflicting pain; province: faults & foibles; method/means: inversion; audience: victim & bystander
INVECTIVE: motive/aim: discredit; province: misconduct; method/means: direct statement; audience: the public
IRONY: motive/aim: exclusiveness; province: statement of facts; method/means: mystification; audience: an inner circle
CYNICISM: motive/aim: self-justification; province: morals; method/means: exposure of nakedness; audience: the respectable
SARDONIC: motive/aim: self-relief; province: adversity; method/means: pessimism; audience: the self
c. 1200, "the face, countenance," especially as expressing emotion, from Anglo-French chere "the face," Old French chiere "face, countenance, look, expression," from Late Latin cara "face" (source also of Spanish cara), possibly from Greek kara "head," from PIE root *ker- (1) "horn; head." From mid-13c. as "frame of mind, state of feeling, spirit; mood, humor."
By late 14c. the meaning had extended metaphorically to "state or temper of mind as indicated by expression." This could be in a good or bad sense ("The feend ... beguiled her with treacherye, and brought her into a dreerye cheere," "Merline," c. 1500), but a positive sense, "state of gladness or joy" (probably short for good cheer), has predominated since c. 1400.
Meaning "that which makes cheerful or promotes good spirits" is from late 14c. Meaning "shout of encouragement" is first recorded 1720, perhaps nautical slang (compare earlier verbal sense, "to encourage by words or deeds," early 15c.). The antique English greeting what cheer? (mid-15c.) was picked up by Algonquian Indians of southern New England from the Puritans and spread in Indian languages as far as Canada.
late Old English prud, prute "excellent, splendid; arrogant, haughty, having or cherishing a high opinion of one's own merits; guilty of the sin of Pride," from Old French prud, oblique case of adjective prouz "brave, valiant" (11c., Modern French preux; compare prud'homme "brave man"), from Late Latin prode "advantageous, profitable" (source also of Italian prode "valiant"), a back-formation from Latin prodesse "be useful."
This is a compound of pro- "before, for, instead of" (from PIE root *per- (1) "forward," hence "in front of, before, first, chief") + esse "to be" (from PIE root *es- "to be"). Also see pride (n.), prowess. "The -d- in prodesse is probably due to the influence of forms like red-eo-, 'I go back,' red-imo- 'I buy back,' etc." [OED]. The Old English form with -te probably is from or influenced by pride (Old English pryto).
Meaning "elated by some act, fact, or thing" is from mid-13c. The sense of "of fearless or untamable spirit" is by c. 1400; that of "ostentatious, grand, giving reason for pride" is by mid-14c. To do (someone) proud is attested by 1819. The surname Proudfoot is attested from c. 1200 (Prudfot). A Middle English term for "drunk and belligerent" was pitcher-proud (early 15c.).
The sense of "having a high opinion of oneself," not found in Old French, might reflect the Anglo-Saxons' opinion of the Norman knights who called themselves "proud." Old Norse pruðr, either from the same French source or borrowed from Old English, had only the sense "brave, gallant, magnificent, stately" (compare Icelandic pruður, Middle Swedish prudh, Middle Danish prud).
Likewise a group of "pride" words in the Romance languages — such as French orgueil, Italian orgoglio, Spanish orgullo — are borrowings from Germanic, where they had positive senses (Old High German urgol "distinguished").
Most Indo-European languages use the same word for "proud" in its good and bad senses, but in many the bad sense seems to be the earlier one. The usual way to form the word is by some compound of terms for "over" or "high" and words for "heart," "mood," "thought," or "appearance;" such as Greek hyperephanos, literally "over-appearing;" Gothic hauhþuhts, literally "high-conscience." Old English had ofermodig "over-moody" ("mood" in Anglo-Saxon was a much more potent word than presently) and heahheort "high-heart."
Words for "proud" in other Indo-European languages sometimes reflect a physical sense of being swollen or puffed up; such as Welsh balch, probably from a root meaning "to swell," and Modern Greek kamari, from ancient Greek kamarou "furnish with a vault or arched cover," with a sense evolution via "make an arch," to "puff out the chest," to "be puffed up" (compare English slang chesty).
"having the same characteristics or qualities" (as another), c. 1200, lik, shortening of y-lik, from Old English gelic "like, similar," from Proto-Germanic *(ga)leika- "having the same form," literally "with a corresponding body" (source also of Old Saxon gilik, Dutch gelijk, German gleich, Gothic galeiks "equally, like").
This is a compound of *ga- "with, together" + the Germanic root *lik- "body, form; like, same" (source also of Old English lic "body, corpse;" see lich). Etymologically analogous to Latin conform. The modern form (rather than *lich) may be from a northern descendant of the Old English word's Norse cognate, glikr.
Formerly with comparative liker and superlative likest (still in use 17c.). The preposition (c. 1200) and the adverb (c. 1300) both are from the adjective. As a conjunction, first attested early 16c., short for like as, like unto. Colloquial like to "almost, nearly" ("I like to died laughing") is 17c., short for was like to/had like to "come near to, was likely." To feel like "want to, be in the mood for" is 1863, originally American English. Proverbial pattern as in like father, like son is recorded from 1540s.
Meaning "such as" ("A Town Like Alice") attested from 1886. The word has been used as a postponed filler ("going really fast, like") from 1778; as a presumed emphatic ("going, like, really fast") from 1950, originally in counterculture slang and bop talk. Phrase more like it "closer to what is desired" is from 1888.