No related forms in other languages, unless perhaps it is connected to Greek omphe "voice" (especially of a god), "oracle;" and Welsh dehongli "explain, interpret." The typical Indo-European root is represented by Latin canere (see chant (v.)). Other words meaning "sing" derive from roots meaning "cry, shout," but Irish gaibim is literally "take, seize," with sense evolution via "take up" a song or melody.
1530s, "subdivision of an act of a play," also "stage-setting," from French scène (14c.), from Latin scaena, scena "scene, stage of a theater," from Greek skēnē "wooden stage for actors," also "that which is represented on stage," originally "tent or booth," related to skia "shadow, shade," via notion of "something that gives shade" (see Ascians). According to Beekes' sources, the Greek word "originally denoted any light construction of cloth hung between tree branches in order to provide shadow, under which one could shelter, sleep, celebrate festivities, etc."
Meaning "material apparatus of a theatrical stage" is from 1540s. Meaning "place in which the action of a literary work occurs" is attested from 1590s; general (non-literary) sense of "place where anything is done or takes place" is recorded from 1590s. Hence U.S. slang sense of "setting or milieu for a specific group or activity," attested from 1951 in Beat jargon. Meaning "stormy encounter between two or more persons" is attested from 1761.
Behind the scenes "having knowledge of affairs not apparent to the public" (1660s) is an image from the theater, "amid actors and stage machinery" (out of sight of the audience). Scene of the crime is attested by 1843.
"stringed musical instrument, violin," late 14c., fedele, fydyll, fidel, earlier fithele, from Old English fiðele "fiddle," which is related to Old Norse fiðla, Middle Dutch vedele, Dutch vedel, Old High German fidula, German Fiedel "a fiddle;" all of uncertain origin.
The usual suggestion, based on resemblance in sound and sense, is that it is from Medieval Latin vitula "stringed instrument" (source of Old French viole, Italian viola), which perhaps is related to Latin vitularia "celebrate joyfully," from Vitula, Roman goddess of joy and victory, who probably, like her name, originated among the Sabines [Klein, Barnhart]. Unless the Medieval Latin word is from the Germanic ones.
FIDDLE, n. An instrument to tickle human ears by friction of a horse's tail on the entrails of a cat. [Ambrose Bierce, "The Cynic's Word Book," 1906]
Fiddle has been relegated to colloquial usage by its more proper cousin, violin, a process encouraged by phraseology such as fiddlesticks (1620s), contemptuous nonsense word fiddle-de-dee (1784), and fiddle-faddle. Century Dictionary  reports that fiddle "in popular use carries with it a suggestion of contempt and ridicule." Fit as a fiddle is from 1610s.
[sound a bell; emit a resonant sound] Old English hringan "cause (a bell) to sound;" also "announce or celebrate by the ringing of bells," from Proto-Germanic *khrengan (source also of Old Norse hringja, Swedish ringa, Middle Dutch ringen), probably of imitative origin. Related: Rang; rung.
Originally a weak verb, the strong inflection began in early Middle English by influence of sing, etc. The intransitive sense of "give a certain resonant sound when struck" is by c. 1200. Of places, "resound, re-echo," c. 1300. Of the ears or head, "have a continued buzz or hum in reaction to exposure to noise," by late 14c. In reference to a telephone, intransitive, by 1924; as "to call (someone) on a telephone by 1880, with up (adv.). The verb was much used in phrases of 20c. telephoning, such as ring off "hang up," ring back "return a call," ring in "report by telephone."
To ring down (or up) a theatrical curtain, "direct it to be let down" (or up) is by 1772, from the custom of signaling for it by ringing a bell; hence, in a general sense "bring to a conclusion." To ring up a purchase on a cash register is by 1937, from the bell that sounds in the machine. The specialized sense, especially in reference to coins, "give a resonant sound when struck as an indication of genuineness or purity," is by c. 1600, with transferred use (as in ring hollow) by 1610s. For ring a bell "awaken a memory," see bell (n.).