Old English deor "wild animal, beast, any wild quadruped," in early Middle English also used of ants and fish, from Proto-Germanic *deuzam, the general Germanic word for "animal" (as opposed to man), but often restricted to "wild animal" (source also of Old Frisian diar, Dutch dier, Old Norse dyr, Old High German tior, German Tier "animal," Gothic dius "wild animal," also see reindeer).
This is perhaps from PIE *dheusom "creature that breathes," from root *dheu- (1) "cloud, breath" (source also of Lithuanian dusti "gasp," dvėsti "gasp, perish;" Old Church Slavonic dychati "breathe"). For possible prehistoric sense development, compare Latin animal from anima "breath").
The sense specialization to a specific animal began in Old English (the usual Old English word for what we now call a deer was heorot; see hart), was common by 15c., and is now complete. It happened probably via hunting, deer being the favorite animal of the chase (compare Sanskrit mrga- "wild animal," used especially for "deer").
Deer-lick "salty spot where deer come to lick," is attested by 1778, in an American context. The deer-mouse (1840) is so called for its agility.
1520s, "footman, running footman, valet," from French laquais "foot soldier, footman, servant" (15c.), a word of unknown origin; perhaps from Old Provençal lacai, from lecai "glutton, covetous," from lecar "to lick." The alternative etymology is that it comes via Old French laquay, from Catalan alacay, from Arabic al-qadi "the judge." Yet another guess traces it through Spanish lacayo, from Italian lacchè, from Modern Greek oulakes, from Turkish ulak "runner, courier." This suits the original sense better, but OED says Italian lacchè is from French. Sense of "servile follower" appeared 1580s. As a political term of abuse it dates from 1939 in communist jargon.
"noisy dance," 1841, Southern U.S., apparently originally the name of a specific dance, perhaps from perceived similarity of dance motions to those of farm chores, hence from hoe (n.).
The step of every negro dance that was ever known, was called into requisition and admirably executed. They performed the "double shuffle," the "Virginny break-down," the "Kentucky heeltap," the "pigeon wing," the "back balance lick," the "Arkansas hoe down," with unbounded applause and irresistible effect. ["Scouting Expeditions of McCulloch's Texas Rangers," 1848]
"Hoe corn, hill tobacco" is noted as a line in the chorus of a slave song in 1838, and Washington Irving writes of a dance called "hoe corn and dig potatoes" in 1807.
The same precedence is repeated until all the merchandise is disposed of, the table is then banished the room, and the whole party hoe it down in straight fours and set dances, till the hour when "ghosts wandering here and there, troop home to church-yards." This is what we kintra folk call a strauss. ["Der Teufelskerl. A Tale of German Pennsylvania," in Burton's Gentleman's Magazine, January 1840]
Old English bitan "to pierce or cut with the teeth" (class I strong verb; past tense bat, past participle biten), from Proto-Germanic *beitanan (source also of Old Saxon bitan, Old Norse and Old Frisian bita "cut, pierce, penetrate," Middle Dutch biten, Dutch bijten, German beissen, Gothic beitan "to bite"), from PIE root *bheid- "to split," with derivatives in Germanic referring to biting.
To bite the bullet is said to be 1700s military slang, from old medical custom of having the patient bite a lead bullet during an operation to divert attention from pain and reduce screaming. Figurative use from 1891; the custom itself attested from 1840s. To bite (one's) tongue "refrain from speaking" is 1590s; to bite (one's) lip to repress signs of some emotion or reaction is from early 14c. To bite off more than one can chew (c. 1880) is U.S. slang, from plug tobacco.
To bite the dust "be thrown or struck down," hence "be vanquished, die, be slain, perish in battle" is from 1750, earlier bite the ground (1670s), lick the dust (late 14c.), which OED identifies as "a Hebraism," but Latin had the same image; compare Virgil's procubuit moriens et humum semel ore momordit.
a word of vague etymology, perhaps a convergence of two or more words, given wide application in late 19c. and settling into its main modern meaning "floozie" from early 1920s, with a revival in 1980s.
Bimbo first appears as the name of an alcoholic punch, mentioned in newspapers from New York state (1837), Boston (1842), and New Orleans (1844, but as having come from Boston). This sense quickly fades, though it occasional is on menus as late as 1895.
From 1860-1910, Bimbo as a proper name is frequent: It is the name or part of the name of several race horses, dogs, and monkeys, a circus elephant (perhaps echoing Jumbo), and a jester character in a play. It is in the title of a three-act musical farce ("Bimbo of Bombay"), and the name of a popular "knockabout clown"/actor in England and several other stage clowns. Also it appears as a genuine surname, and "The Bimbos" were a popular brother-sister comedy acrobatics team in vaudeville.
A separate bimbo seems to have entered American English c. 1900, via immigration, as an Italian word for a little child or a child's doll, evidently a contraction of bambino "baby."
By 1920 it began to be used generally of a stupid or ineffectual man, a usage Damon Runyon in 1919 traced to Philadelphia prize-fight slang. He wrote, that July, in a column printed in several newspapers, of a hotel lobby fist-fight between "Yankee Schwartz, the old Philadelphia boxer," and another man, which Schwartz wins.
"No Bimbo can lick me," he said, breathlessly, at the finish.
"What's a Bimbo?" somebody asked "Tiny" Maxwell, on the assumption that "Tiny" ought to be familiar with the Philadelphia lingo.
A bimbo," said "Tiny," "is t-t-two degrees lower than a coo-coo—cootie."
The word does turn up in Philadelphia papers' accounts of prizefights (e.g. "Fitzsimmons Is No Bimbo," Evening Public Ledger, May 25, 1920).
By 1920 the sense of "floozie" had developed (said to have been popularized by "Variety" staffer Jack Conway), perhaps boosted by "My Little Bimbo Down on Bamboo Isle," a popular 1920 song in which the singer (imploring the audience not to alert his wife) tells of "his shipwreck on a Fiji Isle and the little Bimbo he left down on that Bamboo isle." Its resurrection in this sense during 1980s U.S. political sex scandals led to derivatives including diminutive bimbette (1990) and male form himbo (1988).