elementary intransitive verb of motion, Old English cuman "to move with the purpose of reaching, or so as to reach, some point; to arrive by movement or progression;" also "move into view, appear, become perceptible; come to oneself, recover; arrive; assemble" (class IV strong verb; past tense cuom, com, past participle cumen), from Proto-Germanic *kwem- (source also of Old Saxon cuman, Old Frisian kuma, Middle Dutch comen, Dutch komen, Old High German queman, German kommen, Old Norse koma, Gothic qiman), from PIE root *gwa- "to go, come."
The substitution of Middle English -o- for Old English -u- was a scribal habit before minims to avoid misreading the letters in the old style handwriting, which jammed them together (see U). Modern past tense form came is Middle English, probably from Old Norse kvam, replacing Old English cuom.
Meaning "to happen, occur" is from early 12c. (come to pass "happen, occur" is from 1520s). As an invitation to action, c. 1300; as a call or appeal to a person (often in expanded forms: "come, come," "come, now"), mid-14c. Come again? as an off-hand way of asking "what did you say?" is attested by 1884. For sexual senses, see cum.
Remarkably productive with prepositions (NTC's "Dictionary of Phrasal Verbs" lists 198 combinations); consider the varied senses in come to "regain consciousness," come over "possess" (as an emotion), come at "attack," come on (interj.) "be serious," and come off "occur, have some level of success" (1864). Among other common expressions are:
To come down with "become ill with" (a disease), 1895; come in, of a radio operator, "begin speaking," 1958; come on "advance in growth or development," c. 1600; come out, of a young woman, "make a formal entry into society," 1782; come round "return to a normal state or better condition," 1841; come through "act as desired or expected," 1914; come up "arise as a subject of attention," 1844; come up with "produce, present," 1934.
To have it coming "deserve what one suffers" is from 1904. To come right down to it "get to fundamental facts" is from 1875.
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle." The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
[The answer is "snow-ball."]
The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
mid-15c. (earlier ren, late 14c.), "a spell of running, the act of running," from run (v.).
The Old English noun ryne/yrn (early Middle English rine) meant "a flowing, a course, a watercourse;" the modern sense of "small stream" is recorded from 1580s, mostly in Northern English dialect and American English. The sense of "a flowing or pouring, as of liquid" is by 1814. In reference to the action of a school of fish moving together, especially upstream or in-shore, by 1820.
From 1804 as "place where anything runs or may run." The meaning "the privilege of going through or over, free access" is from 1755. In. U.S. baseball, "feat of running around the bases without being put out" by 1856; the sense in cricket is from 1746.
Meaning "continuous stretch" (of something) is from 1670s. That of "continuous use, circulation, or observance" (as in run of luck) is by 1714. The general sense of "a continuous series or succession" has yielded many specific meanings, as "three or more playing cards in consecutive order" (1870). In music, "a rapid succession of consecutive tones," by 1835.
The financial meaning "extraordinary series or rush of demands on a bank, etc." is recorded from 1690s. The market sense of "sustained demand for something" is by 1816.
From 1712 as "a spell of sailing between two ports;" hence also "an excursion trip" (1819); "single trip by a railroad train" (1857); the military aircraft attack sense (as in bombing run) is from 1916. Hence also "a regular round in a vehicle" (as in paper run, milk run, etc.).
In printing, the meaning "total number of copies done in a single period of press-work" is from 1909. In publishing, "set or series of consecutive numbers of a periodical," by 1889.
Meaning "tear in a knitted garment or stocking" is from 1922, probably on the notion of "a failure caused by looseness, weakness, or giving way;" to run had a specialized sense in reference to machinery, "to slip, go awry" (1846), and in reference to lace it meant "to unravel, come undone" (1878). Also compare running stitch "loose, open stitch" (1848).
Phrase a run for one's money "satisfaction for trouble taken" is from 1872 in a figurative sense, from horse racing, where it implied real competition (1841).
Old English life (dative lif) "animated corporeal existence; lifetime, period between birth and death; the history of an individual from birth to death, written account of a person's life; way of life (good or bad); condition of being a living thing, opposite of death; spiritual existence imparted by God, through Christ, to the believer," from Proto-Germanic *leiban (source also of Old Norse lif "life, body," Old Frisian, Old Saxon lif "life, person, body," Dutch lijf "body," Old High German lib "life," German Leib "body"), properly "continuance, perseverance," from PIE root *leip- "to stick, adhere."
The noun associated with live (v.) "to live," which is literally "to continue, remain." Extended 1703 to inanimate objects, "term of duration or existence." Sense of "vitality, energy in action, expression, etc." is from 1580s. Meaning "conspicuously active part of human existence, pleasures or pursuits of the world or society" is by 1770s. Meaning "cause or source of living" led to the sense "vivifying or animating principle," and thus "one who keeps things lively" in life of the party (1787). Meaning "imprisonment for life, a life sentence" is from 1903. Paired alliteratively with limb from 1640s. Not on your life "by no means" is attested from 1896.
In gaming, an additional turn at play for a character; this transferred use was prefigured by uses in card-playing (1806), billiards (1856), etc., in reference to a certain number of chances or required objects without which one's turn at the game fails. The life "the living form or model, semblance" is from 1590s. Life-and-death "of dire importance" is from 1822; life-or-death (adj.) is from 1897. Life-jacket is from 1840; life-preserver from 1630s of anything that is meant to save a life, 1803 of devices worn to prevent drowning. Life-saver is from 1883, figurative use from 1909, as a brand of hard sugar candy from 1912, so called for shape.
Life-form is from 1861; life-cycle is from 1855; life-expectancy from 1847; life-history in biology from 1870; life-science from 1935. Life-work "the labor to which one's life has been devoted" is from 1848. Expression this is the life is from 1919; verbal shrug that's life is from 1924 (earlier such is life, 1778).
c. 1400, "devoted to or relating to home life;" 1560s as "living with others," from French social (14c.) and directly from Latin socialis "of companionship, of allies; united, living with others; of marriage, conjugal," from socius "companion, ally," probably originally "follower," from PIE *sokw-yo-, suffixed form of root *sekw- (1) "to follow." Compare Old English secg, Old Norse seggr "companion," which seem to have been formed on the same notion). Related: Socially.
Sense of "characterized by friendliness or geniality" is from 1660s. Meaning "living or liking to live with others; companionable, disposed to friendly intercourse" is from 1720s. Meaning "of or pertaining to society as a natural condition of human life" first attested 1695, in Locke. Sense of "pertaining to fashionable society" is from 1873.
Social climber is from 1893; social work is 1890; social worker 1886. Social drinking first attested 1807. Social studies as an inclusive term for history, geography, economics, etc., is attested from 1916. Social security "system of state support for needy citizens" is attested from 1907 (the Social Security Act was passed by U.S. Congress in 1935). Social butterfly is from 1867, in figurative reference to "flitting."
Social contract (1763) is from translations of Rousseau. Social Darwinism attested from 1887. Social engineering attested from 1899. Social science is from 1785. In late 19c. newspapers, social evil is "prostitution." Social network is attested by 1971; social networking by 1984; social media by 2008. Social justice is attested by 1718.
I must introduce a parenthetical protest against the abuse of the current term 'social justice'. From meaning 'justice in relations between groups or classes' it may slip into meaning a particular assumption as to what these relations should be; and a course of action might be supported because it represented the aim of 'social justice', which from the point of view of 'justice' was not just. The term 'social justice' is in danger of losing its rational content—which would be replaced by a powerful emotional charge. I believe that I have used the term myself: it should never be employed unless the user is prepared to define clearly what social justice means to him, and why he thinks it just. [T.S. Eliot, footnote in "Notes Towards the Definition of Culture," 1948]
early 13c., "skin color, complexion," from Anglo-French culur, coulour, Old French color "color, complexion, appearance" (Modern French couleur), from Latin color "color of the skin; color in general, hue; appearance," from Old Latin colos, originally "a covering" (akin to celare "to hide, conceal"), from PIE root *kel- (1) "to cover, conceal, save." Old English words for "color" were hiw ("hue"), bleo. For sense evolution, compare Sanskrit varnah "covering, color," which is related to vrnoti "covers," and also see chroma.
Colour was the usual English spelling from 14c., from Anglo-French. Classical correction made color an alternative from 15c., and that spelling became established in the U.S. (see -or).
Meaning "a hue or tint, a visible color, the color of something" is from c. 1300. As "color as an inherent property of matter, that quality of a thing or appearance which is perceived by the eye alone," from late 14c. From early 14c. as "a coloring matter, pigment, dye." From mid-14c. as "kind, sort, variety, description." From late 14c. in figurative sense of "stylistic device, embellishment. From c. 1300 as "a reason or argument advanced by way of justifying, explaining, or excusing an action," hence "specious reason or argument, that which hides the real character of something" (late 14c.).
From c. 1300 as "distinctive mark of identification" (as of a badge or insignia or livery, later of a prize-fighter, horse-rider, etc.), originally in reference to a coat of arms. Hence figurative sense as in show one's (true) colors "reveal one's opinions or intentions;" compare colors.
In reference to "the hue of the darker (as distinguished from the 'white') varieties of mankind" [OED], attested from 1792, in people of colour, in translations from French in reference to the French colony of Saint-Domingue (modern Haiti) and there meaning "mulattoes."
In reference to musical tone from 1590s. Color-scheme is from 1860. Color-coded is by 1943, in reference to wiring in radios and military aircraft. Color-line in reference to social and legal discrimination by race in the U.S. is from 1875, originally referring to Southern whites voting in unity and taking back control of state governments during Reconstruction (it had been called white line about a year earlier, and with more accuracy).
Middle English kēpen, from late Old English cepan (past tense cepte) "to seize, hold; seek after, desire," also "to observe or carry out in practice; look out for, regard, pay attention to," from Proto-Germanic *kopjan, which is of uncertain origin. Old English cepan was used c. 1000 to render Latin observare, so perhaps it is related to Old English capian "to look" (from Proto-Germanic *kap-), which would make the basic sense "to keep an eye on, see to it."
The word prob. belonged primarily to the vulgar and non-literary stratum of the language; but it comes up suddenly into literary use c. 1000, and that in many senses, indicating considerable previous development. [OED]
The senses exploded in Middle English: "to guard, defend" (12c.); "restrain (someone) from doing something" (early 13c.); "take care of, look after; protect or preserve (someone or something) from harm, damage, etc." (mid-13c.); "preserve, maintain, carry on" a shop, store, etc. (mid-14c.); "prevent from entering or leaving, force to remain or stay" (late 14c.); "preserve (something) without loss or change," also "not divulge" a secret, private information, etc., also "to last without spoiling" (late 14c.); "continue on" (a course, road, etc.), "adhere to" a course of action (late 14c.); "stay or remain" (early 15c.); "to continue" (doing something) (mid-15c.). It is used to translate both Latin conservare "preserve, keep safe" and tenere "to keep, retain."
From 1540s as "maintain for ready use;" 1706 as "have habitually in stock for sale." Meaning "financially support and privately control" (usually in reference to mistresses) is from 1540s; meaning "maintain in proper order" (of books, accounts) is from 1550s.
To keep at "work persistently" is from 1825; to keep on "continue, persist" is from 1580s. To keep up is from 1630s as "continue alongside, proceed in pace with," 1660s as "maintain in good order or condition, retain, preserve," 1680s as "support, hold in an existing state." To keep it up "continue (something) vigorously" is from 1752. To keep to "restrict (oneself) to" is from 1711. To keep off (trans.) "hinder from approach or attack" is from 1540s; to keep out (trans.) "prevent from entering" is from early 15c.
Middle English pleien, from Old English plegan, plegian "move lightly and quickly, occupy or busy oneself, amuse oneself; engage in active exercise; frolic; engage in children's play; make sport of, mock; perform music," from Proto-West Germanic *plegōjanan "occupy oneself about" (source also of Old Saxon plegan "vouch for, take charge of," Old Frisian plega "tend to," Middle Dutch pleyen "to rejoice, be glad," German pflegen "take care of, cultivate"), which is apparently connected to the root of plight (v.), but the ultimate etymology is uncertain and the phonetic development is difficult to explain.
Meaning "to take part in" a martial or athletic game is from c. 1200. It has been opposed to work (v.) since late 14c. Meaning "perform or act on the stage" (transitive) is by late 14c., as are the senses of "take the role of" and "make a pretense of, make believe" and "act thoughtlessly or wantonly." Sense of "put forward, move, throw, lay on the table, etc." in the course of a game or contest is by 1560s of chess pieces, 1670s of playing cards. Sense of "operate or cause to operate with continuous or repeated action" is from 1590s. Meaning "to cause (a recording) to reproduce what is on it" is by 1903, probably from the "make music" sense. Related: Played; playing.
Many expressions are from the stage, sports and games, or music, and it is not always easy to say which is from which. To play up "emphasize" is from 1909 (perhaps originally "play music more vigorously"); to play down "minimize" is from 1930; to play along "pretend to agree or cooperate" is from 1929. To play fair "be nice" is from mid-15c. To play house as a children's activity is from 1958.
To play for keeps is from 1861, originally of marbles or other children's games with tokens. To play (something) safe is from 1911; to play favorites is attested from 1902. To play second fiddle in the figurative sense is from 1809 ("Gil Blas"). To play into the hands (of someone) "act in such a way as to give the advantage to one's opponent or a third party" is from 1705. For play the _______ card see card (n.1). For play the field see field (n.). To play with oneself "masturbate" is from 1896 (to play with "have sexual intercourse with" is from mid-13c.). Playing-card "one of a pack of cards used for playing games" is from 1540s.
1530s, "action, a thing performed, anything done, a deed," good or evil but in 16c.-17c. commonly "evil deed, crime;" from Latin factum "an event, occurrence, deed, achievement," in Medieval Latin also "state, condition, circumstance" (source also of Old French fait, Spanish hecho, Italian fatto), etymologically "a thing done," noun use of neuter of factus, past participle of facere "to do" (from PIE root *dhe- "to set, put").
An earlier adaptation of the Old French word that also became feat. The older senses are mostly obsolete but somewhat preserved in such phrases as after the fact, originally legal, "after the crime." Also compare matter-of-fact.
The modern, empirical, sense of "thing known to be true, a real state of things, what has really occurred or is actually the case," as distinguished from statement or belief, is from 1630s, from the notion of "something that has actually occurred." The particular concept of the scientific, empirical fact ("a truth known by observation or authentic testimony") emerged in English 1660s, via Hooke, Boyle, etc., in The Royal Society, as part of the creation of the modern vocabulary of knowledge (along with theory, hypothesis, etc.); in early 18c. it was associated with the philosophical writings of Hume. Middle English thus lacked the noun and the idea of it; the closest expression being perhaps thing proved (c.1500).
Hence facts "real state of things;" in fact "in reality" (1707). By 1729, fact was being used of "something presented as a fact but which might be or is false."
By fact is also often meant a true statement, a truth, or truth in general ; but this seems to be a mere inexactness of language .... Fact, as being special, is sometimes opposed to truth, as being universal ; and in such cases there is an implication that facts are minute matters ascertained by research, and often inferior in their importance for the formation of general opinions, or for the general description of phenomena, to other matters which are of familiar experience. [Century Dictionary]
Facts of life is by 1854 as "the stark realities of existence;" by 1913 it had also acquired a more specific sense of "knowledge of human sexual functions." The alliterative pairing of facts and figures for "precise information" is by 1727.
Facts and Figures are the most stubborn Evidences; they neither yield to the most persuasive Eloquence, nor bend to the most imperious Authority. [Abel Boyer, "The Political State of Great Britain," 1727]
Facts are stubborn things is in an 1822 translation of the popular novel "Gil Blas" (earlier English translations have facts speak for themselves).
"artificial penis used for female gratification," 1590s, a word of unknown origin. Traditional guesses include a corruption of Italian deletto "delight" (from Latin dilectio, noun of action from diligere "to esteem highly, to love;" see diligence) or a corruption of English diddle. None of these seems very convincing (Florio's dictionary glosses many words with dildo, but diletto is not one of them.) Century Dictionary perhaps gets closer to the mark:
A term of obscure cant or slang origin, used in old ballads and plays as a mere refrain or nonsense-word; also used, from its vagueness, as a substitute for various obscene terms and in various obscene meanings. 
The earliest use of the word in this sense, and probably the start of its popularity, seems to be via Nashe:
"Curse Eunuke dilldo, senceless counterfet" ["Choise of Valentines or the Merie Ballad of Nash his Dildo," T. Nashe, c. 1593]
Other early forms include dildoides (1675), dildidoes (1607). Middle English had dillidoun (n.) "a darling, a pet" (mid-15c.), from Old Norse dilla "to lull" (hence dillindo "lullaby"). That sense probably survived into Elizabethan times, if it is the word in Jonson's "Cynthia's Revels":
Chorus: Good Mercury defend vs.
Phan.: From perfum'd Dogs, Monkeys, Sparrowes, Dildos, and Parachitos.
And dildin seems to be a term for "sweetheart" in a 1675 play:
Mir.: Here comes a lusty Wooer, my dildin, my darling.
Here comes a lusty Wooer Lady bright and shining.
The thing itself is older. A classical Latin word for one was fascinum (see fascinate). In later English sometimes a French word, godemiché, was used (1879). Also used in 18c. of things that resemble dildoes, e.g. dildo pear (1756), dildo cactus (1792).
Shakespeare plays on the double sense, sexual toy and ballad refrain, in "A Winter's Tale."
SERVANT: He hath songs for man or woman, of all sizes; no
milliner can so fit his customers with gloves: he
has the prettiest love-songs for maids; so without
bawdry, which is strange; with such delicate
burthens of dildos and fadings, 'jump her and thump
her;' and where some stretch-mouthed rascal would,
as it were, mean mischief and break a foul gap into
the matter, he makes the maid to answer 'Whoop, do me
no harm, good man;' puts him off, slights him, with
'Whoop, do me no harm, good man.'