1550s, figurative, "to weaken, remove the strength or force of," from Latin dilutus, past participle of diluere "dissolve, wash away, dilute," from dis- "apart" (see dis-) + -luere, combining form of lavere "to wash" (from PIE root *leue- "to wash").
Literal sense of "render more liquid, make more thin or fluid; weaken by admixture of water or other liquid" is from 1660s. Related: Diluted; diluting. As an adjective, "thin, attenuated, reduced in strength," from c. 1600.
late 14c., relenten, Anglo-French relenter, "to melt, soften in substance, dissolve," ultimately from re- in some sense + Latin lentus "slow, viscous, supple" (see lithe), perhaps on model of Old French rallentir, "but the immediate source is not clear" [OED]. Figurative sense of "become less harsh or cruel, soften in temper" is recorded from 1520s; the notion probably is of a hard heart melting with pity. Related: Relented; relenting.
"water," late 14c., from Latin aqua "water; the sea; rain," from PIE root *akwa- "water." The Latin word was used in late Middle English in combinations in old chemistry and alchemy in the sense of "decoction, solution" (as in aqua regia, a mix of concentrated acids, literally "royal water," so called for its power to dissolve gold and other "noble" metals; also see aqua fortis, aqua vitae). As the name of a light greenish-blue color, by 1936.
type of plant typically found in cold regions and used medicinally, late 14c., from Old French saxifrage (13c.), from Late Latin saxifraga, name of a kind of herb, from Latin saxifraga herba, literally "a rock-breaking herb," from saxifragus "stonebreaking," from saxum "stone, rock" + frag-, root of frangere "to break" (from PIE root *bhreg- "to break"). Pliny says the plant was so called because it was given to dissolve gallstones, but a more likely explanation is that it was so called because it grows in crevices in rocks. (Latin used different words for "stone" and "gallstone" — saxum and calculus). Related: Saxifragaceous; saxifragal.
1580s, in logic and grammar, in the latter "division of one syllable into two," from Latin, from Greek dialysis "dissolution, separation" (used of the disbanding of troops, a divorce, etc.), from dialyein "dissolve, separate," from dia "apart" + lyein "loosen" (from PIE root *leu- "to loosen, divide, cut apart").
Chemistry sense of "process by which particles are selectively removed from a liquid by consequence of their differing capacity to pass through a membrane into another liquid" is from 1861; the specific sense in medicine, "process of blood purification by allowing it to pass through a membrane" is by 1914. Related: Dialytic. The verb dialyze was formed from the noun on the model of analyze, etc.
early 15c., "dissolved, of loose structure," also "morally lax" (senses all obsolete), from Latin resolutus, past participle of resolvere "untie, unfasten, loose, loosen" (see resolve (v.)).
It emerged c. 1500 in the sense of "determined, decided, absolute, final," especially in the phrase resolute answer, which was "common in 16th c." [OED]. The notion is of "breaking (something) into parts" as the way to arrive at the truth of it and thus make the final determination (compare resolution).
The word has been used from 1530s of persons, "determined in mind, having a fixed resolve." Related: Resolutely; resoluteness. In Middle English a resolutif was a medicine to dissolve and disperse hardened matter (c. 1400).
"fantastic series or medley of illusive or terrifying figures or images," 1802, the name of a magic lantern exhibition brought to London in 1802 by Parisian showman Paul de Philipstal. The name is an alteration of French phantasmagorie, which is said to have been coined 1801 by French dramatist Louis-Sébastien Mercier as though to mean "crowd of phantoms," from Greek phantasma "image, phantom, apparition" (from PIE root *bha- (1) "to shine").
The second element appears to be a French form of Greek agora "assembly. "But the inventor of the word prob. only wanted a mouth-filling and startling term, and may have fixed on -agoria without any reference to the Greek lexicon" [OED]. The transferred meaning "shifting scene of many elements" is attested from 1822. Related: Phantasmagorical.
In Philipstal's 'phantasmagoria' the figures were made rapidly to increase and decrease in size, to advance and retreat, dissolve, vanish, and pass into each other, in a manner then considered marvellous. [OED]