"next in order after the sixty-ninth; being one of seventy equal parts into which a whole is regarded as divided;" c. 1300, seventithe, from seventy + -th (1). It replaced earlier forms from Old English (hund)seofontigoþa. In Middle English also sometimes seuentiand, by influence of Old Norse ordinal ending -tugonde. Compare German siebenzigste, Old Norse sjautugti. As a noun, "ordinal number corresponding to seventy."
"one-sixtieth of a minute of degree," also "sixtieth part of a minute of time," late 14c. in geometry and astronomy, seconde, from Old French seconde, from Medieval Latin secunda, short for secunda pars minuta "second diminished part," the result of the second division of the hour by sixty (the first being the "prime minute," now simply the minute), from Latin secunda, fem. of secundus "following, next in time or order" (see second (adj.)).
The second hand of a clock, the pointer indicating the passage of seconds, is attested by 1759.
"seven times ten; the number which is one more than sixty-nine; a symbol representing this number;" Old English (hund)seofontig, from seofon (see seven) + -tig (see -ty (1)). Similar formation in Old Saxon sibuntig, Old Frisian soventich, Middle Dutch seventich, Old High German sibunzug, Old Norse sjautugr.
Seventy-eight (78) "gramophone record played at a speed of seventy-eight revolutions per minute," which was the standard until the introduction of long-play (see LP) in 1948; the use of seventy-eight to distinguish the old discs is by 1951.
mid-14c., earlier antecrist (late Old English) "an opponent of Christ, an opponent of the Church," especially the last and greatest persecutor of the faith at the end of the world, from Late Latin antichristus, from Greek antikhristos (I John ii.18), from anti- "against" (see anti-) + khristos (see Christ). The earliest appearance of anti- in English and one of the few before c. 1600.
The name has also been applied to the pretenders to the Messiahship, or false Christs (Mat. xxiv. 24), who have arisen at various periods, as being antagonistic to the true Christ. Of these as many as sixty-four have been reckoned, including some of little importance, and also some, as Mohammed, who cannot properly be classed among them. [Century Dictionary]
"1 more than two; the number which is one more than two; a symbol representing this number;" Old English þreo, fem. and neuter (masc. þri, þrie), from Proto-Germanic *thrijiz (source also of Old Saxon thria, Old Frisian thre, Middle Dutch and Dutch drie, Old High German dri, German drei, Old Norse þrir, Danish tre), from nominative plural of PIE root *trei- "three" (source also of Sanskrit trayas, Avestan thri, Greek treis, Latin tres, Lithuanian trys, Old Church Slavonic trye, Irish and Welsh tri "three").
3-D first attested 1952, abbreviation of three-dimensional (1878). Three-piece suit is recorded from 1909. Three cheers for ______ is recorded from 1751. Three-martini lunch is attested from 1972. Three-ring circus is recorded by 1898. Three-sixty "complete turnaround" is from 1927, originally among aviators, in reference to the number of degrees in a full circle. Three musketeers translates French les trois mousquetaires, title of the 1844 novel by Alexandre Dumas père.
1540s, "miserable person, wretch," from Latin miser (adj.) "unhappy, wretched, pitiable, in distress," a word for which "no acceptable PIE pedigree has been found" [de Vaan]. The oldest English sense now is obsolete; the main modern meaning of "money-hoarding person" ("one who in wealth conducts himself as one afflicted with poverty" - Century Dictionary) is recorded by 1560s, from the presumed unhappiness of such people. The older sense is preserved in miserable, misery, etc.
Besides general wretchedness, the Latin word connoted also "intense erotic love" (compare slang got it bad "deeply infatuated") and hence was a favorite word of Catullus. In Greek a miser was kyminopristes, literally "a cumin seed splitter." In Modern Greek, he might be called hekentabelones, literally "one who has sixty needles." The German word, filz, literally "felt," preserves the image of the felt slippers which the miser often wore in caricatures. Lettish mantrausis "miser" is literally "money-raker."
c. 1300, "to touch, to handle," from Old French taster "to taste, sample by mouth; enjoy" (13c.), earlier "to feel, touch, pat, stroke" (12c., Modern French tâter), from Vulgar Latin *tastare, apparently an alteration (perhaps by influence of gustare) of taxtare, a frequentative form of Latin taxare "evaluate, handle" (see tax (v.)). Meaning "to take a little food or drink" is from c. 1300; that of "to perceive by sense of taste" is recorded from mid-14c. Of substances, "to have a certain taste or flavor," it is attested from 1550s (replaced native smack (v.3) in this sense). Another PIE root in this sense was *geus- "to taste; to choose."
The Hindus recognized six principal varieties of taste with sixty-three possible mixtures ... the Greeks eight .... These included the four that are now regarded as fundamental, namely 'sweet,' 'bitter,' 'acid,' 'salt.' ... The others were 'pungent' (Gk. drimys, Skt. katuka-), 'astringent' (Gk. stryphnos, Skt. kasaya-), and, for the Greeks, 'rough, harsh' (austeros), 'oily, greasy' (liparos), with the occasional addition of 'winy' (oinodes). [Carl Darling Buck, "A Dictionary of Selected Synonyms in the Principal Indo-European Languages," 1949]
Sense of "to know by experience" is from 1520s. Related: Tasted; tasting. Taste buds is from 1879; also taste goblets.
"short hair," 1680s; attested 1570s in sense of "a horse's tail cut short," from earlier bobbe "cluster" (as of leaves), mid-14c., a northern word, perhaps of Celtic origin (compare Irish baban "tassel, cluster," Gaelic babag).
The group of bob words in English is of obscure and mostly colloquial origin; some originally were perhaps vaguely imitative, but they have become more or less entangled and merged in form and sense. As a noun, it has been used over the years in various senses connected by the notion of "round, hanging mass," as of weights at the end of a fishing line (1610s), a pendulum (1752) or a plumb-line (1832). The hair sense was revived with a shift in women's styles starting in 1918 (when the cut was regarded as a sign of radicalism), and the modern noun meaning "a bobbed hair style" dates from 1920.
In the latter years of the decade [1920s] bobbed hair became almost universal among girls in their twenties, very common among women in their thirties and forties, and by no means rare among women of sixty .... Women universally adopted the small cloche hat which fitted tightly on the bobbed head, and the manufacturer of milliner's materials joined the hair-net manufacturer, the hair-pin manufacturer, and the cotton goods and woolen goods and corset manufacturers, among the ranks of depressed industries. [Frederick Lewis Allen, "Only Yesterday"]
mid-15c., also mixte, "consisting of different elements or parts," from Latin mixtus, past participle of miscēre "to mix, mingle, blend" (from PIE root *meik- "to mix," also see mix (v.)). From 1550s as "not comprised in one class or kind, indiscriminate." Of government from 1530s.
Mixed blessing, one with some unpleasant elements, is by 1849. Mixed marriage is from 1690s, originally in a religious context; racial sense was in use by 1942 in U.S., though mixed breed in reference to mulattoes is found by 1775. Mixed motives is by 1736; mixed feelings by 1782. Mixed bag "heterogeneous collection" is by 1895, from the hunting term for an assortment of game birds killed in one outing. Mixed up is from 1884 as "confused," from 1862 as "involved, implicated" (see mix-up). Mixed metaphor, "an expression in which two or more metaphors are confused," is by 1753.
Mixed drink in the modern liquor sense is recorded by 1868; the thing itself is older; Bartlett (1859) lists sixty names "given to the various compounds or mixtures of spirituous liquors and wines served up in fashionable bar rooms in the United States," all from a single advertisement. The list includes Tippe na Pecco, Moral suasion, Vox populi, Jewett's fancy, Ne plus ultra, Shambro, Virginia fancy, Stone wall, Smasher, Slingflip, Pig and whistle, Cocktail, Phlegm-cutter, Switchel flip, Tip and Ty, Ching-ching, Fiscal agent, Slip ticket, Epicure's punch.
late 14c., sensitif, in reference to the body or its parts, "capable of receiving impressions from external objects, having the function of sensation;" also (c. 1400) in scholastic philosophy, "of or pertaining to the faculty of the soul that receives and analyzes sensory information;" from Old French sensitif "capable of feeling" (13c.) and directly from Medieval Latin sensitivus "capable of sensation," from Latin sensus, past participle of sentire "feel, perceive" (see sense (n.)). Also in early Modern English sencitive.
By 1520s as "of, connected with, or affecting the senses." With reference to persons or mental feelings, "keenly susceptible to external influences," especially "easily touched by emotion, readily wounded by unkindness" (but also "ready to take offense"), by 1816.
What is commonly called a 'sensitive' person is one whose sense-organs cannot go on responding as the stimulus increases in strength, but become fatigued. [James Sully, "Outlines of Psychology," 1884]
The mechanical meaning "so delicately adjusted as to respond quickly to very slight changes or conditions" is by 1857. The Cold War meaning "involving national security" is attested by 1953. Related: Sensitively; sensitiveness.
The purely physical sense, in reference to a living being, skin, etc., "having quick or intense response to sensation," is by 1808; it is preserved in sensitive plant (1630s, also in Shelley's poem), a legume which is "mechanically irritable in a higher degree than almost any other plant" [Century Dictionary].
Marijuana ... makes you sensitive. Courtesy has a great deal to do with being sensitive. Unfortunately marijuana makes you the kind of sensitive where you insist on everyone listening to the drum solo in Iron Butterfly's 'In-a-Gadda-Da-Vida' fifty or sixty times. [P.J. O'Rourke, "Modern Manners," 1983]
As a noun, in mesmerism, "one who is sensitive to hypnotic influence," 1850; later "one in whom the sensitive facility is highly developed, an aesthete" (1891).