1590s, "pertaining to the island of Lesbos," from Latin Lesbius, from Greek lesbios "of Lesbos," Greek island in northeastern Aegean Sea (the name originally may have meant "wooded"), home of Sappho, great lyric poet whose erotic and romantic verse embraced women as well as men, hence meaning "relating to homosexual relations between women, characterized by erotic interest in other women" (in continuous use from 1890; the noun lesbianism from this sense is attested from 1870) and the noun, which is first recorded 1925.
Sappho's particular association with erotic love between women (with or without concurrent relations with men) dates to at least 1732 in writing in English, though the continuous use of lesbian and the modern words formed from it are from late 19c. The use of lesbian as a noun and an adjective in this sense seems to follow the same pattern.
In another Place the same commentator conjectures, that Myra is a Corruption of Myrrhina а famous Courtesan of Athens, who first practis'd and taught in that City Sappho's Manner and the Lesbian Gambols. ["Peregrine O Donald" (William King), "The Toast," 1732]
Before this, the principal figurative use of Lesbian was lesbian rule (c. 1600 and especially common in 17c.) a mason's rule of lead, of a type used in ancient times on Lesbos, which could be bent to fit the curves of a molding; hence, figuratively, "pliant morality or judgment."
And this is the nature of the equitable, a correction of law where it is defective owing to its universality. ... For when the thing is indefinite the rule also is indefinite, like the leaden rule used in making the Lesbian moulding; the rule adapts itself to the shape of the stone and is not rigid, and so too the decree is adapted to the facts. [Aristotle, "Nicomachean Ethics"]
It also was used in English from 1775 in reference to wines from Lesbos. Though the specific "pertaining to female homosexuality" is recent, Lesbian had long before that a suggestion of "amatory, erotic," "From the reputed character of the inhabitants and the tone of their poetry" [Century Dictionary]. The island's erotic reputation was ancient; Greek had a verb lesbiazein "to imitate the Lesbians," which implied "sexual initiative and shamelessness" among women (especially fellatio), but not necessarily female homosexuality, and they did not differentiate such things the way we have.
1520s, also monkie, munkie, munkye, etc., not found in Middle English (where ape was the usual word); of uncertain origin, but likely from an unrecorded Middle Low German *moneke or Middle Dutch *monnekijn, a colloquial word for "monkey," originally a diminutive of some Romanic word, compare French monne (16c.); Middle Italian monnicchio, from Old Italian monna; Spanish mona "ape, monkey." In a 1498 Low German version of the popular medieval beast story Roman de Renart ("Reynard the Fox"), Moneke is the name given to the son of Martin the Ape; transmission of the word to English might have been via itinerant entertainers from the German states.
The Old French form of the name is Monequin (recorded as Monnekin in a 14c. version from Hainault), which could be a diminutive of some personal name, or it could be from the general Romanic word, which may be ultimately from Arabic maimun "monkey," literally "auspicious," a euphemistic usage because the sight of apes was held by the Arabs to be unlucky [Klein]. The word would have been influenced in Italian by folk etymology from monna "woman," a contraction of ma donna "my lady."
In general, any one of the primates except man and lemurs; in more restricted use, "an anthropoid ape or baboon;" but popularly used especially of the long-tailed species often kept as pets. Monkey has been used affectionately or in pretended disapproval of a child since c. 1600. As the name of a type of modern popular dance, it is attested from 1964.
Monkey suit is from 1876 as a type of child's suit; by 1918 as slang for "fancy dress clothes or uniform." To make a monkey of "make a fool of" is attested from 1851. To have a monkey on one's back "be addicted" is 1930s narcotics slang, though the same phrase in the 1860s meant "to be angry." There is a story in the Sinbad cycle about a tormenting ape-like creature that mounts a man's shoulders and won't get off, which may be the root of the term. In 1890s British slang, to have a monkey up the chimney meant "to have a mortgage on one's house." The Japanese three wise monkeys ("see no evil," etc.) are attested in English by 1891.
"one who or that which hooks" in any sense, agent noun from hook (v.). Meaning "prostitute" (by 1845) often is traced to the disreputable morals of the Army of the Potomac (American Civil War) under the tenure of Gen. "Fighting Joe" Hooker (early 1863), and the word might have been popularized by this association at that time (though evidence is wanting). But it is reported to have been in use in North Carolina c. 1845 ("[I]f he comes by way of Norfolk he will find any number of pretty Hookers in the Brick row not far from French's hotel. Take my advice and touch nothing in the shape of a prostitute when you come through Raleigh, for in honest truth the clap is there of luxuriant growth." letter quoted in Norman E. Eliason, "Tarheel Talk," 1956).
One early theory traces it to Corlear's Hook, a section of New York City.
HOOKER. A resident of the Hook, i.e. a strumpet, a sailor's trull. So called from the number of houses of ill-fame frequented by sailors at the Hook (i.e. Corlear's Hook) in the city of New York. [John Russell Bartlett, "Dictionary of Americanisms," 1859]
Or perhaps related to hooker "thief, pickpocket" (1560s).
But the word is likely a reference to prostitutes hooking or snaring clients. Hook in the figurative sense of "that by which anyone is attracted or caught" is recorded from early 15c.; and hook (v.) in the figurative sense of "catch hold of and draw in" is attested from 1570s; in reference to "fishing" for a husband or a wife, it was in common use from c. 1800. All of which makes the modern sense seem a natural step. Compare French accrocheuse, raccrocheuse, common slang term for "street-walker, prostitute," literally "hooker" of men.
The family name Hooker (attested from c. 975) would mean "maker of hooks," or else refer to an agricultural laborer who used a hook (compare Old English weodhoc "weed-hook").
Middle English nede, from Old English nied (West Saxon), ned (Mercian) "what is required, wanted, or desired; necessity, compulsion, the constraint of unavoidable circumstances; duty; hardship, emergency, trouble, time of peril or distress; errand, business," originally "violence, force," from Proto-Germanic *nauthiz/*naudiz (source also of Old Saxon nod, Old Norse nauðr "distress, emergency, need," Old Frisian ned, "force, violence; danger, anxiety, fear; need," Middle Dutch, Dutch nood "need, want, distress, peril," Old High German not, German Not "need, distress, necessity, hardship," Gothic nauþs "need").
This is apparently from a root *nauti- "death, to be exhausted," source also of Old English ne, neo, Old Norse na, Gothic naus "corpse;" Old Irish naunae "famine, shortage," Old Cornish naun "corpse;" Old Church Slavonic navi "corpse," nazda, Russian nuzda, Polish nędza "misery, distress;" Old Prussian nowis "corpse," nautin "need, distress," nawe "death;" Lithuanian novyti "to torture, kill," nove "death." As it is attested only in Germanic, Celtic, and Balto-Slavic, it might be non-PIE, from a regional substrate language.
From 12c. as "lack of something that is necessary or important; state or condition of needing something;" also "a necessary act, required work or duty." Meaning "extreme poverty, destitution, want of means of subsistence" is from early 14c.
The more common Old English word for "need, necessity, want" was ðearf, but they were connected via a notion of "trouble, pain," and the two formed a compound, niedðearf "need, necessity, compulsion, thing needed." Nied also might have been influenced by Old English neod "desire, longing," which often was spelled the same. Nied was common in Old English compounds, such as niedfaru "compulsory journey," a euphemism for "death;" niedhæmed "rape" (the second element being an Old English word meaning "sexual intercourse"); niedling "slave."
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle." The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
[The answer is "snow-ball."]
The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
"fine, minute, loose, uncompacted particles," c. 1300, poudre, "ash, cinders; dust of the earth;" early 14c. of any pulverized substance; from Old French poudre "dust, powder; ashes; powdered substance" (13c.), earlier pouldre (11c.), from Latin pulverem (nominative pulvis) "dust, powder" (source also of Spanish polvo, Italian polve; see pulverize).
The insertion of the unetymological -d- was common in French (compare meddle, tender (adj.), remainder). German has it as a doublet; Puder via French and Pulver from Latin. From mid-14c. specifically as "medicinal powder;" specialized sense of "gunpowder" is from late 14c. In the sense "powdered cosmetic," it is recorded from 1570s.
Powder keg "small barrel for holding gunpowder" is by 1820; the figurative sense ("something likely to explode easily") is by 1895. Powder room, euphemistic for "women's lavatory," is attested from 1936. Earlier it meant "place where gunpowder is stored on a warship" (1620s). Powder monkey "boy employed on ships to carry powder from the magazines to the guns" is from 1680s. Powder blue (1650s) was smalt used in laundering; as a color name from 1894.
The phrase take a powder "scram, vanish," is from 1920; it was a common phrase as a doctor's instruction, so perhaps the notion is of taking a laxative medicine or a sleeping powder, with the result that one has to leave in a hurry (or, on another guess, from a magician's magical powder, which makes things disappear).
Avis dropped an exhausted little heap onto her aunt's bed. She put her hand over her heart and said piteously, "Oh, Aunt Joyce, I mustn't ever do that again. My heart's going awful fast. I shall have to take a powder. Wasn't it fun though-" Avis' dark eyes flashed. [from "The Evolution of Avis" in The Connecticut School Journal, Jan. 9, 1902]
When the wife of your breast has confessed she has drest
On just triple the sum you allowed her,
And has run up long bills for her frocks and her frills—
Take a powder, my friend, take a powder.
[from "The Panacaea," in Punch, Dec. 14, 1901]
Powder in the wind (c. 1300, meaning powdered spices) was a Middle English image of something highly valued but flawed in some way that renders it impermanent or doomed to loss (of virtues without humility, etc.).
"feathered, warm-blooded vertebrate animal of the class Aves," Old English bird, rare collateral form of bridd, originally "young bird, nestling" (the usual Old English for "bird" being fugol, for which see fowl (n.)), which is of uncertain origin with no cognates in any other Germanic language. The suggestion that it is related by umlaut to brood and breed is rejected by OED as "quite inadmissible." Metathesis of -r- and -i- was complete 15c. (compare wright).
Despite its early attestation, bridd is not necessarily the oldest form of bird. It is usually assumed that -ir- from -ri- arose by metathesis, but here, too, the Middle English form may go back to an ancient period. [Liberman]
Still up to c. 1400 it was often used in the specific sense "the young of a bird, fledgling, nestling, chick," and of the young of other animals (bees, fish, snakes) and human children. Compare the usual Balto-Slavic words for "bird" (Lithuanian paukštis, Old Church Slavonic pŭtica, Polish ptak, Russian ptica, etc.), said to be ultimately from the same root as Latin pullus "young of an animal."
The proper designation of the feathered creation is in E. fowl, which in course of time was specially applied to the gallinaceous tribe as the most important kind of bird for domestic use, and it was perhaps this appropriation of the word which led to the adoption of the name of the young animal as the general designation of the race. [Hensleigh Wedgwood, "A Dictionary of English Etymology," 1859]
Figurative sense of "secret source of information" is from 1540s. Meaning "man, fellow, person" is from 1799. Bird-watching attested from 1897. Bird's-eye view "the view as seen from above, as if by a bird in flight," is from 1762. For the birds recorded from 1944, supposedly in allusion to birds eating from droppings of horses and cattle. The bird-spider (1800) of the American tropics is a large sort of tarantula that can capture and kill small birds.
A byrde yn honde ys better than three yn the wode. [c. 1530]
The form with bush is attested by 1630s.
masc. proper name, attested by 1218, probably via Anglo-French Jake, Jaikes, from Old French Jacques (which was a diminutive of Latin Jacobus; see Jacob), but in English the name always has been regarded as a familiar form of John, and some have argued that it is a native formation. In Middle English spelled Jakke, Jacke, etc., and pronounced as two syllables ("Jackie").
In England, Jack became a generic name applied familiarly or contemptuously to anybody (especially a young man of the lower classes) from late 14c. Later used especially of sailors (1650s; Jack-tar is from 1781); Jack-ashore (adj.) "drinking and in high spirits, recklessly spending" (1875) also is an image from sailors (1840 as a book title). In U.S., as a generic name addressed to an unknown stranger, attested from 1889. Every man Jack "everyone" is from 1812. Also see jack (n.).
Used in male personifications from 15c.; first record of jack-of-all-trades "person handy at any kind of work or business" is from 1610s; Jack Frost is from 1826; Jack-nasty "a sneak or sloven" is from 1833 (Jack-nasty-face, a sea-term for a common sailor, is from 1788). Jack Sprat for a small, light man is from 1560s (his opposite was Jack Weight). Jack-pudding "comical clown, buffoon" is from 1640s. Jack-Spaniard is from 1703 as a Spaniard, 1833 as "a hornet" in the West Indies. Other personifications listed in Farmer & Henley include jack-snip "a botching tailor," Jack-in-office "overbearing petty official" (1680s), Jack-on-both-sides "a neutral," Jack-out-of-doors "a vagrant" (1630s), jack-sauce "impudent fellow" (1590s).
The U.S. plant jack-in-the-pulpit (Indian turnip) is attested by 1833. Jack the Ripper was active in London 1888. The Scottish form is Jock (compare jockey (n.)). Alliterative coupling of Jack and Jill is from 15c. (Iakke and Gylle, Ienken and Iulyan). Jack Ketch for "hangman, executioner" (1670s) is said to be from the name of a public executioner in the time of James II (compare Derrick); it also was used as a verb meaning "to hang."
1842, "ancient obscene painting, especially in temples of Bacchus," from French pornographie, from Greek pornographos "(one) depicting prostitutes," from graphein "to write" (see -graphy) + pornē "prostitute," originally "bought, purchased" (with an original notion, probably of "female slave sold for prostitution"), related to pernanai "to sell" (from PIE *perə-, variant of root *per- (5) "to traffic in, to sell").
A brothel in ancient Greek was a porneion. In reference to modern works by 1859 (originally French novels), later as a charge against native literature; the sense of "obscene pictures" in modern times is from 1906. Also sometimes used late 19c. for "description of prostitutes" as a matter of public hygiene.
Pornography, or obscene painting, which in the time of the Romans was practiced with the grossest license, prevailed especially at no particular period in Greece, but was apparently tolerated to a considerable extent at all times. Parrhasius, Aristides, Pausanias, Nicophanes, Chaerephanes, Arellius, and a few other [pornographoi] are mentioned as having made themselves notorious for this species of license. [Charles Anthon, "Dictionary of Greek and Roman Antiquities," New York, 1843]
I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that. [U.S. Supreme Court Justice Potter Stewart, concurring opinion, "Jacobellis v. Ohio," 1964]
E. Bray in The Medical Archives [December 1872] proposed porniatria for "the lengthy and really meaningless expression 'social evil hospital' ...." In ancient contexts, often paired with rhypography, "genre painting of low, sordid, or unsuitable subjects."
Pornocracy (1860) is "the dominating influence of harlots," used specifically of the control of the government of Rome and the election to the Papacy during the first half of the 10th century by the noble but profligate Theodora and her daughters. Pornotopia (1966) was coined to describe the ideal erotic-world of pornographic movies.
third letter of the alphabet. Alphabetic writing came to Rome via the southern Etruscan "Caeretan" script, in which gamma was written as a crescent. Early Romans made little use of Greek kappa and used gamma for both the "g" and "k" sounds, the latter more frequently, so that the "k" sound came to be seen as the proper one for gamma. Classical Latin -c-, with only the value "k," passed to Celtic and, via missionary Irish monks, to the Anglo-Saxons. Also see cee.
In some Old English words, before some vowels and in certain positions, -c- had a "ts" sound that was respelled ch- in Middle English by French scribes (chest, cheese, church; see ch). In Old English -k- was known but little used.
Meanwhile, in Old French, many "k" sounds drifted to "ts" and by 13c., "s," but still were written -c-. Thus the 1066 invasion brought to the English language a flood of French and Latin words in which -c- represented "s" (as in cease, ceiling, circle) and a more vigorous use of -k- to distinguish that sound. By 15c. even native English words with -s- were being respelled with -c- for "s" (ice, mice, lice).
In some English words from Italian, the -c- has a "ch" sound (via a sound evolution somewhat like the Old French one). In German, -c- in loanwords was regularized to -k- or -z- (depending on pronunciation) in the international spelling reform of 1901, which was based on the Duden guide of 1880.
As a symbol in the Roman numeral system, "one hundred;" the symbol originally was a Greek theta, but was later reduced in form and understood to stand for centum. In music, it is the name of the keynote of the natural scale, though the exact pitch varied in time and place 18c. and 19c. from 240 vibrations per second to 275; it wasn't entirely regularized (at 261.63) until the adoption of the A440 standard in the 1930s. C-spring as a type of carriage spring is from 1794, so called for its shape.