late 14c. "trimming or lining of a garment" (implied c. 1300 in surname Furhode "fur hood"), probably from Old French forrer, fourrer "cover with fur, line (clothing)," in general "to cover, fill with," from fuerre "sheath, scabbard" (via notion of "covering"), from Frankish *fodr or another Germanic source, from Proto-Germanic *fodram "sheath" (source also of Old Frisian foder "coat lining," Old High German fotar "a lining," German Futter, Gothic fodr "sword sheath"), from PIE root *pa- "to feed, protect."
First applied c. 1400 to the hairy pelt of an animal, whether still on the animal or not. The Old French noun might have had the sense "hide, fur, pelt" (and thus might serve as the immediate source of the English noun), but this is not attested. Absent this, the sense transfer from the lining to the material that goes to make it probably happened in English. As an adjective from 1590s.
I'le make the fur Flie 'bout the eares of the old Cur. [Butler, "Hudibras," 1663]
mid-15c., "the tilling of land, act of preparing the earth for crops," from Latin cultura "a cultivating, agriculture," figuratively "care, culture, an honoring," from past participle stem of colere "to tend, guard; to till, cultivate" (see colony). Meaning "the cultivation or rearing of a crop, act of promoting growth in plants" (1620s) was transferred to fish, oysters, etc., by 1796, then to "production of bacteria or other microorganisms in a suitable environment" (1880), then "product of such a culture" (1884).
The figurative sense of "cultivation through education, systematic improvement and refinement of the mind" is attested by c. 1500; Century Dictionary writes that it was, "Not common before the nineteenth century, except with strong consciousness of the metaphor involved, though used in Latin by Cicero." Meaning "learning and taste, the intellectual side of civilization" is by 1805; the closely related sense of "collective customs and achievements of a people, a particular form of collective intellectual development" is by 1867.
For without culture or holiness, which are always the gift of a very few, a man may renounce wealth or any other external thing, but he cannot renounce hatred, envy, jealousy, revenge. Culture is the sanctity of the intellect. [William Butler Yeats, journal, 7 March, 1909]
Slang culture vulture "one voracious for culture" is from 1947. Culture shock "disorientation experienced when a person moves to a different cultural environment or an unfamiliar way of life" is attested by 1940. Ironic or contemptuous spelling kulchur is attested from 1940 (Pound), and compare kultur.
early 13c., "skill as a result of learning or practice," from Old French art (10c.), from Latin artem (nominative ars) "work of art; practical skill; a business, craft," from PIE *ar(ə)-ti- (source also of Sanskrit rtih "manner, mode;" Greek artizein "to prepare"), suffixed form of root *ar- "to fit together." Etymologically akin to Latin arma "weapons" (see arm (n.2)).
In Middle English usually with a sense of "skill in scholarship and learning" (c. 1300), especially in the seven sciences, or liberal arts. This sense remains in Bachelor of Arts, etc. The meaning "human workmanship" (as opposed to nature) is from late 14c. The meaning "system of rules and traditions for performing certain actions" is from late 15c. The sense of "skill in cunning and trickery" is attested by late 16c. (the sense in artful, artless). The meaning "skill in creative arts" is recorded by 1610s; especially of painting, sculpture, etc., from 1660s.
In science you must not talk before you know. In art you must not talk before you do. In literature you must not talk before you think. [Ruskin, "The Eagle's Nest," 1872]
Supreme art is a traditional statement of certain heroic and religious truths, passed on from age to age, modified by individual genius, but never abandoned. The revolt of individualism came because the tradition had become degraded, or rather because a spurious copy had been accepted in its stead. [William Butler Yeats, journal, 1909]
Expression art for art's sake (1824) translates French l'art pour l'art. First record of art critic is from 1847. Arts and crafts "decorative design and handcraft" is from the Arts and Crafts Exhibition Society, founded in London in 1888.
c. 1500, "a ceasing, an ending; a going away, act of leaving" (obsolete in this sense), from Old French departement "division, sharing out; divorce, parting" (12c.), from Late Latin departire "to divide" (transitive), from de- "from" (see de-) + partire "to part, divide," from pars (genitive partis) "a part, piece, a share, a division" (from PIE root *pere- (2) "to grant, allot").
French department came also to mean "group of people" (as well as "departure"), and from this by 1735 English had borrowed the sense of "separate division of a complex whole, separate business assigned to someone in a larger organization, distinct branch or group of activities" (science, business, manufacture, the military). The specific meaning "separate division of a government" is from 1769. As an administrative district in France, from 1792.
Department store "store that sells a variety of items, organized by department" is from 1878.
The "Department Store" is the outgrowth of the cheap counter business originated by Butler Brothers in Boston about ten years ago. The little "Five Cent Counter" then became a cornerstone from which the largest of all the world's branches of merchandising was to be reared. It was the "Cheap Counter" which proved to the progressive merchant his ability to sell all lines of wares under one roof. It was the Five Cent Counter "epidemic" of '77 and '78 which rushed like a mighty whirlwind from the Atlantic to the Pacific and all along its path transformed old time one line storekeepers into the wide-awake merchant princes of the present day. It was this same epidemic which made possible the world famed Department Stores of Houghton, of Boston; Macy, of New York; Wanamaker, of Philadelphia; and Lehman, of Chicago. [American Storekeeper, 1885]
"one of a class of celestial bodies which move about the sun in great, elliptical orbits," c. 1200, from Old French comete (12c., Modern French comète), from Latin cometa, from Greek (aster) komētēs, literally "long-haired (star)," from komē "hair of the head" (compare koman "let the hair grow long"), which is of unknown origin. So called from resemblance of a comet's tail to streaming hair.
Visible only when near the sun, they were anciently regarded as omens of ruin, pestilence, and the overthrow of kingdoms. Halley in 1682 established the fact that many were periodic. Comet-wine (1833), that made in any year in which notable comets have been seen, was reputed to have a superior flavor (the original reference is to the Great Comet of 1811). Related: Cometary; cometic; cometical.
Their sudden appearance in the heavens, and the imposing and astonishing aspect which they present, have, even in recent times, inspired alarm and terror. One however—the splendid comet of 1811—escaped somewhat of the general odium; for as it was supposed to be an agent concerned in the remarkably beautiful autumn of that year, and was also associated with the abundant and superior yield of the continental vineyards, the wine of that season was called the comet wine. [The Leisure Hour, April 15, 1852]
Beware of wine named after noted vintages long passed, which is generally a clap-trap, the genuine wines being all before secured for years in private stocks. If "comet wine," or any other noted vintage, be offered, decline it, and nine times out of ten you escape an imposition. [Cyrus Redding, "Every Man His Own Butler," London, 1852]