c. 1200, "the sufferings of Christ on the Cross; the death of Christ," from Old French passion "Christ's passion, physical suffering" (10c.), from Late Latin passionem (nominative passio) "suffering, enduring," from past-participle stem of Latin pati "to endure, undergo, experience," a word of uncertain origin. The notion is "that which must be endured."
The sense was extended to the sufferings of martyrs, and suffering and pain generally, by early 13c. It replaced Old English þolung (used in glosses to render Latin passio), literally "suffering," from þolian (v.) "to endure." In Middle English also sometimes "the state of being affected or acted upon by something external" (late 14c., compare passive).
In Middle English also "an ailment, disease, affliction;" also "an emotion, desire, inclination, feeling; desire to sin considered as an affliction" (mid-13c.). The specific meaning "intense or vehement emotion or desire" is attested from late 14c., from Late Latin use of passio to render Greek pathos "suffering," also "feeling, emotion." The specific sense of "sexual love" is attested by 1580s, but the word has been used of any lasting, controlling emotion (zeal; grief, sorrow; rage, anger; hope, joy). The meaning "strong liking, enthusiasm, predilection" is from 1630s; that of "object of great admiration or desire" is by 1732.
As compared with affection, the distinctive mark of passion is that it masters the mind, so that the person becomes seemingly its subject or its passive instrument, while an affection, though moving, affecting, or influencing one, still leaves him his self-control. The secondary meanings of the two words keep this difference. [Century Dictionary]
A passion-play (1843, in a German context) represents the scenes in the Passion of Christ. The passion-flower was so called from the 1630s.
The name passionflower — flos passionis — arose from the supposed resemblance of the corona to the crown of thorns, and of the other parts of the flower to the nails, or wounds, while the five sepals and five petals were taken to symbolize the ten apostles — Peter ... and Judas ... being left out of the reckoning. [Encyclopaedia Britannica, 1885]
Middle English iron, iren, yron, from Old English iren, variant (with rhotacism of -s-) of isen, later form of isern, isærn "the metal iron; an iron weapon or instrument," from Proto-Germanic *isarn (source also of Old Saxon isarn, Old Frisian isern, Old Norse isarn, Middle Dutch iser, Old High German isarn, German Eisen).
This perhaps is an early borrowing of Celtic *isarnon (compare Old Irish iarn, Welsh haiarn), which Watkins suggests is from PIE *is-(e)ro- "powerful, holy," from PIE *eis "strong" (source also of Sanskrit isirah "vigorous, strong," Greek ieros "strong"), on the notion of "holy metal" or "strong metal" (in contrast to softer bronze).
It was both an adjective and a noun in Old English, but in form it is an adjective. The alternative isen survived into early Middle English as izen. In southern England the Middle English word tended to be ire, yre, with loss of -n, perhaps regarded as an inflection; in the north and Scotland, however, the word tended to be contracted to irn, yrn, still detectable in dialect.
Right so as whil that Iren is hoot men sholden smyte. [Chaucer, c. 1386]
Chemical symbol Fe is from the Latin word for the metal, ferrum (see ferro-). Meaning "metal device used to press or smooth clothes" is from 1610s. Meaning "golf club with an iron head, 1842. To have (too) many irons in the fire "to be doing too much at once" is from 1540s. Iron lung "artificial respiration tank" is from 1932. The iron crown was that of the ancient kings of Lombardy, with a thin band of iron in the gold, said to have been forged from a nail of Christ's Cross. Iron horse "railroad locomotive" is from an 1839 poem. Iron maiden, instrument of torture, is from 1837 (probably translating German eiserne jungfrau). The unidentified French political prisoner known as the man in the iron mask died in the Bastille in 1703. In British history, Wellington was called the Iron Duke by 1832.
Old English Carles wægn, a star-group associated in medieval times with Charlemagne, but originally with the nearby bright star Arcturus, which is linked by folk etymology to Latin Arturus "Arthur." Which places the seven-star asterism at the crux of the legendary association (or confusion) of Arthur and Charlemagne. Evidence from Dutch (cited in Grimm, "Teutonic Mythology") suggests that it might originally have been Woden's wagon. More recent names for it are the Plough (by 15c., chiefly British) and the Dipper (1833, chiefly American).
It is called "the Wagon" in a Mesopotamian text from 1700 B.C.E., and it is mentioned in the Biblical Book of Job. The seven bright stars in the modern constellation Ursa Major have borne a dual identity in Western history at least since Homer's time, being seen as both a wagon and a bear: as in Latin plaustrum "freight-wagon, ox cart" and arctos "bear," both used of the seven-star pattern, as were equivalent Greek amaxa (Attic hamaxa) and arktos.
The identification with a wagon is easy to see, with four stars as the body and three as the pole. The identification with a bear is more difficult, as the figure has a tail longer than its body. As Allen writes, "The conformation of the seven stars in no way resembles the animal,—indeed the contrary ...." But he suggests the identification "may have arisen from Aristotle's idea that its prototype was the only creature that dared invade the frozen north." The seven stars never were below the horizon in the latitude of the Mediterranean in Homeric and classical times (though not today, due to precession of the equinoxes). See also arctic for the identification of the bear and the north in classical times.
A variety of French and English sources from the early colonial period independently note that many native North American tribes in the northeast had long seen the seven-star group as a bear tracked by three hunters (or a hunter and his two dogs).
Among the Teutonic peoples, it seems to have been only a wagon, not a bear. A 10c. Anglo-Saxon astronomy manual uses the Greek-derived Aretos, but mentions that "unlearned men" call it "Charles's Wain":
Arheton hatte an tungol on norð dæle, se haefð seofon steorran, & is for ði oþrum naman ge-hatan septemtrio, þone hatað læwede meon carles-wæn. ["Anglo-Saxon Manual of Astronomy"]
[Septemtrio, the seven oxen, was yet another Roman name.] The star picture was not surely identified as a bear in English before late 14c.
The unlearned of today are corrected that the seven stars are not the Great Bear but form only a part of that large constellation. But those who applied the name "Bear" apparently did so originally only to these seven stars, and from Homer's time down to Thales, "the Bear" meant just the seven stars.
From Rome to Anglo-Saxon England to Arabia to India, ancient astronomy texts mention a supposed duplicate constellation to the northern bear in the Southern Hemisphere, never visible from the north. This perhaps is based on sailors' tales of the Southern Cross.
c. 1300, "to make, with an edged tool or instrument, an incision in; make incisions for the purpose of dividing into two or more parts; remove by means of a cutting instrument;" of an implement, "have a cutting edge," according to Middle English Compendium from a presumed Old English *cyttan, "since ME has the normal regional variants of the vowel." Others suggest a possible Scandinavian etymology from North Germanic *kut- (source also of Swedish dialectal kuta "to cut," kuta "knife," Old Norse kuti "knife"), or that it is from Old French couteau "knife."
From early 14c. as "to make or fashion by cutting or carving." From c. 1400 as "to intersect or cross." From early 15c. as "abridge or shorten by omitting a part."
Meaning "to wound the sensibilities of" is from 1580s (to cut the heart in the same sense is attested from early 14c.). Sense of "sever connection or relations with" is from 1630s.
Meaning "to be absent without excuse" is British university slang from 1794. Colloquial or slang sense of "move off with directness and rapidity" is from 1580s. Meaning "divide (a deck of cards) at random into parts before the deal" to prevent cheating is from 1530s.
Meaning "to dilute, adulterate" (liquor, etc.) is by 1930. Colloquial sense of "to divide or share" is by 1928, perhaps an image from meat-carving at table. As a director's call to halt recording or performing, by 1931 (in an article about Pete, the bulldog with the black-ringed eye in the Hal Roach studios shorts, who was said to know the word). The sense of "perform, execute" (c. 1600) is in cut capers "frisk about;" cut a dash "make a display."
To cut down is from late 14c. as "to fell;" by 1821 as "to slay" (as with a sword); 1857 as "to curtail." To cut (someone or something) down to size is from 1821 as "reduce to suitable dimensions;" the figurative sense, "reduce to the proper level of importance," is by 1927.
To cut in "enter suddenly and unceremoniously" is from 1610s; sense of "suddenly join in conversation, interrupt" is by 1830. To cut up "cut in pieces" is from 1570s. To cut back is from 1871 as "prune by cutting off shoots," 1913 in cinematography, "return to a previous scene by repeating a part of it," 1943 as "reduce, decrease" (of expenditures, etc.). To cut (something) short "abridge, curtail, interrupt" is from 1540s.
In nautical use to cut a feather (1620s) is to move so fast as to make water foam under the bow. To cut and run (1704) also is originally nautical, "cut cable and set sail immediately," as in an emergency, hence, generally, "to make off suddenly."
To cut the teeth "have the teeth grow through the gums" as an infant is from 1670s. To cut both ways in the figurative sense of "have a good and bad effect" is from c. 1600. To cut loose "set (something) free" is by 1828; intransitive sense "begin to act freely" is by 1909.
Cut it out "remove (something) by or as if by cutting" yielded a figurative use in the command cut it out! "Stop! That's enough!" by 1933. The evolution seems to have begun earlier. A piece attributed to the Chicago Live Stock World that made the rounds in trade publications 1901-02 begins:
When you get 'hot' about something and vow you are going to rip something or somebody up the back—cut it out.
If you feel disposed to try the plan of building yourself up by tearing some one else down—cut it out.
Playing on both senses, it ends with "Should you, after reading this preachy stuff, fear you might forget some of the good advice—cut it out."