late 14c., originally in grammar (in reference to nouns that do not name concrete things), from Latin abstractus "drawn away," past participle of abstrahere "to drag away, detach, pull away, divert," also used figuratively; from assimilated form of ab "off, away from" (see ab-) + trahere "to draw" (from PIE root *tragh- "to draw, drag, move;" see tract (n.1)).
The meaning in philosophy, "withdrawn or separated from material objects or practical matters" (opposed to concrete) is from mid-15c. That of "difficult to understand, abstruse" is from c. 1400.
In the fine arts, "characterized by lack of representational qualities" by 1914; it had been a term at least since 1847 for music without accompanying lyrics. Abstract expressionism as an American-based uninhibited approach to art exemplified by Jackson Pollock is from 1952, but the term itself had been used in the 1920s of Kandinsky and others.
Oswald Herzog, in an article on "Der Abstrakte Expressionismus" (Sturm, heft 50, 1919) gives us a statement which with equal felicity may be applied to the artistic attitude of the Dadaists. "Abstract Expressionism is perfect Expressionism," he writes. "It is pure creation. It casts spiritual processes into a corporeal mould. It does not borrow objects from the real world; it creates its own objects .... The abstract reveals the will of the artist; it becomes expression. ..." [William A. Drake, "The Life and Deeds of Dada," 1922]
Then, that art we have called "abstract" for want of any possible descriptive term, with which we have been patient, and, even, appreciative, getting high stimulation by the new Guggenheim "non-objective" Art Museum, is reflected in our examples of "surrealism," "dadaism," and what-not, to assert our acquaintance in every art, fine or other. [Report of the Art Reference Department of Pratt Institute Free Library for year ending June 30, 1937]
late 14c., "relation of incidents" (true or false), from Old French estoire, estorie "story; chronicle, history" (12c., Modern French histoire), from Latin historia "narrative of past events, account, tale, story," from Greek historia "a learning or knowing by inquiry; an account of one's inquiries; knowledge, account, historical account, record, narrative," from historein "be witness or expert; give testimony, recount; find out, search, inquire," and histōr "knowing, expert; witness," both ultimately from PIE *wid-tor-, from root *weid- "to see," hence "to know."
It is thus related to Greek idein "to see," and to eidenai "to know." Beekes writes of histōr that "The word itself, but especially the derivations ... that arose in Ionic, have spread over the Hellenic and Hellenistic world together with Ionic science and philosophy."
In Middle English, not differentiated from story (n.1); sense of "narrative record of past events" probably first attested late 15c. Meaning "the recorded events of the past" is from late 15c. As a branch of knowledge, from late 15c. Meaning "a historical play or drama" is from 1590s. Sense of "systematic account (without reference to time) of a set of natural phenomena" (1560s) is now obsolete except in natural history (as late as the 1880s published county histories in the U.S. routinely included natural history chapters, with lists of birds and fishes and illustrations of local slugs and freshwater clams). Meaning "an eventful career, a past worthy of note" (a woman with a history) is from 1852. To make history "be notably engaged in public events" is from 1862.
History is the interpretation of the significance that the past has for us. [Johan Huizinga, "The Task of the Cultural Historian"]
History is more or less bunk [Henry Ford, Chicago Tribune, May 25, 1916]
One difference between history and imaginative literature ... is that history neither anticipates nor satisfies our curiosity, whereas literature does. [Guy Davenport, "Wheel Ruts," 1996]
late 14c., sensitif, in reference to the body or its parts, "capable of receiving impressions from external objects, having the function of sensation;" also (c. 1400) in scholastic philosophy, "of or pertaining to the faculty of the soul that receives and analyzes sensory information;" from Old French sensitif "capable of feeling" (13c.) and directly from Medieval Latin sensitivus "capable of sensation," from Latin sensus, past participle of sentire "feel, perceive" (see sense (n.)). Also in early Modern English sencitive.
By 1520s as "of, connected with, or affecting the senses." With reference to persons or mental feelings, "keenly susceptible to external influences," especially "easily touched by emotion, readily wounded by unkindness" (but also "ready to take offense"), by 1816.
What is commonly called a 'sensitive' person is one whose sense-organs cannot go on responding as the stimulus increases in strength, but become fatigued. [James Sully, "Outlines of Psychology," 1884]
The mechanical meaning "so delicately adjusted as to respond quickly to very slight changes or conditions" is by 1857. The Cold War meaning "involving national security" is attested by 1953. Related: Sensitively; sensitiveness.
The purely physical sense, in reference to a living being, skin, etc., "having quick or intense response to sensation," is by 1808; it is preserved in sensitive plant (1630s, also in Shelley's poem), a legume which is "mechanically irritable in a higher degree than almost any other plant" [Century Dictionary].
Marijuana ... makes you sensitive. Courtesy has a great deal to do with being sensitive. Unfortunately marijuana makes you the kind of sensitive where you insist on everyone listening to the drum solo in Iron Butterfly's 'In-a-Gadda-Da-Vida' fifty or sixty times. [P.J. O'Rourke, "Modern Manners," 1983]
As a noun, in mesmerism, "one who is sensitive to hypnotic influence," 1850; later "one in whom the sensitive facility is highly developed, an aesthete" (1891).
early 14c., "actually existing, having physical existence (not imaginary);" mid-15c., "relating to things" (especially property), from Old French reel "real, actual," from Late Latin realis "actual," in Medieval Latin "belonging to the thing itself," from Latin res "property, goods, matter, thing, affair," which de Vaan traces to a PIE *Hreh-i- "wealth, goods," source also of Sanskrit rayim, rayah "property, goods," Avestan raii-i- "wealth."
The meaning "genuine" is recorded from 1550s; the sense of "unaffected, no-nonsense" is from 1847. Real estate, the exact term, "land, including what is naturally or artificially on or in it" is recorded from 1660s, but as far back as Middle English real was used in law in reference to immovable property, paired with, and distinguished from, personal. The noun phrase real time is from early 19c. in logic and philosophy, from 1953 as an adjectival phrase in reference to "the actual time during which an event or process occurs," with the rise of computer processes. Get real, usually an interjection, was U.S. college slang in 1960s, reaching wide popularity c. 1987. As a noun, the real, "that which actually exists," by 1818 (Coleridge). The real thing "the genuine article" is by 1818.
Real applies to that which certainly exists, as opposed to that which is imaginary or feigned : as, real cause for alarm ; a real occurrence ; a real person, and not a ghost or a shadow ; real sorrow. Actual applies to that which is brought to be or to pass, as opposed to that which is possible, probable, conceivable, approximate, estimated, or guessed at. [Century Dictionary]
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand. [Margery Williams, "The Velveteen Rabbit"]
"small sack," c. 1200, bagge, probably from Old Norse baggi "pack, bundle," or a similar Scandinavian source. OED rejects connection to other Germanic words for "bellows, belly" as without evidence and finds a Celtic origin untenable. In some senses perhaps from Old French bague, which is also from Germanic.
As disparaging slang for "woman" it dates from 1924 in modern use (but various specialized senses of this are much older, and compare baggage). The meaning "person's area of interest or expertise" is by 1964, from African-American vernacular, from jazz sense of "category," probably via notion of putting something in a bag. The meaning "fold of loose skin under the eye" is by 1867. Related: bags.
To be left holding the bag (and presumably nothing else), "cheated, swindled" is attested by 1793. Many figurative senses, such as the verb meaning "to kill game" (1814) and its colloquial extension to "catch, seize, steal" (1818) are from the notion of the game bag (late 15c.) into which the product of the hunt was placed. This also probably explains modern slang in the bag "assured, certain" (1922, American English).
To let the cat out of the bag "reveal the secret" is from 1760. The source is probably the French expression Acheter chat en poche "buy a cat in a bag," which is attested in 18c. French and explained in Bailey's "Universal Etymological English Dictionary" (1736), under the entry for To buy a pig in a poke as "to buy a Thing without looking at it, or enquiring into the Value of it." (Similar expressions are found in Italian and German; and in English, Wycliffe (late 14c.) has To bye a catte in þo sakke is bot litel charge). Thus to let the cat out of the bag would be to inadvertently reveal the hidden truth of a matter one is attempting to pass off as something better or different, which is in line with the earliest uses in English.
Sir Joseph letteth the cat out of the bag, and sheweth principles inimical to the cause of true philosophy, by wishing to make great men Fellows, instead of wise men ["Peter Pindar," "Peter's Prophecy," 1788]
early 14c., bealte, "physical attractiveness," also "goodness, courtesy," from Anglo-French beute, Old French biauté "beauty, seductiveness, beautiful person" (12c., Modern French beauté), earlier beltet, from Vulgar Latin *bellitatem (nominative bellitas) "state of being pleasing to the senses" (source also of Spanish beldad, Italian belta), from Latin bellus "pretty, handsome, charming," in classical Latin used especially of women and children, or ironically or insultingly of men, perhaps from PIE *dw-en-elo-, diminutive of root *deu- (2) "to do, perform; show favor, revere." Famously defined by Stendhal as la promesse de bonheur "the promise of happiness."
[I]t takes the one hundred men in ten million who understand beauty, which isn't imitation or an improvement on the beautiful as already understood by the common herd, twenty or thirty years to convince the twenty thousand next most sensitive souls after their own that this new beauty is truly beautiful. [Stendhal, "Life of Henry Brulard"]
Replaced Old English wlite. The concrete meaning "a beautiful woman" in English is recorded from late 14c. Beauty-sleep "sleep before midnight" (popularly regarded as the most refreshing) is attested by 1850. Beauty-spot "dark spot placed on the face formerly by women to heighten beauty" is from 1650s. Beauty-contest is from 1885; beauty-queen is from 1922 (earlier it was a show-name of cattle and hogs). Beauté du diable (literally "devil's beauty") is used as a French phrase in English from 1825.
But as it is hardly possible to define all the properties which constitute beauty, we may observe in general, that beauty consists in whatever pleases the eye of the beholder, whether in the human body, in a tree, in a landscape or in any other object. [from definition of BEAUTY in Noah Webster's "Dictionary of the English Language," 1828]
That pleasure which is at once the most intense, the most elevating, and the most pure is, I believe, found in the contemplation of the beautiful. When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect—they refer, in short, just to that intense and pure elevation of soul—not of intellect, or of heart—upon which I have commented, and which is experienced in consequence of contemplating the “beautiful.” [Poe, "The Philosophy of Composition," 1846]
