1795, "to bring to a center, draw to a central point;" 1800, "come to a center," from central + -ize, on model of French centraliser (1790). A word from the French Revolution, generally applied to the transferring of local administration to the central government. Related: Centralized; centralizing.
Government should have a central point throughout its whole periphery. The state of the monthly expences amounted to four hundred millions; but within these seven months, it is reduced to one hundred and eighty millions. Such is the effect of the centralization of government; and the more we centralize it, the more we shall find our expenses decrease. [Louis Antoine de Saint-Just, "Discourse on the State of the Finances," 1793]
"to climb (a wall) by or as by a ladder; attack with scaling ladders," late 14c., scalen, from Latin scala "ladder, flight of stairs," from *scansla, from stem of scandere "to climb" (see scan (v.)).
Middle English scale, "ladder used in sieges," is attested c. 1400, from the Latin noun. The verb in general and figurative use (of mountains, heights of pleasure, etc.) is from 16c.
Via scale (n.3) "standard of measure or estimation" comes the meaning "measure or regulate by a scale" (1798), the sense of "draw, project, or make according to scale" (by 1885), and scale down "cut or decrease proportionally in every part" (by 1887). Related: Scaled; scaling.
late 14c., rounden, "to make round, give roundness to," from round (adj.). Sense of "make a circuit round" is from 1590s. Sense of "bring to completeness" is from c. 1600; meaning "to approximate (a number)" is from 1934; with up or down, "to increase (or decrease) a number by adding to its last digit," by 1956. Meaning "turn round and face, turn on and assault" is from 1882. Related: Rounded; rounding.
Sense of "go past or get round" is by 1743. To round out "fill up" is by 1856. To round off is from 1680s as "make round, finish with a curved or rounded form;" by 1748 as "finish appropriately and neatly." Also compare roundup.
"1 more than fifteen, twice eight; the number which is one more than fifteen; a symbol representing this number;" Old English sixtyne, from siex (see six) + -teen. Similar formation in Old Frisian sextine, Middle Dutch sestien, Dutch zestien, German sechzehn, Old Norse sextan.
The age of the gods is always sixteen. Sixteen represents the number of perfection, of plenitude. In man it is after the sixteenth year that the first elements of decay begin to appear, and when the moon reaches the sixteenth digit it begins to decrease. [Alain Daniélou, "The Myths and Gods of India"]
From Latin contracted form sexdecim, sedecim come Italian sedici, French seize.
late 14c., relaxen, "to make (something) less compact or dense" (transitive), originally especially in medicine, of muscles, etc., from Old French relaschier "set free; soften; reduce" (14c.) and directly from Latin relaxare "relax, loosen, open, stretch out, widen again; make loose," from re- "back" (see re-) + laxare "loosen," from laxus "loose" (from PIE root *sleg- "be slack, be languid"). A doublet of release.
Meaning "decrease tension" is from early 15c. From 1660s as "to make less severe or rigorous." Intransitive sense of "become loose or languid" is by 1762; that of "become less tense" is recorded from 1935. Of persons, "to become less formal," by 1837. Related: Relaxed; relaxing. As a noun, "relaxation, an act of relaxing," from 17c.
"fantastic series or medley of illusive or terrifying figures or images," 1802, the name of a magic lantern exhibition brought to London in 1802 by Parisian showman Paul de Philipstal. The name is an alteration of French phantasmagorie, which is said to have been coined 1801 by French dramatist Louis-Sébastien Mercier as though to mean "crowd of phantoms," from Greek phantasma "image, phantom, apparition" (from PIE root *bha- (1) "to shine").
The second element appears to be a French form of Greek agora "assembly. "But the inventor of the word prob. only wanted a mouth-filling and startling term, and may have fixed on -agoria without any reference to the Greek lexicon" [OED]. The transferred meaning "shifting scene of many elements" is attested from 1822. Related: Phantasmagorical.
In Philipstal's 'phantasmagoria' the figures were made rapidly to increase and decrease in size, to advance and retreat, dissolve, vanish, and pass into each other, in a manner then considered marvellous. [OED]
c. 1300, "to make, with an edged tool or instrument, an incision in; make incisions for the purpose of dividing into two or more parts; remove by means of a cutting instrument;" of an implement, "have a cutting edge," according to Middle English Compendium from a presumed Old English *cyttan, "since ME has the normal regional variants of the vowel." Others suggest a possible Scandinavian etymology from North Germanic *kut- (source also of Swedish dialectal kuta "to cut," kuta "knife," Old Norse kuti "knife"), or that it is from Old French couteau "knife."
From early 14c. as "to make or fashion by cutting or carving." From c. 1400 as "to intersect or cross." From early 15c. as "abridge or shorten by omitting a part."
Meaning "to wound the sensibilities of" is from 1580s (to cut the heart in the same sense is attested from early 14c.). Sense of "sever connection or relations with" is from 1630s.
Meaning "to be absent without excuse" is British university slang from 1794. Colloquial or slang sense of "move off with directness and rapidity" is from 1580s. Meaning "divide (a deck of cards) at random into parts before the deal" to prevent cheating is from 1530s.
Meaning "to dilute, adulterate" (liquor, etc.) is by 1930. Colloquial sense of "to divide or share" is by 1928, perhaps an image from meat-carving at table. As a director's call to halt recording or performing, by 1931 (in an article about Pete, the bulldog with the black-ringed eye in the Hal Roach studios shorts, who was said to know the word). The sense of "perform, execute" (c. 1600) is in cut capers "frisk about;" cut a dash "make a display."
To cut down is from late 14c. as "to fell;" by 1821 as "to slay" (as with a sword); 1857 as "to curtail." To cut (someone or something) down to size is from 1821 as "reduce to suitable dimensions;" the figurative sense, "reduce to the proper level of importance," is by 1927.
To cut in "enter suddenly and unceremoniously" is from 1610s; sense of "suddenly join in conversation, interrupt" is by 1830. To cut up "cut in pieces" is from 1570s. To cut back is from 1871 as "prune by cutting off shoots," 1913 in cinematography, "return to a previous scene by repeating a part of it," 1943 as "reduce, decrease" (of expenditures, etc.). To cut (something) short "abridge, curtail, interrupt" is from 1540s.
In nautical use to cut a feather (1620s) is to move so fast as to make water foam under the bow. To cut and run (1704) also is originally nautical, "cut cable and set sail immediately," as in an emergency, hence, generally, "to make off suddenly."
To cut the teeth "have the teeth grow through the gums" as an infant is from 1670s. To cut both ways in the figurative sense of "have a good and bad effect" is from c. 1600. To cut loose "set (something) free" is by 1828; intransitive sense "begin to act freely" is by 1909.
Cut it out "remove (something) by or as if by cutting" yielded a figurative use in the command cut it out! "Stop! That's enough!" by 1933. The evolution seems to have begun earlier. A piece attributed to the Chicago Live Stock World that made the rounds in trade publications 1901-02 begins:
When you get 'hot' about something and vow you are going to rip something or somebody up the back—cut it out.
If you feel disposed to try the plan of building yourself up by tearing some one else down—cut it out.
Playing on both senses, it ends with "Should you, after reading this preachy stuff, fear you might forget some of the good advice—cut it out."